Thomas Duffield, a photographer, has created a body of work documenting his relationship with his father after years of estrangement. The project captures their gradual reconnection, moving beyond superficial conversation to address deeper, unspoken tensions. Duffield's images explore the emotional landscape of rebuilding a father-son bond, using photography as a tool for reconciliation and understanding.
Bundaberg Regional Galleries in Queensland, Australia, will launch five new exhibitions in May 2025, with opening events spread across the month. The shows include 'Lost in Palm Springs', a national touring exhibition curated by Dr Greer Honeywill featuring 14 artists and thinkers from America and Australia exploring Palm Springs' landscape and mid-century modern architecture; 'Shifting Perspectives: the Self Reconciliation Project' by local artist Avi Amesbury, which uses ceramics and storytelling to examine settler-colonial family history; 'Post Truth' by Gureng Gureng/Gangalu artist Darren Blackburn, addressing the Australian Government's Close the Gap campaign through led-neon signs; 'The Nature of Silk: The Glad Not Sad Book', a family-friendly exhibition of silk art by children's book author Kim Michelle Toft; and 'Metal in Motion' by Kevin Dekker, a collection of sculptures that transform steel, wood, stone and ceramics into dynamic, fluid forms. Opening events will be held at Bundaberg Regional Art Gallery and Childers Arts Space, with free admission and no RSVP required.
The Longview Museum of Fine Arts in Texas has opened a new exhibition titled "Native Perspectives: America 250" in celebration of the United States' 250th anniversary. The show features works by artists from 13 different Native American tribes, including paintings, baskets, beadwork, and ledger art—a form that references the forced relocation of Indigenous peoples to reservations. Executive Director Tiffany Jehorek notes that the exhibit incorporates personal histories, such as ledger entries tied to artist Mabel Carr's mother, and aims to highlight Indigenous legends like Bigfoot and werewolves that predate European settlement. The exhibition runs through September 12 and includes related events such as a panel discussion, curatorial remarks, and a Caddo pottery workshop led by artist and co-curator Chase Kahwinhut Earles.
Mooneyham Art Gallery in Alton, Illinois, will host a dual-artist exhibition titled "Nature Framed and Authenticity Is the New Gimmick" on May 9, featuring new works by professional wrestler and painter Devin "Itchy" Gable alongside wildlife photographer Carol Bock. The event includes dessert from Dolci's Cafe and Bakery and music by Psychedelic Symphony, and is free and open to the public.
The Nicholas Metivier Gallery in Toronto has officially announced the representation of Tom Wilson Tehohàhake, a multidisciplinary artist, musician, and Order of Canada appointee. Wilson’s latest paintings are set to make their debut with the gallery at the upcoming Dallas Art Fair in April 2026. His work is characterized by vibrant, intricate patterns that incorporate elements of Mohawk beadwork and excerpts from his own literary writings.
Indigenous artist Scott Kwah is set to debut a deeply personal exhibition titled "A.R.E.N.A. babies" at the Salmon Arm Art Gallery, running from April 11 to June 16, 2026. The installation centers on 18 hand-cast concrete figures seated on vintage chairs that emit audio of fragmented, childlike voices questioning their origins and loss of language. The work directly confronts Kwah’s history as a survivor of the Sixties Scoop, specifically referencing the Adoption Resource Exchange of North America (ARENA) program that facilitated the cross-border displacement of Indigenous children.
The Salmon Arm Art Gallery is set to host "A.R.E.N.A. babies," an immersive installation by local artist Scott Kwah that explores the trauma and resilience of Sixties Scoop survivors. The exhibition's centerpiece features 18 hand-cast concrete figures seated on vintage chairs, utilizing childlike voices to create a sensory space for reflecting on the forced adoption of Indigenous children into non-Indigenous families.
A live exhibition titled "Uncovering / Recovering the Past" was held on 21 May at the Stellenbosch University Museum in South Africa, featuring sound, sculpture, and archival material. Created by artist Haroon Gunn-Salie, the exhibition explores the Truth and Reconciliation Commission's failure to prosecute apartheid-era crimes, focusing on the reopened inquest into the 1969 death of anti-apartheid cleric Imam Abdullah Haron while in police detention. The event was presented by the Centre for the Study of the Afterlife of Violence and The Reparative Quest (AVReQ) and included speakers such as human rights lawyer Odette Geldenhuys and senior research coordinator Westley Ceasar.
Le Musée de la Reddition de Reims rouvre ses portes après un an de travaux
The Musée de la Reddition de Reims (Museum of the Surrender of Reims) reopened on May 7, the 81st anniversary of the German surrender signed in its map room, after a year-long closure. The renovation, costing approximately €2 million, focused on conservation: protective glazing, improved ventilation and lighting, and anoxic treatment of collections to halt degradation of original maps, documents, and war room objects. The museum also overhauled its scenography, designed by Belgian agency Kascen, to present a clearer chronological narrative covering the occupation, Allied presence in Reims, liberation, postwar reconstruction, and reconciliation, rather than just the surrender itself. The museum now displays 17 uniforms, 130 objects and weapons, and 65 archival documents, including the act of capitulation and General McAuliffe's jacket.