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Tracey Emin’s major retrospective, "A Second Life," has opened at Tate Modern, marking a significant milestone in the artist's career following her recovery from bladder cancer. The exhibition surveys her evolution from the provocative "Young British Artist" era—featuring iconic works like the 1998 installation 'My Bed' and her early quilted blankets—to her more recent, expressive oil paintings and bronze sculptures. The show specifically highlights her 1996 film 'How it feels,' positioning her early 1990s abortion as the central, transformative event of her life and artistic practice.

This Spring’s Must-See Contemporary Art Exhibitions in London

London's spring art season is anchored by several major institutional surveys, most notably Tracey Emin’s comprehensive exhibition "A Second Life" at Tate Modern. Other significant showcases include Hurvin Anderson’s exploration of Caribbean diaspora at Tate Britain, David Hockney’s new works at Serpentine North, and Cecily Brown’s long-awaited institutional homecoming at Serpentine South. The season also features diverse media, from Chiharu Shiota’s immersive yarn installations at the Hayward Gallery to Isaac Julien’s filmic explorations at the Cosmic House.

Venice Biennale details revealed, Beatriz González and Tracey Emin in London—podcast

The 2026 Venice Biennale has unveiled the artist list and framework for its international exhibition, "In Minor Keys." The project, which was the final vision of the late curator Koyo Kouoh, is being realized by a collaborative team following her death last year. The exhibition aims to explore themes of minor histories and global narratives through a diverse roster of international artists.

Tracey Emin: 'Racist behaviour is dividing our country'

Tracey Emin has unveiled her major new exhibition, "Second Life," at Tate Modern, marking a significant departure from the tradition of living British artists showing at Tate Britain. The exhibition, curated by Harry Weller alongside Tate’s Maria Balshaw, Alvin Li, and Jessica Baxter, eschews a traditional retrospective format in favor of a thematic exploration of Emin's personal history. During the press preview, Emin addressed her multicultural heritage—including Turkish Cypriot, Sudanese, and Romanichal roots—and criticized the rise of jingoism and divisive politics in the UK.

frida kahlo commercialization too far 1234774051

Frida Kahlo’s descendants are expressing growing concern over the hyper-commercialization of the artist’s image, which has expanded from museum walls to coffee mugs, dolls, and even a luxury apartment complex in Miami. Cristina Kahlo, the artist’s great-niece, warns that the proliferation of licensed merchandise by the Frida Kahlo Corporation (FKC) often distorts Kahlo’s legacy, reducing a complex painter to a shallow pop-culture brand. This family tension highlights a rift between those profiting from the trademark and those who believe the artist's historical significance is being eclipsed by 'Fridamania.'

Dóra Maurer, Hungarian Conceptual Artist, Dies at 88

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Dóra Maurer, a preeminent figure of Hungarian conceptual art, has died at the age of 88. Known for her multidisciplinary approach spanning film, photography, and painting, Maurer rose to prominence for her experimental work created under Soviet rule in Hungary. Her practice frequently explored themes of displacement, perception, and the mathematical shifting of forms, ranging from her 1970s performance-based photography to her later vibrant, geometric "Overlappings" paintings.

Dóra Maurer, ‘towering figure’ of the Hungarian art scene, has died aged 88

Dóra Maurer, a seminal figure in Hungarian conceptual and abstract art, has died at the age of 88. A versatile artist whose career spanned printmaking, photography, filmmaking, and painting, Maurer was celebrated for her rigorous exploration of movement, time, and mathematical systems. Her death was confirmed by the Széchenyi Academy of Literature and Arts, where she had served as president since 2017.

Tracey Emin: ‘I’ve done more in my last five years than in the whole rest of my life’

Tracey Emin is the subject of a major retrospective at Tate Modern titled 'A Second Life,' which spans her career from her first solo show in 1993 to recent works. The exhibition is structured thematically around pivotal life events and includes a documentary addressing her 2020 bladder cancer diagnosis and subsequent surgery.