Gagosian is expanding its presence on the Upper East Side with the opening of a new ground-floor gallery at 980 Madison Avenue on April 25. The inaugural exhibition features the iconic readymades of Marcel Duchamp, including the 1964 editions of works like "Fountain." This opening marks a return to a historic location for the gallery, which previously utilized the building as its headquarters for over three decades.
Sotheby's will open its new global headquarters in the Marcel Breuer–designed building at 945 Madison Avenue on November 8, 2025, after a renovation by Herzog & de Meuron with local partner PBDW Architects. The Brutalist landmark, originally completed in 1966 for the Whitney Museum of American Art, later housed the Met Breuer and the Frick Collection during its renovation. The project restores Breuer's original open gallery floors, adds state-of-the-art lighting and climate control, and preserves period details like the lobby's domed ceiling lights. The opening will feature a free public exhibition of Modern and Contemporary art ahead of marquee auctions starting November 17, with design sales and Luxury Week following on December 5, and a fine-dining restaurant by Roman and Williams opening later in the winter.
Two exhibitions dedicated to Pablo Picasso will open this spring on New York's Upper East Side, both organized in collaboration with the artist's descendants and featuring works never before displayed publicly. 'Picasso: Tête-à-tête' at Gagosian (through July 3) is presented with Paloma Picasso, the artist's daughter, and includes 12 never-before-seen works from her personal collection. Two blocks north, 'Pablo Picasso: Still Life' at Almine Rech (through July 18) is organized by dealer Almine Rech and her husband Bernard Ruiz-Picasso, a grandson of the artist, with over 60% of works never exhibited before. The Gagosian show will be the gallery's last at its 980 Madison Avenue space before moving out for Bloomberg Philanthropies.
Hong Kong-based gallery Kiang Malingue is opening a new outpost on the Lower East Side of New York on May 9, joining a wave of Asian galleries expanding into the city. The 3,500 sq. ft space at 50 Eldridge Street, formerly an artist's studio, will debut with a solo show by Japanese artist Hiroka Yamashita titled 'The Lights from the Deep Mountains.' Other recent arrivals include Manila's Silverlens (Chelsea, 2022), Taipei's Nunu Fine Art (Lower East Side, 2023), Hong Kong's Alisan Fine Arts (Upper East Side, 2023), and Shanghai's Bank (Lower East Side, March 2025).
Pace Gallery, Emmanuel Di Donna, and David Schrader are launching a new joint gallery called Pace Di Donna Schrader Galleries (PDS), dedicated to secondary-market sales. The boutique operation will begin operations in spring 2026, open a formal space on New York's Upper East Side in summer, and host a major historical exhibition in autumn. The venture is a collaborative model rather than a merger, combining Pace's global reach and estate relationships, Di Donna's connoisseurship, and Schrader's expertise in private sales.
P. Staff's current exhibition at David Zwirner in New York transforms the gallery's Upper East Side townhouse into a haunting, body-centric experience. The show features a new video titled *Penetration* (2025), split across three floors, depicting a person with a laser beamed at their bare stomach, alongside sculptures with wood spikes under latex drapes and ambient sounds of a beating heart. The installation evokes a dread of having a body, with jaundiced yellow window films and disjointed sensory elements creating an uncomfortable, dysphoric atmosphere.
The New York City Landmarks Preservation Commission has designated the former Whitney Museum building at 945 Madison Avenue as both an individual and interior landmark. Designed by Marcel Breuer and completed in 1966, the inverted ziggurat structure with raw concrete interior served as the Whitney's home until 2015, later housing the Metropolitan Museum of Art's contemporary art annex and the Frick Collection during its renovation. Sotheby's acquired the building in 2023 and plans to relocate its global headquarters there, with renovations led by Herzog & de Meuron. Preservationist groups pushed for landmark status amid concerns about commercial alterations, and the designation now legally protects the exterior and key interior elements like the lobby and main staircase.
An eBay seller listed a giclée print of Kees van Dongen's painting "Femme Fatale" (ca. 1905), claiming it once hung above Jeffrey Epstein's desk in his Upper East Side townhouse. The listing, titled "Documented by Federal Prosecutors," sought $50,000 and reached $25,000 in bidding before eBay removed it for violating its policies. The print had previously sold at Millea Bros. Auctioneers for $275. The New York Post first reported the listing, which referenced federal documentation of Epstein's art collection.
Larry Gagosian has opened a new flagship gallery at 974 Madison Avenue (preferring the address 980 Madison at 76th Street) after Bloomberg Philanthropies took over the building's upper floors, which had housed Gagosian's New York flagship since the late 1980s. The megadealer relocated to the street level, creating a 12,000-square-foot complex with exhibition spaces, offices, meeting rooms, and private viewing areas designed by Jonathan Caplan of Caplan Colaku Architects. The gallery launched with a double-header presentation of works by Marcel Duchamp and Robert Rauschenberg, and features ceilings just over 12 feet high, adaptable walls, and a vestibule display of art books.
The Lévy Gorvy Dayan Gallery on Manhattan's Upper East Side has opened "Downtown/Uptown: New York in the Eighties," an exhibition co-curated by Brett Gorvy and legendary downtown gallerist Mary Boone. The show features works by iconic 1980s New York artists including Andy Warhol, Jean-Michel Basquiat, Keith Haring, Julian Schnabel, Barbara Kruger, Jeff Koons, Francesco Clemente, Kenny Scharf, the Guerilla Girls, Robert Mapplethorpe, Cindy Sherman, and Louise Lawler. Admission is free, and the exhibition runs through December 13.
Artnet News's Wet Paint column reports that former David Zwirner director Felix Rödder is opening his own gallery, Rodder (no umlaut), on September 18 at 22 East 80th Street on the Upper East Side, in the same building as Sprüth Magers. The jewel-box space, formerly Barbara Mathes Gallery, will debut with a solo show of sculptural paintings by Wyatt Kahn. Rödder, a lawyer-turned-dealer, plans to mix contemporary programming with historical exhibitions, keeping overhead low and avoiding art fairs for now. The column also teases a mention of Aby Rosen's involvement in the New York mayoral race.
The 2026 IFPDA Foundation Benefit Gala took place on the Upper East Side, honoring Christophe Cherix, Director of The Museum of Modern Art. Held in the historic Veterans Room at the Park Avenue Armory, the event gathered notable figures including artists Hank Willis Thomas and Yashua Klos, collectors Sharon Coplan, Stewart Gross, and Jordan Schnitzer, dealers Carolina Nitsch, Jill Newhouse, and Joni Moisant Weyl, and curators Nadine Orenstein, Freyda Spira, and Andrew Weislogel. A new print edition by Stanley Whitney, produced with Universal Limited Art Editions, was released to support the IFPDA Foundation’s grantmaking initiatives.
Manhattan District Attorney Alvin Bragg has charged veteran New York antiquities dealer Michael Ward with criminal facilitation following an investigation into the illicit trade of cultural property. Ward, who operated his Upper East Side gallery for nearly forty years, was convicted in September for his role in facilitating the sale of stolen artifacts, including a 1st-century gilded bronze plaque. Court documents reveal a broader pattern of misconduct involving 40 objects stolen from Italy, Greece, and Turkey, with a total value reaching into the millions.
Shamnoski Gallery, a new brick-and-mortar space focused on postwar abstraction, opened on New York's Upper East Side in November 2025. Founded by Matthew Shamnoski, the gallery evolved from his online platform Projects 28 and champions mid- to late-20th-century artists and estates, particularly those historically overlooked. The gallery's inaugural exhibition, "John Grillo: Collages 1952–1962," reflects its mission to provide sustained presentation and scholarship for artists within this lineage.
TEFAF New York returns to the Park Avenue Armory from May 15-19, featuring 88 dealers and galleries from 14 countries across four continents. The fair distinguishes itself from competitors like Frieze, NADA, and Independent by offering an unusually broad range of works—from Modernist paintings and contemporary sculpture to ancient artifacts, fine jewelry, and design. Notable exhibitors include Gagosian showing Kathleen Ryan’s bejeweled fruit sculptures, Thaddaeus Ropac presenting newcomer Eva Helene Pade, and Belgian dealer David Lévy pairing Keith Haring with Willem de Kooning. Design is a particular highlight this year, with galleries such as Sarah Myerscough, Gomide&Co, and Modernity Stockholm showcasing everything from Shaker-inspired chairs to Brazilian modernist furniture and Scandinavian classics.
Marcel, a new restaurant, opened on April 17 in the lower level of Sotheby’s new home at the Marcel Breuer building on the Upper East Side. Designed by Roman and Williams in partnership with the auction house, the space features walnut-paneled walls, an open kitchen, and a pâtisserie. Chef Marie-Aude Rose, who also oversees La Mercerie downtown, created a “continental” menu rooted in French technique but influenced by Breuer’s Hungarian heritage, with dishes like chicken paprikash and lobster bisque with turmeric and ginger. The wine list comes from Sotheby’s own collection, allowing guests to purchase bottles they enjoy during their meal.
The Frick Collection hosted its annual Young Fellows Ball on the Upper East Side, a black-tie gala that drew a polished crowd of cultural figures, designers, and philanthropists. The event featured the theme 'Travel Through Time,' with guests exploring the museum's galleries filled with masterworks and Gilded Age furnishings, and highlighted the exhibition 'Gainsborough: The Fashion of Portraiture.' Benefit chairs included Natalie Bloomingdale, Ivy Getty, and Alexander Hankin, while Frick leadership Axel Rüger and Aimee Ng were in attendance, alongside comedian Marcello Hernández and political candidate Jack Schlossberg.
Mary Boone, the legendary New York art dealer, has returned to the gallery world with a new curatorial project titled 'Downtown/Uptown: New York in the Eighties' at Lévy Gorvy Dayan on the Upper East Side. The exhibition, co-curated with Brett Gorvy, features over 60 works by iconic artists of the 1980s including Jeff Koons, Barbara Kruger, Julian Schnabel, Cindy Sherman, Keith Haring, Richard Prince, and Jean-Michel Basquiat. It marks Boone's first major project in more than five years, following the closure of her namesake gallery and her 2019 tax-evasion conviction, for which she served 13 months in prison.
Two new art critics join the fold at Cultured, with Johanna Fateman reviewing Sanya Kantarovsky's first New York solo show since 2019, "Scarecrow," at Michael Werner Gallery's two Upper East Side locations. The exhibition features paintings, monotypes, and a glazed stoneware vase centered on Hera, a whippet belonging to artists Mark Dion and Dana Sherwood, alongside works like *Stage (Watteau)* that engage with historical painting. Mary Simpson covers Rosemarie Trockel's acerbic conceptualism, and Jeanette Bisschops reviews a posthumous exhibition of Chloe Dzubilo's intimate and irate drawings, "The Prince George Drawings," at Participant Inc., curated by Alex Fleming and Nia Nottage.
Photographer and storyteller Giles Duley has opened a two-week exhibition titled “Distortion / Memory / Resilience” at Sutton Tower on the Upper East Side of New York. The show features his powerful images documenting life during war, alongside artistic touches such as wooden school desks filled with artwork by Ukrainian children. Duley, who lost two legs and one arm after an I.E.D. injury in Afghanistan in 2011, continues to work actively in war zones including Sudan, Afghanistan, and Ukraine. Proceeds from the exhibition support his NGO, the Legacy of War Foundation, which has raised over $4 million since 2017 to help communities rebuild after conflict.
The Metropolitan Museum of Art in New York has received a major donation from the Lauder family: a historic townhouse gallery on the Upper East Side and Gustav Klimt's 1907 portrait "Adele Bloch-Bauer II," valued at $135 million. The gift comes from the estate of Estée Lauder heir Ronald S. Lauder, a longtime museum trustee and collector, and includes the former Neue Galerie building at 1048 Fifth Avenue, which will be renovated to expand the Met's modern and contemporary art exhibition space.
45 galleries along Madison Avenue on Manhattan's Upper East Side will open their doors for the free Madison Avenue Spring Art Walk on Saturday, May 13, 2026, from 10 a.m. to 5 p.m. Participating spaces include the newly opened Gagosian gallery, which is showing a Marcel Duchamp exhibition, as well as Di Donna (featuring Salvador Dalí works) and Acquavella Galleries (featuring Henri Matisse works). Several galleries will host artist talks, including Luxembourg + Co. on motorized technologies in 20th-century art and D Lan Galleries on Australian First Nations art. The event is co-hosted by the Madison Avenue Business Improvement District and ARTnews, and has been held every May and October since 2008.
The Jewish Museum in New York City reopened its third and fourth floors on October 24 after a $14.5 million renovation led by United Network Studio and New Affiliates Architecture. The redesigned 20,000-square-foot space features thematic galleries displaying centuries-old artifacts alongside works by Mark Rothko, Robert Motherwell, and contemporary artists, as well as a new Robert and Tracey Pruzan Center for Learning with art studios and a children's archaeological dig. A highlight is the display of 139 Hanukkah lamps from the museum's collection, arranged geographically in a 50-foot vitrine.
Art dealer and collector Adam Lindemann is presenting a free public exhibition titled "Urhobo + Abstraction" in his East 77th Street carriage house on Manhattan's Upper East Side. The show features five life-size 19th- and early-20th-century sculptures carved by the Urhobo people of southern Nigeria, paired with works by contemporary artists of African descent including El Anatsui, Alma Thomas, and Jack Whitten. The carriage house is the first Manhattan building designed by Ghanaian-British architect David Adjaye, whose renovation was completed in the late 2000s. The exhibition runs through June 13, open Mondays through Thursdays, and the sculptures are not for sale.
This article highlights ten must-see gallery shows opening in New York this May, timed to coincide with major art fairs like Frieze and TEFAF. Featured exhibitions include Yu Nishimura's debut U.S. solo show at David Zwirner, Thalita Hamoui's first U.S. solo exhibition at Marianne Boesky, and presentations by Willem de Kooning, Anastasia Komar, Theodora Allen, Ilana Savdie, Rosana Paulino, Alicjia Kwade, Xingzi Gu, and Moffatt Takadiwa. The roundup spans venues across the Upper East Side, Chelsea, and Tribeca, reflecting the city's vibrant gallery scene during a packed season of auctions and fairs.
Master Drawings New York (MDNY) marks its 20th edition this month, founded in 2006 by London dealers Crispian Riley-Smith and Margot Gordon and acquired in 2023 by dealer Christopher Bishop. The fair focuses on works on paper from the 15th century to today, also including painting, sculpture, and photography. This year features 36 dealers across two dozen Upper East Side gallery spaces, with ten new exhibitors from Europe, making it the most geographically diverse edition yet. Programming includes a highlights catalogue of 20 important works sold during previous editions that ended up in major collections such as the Metropolitan Museum of Art and the Getty.
Larry Gagosian, the mega-dealer, has candidly discussed the failure of his San Francisco gallery, which operated from 2016 to 2021. He stated the gallery simply failed because "nobody showed up" to openings, describing the experience as depressing. The closure was part of a broader reflection on his career, prompted by the opening of a new Gagosian gallery on New York's Upper East Side.
The Women Photographers International Archive (WOPHA) has opened its first physical space at Green Space Miami on the city's Upper East Side. Founded in 2018 by curator Aldeide Delgado and artist Francisco Masó, WOPHA is dedicated to researching and promoting the contributions of women and non-binary photographers to modern and contemporary art. The Green Family Foundation Trust, which owns Green Space Miami, is lending the space to WOPHA until December 2026. The inaugural exhibition, "tide lines of the frame" (through December 14), features works by 2025 artists-in-residence Kat Thompson and Nathyfa Michel, curated by Cecilia González Godino of the Institute of Contemporary Art in Philadelphia.
Pace Gallery, Emmanuel Di Donna, and David Schrader have announced a joint venture to launch Pace Di Donna Schrader Galleries (PDS), a new entity focused on secondary market sales. The partnership, revealed on the eve of Art Basel Miami Beach, will operate from a new headquarters on Manhattan's Upper East Side, with equal partnership among the three. PDS will leverage Pace's global network of galleries in cities including Los Angeles, London, Geneva, Berlin, Seoul, and Tokyo. Di Donna, founder of Di Donna Galleries and former Sotheby's vice chairman, brings expertise in Surrealist, Modern, and post-war art; Schrader, a former Sotheby's head of private sales, adds auction-house experience. The venture is set to begin operations in early 2025, with Di Donna's team moving to the new space in summer 2026.
The Art Dealers Association of America (ADAA) has canceled the 2025 edition of its flagship art fair, The Art Show, which was scheduled to open with a benefit preview on October 28 at the Park Avenue Armory. In an email to members, ADAA leadership cited a “strategic pause” and said the board made the decision after careful review, with plans to reimagine the fair for long-term sustainability. Exhibitors who submitted deposits will be contacted about reimbursement options, and the fair is expected to return in 2026 with a renewed vision.