Verdy 'I Believe in Me' Exhibition at LOTTE Museum of Art Seoul

Osaka-born graphic artist VERDY will debut his first solo museum exhibition, 'I Believe in Me,' at the LOTTE Museum of Art in Seoul from April 24 to July 19, 2026. The show features over 250 works, including crayon drawings, large-scale sculptures, and neon installations, exploring his signature aesthetic rooted in punk, skateboarding, and Japan's '90s Urahara scene. Divided into four sections, the exhibition traces the evolution of his characters and typography from graphic design into immersive physical forms, with highlights including the recurring character Vick and pandemic-era figure Visty.

In dreamy photographs, the artist Widline Cadet tells the complex story of her family’s migration

Artist Widline Cadet, who was separated from her mother for six years as a child during her family's migration from Haiti to New York, has spent nearly a decade creating a multimedia "living archive" of photographs, video, sound, and sculpture. Her largest solo exhibition to date, "Currents 40: Widline Cadet," is now on view at the Milwaukee Art Museum, exploring themes of diaspora, memory, and familial connection through dreamlike, often fragmented imagery.

Imagining the Manosphere as a Kinder, Gentler Place

Two new art exhibitions are tackling the aesthetics and ideology of the online "manosphere," a network of communities promoting hypermasculinity and often misogyny. The shows, 'The Manosphere: A New Hope?' at the New Museum and 'Soft Boys' at the Institute of Contemporary Art, Los Angeles, use video, sculpture, and installation to dissect this digital subculture and its visual language.

Exhibition | Travis MacDonald, 'Had a Farm' at Contemporary Fine Arts | CFA, Berlin, Germany

Contemporary Fine Arts in Berlin is presenting 'Had a Farm', a solo exhibition by New Zealand-born artist Travis MacDonald, opening during Gallery Weekend Berlin 2026. The show features new paintings that explore countercultural aesthetics through long-haired, androgynous figures set in a rural-subcultural landscape, drawing on photographic archives of 1970s experimental communes and referencing Pier Paolo Pasolini's essay on hair as a political sign.

'A Swimming Soul' at Whitestone Gallery, Seoul, South Korea on 18 Apr–24 May 2026

Whitestone Gallery Seoul is hosting "A Swimming Soul," a group exhibition featuring emerging artists Lee Juyoung, Kisho Kakutani, and Yudai Takeuchi. Running from April 18 to May 24, 2026, the show utilizes the metaphor of a swimming fish to explore themes of youth, uncertainty, and the drifting nature of modern existence. Each artist presents a unique visual language to address the ambiguity of reality, from Lee’s blurred urban reflections and Kakutani’s obstructive "noise" layers to Takeuchi’s exploration of the liminal space between consciousness and sleep.

Primal field. Interval

LewAllen Galleries in Santa Fe presents 'Primal field / Interval,' an exhibition of new paintings and monotypes by San Francisco-based artist Henry Jackson, running from May 15 to June 20, 2026. Jackson’s work blends Bay Area Figuration with Abstract Expressionism, using masonry trowels and scrapers to build and excavate layers of oil paint and cold wax, creating elemental fields where the human figure emerges from abstraction. The show also includes oil-based monotypes derived from spontaneous material happenings on the plate.

At the Walters: Douriean Fletcher’s jewelry for the ‘Black Panther’ movies

The Walters Art Museum is showcasing the intricate jewelry designs of Douriean Fletcher, the specialty jeweler responsible for the iconic adornments in the 'Black Panther' film franchise. The exhibition highlights Fletcher's craftsmanship and her ability to blend Afrofuturist aesthetics with traditional African metalworking techniques, bringing cinematic artifacts into a fine art museum context.

BOTERO RETURNS TO SEOUL WITH HIS LARGEST RETROSPECTIVE IN ASIA

Fernando Botero (1932–2023) returns to Seoul with his largest retrospective in Asia, opening this Friday at the Hangaram Art Museum, Seoul Arts Center. Curated by Lina Botero and organized with the Fernando Botero Foundation, the exhibition features over 112 works, several never before exhibited. The show, titled "Fernando Botero: The Triumph of Form," runs through August 30, 2026, and highlights the Colombian master's signature visual language of volume, sensuality, irony, and humanity.

Before Language: An Interview with Song E Yoon at Biennale Arte 2026

Song E Yoon's exhibition "Songs Across Time" at Spazio 996/A in Venice, presented as a Collateral Event of the 61st International Art Exhibition – La Biennale di Venezia, pairs her Song E Code with Frédéric Bruly Bouabré's Bété alphabet. In an interview with Kun Sok, Yoon discusses how her work uses dots, intervals, and repetition to create a visual language that exists before conventional meaning, emphasizing bodily encounter, sensation, and the productive role of misreading.

When the Night Bleeds into the Day

Wenn die Nacht auf den Tag abfärbt

Berlin-based graffiti artist Paradox Paradise, known for his distinctive red-and-blue "Paraglyphs" painted on high facades, discusses his evolution from classic graffiti to a radically reduced visual language. In an interview with Monopol, he explains how he stripped away decorative elements to focus on precise, vertical outlines and messages like "Mieten runter Wände bunter" (lower rents, more colorful walls). He describes his nocturnal actions as states of heightened presence requiring weeks of planning, where every movement has immediate consequences.

Tania Yakunova’s Expressive Figures Entwine with Plant Life in Digital and Graphite Illustrations

Kyiv-born illustrator Tania Yakunova creates lush digital and graphite illustrations characterized by grainy textures, gestural lines, bold shapes, and vibrant colors. Her work, which often features expressive human figures entwined with plant life, conveys brand narratives and personal emotions, such as homesickness following her 2023 move from Ukraine to London.

Speaking in Signs: Kwame Akoto’s Worlds Across Contexts.

Ghanaian painter Kwame Akoto, known for his vibrant signboard works blending bold imagery with urgent text, is the subject of his first major French exhibition, 'Almighty God Art Works', at the Musée du quai Branly – Jacques Chirac in Paris. In an interview with ART AFRICA, Akoto discusses how his paintings transform when moving from the streets of Kumasi—where they function as everyday spiritual and commercial communication—into a European museum context, addressing themes of translation, shared authorship, and the shifting meanings of images across cultural and institutional boundaries.

Johannes Phokela: Exploring Virtue, Contradiction, and Power at the Venice Biennale 2026.

South African artist Johannes Phokela is set to showcase a significant body of work at the 2026 Venice Biennale, building on his recent series 'The Seven Virtues' and 'Original Sin'. Curated under a vision initiated by the late Koyo Kouoh and supported by Eclectica Contemporary, Phokela’s paintings subvert the aesthetics of European Old Master traditions. His works, including 'Fides' and 'Temperantia', utilize Baroque visual languages to critique constructed morality, institutional power, and the performance of virtue.

Exhibition | Huang Hankang, 'The Sky Remains as the Bird Departs' at Arario Gallery, Shanghai, China

Arario Gallery Shanghai presents Huang Hankang's solo exhibition 'The Sky Remains as the Bird Departs,' running from May 15 to July 4. The show uses Shanghai as a dynamic 'processing system' where images, histories, and cultures are constantly received, translated, and reorganized. Through installations and paintings, the exhibition compresses multiple visual and historical threads, featuring works such as 'Gate of Flesh and Soul,' which juxtaposes Giuseppe Castiglione's hybrid visual language with the Cathay Theatre and fragments of George Washington's dentures, and 'Overlaid Life,' which contrasts a Song Dynasty crystal rabbit with cultivated orchids. Other pieces like 'Void Resonance' and 'Nameless Mark' explore perception, the body, and cultural mediation.

A circle of Cuban art at Westchester Regional Library

The Westchester Regional Library in Miami is hosting "Circular Reflections," an exhibition featuring over 80 contemporary Cuban artists, each working within a 21-inch circular format. Organized in collaboration with the Miami-Dade Public Library System, the show opened on April 3 and runs through June 25. Curated by Miami-based artist and independent curator Miguel Rodez, the project began nearly a decade ago and has evolved into a traveling, ongoing documentation of Cuban visual culture. Artists like Ismael Gómez Peralta discuss how the circular constraint challenged traditional rectangular composition, pushing them to rethink spatial organization while maintaining their individual visual languages.

REINTERPRETATIONS BY DEMIAN FLORES OF VIOLENCE MYTH AND REPRESENTATION

Mexican artist Demián Flores presents "America. New Visions from the Old World," a graphic arts exhibition at the Instituto Cultural de México in Madrid. The show features forty works that reinterpret 16th-century engravings by Theodor de Bry, whose images of Indigenous peoples—ranging from idealized noble savages to violent cannibals—shaped European perceptions of the Americas. Flores draws on his earlier series "Collateral Disasters" (2012), inspired by Goya's "The Disasters of War," to critique how colonial visual narratives constructed otherness and justified violence.

Carlos Runcie Tanaka's Ceramics in Pinta Lima's Special Project

CARLOS RUNCIE TANAKA S CERAMICS IN PINTA LIMA S SPECIAL PROJECT

The art fair Pinta Lima is presenting a Special Project dedicated to the late Peruvian ceramic artist Carlos Runcie Tanaka. Organized by Fundación Pinta, Henrique Faría Gallery, and the artist's estate, the exhibition brings together a selection of works from 2001 to 2007, focusing on his mastery of the clay sphere and his unique visual language.

Exhibition | Su Meng-Hung, 'The Flowers of Coromandel' at Tina Keng Gallery, Taipei, Taiwan

The article describes an exhibition titled 'The Flowers of Coromandel' by artist Su Meng-Hung, held at Tina Keng Gallery in Taipei, Taiwan. The exhibition showcases Su Meng-Hung's works, likely exploring themes related to the historical Coromandel Coast and its cultural intersections, presented through the artist's unique visual language.

2026 Annual Group Exhibition

Craighead Green Gallery in Dallas is presenting its 2026 Annual Group Exhibition, a summer survey featuring 60 artists from its program. The show includes a diverse range of works in painting, sculpture, photography, encaustic, ceramics, and fiber, highlighting both established and emerging artists. The exhibition opens with a reception on May 2nd and runs through June 20th at the gallery's Parkhouse Street location.

Expat women in Estonia share experiences through museum exhibition

An exhibition titled "Vahepealsuse lävel. Kõik teed tõid Eestimaale" ("At the Threshold of In-Betweenness. All Roads Lead to Estonia") has opened at the People's Museum of Tallinn (Tallinna Rahvaste Muuseum). Curated by Ouddhena Teern, an artist originally from Malaysia who moved to Estonia in 2019, the show explores themes of migration, identity, memory, and belonging. It features works using batik, mixed media, and tie-dye, alongside contributions from expat women who shared personal stories and objects of sentimental value.

Art show reflects on human experience, aspiration

A group of nine young artists, all alumni of the Government College of Fine Arts in Chennai, have formed a collective called Continuum and will present their first exhibition, 'Between Becoming & Being,' starting May 15 at Lalit Kala Akademi. Initiated by artist couple Preethi Umapathy and Prithiviraj, the show features works in painting, printmaking, sculpture, and ceramics by Deepika, Ganesh, Jagath Ravi, Padmapriya, Prithiviraj, Preethi, Ramesh, Saran Mathi, and Sarath Kumar, exploring themes of identity, aspiration, human existence, and lived experiences.

A Shift in Void – Exhibition of Abstracts

Sameksha Gallery in New Delhi presents 'A Shift in Void', a group exhibition curated by Yamini Telkar featuring six contemporary artists—Rashmi Khurana, Savya Jain, Prateek Gupta, Megha Madan, Aman Kumar Bavaria, and Sweeta Rai—who explore abstraction through diverse materials and visual languages. The show runs until 31 May 2026 at the gallery's space within the Sanatan IILM Centre for Arts and Ideas.

Thapar Gallery’s tribute to Abdul Aziz Raiba

Thapar Gallery in New Delhi is hosting an exhibition titled "Master Artist A. A. Raiba: A Unilateral Eclectic," a tribute to the late Indian modernist Abdul Aziz Raiba. The show, on view until 21 June 2026, explores Raiba's six-decade career across murals, paintings on jute, reverse glass paintings, serigraphs, calligraphy, and sketches, highlighting his synthesis of Indo-Islamic traditions, European academic naturalism, the Bengal School, and European modernity. Historian Shivaji K Panikkar provides curatorial insight, noting Raiba's independence from group affiliations and his use of grids and strong linear outlines.

Gallery: NYC, Stockholm artists probe how history is staged in Tallinn show

Zody Burke and Klara Zetterholm have opened a joint exhibition titled "Ersatz Strata" at Temnikova & Kasela Gallery in Tallinn, Estonia. The show examines how history is staged and reimagined, using reliefs, sculptures, printed works, kinetic elements, and industrial residue to create a fictional archaeological site. A live performance by Los Angeles-based artist 011668 accompanied the opening. The exhibition runs through August 15.

Artist Mär Martinez explores the threads that bind and separate us in new exhibition

Artist Mär Martinez is presenting her first solo exhibition in Orlando, titled 'a loom, a fence, a wire, a thread,' at the Art & History Museums of Maitland. The exhibition features paintings and a loom, inspired by her experiences during a Fulbright Scholar grant in Istanbul and her family's history with Syrian textiles.

Insects, Dresses, and Rebellion: Why 'The Law of Lidia Poët' is Different from All Other Costume Dramas

Insetti, abiti e ribellione: perché “La legge di Lidia Poët” è diversa da tutte le altre serie in costume

The third and final season of the Netflix series "The Law of Lidia Poët" concludes the story of Italy's first female lawyer in 1880s Turin. While the narrative follows her legal battles and social defiance, the production distinguishes itself through a rigorous and symbolic approach to costume design led by Stefano Ciammitti. Rather than modernizing the past, the series uses historical aesthetics—specifically gothic literature and naturalistic obsessions—to construct a visual language of rebellion.

A rare moment in Philippine art history: a meeting of two masters whose visual languages differ yet converge in their reverence for the natural world. https://tinyurl.com/y69vvyu6 | via ONE News

A rare meeting of two major Philippine artists, whose distinct visual styles both reflect a deep reverence for nature, has been documented. The encounter brings together masters with differing artistic languages, highlighting a unique convergence in Philippine art history.