A curated list of ten notable art exhibitions opening in Tokyo and its surrounding areas during the spring season has been published. The guide highlights a diverse range of shows across museums, galleries, and cultural institutions, providing essential details for visitors.
The Sovereign Asian Art Prize, now in its 22nd year, has announced its 2026 shortlist of 30 artists from 12 Asia-Pacific countries and territories. Among the finalists are three Filipino artists: Joey Cobcobo, Josephine Turalba, and Alvin Zafra. Cobcobo's nominated work, "Ika-8 Utos: Wag Kang Kukurap (Thou Shall Not Steal)," addresses corruption in the Philippines using a recycled canvas walked on by the public. Turalba, a transdisciplinary artist, has exhibited at Art Basel Hong Kong 2025 and serves as director of the Artistic Research Center at Philippine Women's University. The prize is run by the Sovereign Art Foundation, with proceeds from shortlisted works supporting its Make It Better charity program for children in Hong Kong.
Cambodian artist Sopheap Pich is presenting an exhibition at Meta House in Phnom Penh that reveals his creative process, showing how he conceives sculptures from initial drawings and woodblock prints to works in bamboo and metal. Born in Battambang, Pich survived the Khmer Rouge regime as a child and later immigrated to the U.S., earning an MFA from the School of the Art Institute of Chicago before returning to Cambodia in 2002. The exhibition includes early rattan pieces and recent metal sculptures, reflecting his intuitive, memory-infused approach to making art with a team of ten assistants in his Phnom Penh studio.
The Japanese art scene is preparing for a robust spring season in April 2026, featuring a diverse array of exhibitions across Tokyo's major institutions. Highlights include Martin Margiela’s first large-scale Japanese exhibition at the historic Kudan House, a centenary celebration of fashion icon Hanae Mori at the National Art Center, and a deep dive into the studio practice of Georges Rouault at the Panasonic Shiodome Museum of Art. Traditional art also takes center stage with a focused look at Utagawa Hiroshige’s "One Hundred Famous Views of Edo" at the Ota Memorial Museum of Art.
Art Jakarta's 2024 edition (October 3-5) took place just weeks after nationwide anticorruption protests swept Indonesia and spread to other countries. The fair's director Tom Tandio noted that the demonstrations left a "scar" on the local art community, which had been vocal in organizing donations, attending protests, and sharing digital posters on social media. Despite low expectations due to economic uncertainty, the fair proceeded with new galleries like Ara Contemporary, which sold about 70% of its stand on opening day, featuring politically charged works such as Agung Harahap's manipulated photographs and Irfan Hendrian's paper installations referencing the 1998 anti-Chinese riots. The fair also overlapped with ruangrupa's 25th anniversary exhibition, which included interactive projects and talks promoting sociopolitical engagement.
San Francisco museums are navigating a mix of upcoming exhibitions and financial challenges in May 2026. SFMOMA is closing "KAWS: Family" on May 3 and opening "Matisse’s Femme au chapeau: A Modern Scandal" from May 16 to September 13. The Mission Cultural Center for Latino Arts has suspended operations due to funding issues, and SOMArts is also facing a budget gap. Meanwhile, the Museum of Craft and Design presents "Video Craft" through August 16, and the Letterform Archive hosts "Black Memory Scholar: The Language of Storytellers" and "Piet Zwart: Brand Architect." SFMOMA has announced three SECA award winners—CrossLypka, Em Kettner, and Chanell Stone—who will exhibit from December 2026 to May 2027, and the museum continues to showcase "Reimagined: The Fisher Collection at 10" and new installations by Alexander Calder, Claes Oldenburg + Coosje van Bruggen, and Rose B Simpson.
The Asian Art Museum in San Francisco has opened 'Chiharu Shiota: Two Home Countries,' the first solo exhibition in the Bay Area for the Japanese-born, Berlin-based artist. The show features her signature immersive installations of red thread, weaving together personal objects and exploring themes of memory, displacement, and identity.
The Singapore Art Museum is hosting "Form Is Emptiness," the first major Southeast Asian exhibition dedicated to the acclaimed Japanese artist Hiroshi Sugimoto. The showcase features 63 works spanning five decades of his career, including 11 distinct series and 14 fossils from his personal collection, all arranged within a mandala-inspired layout designed by the artist himself.
Renowned artist Philippe Parreno joined Hans Ulrich Obrist for an artist talk at the Mori Art Museum in Tokyo, hosted by Fondation Beyeler and UBS. The conversation spanned Parreno's career, from his early projects like the manga-inspired 'Annlee' to his current role as Artistic Director of the 2025 Okayama Art Summit. Parreno detailed his shift into filmmaking, including a new project featuring Jennifer Lawrence, and his use of AI and technology to create 'living' art installations.
The fifth edition of Art Week Tokyo (AWT) took place from November 5-9, bringing together over 50 commercial galleries and museums across the city in a hybrid "post-art fair" model. The event unfolded against the backdrop of Sanae Takaichi becoming Japan's first female prime minister, a political shift that has sparked mixed reactions in the Japanese art world, with calls for improved tax incentives, international promotion, and stronger public collections. AWT, directed by Atsuko Ninagawa and organized in collaboration with Art Basel, featured museum shows including "What is Real?" at the Okura Museum of Art, curated by Adam Szymczyk, and "Prism of the Real: Making Art in Japan 1989-2010" at the National Art Center, Tokyo.
Digital artist Mike Winkelmann, known as Beeple, is expanding his practice beyond the record-breaking NFT sale of *Everydays: The First 5,000 Days* (2021) into interactive video sculptures and public art. His latest works, *The Tree of Knowledge* (2024) and *Diffuse Control* (2025), debut this month at SXSW London and The Shed in New York, respectively. These generative pieces allow ongoing collaboration between artist, owner, and public, building on his earlier kinetic sculpture *Human One* (2021), which has toured globally. Beeple continues his daily social media posts (Everydays) as a form of satire and commentary on technology and media noise.
Japanese artist Chiharu Shiota has announced a new site-specific installation titled *The Space Between Us* for the 16th Curitiba International Biennial – THRESHOLDS, opening June 14 through November 15, 2026 at the Oscar Niemeyer Museum (MON) in Curitiba, Brazil. Curated by Tereza de Arruda, the work invites the public to submit letters—in text, collage, or other manual forms—which Shiota considers self-portraits of each participant’s inner universe. Submissions must be sent by May 20, 2026, and will be woven into a large-scale collective installation that makes visible the hidden experiences of individuals.
The article details the making of 'Fermata: Hong Kong in Venice,' a collateral event at the 61st Venice Biennale curated by the Hong Kong Museum of Art (HKMoA). The exhibition features two Hong Kong-based artists—established media artist Ng and emerging artist Angel Hui—whose works explore the poetic rhythms of everyday life in Hong Kong, engaging with the Biennale's theme 'In Minor Keys' by Koyo Kouoh. The selection process involved nominations from local tertiary institutions and professional art organizations, with over 200 artists considered before Ng and Hui were chosen.
暗闇をくぐってみたら Part1 竹内公太展「のののののまつり」@ 市原湖畔美術館
The Ichihara Lakeside Museum, currently under renovation since late 2025, will partially reopen on May 1, 2026, with a theater-style series of solo exhibitions titled "Kōta Takeuchi: Nononononomatsuri" as its first installment. Artist Kōta Takeuchi, born in 1982 in Hyogo Prefecture and based in Fukushima, presents new video installations created during a four-month residency in Ichihara, where he visited over 70 stone monuments across the city—including horse-headed Kannon statues, Koyasu statues, and war memorials—to explore themes of parallel bodies and possession. The exhibition features works such as "Disassembly of the Sansha-za" (2013–2023), "Cement Thief" (2024), and "Sigh of the Ground" (2022), with a map showing the locations of the documented stone monuments.
公募｜Tokyo Contemporary Art Award 2026-2028
The Tokyo Contemporary Art Award (TCAA) 2026-2028 has opened applications starting June 9, 2025, targeting mid-career artists with international ambitions. Organized by the Tokyo Metropolitan Government and Tokyo Arts and Space (Tokyo Metropolitan Foundation for History and Culture / Museum of Contemporary Art Tokyo), the award offers a 3 million yen prize, up to 2 million yen for overseas activities, an exhibition at the Museum of Contemporary Art Tokyo, and monograph production. Two winners will be selected through a combination of nominations and open call, with new jurors Joselina Cruz (Director and Curator, MCAD Manila) and Kenichi Kondo (Senior Curator, Mori Art Museum) joining the panel.
The Mori Art Museum in Tokyo has opened "The Architecture of Sou Fujimoto: Primordial Future Forest," the first major survey of the Japanese architect's thirty-year career. Running from July 2 to November 9, 2025, the exhibition spans eight thematic sections, featuring over 1,000 models, sketches, videos, installations, and even stuffed toys. Highlights include a large-scale installation of Fujimoto's key projects, a timeline by architectural historian Kurakata Shunsuke, full-scale mock-ups of his Grand Ring for Expo 2025 Osaka, and a futuristic city proposal developed with data scientist Miyata Hiroaki. The show aims to be accessible to all visitors, not just architects.
森美術館（Mori Art Museum）は2026年4月29日から9月23日まで、企画展「MAMリサーチ012：ディアスポラ・メモリー － 境界を越えて生きるコリアン・アーティスト」を開催する。本展はアソシエイト・キュレーターの趙純恵が企画し、金惠信（南城美術館館長、沖縄県立芸術大学客員教授）と上田雄三（Gallery Q）が協力。出展作家はクァク・インシク（郭仁植）、ソン・ヒョンスク（宋賢淑）、アレクサンダー・ウーガイの3名で、ディアスポラ（離散）の視点から韓国系アーティストの記憶と境界を越えた表現を探る。
MAMコレクション022：ティモテウス・アンガワン・クスノ @ 森美術館
森美術館（Mori Art Museum）は、2026年4月29日から9月23日まで、インドネシア出身の現代アーティスト、ティモテウス・アンガワン・クスノ（Timoteus Anggawan Kusno）の個展「MAMコレクション022：ティモテウス・アンガワン・クスノ」を開催する。本展は同館のコレクションシリーズ第22弾で、シニア・キュレーターの德山拓一が企画。クスノの作品《ノスタルジーの解体》（2024年）や《時の空白》（2024年）などが展示され、記憶や時間、歴史の断片をテーマにしたインスタレーションが紹介される。
The Mori Art Museum in Tokyo presents 'Machine Love: Video Game, AI and Contemporary Art,' an exhibition featuring around 50 works that employ game engines, artificial intelligence, and virtual reality. The show includes pieces using generative AI to explore new aesthetics, digital identities, and hyperrealistic landscapes, while addressing themes such as life, death, ethics, environmental crisis, and diversity.