Exhibition | Allison Katz, 'Outta the Bag' at Hauser & Wirth, New York, Wooster Street, United States

Artist Allison Katz presents 'Outta the Bag,' her first solo exhibition with Hauser & Wirth in New York. The show features a diverse range of works that blend personal history, art-historical references, and linguistic wordplay, including her signature 'cock paintings' and motifs of mouths and architectural apertures. The exhibition serves as a homecoming for the Montreal-born, London-based artist, who spent her formative years in New York studying at Columbia University.

2025 MFA Thesis Exhibition Transforms the Miriam and Ira D. Wallach Art Gallery

On April 26, 2025, the School of the Arts held its annual MFA Thesis Exhibition at the Miriam and Ira D. Wallach Art Gallery, featuring twenty-nine emerging and established artists. Curated by Amal Issa, the show spans a wide range of mediums including installations, videos, paintings, drawings, and sculptures, with many works exploring themes of memory, ancestry, and identity. Notable pieces include Maya Dixon's immersive installation using gourds and found objects, Daniel Castro's surreal cityscapes, and Ridwana Rahman's interactive carpet piece that invites reflection on direction and prayer.

The Daughters of Sound. Hildegard of Bingen and Patti Smith are at the Vatican Pavilion at the Biennale

Le figlie del suono. Ildegarda di Bingen e Patti Smith sono al Padiglione Vaticano alla Biennale

The article profiles a meeting between the author and Patti Smith, exploring her new memoir "Bread of Angels" and her connection to the 12th-century Benedictine abbess and mystic Hildegard of Bingen. Both women are presented as figures who see music as a living resonance that can awaken a primordial, sacred vibration within humanity. The piece also notes that Smith wrote the preface to the author's book "A passo d'uomo" and that both she and Hildegard are featured at the Vatican Pavilion at the Venice Biennale.

What lies behind the choice of a dress? We asked one of the most famous stylists in the world

Cosa c’è dietro alla scelta di un vestito? Lo abbiamo chiesto a uno degli stylist più famosi del mondo

Tom Eerebout, a renowned stylist and fashion consultant known for his work with Lady Gaga, Kylie Minogue, and Austin Butler, has curated an exhibition titled "Exposure – Il potere di essere visti" at ITS Arcademy in Trieste. The show, which runs alongside the ITS Contest where Eerebout serves as a judge for the third consecutive year, explores styling as a tool for constructing identity and shaping contemporary visual culture. In an interview, Eerebout discusses his creative process, his early childhood experiments with costumes, and his belief that styling is not about appearance but about how we exist.

Artist Isaac Spellman on creating spaces for the misunderstood through art

Artist Isaac Spellman discusses his creative practice and upcoming presentation at the Affordable Art Fair 2026 in an interview. Spellman, whose style blends Art Deco graphic posters with elements of Chinese gongbi silk painting, has attracted commercial clients including Louis Vuitton, Cartier, and Bang & Olufsen. For the fair, he will debut two original series: "Red, White, Bright and Young," inspired by London's Bright Young Things of the 1920s and their queer-inclusive social scene, and "Pretty Monster," which portrays whimsical monsters embracing their differences.

Performance Cuts Through the Noise at the Venice Biennale

Florentina Holzinger and Miet Warlop have transformed the Austrian and Belgian pavilions at the 2026 Venice Biennale into immersive, performance-driven spectacles. Holzinger's "SEA WORLD VENICE" floods the Austrian pavilion with water and urine, featuring jet-skiing, suspended performers, and participatory toilets, while Warlop's "IT NEVER SSST" turns the Belgian pavilion into a chaotic arena of tile-throwing, chanting, and dancing. Both works demand sustained attention amid a fraught Biennale marked by the death of artistic director Koyo Kouoh, canceled pavilions, boycotts, and a jury resignation.

This is fucking Disneyland

"Das ist fucking Disneyland"

The article surveys recent German cultural commentary, highlighting three main stories: art historian Bénédicte Savoy's warning in the FAZ about the physical decay of German universities, particularly the Technical University of Berlin, as a threat to democratic culture; Berlin artist Charlie Stein's essay on anxiety as a pervasive contemporary condition and art's role in making it visible; and critic Rachel Wetzler's harsh review of the Venice Biennale in Artforum, calling it an overwhelming 'theme park' version of the art world. Additionally, Nikolaus Bernau defends expert juries in the Tagesspiegel, using the Biennale's jury crisis as a case study.

And who are you?

Und wer seid ihr?

The article is a brief interview conducted at the Venice Biennale, where a visitor named Franzi explains her presence at the event and discusses her favorite pavilion. She cites the Austrian Pavilion by Florentina Holzinger as her absolute favorite after five days of art, and clarifies that her bare chest is not a political protest against Putin but a homage to Holzinger's work. She also mentions missing the Vatican Pavilion due to long queues.

At Chaumont-sur-Loire, incredible gardens recreate cult films

À Chaumont-sur-Loire, d’incroyables jardins recréent des films culte

The Domaine de Chaumont-sur-Loire in France has launched the 2026 edition of its Festival International des Jardins, themed around cinema. Participants including gardeners, landscape designers, and artists—among them actresses Sabine Azéma, Golshifteh Farahani, and Mélanie Laurent, and director Momoko Seto—have transformed small plots into living landscapes inspired by iconic films and cinematic genres, such as a vegetal Cannes Film Festival and a garden based on James Cameron's *Avatar* trilogy. The festival runs from April 22 to November 1, 2026, alongside the estate's ongoing 'Saison d'art' exhibition featuring works by Marc Desgrandchamps, Antonio Crespo Foix, and others.

Myth, Masks, and LEGO: Ekow Nimako’s Elaborate Afrofuturistic Sculptures

Ghanaian-Canadian artist Ekow Nimako creates intricate Afrofuturistic sculptures using exclusively black LEGO bricks. His work explores African diaspora mythology, folklore, and cultural phenomena, with recent series drawing inspiration from ceremonial masks, interstellar travel, and geometric forms.

7 ‘Body Types’ in the Met’s ‘Costume Art’ Fashion Exhibition

The Metropolitan Museum of Art's Costume Institute has announced its upcoming spring exhibition, titled '7 Body Types,' which will explore fashion through the lens of diverse physical forms. The show will feature garments designed for seven distinct body types, challenging traditional fashion norms and highlighting inclusivity in design. Curated by Andrew Bolton, the exhibition draws from the museum's extensive collection and includes works from contemporary designers.

Kayem and Museum of Fine Arts, Boston Showcase Role of Hot Dogs in American History

Kayem, a New England-based hot dog brand, has partnered with the Museum of Fine Arts, Boston (MFA) to create an exhibition exploring the cultural significance of hot dogs in American history. The collaboration uses artworks and artifacts from the museum's collection to trace the hot dog's journey from its European origins to its status as a quintessential American food, highlighting its presence at events like baseball games, state fairs, and presidential inaugurations.

Artist's exhibition to showcase his journey from 'outsider' to 'master'

Local artist Steve Harrington-Ellsmore presents his exhibition "Phantasmagorical Experience" at Unity Art Studio in Andover, running from May 13 to June 7. The show traces his journey from a self-taught "outsider artist" to a formally trained practitioner, featuring surreal paintings, installations, and collages that have drawn comparisons to Bosch and Dali. Harrington-Ellsmore, who graduated from Winchester School of Art in 2006 with a degree in fine art sculpture, is known for vibrant collages and oil paintings that conjure dreamlike landscapes, often incorporating prominent figures for cultural commentary.

Un itinerario fotografico tra installazioni e progetti d’autore della Design Week 2026. La collaborazione tra Artribune e i computer di MSI

This article outlines a one-day itinerary through Milan's 2026 Fuorisalone design week, highlighting key installations and exhibitions. It begins at Torre Velasca, featuring Polish Modernism and Brazilian modernist Jorge Zalszupin, then moves to the University of Milan's cloisters for the Interni magazine exhibition themed 'Materiae,' with oversized sculptures and a yacht installation by Piero Lissoni for Sanlorenzo. Other stops include Palazzo Litta, where architect Lina Ghotmeh presents 'Metamorphosis in Motion,' and Galleria Rossana Orlandi, focusing on the theme of doors. The itinerary concludes at Alcova in the former Baggio Military Hospital, an abandoned space reactivated by curators Valentina Ciuffi and Joseph Grima.

“Jamea Richmond-Edwards: Another World and Yet the Same” at Hamilton College’s Wellin Museum of Art

Jamea Richmond-Edwards presents her solo exhibition “Another World and Yet the Same” at Hamilton College’s Wellin Museum of Art. The show features her mixed-media works that blend Afrofuturism, historical narratives, and contemporary themes, exploring the intersections of Black identity, spirituality, and the cosmos.

In my Auntieversum, everyone is free, there are no rules

"In meinem Auntieversum sind alle frei, es gibt keine Regeln"

Wenhui Lim, a Singapore-raised artist and former architecture designer, creates AI-generated images and videos featuring older Asian women she calls 'Aunties.' Her surreal 'Auntieversum' depicts these figures bathing in oversized ramen bowls, playing with pastel jellyfish, and driving sushi cars—a fantastical parallel universe where they are free from societal and familial expectations. Lim began the project in early 2023 as a personal exploration to reconcile her own feelings toward the aunties in her life, who often made blunt comments about her appearance while also plying her with food.

London artist Irum Rahat’s ‘Yeh Kab Ki Baat Hai’ is a house full of memories

London-based artist Irum Rahat presents her first solo exhibition in India, 'Yeh Kab Ki Baat Hai', at Pristine Contemporary in Delhi. The show features 16 new works that draw from her upbringing in a South Asian household, transforming mundane domestic scenes—making chai, sitting in rooms, family interactions—into a visual archive of memory and intimacy. Rahat's paintings, influenced by cinema and her own photography, use soft, hazy colors to evoke nostalgia and the ambiguity of time.

donald trump drawing auction

A drawing of the Manhattan skyline by President Donald Trump sold at auction for $29,184 on Thursday night. The work was created by Trump for a charity auction promoting worldwide literacy in 2005 and was consigned by the winner of that original event. The sketch, drawn on a large envelope, is one of only three known variants. The auction, held by Los Angeles-based Nate D. Sanders, attracted 11 bids starting at $9,000, with interest from both Trump followers and presidential memorabilia collectors.

Mystic Seaport Museum exhibition chronicles whale oil industry's far-reaching impact

The Mystic Seaport Museum in Connecticut has opened a new exhibition titled "Monstrous: Whaling and Its Colossal Impact," which explores the deep connection between the US whaling industry and capitalism. Featuring objects from the museum's permanent collection—including 19th-century photographs, blubber hooks, ship models, captain's logbooks, a sperm whale jawbone, a jar of blue whale fetuses, and whale oil products—the show illustrates how whale oil lit lamps and greased machines for over a century. A giant scratchboard mural by contemporary artist Jos Sances, titled "Or, The Whale" (2019-20), dominates the space, while references to Herman Melville's "Moby-Dick" permeate the exhibition, which also includes a copy of a 1930 illustrated three-volume edition.

The Design of Motherhood: MAD’s Exhibition is Personal and Profound

The Museum of Art and Design (MAD) in New York is presenting "Designing Motherhood: Things that Make and Break our Births," an exhibition curated by Elizabeth Koehn that examines fertility and parenthood through over 250 objects, including mass-market items, medical devices, design notes, archival letters, and video. The show features artifacts such as hospital baby blankets, 17 historical pessaries, 12 IUDs, and the Del Em menstrual extraction tool from 1971, alongside clips from the 1952 film "All My Babies" featuring midwife Mary Coley. The exhibition defines motherhood capaciously, not limited to one sex or gender or to biological childbearing, and also addresses choosing to delay or forgo parenthood.

Gisborne art show highlights weather impact on well-being

Gisborne artist and community researcher Dayna Raroa is organizing an art exhibition titled "Mōwai: The Weight of Water" based on her co-authored study on how severe weather impacts health and wellbeing. The exhibition, funded by a $100,000 grant from the Health Research Council of New Zealand, will take place on September 27 at the former Marina Restaurant building in Gisborne, featuring over 30 local creatives who translate community-led research into artworks. Contributors include painters, photographers, sculptors, a tattoo artist, a builder using timber from a washed-out bridge, and a doctor highlighting medical prescription disruptions.

British Art in a New Light

The New York Times has published an article titled "British Art in a New Light." The piece appears to explore a fresh perspective on British art, though the provided text is too brief to determine specific events, artists, or exhibitions discussed.

Exhibition by Podlasie Artist Małgorzata Dmitruk Opens at the Ivan Lutskievich Belarusian Museum in Vilnius

An exhibition titled “The Line of Transition” by Polish artist Małgorzata Dmitruk has opened at the Ivan Lutskievich Belarusian Museum in Vilnius. The show features a central multi-meter textile composition addressing events on the Belarusian-Polish border, alongside works such as the embroidered “Lullaby” and the lithograph series “Kombinat” dedicated to printer Dzmitry Malatkou. Dmitruk, a professor at the Warsaw Academy of Fine Arts, draws on her Podlasie heritage and family traditions, using found and inherited fabrics to explore themes of borders, transition, and memory.