Artist Matisse Mesnil has opened a solo exhibition titled "Sutura" at the Romero Paprocki gallery in Milan. The show marks a new phase in his practice, characterized by technical and methodological experimentation focused on metal as his primary material.
Morocco is debuting its first national pavilion at the Venice Biennale with a monumental installation titled "Asetta" by artist Amina Agueznay. The 300-square-meter site-specific work, located in the Arsenale, draws on centuries-old Moroccan craft traditions, including weaving, beadwork, and embroidery. Agueznay conducted field research across Morocco and collaborated with over 130 artisans, mostly women, some of whom she has worked with for decades. The installation explores the transmission of traditional craftsmanship and shared memory, and incorporates the concept of the threshold (âatba) from Moroccan vernacular architecture, offering visitors both an immersive experience and functional seating.
An Indonesian and Australian couple, Wiyoga Muhardanto and Hannah O’Flynn, have transformed a plot of land in Central Java into an eco-resort and creative hub called Yabbiekayu. The project includes a gallery, artist residencies, and workshops, aiming to foster a sustainable creative economy by connecting local artisans with international artists and designers.
Chanel has unveiled the Coco Game chess set, a one-of-a-kind luxury object that doubles as a high-jewelry timepiece, presented at the brand's watch and jewelry boutique on Place Vendôme. The set features 32 pieces crafted from ceramic and gold, adorned with over 9,000 diamonds totaling approximately 110 carats, with each queen concealing a detachable watch. The collection also includes 13 watch designs and is part of Chanel's Haute Horlogerie line for 2026, designed by Arnaud Chastaingt, director of the Chanel Watch Creation Studio.
Bavarian photographer Markus Brunetti, working with collaborator Betty Schöner, has spent over two decades traveling across Europe in a converted firetruck photo lab to capture monumental composite photographs of basilicas, cathedrals, and other ecclesiastical landmarks. Their process involves taking thousands of meter-by-meter shots of each structure over several years, then meticulously layering and arranging them into high-resolution images that correct perspective to create a striking one-point view. Brunetti's current solo exhibition, "Facades IV" at Yossi Milo gallery in New York City, features recent works including "Roma, Basilica di San Pietro" (2007-2026), which required seven visits over nineteen years to complete.
Iris van Herpen's exhibition "Iris Van Herpen: Sculpting the Senses" opens at the Brooklyn Museum from May 16 to December 6, 2026, featuring over 140 haute couture creations alongside contemporary art, design objects, and natural history specimens. The show, previewed by designboom, is organized around natural themes from water to planetary scale, with the Dutch designer leading a walkthrough that emphasized her inspirations from micro and macro worlds and her process of turning material experiments into wearable sculptures.
Leana Hoadley has opened Hoadley Gallery West in downtown Edmonds, Washington, a boutique gallery specializing in handmade ceramics, jewelry, glass, and sculptural objects. The gallery builds on the legacy of the original Hoadley Gallery in Lenox, Massachusetts, founded over 40 years ago by her aunt and uncle, Stephanie and Thomas Hoadley. After a winding career that included studying at the School of the Museum of Fine Arts in Boston and working as a creative director for an AI company, a 2023 layoff prompted Hoadley to reassess her path and pursue opening her own gallery. The space features works including porcelain vessels by Thomas Hoadley made using the ancient Japanese Nerikomi technique, which are held in collections such as the Smithsonian American Art Museum's Renwick Gallery and the Museum of Fine Arts, Boston.
The V&A has opened a new outpost in east London's Lower Lea Valley, a former industrial area transformed into a cultural quarter after the 2012 Olympics. The museum, described as looking like a 'reconstructed Toblerone', is the latest addition to the 'Olympicopolis' vision, which aimed to create a cultural legacy akin to west London's Albertopolis. The article, written by Catherine Slessor in The Guardian, offers a mixed review: praising the beauty and craftsmanship of the galleries while criticizing overuse of trendy phrases like 'lived experience' and 'transcultural identities'.
The Walters Art Museum is showcasing the intricate jewelry designs of Douriean Fletcher, the specialty jeweler responsible for the iconic adornments in the 'Black Panther' film franchise. The exhibition highlights Fletcher's craftsmanship and her ability to blend Afrofuturist aesthetics with traditional African metalworking techniques, bringing cinematic artifacts into a fine art museum context.
An upcoming exhibition at Tim Bessell's surfboard shop and gallery in La Jolla will showcase surf-inspired works by a group of artists connected by their shared love of surfing and the ocean. The show, expected to open in the first week of June, features painter, sculptor, photographer, and mixed-media artists, including Joel Pessoa, Tim Bessell, Robin Bessell, Shaun Donovan, and Steve Sherman. Pessoa will display wood carvings from Portugal and paintings from his time in La Jolla, while Bessell—an internationally known surfboard maker and artist—will also exhibit his own works, alongside his wife Robin's floral mixed-media pieces and informal contributions from his daughter Natalie.
Morocco will debut its first-ever national pavilion at the 2026 Venice Art Biennale, presenting a monumental installation titled "Asǝṭṭa" by multidisciplinary artist Amina Agueznay. Curated by Meriem Berrada, the project is housed in the Arsenale's Artiglierie and explores themes of traditional craftsmanship, shared memory, and the symbolic threshold (âatba). The installation, which involves 166 Moroccan artisans and two Venetian collaborators, is conceived as a porous, liminal space that engages with the Biennale's theme "In Minor Keys," curated by Koyo Kouoh.
Pandolfini Auction House is hosting a solo exhibition titled "Giardino Alchemico" (Alchemical Garden) by French artist Julie Hamisky at its Milan office during Design Week 2026, from April 22 to 26. The exhibition, created in collaboration with Mitterrand gallery, features sculptures and botanical jewelry made through electroplating—a process that preserves organic matter like flowers and leaves in metal. Key works include "La Géante" (2024), an enlarged poppy sculpture, and "Aqua" (2024), a chandelier of galvanized plant elements, alongside wearable jewelry pieces.
The Earlville Opera House Art Galleries in Earlville, New York, will open the second round of 2026 visual artist exhibitions on Saturday, May 9, from 1 to 3 p.m. The series features three artists: Bruce E. Webster with his retrospective "A Legacy in Wood" showcasing over 40 years of fine wood furniture; Linda Kays-Biviano with "From Clay to Character: Featuring Woodland Spirits," hand-sculpted fantasy figures in polymer clay and resin; and Lawrence Kinney. The exhibits run through July 2, with free admission and an Artist Talk at 1:45 p.m. on opening day.
Lesley Green, founder of Bespoke Glass Studio, creates stained glass sculptures that break from traditional window-mounted forms. Her work includes three-dimensional pieces that project colored light onto walls, functional room dividers, and sculptural objects made using hand-cut copper foil techniques. Green aims to shift perception of stained glass from architectural feature to standalone art object, emphasizing pure color and texture.
The historic Hopton Hall Estate has opened a new gallery in Ashbourne, England, called the Hopton Hall Gallery. The gallery, housed in an 18th-century building that previously served as a butcher's, clockmaker's, and draper's shop, is the creation of estate owners Chris and Andi Harvey. Its inaugural exhibition, 'Brushed Light: Atmospheric Watercolours,' features works by local artists, and the gallery will host a rotating program of exhibitions and events through at least May 2027.
The Musée des Arts Décoratifs in Paris opens "Fashion in Majesty: Haute Couture and Tradition at the Thai Court" from May 13 to November 1, 2026. The exhibition features over a hundred garments, accessories, and textile pieces from the Thai royal family's collections, focusing on how Queen Sirikit modernized Thai ceremonial dress while preserving traditional codes through her collaboration with Pierre Balmain and Maison Lesage. The show also highlights the work of the SUPPORT Foundation, established by Queen Sirikit to safeguard traditional crafts, and the ongoing legacy carried by Queen Suthida and Princess Sirivannavari.
Saudi Arabia has unveiled a large-scale installation by artist Dana Awartani at the 61st Venice Biennale, held at the Arsenale. Titled "May your tears never dry, you who weep over stones," the work covers the entire floor of the Saudi national pavilion and incorporates over 29,000 sunbaked clay bricks and mosaic patterns inspired by Islamic geometric art. The installation references 23 heritage sites across the Arab world that have been damaged or destroyed by conflict, and was produced over nearly 30,000 artisan hours with 32 craftspeople at a studio outside Riyadh. Curated by Antonia Carver with assistant curator Hafsa Alkhudairi, the piece emphasizes traditional craftsmanship and collective skill-sharing.
Dozens of French luxury houses and institutions will converge on Manhattan for the cross-cultural exhibition “Hidden Treasures: 250 Years of Franco-American Luxury Stories.” The show explores the historical and ongoing ties between French luxury craftsmanship and American culture, spanning 250 years of exchange.
Uzbekistan has launched a significant design exhibition in Milan, showcasing a collection that blends the nation's ancient cultural traditions with contemporary aesthetics. The showcase features works inspired by the arid landscapes and rich artisanal history of the Central Asian republic, marking a deliberate effort to export its unique creative identity to a global audience during a major international design moment.
Edoardo Pandolfo and Francesco Palù, the founders of the glass brand 6:AM, are revitalizing the traditional glassmaking industry of Murano with a contemporary, "punk" sensibility. By collaborating with master artisans and pushing the technical boundaries of the medium, the duo creates avant-garde pieces that challenge the island's historical aesthetic while maintaining its rigorous craftsmanship standards.
A Roma è nato un nuovo spazio culturale che lavora sulla memoria della città (anche attraverso le cartoline)
A new cultural space called URBS has opened in Rome's Testaccio district, founded by architect Andrea D'Antrassi in collaboration with Giovanni Colombara. The space debuted in 2024 as "The Smallest Museum by URBS," a 20-square-meter venue housing over 1,600 historical postcards of the city, creating a visual archive spanning different eras. The museum also hosts temporary exhibitions, such as the current show "Not Mine, Not Yours" by Iranian artist Mehrdad Shadrooh, curated by Barbara Blasi, which draws from a family video-photo archive covering over eighty years of history. A commercial space has also been opened in Trastevere.
Una recensione della Biennale di Venezia 2026 senza nominare neppure un artista
This review of the 2026 Venice Biennale describes an exhibition that overcame dire circumstances—the death of curator Koyo Kouoh early in preparations, losses of key artists, and international political controversies—to deliver a surprisingly joyful and engaging show. Titled "In Minor Keys," the Biennale features a well-conceived, flowing presentation across the Giardini and Arsenale that prioritizes beauty, craftsmanship, and hope over a punitive or documentary tone.
Il Marocco è per la prima volta con un Padiglione alla Biennale d’Arte di Venezia. L’omaggio alla tessitura di Amina Agueznay
Morocco is participating for the first time with an official national pavilion at the Venice Art Biennale, presenting a monumental installation by artist Amina Agueznay. Titled "Asǝṭṭa" (2026), the site-specific work at the Arsenale's Artiglierie space explores ritual weaving and the transmission of traditional craftsmanship, using sewn panels to create a second skin over the 300-square-meter pavilion. Curated by Meriem Berrada, the project draws on Agueznay's two-decade-long research in dialogue with Moroccan artisan communities, including spinners, embroiderers, basket makers, and goldsmiths.
Il primo maggio parte una nuova uscita di Pax. Le anticipazioni della newsletter sul turismo culturale (abbonatevi)
The article previews the upcoming May 1st issue of Pax, a newsletter by Artribune focused on cultural tourism. It highlights a feature on Italy's colorful villages, explaining how bright colors historically aided sailors and fishermen, and how white facades served hygienic purposes. The issue also covers off-the-beaten-path destinations like Bolsena, which recently opened a contemporary art space in Palazzo Cozza Caposavi, and explores slow tourism practices such as barefooting, discussed with its founder Andrea Bianchi. Additional content includes a roundup of cultural initiatives from Berlin to Naples, Budapest's Citadella reopening, and the Sussex forest's Winnie-the-Pooh centenary.
Lavorare nell’arte: opportunità da Roma Capitale, Fondazione Cariplo, Comune di Milano e Fucine Vulcano
This article lists five current job and funding opportunities in Italy's cultural sector. These include a call for live performance projects for Rome's Museum Night at the Civic Museums, the "Luoghi Plurali" grant from Fondazione Cariplo for urban regeneration through cultural reuse of disused spaces, a public art commission for a new library in Milan, a call for artists to access the workshops at Fucine Vulcano in Milan, and a search for cultural mediators by the Provincial Museums of South Tyrol.
Intervista a Dries Van Noten che apre la sua fondazione su arte&artigianato a Venezia
Fashion designer Dries Van Noten is launching a new foundation dedicated to craftsmanship and art in Venice. The Dries Van Noten Foundation, opening on April 25, 2026, will be a hub for the exchange and transmission of knowledge, focusing on skills like glassmaking, textiles, ceramics, and goldsmithing. Its inaugural presentation, 'The Only True Protest is Beauty,' curated with Geert Bruloot, will fill twenty rooms of a Venetian palazzo with over two hundred works spanning fashion, glass, ceramics, design, and photography.
The Legion of Honor Museum in San Francisco has opened a new exhibition titled “The Etruscans: From the Heart of Ancient Italy,” running from May 2 to September 20. Curated by Renée Dreyfus, the show features over 20 objects from international institutions including the Vatican, the Louvre, and the National Etruscan Museum of Villa Giulia, highlighting the art, culture, and progressive social roles of women in Etruscan society through bronze and terracotta vessels, sculptures, and gold jewelry.
The National Museum of Korea is hosting “Islamic Art, A Journey of Radiant Light” until October 11th, featuring artifacts from the Islamic Art Museum in Doha, Qatar. The exhibition showcases calligraphy, paintings, and crafts from the 7th to 19th centuries, with highlights including two illustrations from the *Tahmasp Shahnameh*, a Persian miniature manuscript from the Safavid era that took over a decade to complete.
The Metropolitan Museum of Art's Costume Institute has sent approximately 200 pieces from its jewellery collection to Hong Kong for a major exhibition titled 'Jewels, Gems, and Treasures: Adornment in World Cultures'. The show, hosted at the Hong Kong Palace Museum, spans 5,000 years and includes items from ancient Egypt, Imperial China, Renaissance Europe, and modern designers, highlighting the universal human impulse for adornment.
Sruli Recht's exhibition "LAIR" has opened at the SWCAC museum in Shenzhen, featuring 68 sculptures across 11 installations that took 15 years to create. The works employ unconventional materials such as lava casting, lightning-formed glass, and bee-skin fur, presented as ceremonial artifacts. The immersive experience includes custom musical architecture by Valgeir Sigurðsson, whose score changes with each room, and 14 fragrances developed by perfumer Alex Lee and IFF, made from strange ingredients to set the mood. Visitors receive a small scent object upon leaving.