Artist couple Janis Provisor and Brad Davis transformed an indoor swimming pool in their Connecticut ranch house into a studio, prioritizing their creative work over leisure. The article explores how they adapted the unconventional space to suit their artistic practices.
Dries Verhoeven will represent the Netherlands at the 61st Venice Biennale (2026) with a new work titled *The Fortress*, installed in the Dutch Rietveld Pavilion in the Giardini. The 25-minute performance piece transforms the sunlit pavilion into a darkened bunker, featuring a raw vocal composition using only false vocal cords. Verhoeven describes the work as a meditation on transition and self-preservation, reflecting a Western society caught between its enlightened self-image and a dark vision of the future. The piece responds to geopolitical unrest outside the Biennale grounds and is designed to be melancholic and confrontational, contrasting with the main exhibition's theme, *In Minor Keys*.
ArtReview published a questionnaire response from Bugarin + Castle, the artist duo representing Scotland at the 61st Venice Biennale (2026). Their exhibition, titled "Shame Parade" and curated by Mount Stuart Trust, explores charivari—medieval public shaming rituals involving sound, costume, and cross-dressing. The work draws on the artists' research into how noise and music have been used as tools of control, with particular attention to the Filipino legal definition of charivari as a punishable public disturbance. The exhibition includes sculpture, print, moving image, and a musical score created with Manila-based band Kalye Teresa, and is housed at the Olivolo, Castello pavilion.
The Gwangju Biennale has announced the title and theme for its 2026 edition, which will run from September 5 to November 15. The title, 'You Must Change Your Life,' is taken from a Rainer Maria Rilke poem. Artistic director Ho Tzu Nyen stated the event will focus on 'change' and 'practice,' exploring art's transformative power through a curated selection of works from 45 artists and collectives, the smallest cohort in the event's history.
Isabel Adair recounts her visits to commercial art galleries in London and Cambridge, describing the experience of viewing Eva Pade's exhibition at Galerie Thaddeus Ropac in Mayfair and the abstract works at Byard Art near King's College. She highlights the contrast between the polished, elite atmosphere of a high-end Mayfair gallery and the more accessible, profit-driven local gallery, while noting the freedom and openness of these spaces to the public.
CULTURED magazine interviews David Salle at his East Hampton home, discussing his new "Windows" series of paintings debuting at Seoul's Storage by Hyundai Card space as part of the exhibition "David Salle: Under One Roof." The Neo-Expressionist artist explains how the series evolved from an idea for a digital game, placing characters from his "Tree of Life" paintings into apartment windows against backgrounds drawn from details of his own past works spanning 40 years. Salle also reflects on his long history with the Hamptons, first visiting in 1976 through his connection to CalArts dean Paul Brach, and the area's deep ties to Abstract Expressionist history.
Hyperallergic reviews Larissa Borteh's solo exhibition "In the Wind" at Devening Projects in Chicago, featuring a dozen oil paintings that blur the line between still life and ethereal abstraction. The works, including "Glass House" (2025) and "Tending and Receiving" (2026), use thinned, viscous oil paint to create tactile surfaces that evoke plants in decay, ghosts, deities, or dreamlike visions. The review highlights Borteh's distinctive merging of image and elongated mark, reminiscent of fingerpainting, and her exploration of the spectrum between legibility and opacity.
Hoffman Donahue in Los Angeles presents a dual exhibition featuring works by Rhonda Saboff and Parker Pine, curated by Sula Bermúdez-Silverman. Running from April 25 to May 23, 2026, the show brings together two distinct artistic practices, with 48 images documenting the installation on the gallery's Contemporary Art Library page.
Galerie Balice Hertling in Paris is presenting an exhibition of silverpoint drawings by artist Daniel Blumberg, running from March 26 to May 16, 2026. The show features 57 images documented by photographer Aurélien Mole, with no accompanying videos or text descriptions in the visual record.
John Riepenhoff's solo exhibition "Out of Mind" is on view at Cooper Cole in Toronto from March 28 to May 2, 2026. The presentation includes 80 images documenting the show, with press release, checklist, and venue details available through the gallery's website and the Contemporary Art Library.
Texas's art landscape is increasingly defined by its robust circuit of annual juried exhibitions, which serve as vital entry points for emerging artists. These recurring events, such as Lawndale’s The Big Show and Craighead Green Gallery’s New Texas Talent, provide a platform for artists to have their work reviewed by guest curators, museum professionals, and gallerists, often leading to formal representation or solo exhibition opportunities.
A 125-year-old dairy barn converted into a contemporary art museum will open May 1 in Indianapolis's Garfield Park neighborhood. The Contemporary Art Museum of Indianapolis (CAMi), founded by Big Car Collaborative co-founders Jim Walker and Shauta Marsh, spans 40,000 square feet and includes six exhibition spaces, 18 artist studios, five storefronts for creative businesses, a performance space, a cafe, and a culinary arts area. The museum will be free to the public, with its inaugural exhibition featuring Puerto Rican painter Ivelisse Jiménez in the Jeremy Efroymson Gallery. CAMi aims to offer a welcoming, barrier-free environment—no security guards, no stern signage—and will focus on paying artists to create work rather than acquiring a permanent collection.
Dean Sameshima's solo exhibition "Wonderland" opened at Soft Opening gallery in London, running from March 27 to May 23, 2026. The show features 31 images documented on Contemporary Art Daily, with photography by Eva Herzog and images courtesy of the artist and the gallery.
Constellations Warsaw 2026, a group exhibition curated by Galerie Max Mayer, opened at Galeria Wschód in Warsaw from April 10 to May 16, 2026. The show features works by artists Nicolás Guagnini, Cudelice Brazelton IV, Tobias Hohn, and Stanton Taylor, presenting a constellation of contemporary practices across 20 exhibition images.
Shore Gallery in Vienna presents "Baader Streisand Komplex," a two-person exhibition featuring artists Anna-Sophie Berger and Benjamin Hirte, curated by Nik Geene. Running from April 1 to May 16, 2026, the show brings together their respective practices in a dialogue framed by the exhibition's title.
Artist Hannah Black opened a solo exhibition titled "Harsh Muting" at the gallery zaza' in Naples. The show runs from March 20 to May 3, 2026, and is documented with 14 images on the Contemporary Art Daily platform.
Announcement
The Contemporary Art Daily has released the full digital archive of artist SoiL Thornton's solo exhibitions. The comprehensive collection, published in their Contemporary Art Quarterly, documents Thornton's work dating back to 2017, providing centralized access to years of the artist's major projects and installations.
The St. Louis-based triennial Counterpublic has announced its artist lineup and thematic framework for its 2026 edition, set to open on September 12. Featuring more than 50 artists across five primary locations, the free public art festival will showcase newly commissioned works by major figures such as Glenn Ligon, Rebecca Belmore, and Rirkrit Tiravanija. The exhibition, titled "Coyote Time," explores themes of rapid societal change, community resilience, and the "near future," with specific installations addressing the aftermath of a 2025 tornado and the history of local landmarks like Sumner High School.
Diario del Salone – Tag eins
The author begins a daily diary from the Milan Design Week, navigating the sprawling Fuorisalone exhibitions that run parallel to the Salone del Mobile furniture fair. The overwhelming experience prompts a search for genuine innovation amid a sea of installations merging fashion, art, and design, leading to the first lesson of the week: accepting the inevitability of missing out on some events.
Alla Biennale di Venezia il Padiglione dell’Armenia si trasforma in bottega d’artista: le opere nascono di fronte al pubblico
The Armenian Pavilion at the 2026 Venice Biennale will transform into a functioning artist's studio, where sculptor Zadik Zadikian will create works in real time before the public. Titled "The Studio," the project is curated by gallerist Tony Shafrazi and curator Tina Chakarian, and will operate daily from May 6 to November 22 at the Tesa 41 of the Arsenale. Zadikian, born in Yerevan in 1948 and now based in the US, will work with traditional Armenian plaster techniques alongside his son Aram and studio assistants, emphasizing the process of making over the finished object.
MyHeritage's new Scribe A.I. tool has successfully transcribed and translated the earliest surviving Valentine's letter written in English, a 1477 note from Margery Brews to her fiancé John Paston. The tool provides a full transcript, historical context, and research suggestions, making the dense Middle English script accessible.
A research team from Egypt’s Supreme Council of Antiquities has unearthed a significant cache of artifacts at the Qubbet Al-Hawa necropolis near Aswan. The discovery includes two chambers containing 160 well-preserved pottery vessels, many inscribed with text, alongside a courtyard filled with Middle Kingdom jewelry, bronze mirrors, and kohl containers. These finds were located within rock-cut burial shafts that served as resting places for ancient Egyptian elite.
Archaeologists have unearthed the Roman Empire's second-largest olive oil processing complex in the Kasserine region of Tunisia, near the Algerian border. Co-directed by Ca' Foscari University of Venice, the excavation at the 33-hectare site called Henchir el Begar revealed a monumental torcularium with twelve beam presses, a second eight-press facility, oil mills, cisterns, and a water collection basin. The team also found artifacts including a copper-and-brass bracelet, a limestone projectile, and architectural elements dating from the modern to Byzantine periods. A Latin inscription confirms senatorial approval for a bimonthly market on the land in 138 AD, indicating the site was a hub for social, political, and religious life.
Egyptian Member of Parliament Freddy Elbaiady publicly criticized the Grand Egyptian Museum's ticketing system, which imposes separate quotas for foreign tourists and Egyptian nationals. The controversy erupted after overcrowding on a single day saw over 27,000 tickets sold—exceeding the daily limit of 20,000—leading to thousands of frustrated visitors being denied entry. Elbaiady submitted a formal request to remove the quota, calling it discriminatory, and demanded a briefing from the Prime Minister and Minister of Tourism. In response, the museum announced a shift to a pre-booking system with designated entry times, implemented last week, and starting December 1, online booking will be the only method for purchasing tickets.
The Grand Egyptian Museum, which opened on November 4 after two decades of planning, faced immediate crowd control issues after overselling tickets. More than 27,000 tickets were sold against a daily limit of 20,000, leading to thousands of frustrated visitors being denied entry. Museum CEO Ahmed Ghoneim announced a shift to an online-only booking system and pledged to reassess policies. Controversy also erupted over claims of a ticketing quota favoring foreigners over Egyptians, which Ghoneim denied, stating the museum would ensure no group exceeds a 60-40 split seasonally.
Norwich Castle in Norfolk, England, has reopened after a five-year, $37 million restoration led by architectural firm Feilden + Mawson. For the first time, visitors can explore all five floors of the 900-year-old fortress, including reconstructed Medieval chambers and over 900 artifacts. The restoration reestablished the original Medieval layout with era-appropriate furnishings in the kitchen, chapel, king's chamber, and Great Hall. A new exhibition, "Gallery of Medieval Life," co-organized with the British Museum, features objects from daily life and nobility spanning the Norman Conquest through the reign of Henry VIII. The project was funded by a £13 million grant from the National Lottery Players and £12 million from Norfolk County Council.
The Mediterranean Alliance for Wetlands has launched a campaign against the Guggenheim Museum's proposed expansion into the Urdaibai Biosphere Reserve in Spain. The campaign warns that building a new museum spanning Guernica and the protected reserve would harm biodiversity, water quality, and conservation frameworks, and has gathered over 2,400 signatures on a petition urging UNESCO, the Ramsar Secretariat, and the Spanish government to intervene.
Brooklyn Museum will present 'Art of Manga' on October 3, 2026, the first large-scale exhibition in the Americas dedicated to manga as a fine art form. Organized by the Fine Arts Museums of San Francisco, the show features over 600 original hand-drawn manga artworks (genga) by influential Japanese artists including Araki Hirohiko, Oda Eiichiro, Takahashi Rumiko, and Tagame Gengoroh, spanning foundational figures to eight contemporary masters.
NEW INC, the New Museum's cultural incubator, has announced the full schedule for DEMO2026, a three-day art, design, and technology festival running from June 3–5 at the New Museum's newly expanded OMA-designed building on the Bowery. The festival features keynote speakers including multimedia artist Lawrence Lek, cultural historian Dr. Sarah Elizabeth Lewis, artist and Ojas sound system founder Devon Turnbull, NTS Radio founder Femi Adeyemi, and artist-engineer Xin Liu. Public programming includes demonstrations, performances, workshops, and talks showcasing projects by 39 current NEW INC members, with a Track Showcase on view through June 10. This marks the first edition of DEMO held in the New Museum's expanded space since its reopening.
The Brooklyn Museum is presenting an exhibition titled "Art of Manga," showcasing the artistic and cultural significance of manga as a visual art form. The show explores the history, techniques, and global influence of manga, featuring original drawings, printed works, and immersive installations.