Two documentaries premiering at the 2026 Sundance Film Festival directly confront the discourse surrounding artificial intelligence. Valerie Veatch's 'Ghost in the Machine' traces the racist, eugenicist origins of AI research, linking it to a history of American techno-fascism, while Daniel Roher and Charlie Tyrell's 'The AI Doc: Or How I Became an Apocaloptimist' offers a more measured, personal exploration of public anxieties about the technology.
The Guardian's picture editors curated a global selection of photographs from March 24, 2026. The images depict scenes of conflict, including a distraught woman in Beirut after an Israeli airstrike, rockets fired from Lebanon towards Israel, an Iranian missile embedded in the West Bank, and damage in Tel Aviv from a missile barrage. Other photos show people sheltering in Kyiv during an air raid and firefighters in Zaporizhzhia, Ukraine.
Archaeologists from the University of Tübingen and the Egyptian Ministry of Tourism and Antiquities have unearthed a massive collection of over 42,000 inscribed pottery shards, known as ostraca, at the ancient site of Athribis. The shards, dating from the 3rd century B.C.E. to the 11th century C.E., contain tax receipts, religious texts, school exercises, and personal notes written in Demotic, Greek, Hieratic, Coptic, and Arabic scripts, offering an unprecedented window into the daily lives of ordinary people.
Professor Daisy Fancourt presented research at the Tefaf Summit in Maastricht, detailing the measurable health benefits of arts engagement. Her findings, drawn from longitudinal data and biological markers, show arts therapies can double symptom improvement for depression and regular cultural attendance can nearly halve depression risk over a decade.
Rome has opened two new subway stations on Line C—Colosseo/Fori Imperiali and Porta Metronia—that double as mini museums, showcasing over 500,000 artifacts unearthed during two decades of excavation. The stations, located 100 feet underground, feature displays of ancient ceramics, frescoes, mosaic floors, and the remains of a Roman military compound and thermal baths, curated by the Colosseum Archaeological Park and Sapienza University. Commuters can view the artifacts without a ticket in the station atriums, and future stations on the line will incorporate additional archaeological finds.
Libya’s National Museum, also known as the Red Castle Museum (As-Saraya Al-Hamra), has reopened in Tripoli for the first time since the 2011 revolution that ended Muammar el-Qaddafi’s rule. The museum, the largest in North Africa, closed at the onset of Libya’s military instability during the Arab Spring. Its 10,000-square-meter gallery houses artifacts spanning prehistory through Greek, Roman, and Islamic periods, including millennia-old mummies. Renovations began in 2023, with a full public reopening scheduled for early 2026; currently admission is limited to students.
“Bad Bridget,” an archival research project about Irish women who emigrated to New York, Boston, and Toronto between 1838 and 1918 and engaged in criminal and sexually deviant activities, is being adapted into a Hollywood film. The project, launched by historians Elaine Farrell and Leanne McCormick in 2015, has already produced a podcast, a book, and a museum exhibition at the Ulster American Folk Park. The film will be produced by Margot Robbie’s LuckyChap Entertainment, directed by Rich Peppiatt, and star Daisy Edgar-Jones and Emilia Jones as two Irish sisters navigating scandal in 19th-century New York.
A nearly 2,000-year-old Egyptian ceramic vessel, a bucket-shaped situla, was discovered during conservation work at the Thermopolium of Regio V in Pompeii. The faience pot, decorated with Egyptian-style hunting reliefs, was found in the kitchen of a well-preserved fast-food restaurant that served the working- and middle-class residents of the Roman city before its destruction by Mount Vesuvius in 79 CE. The discovery was published by the Pompeii Archaeological Park’s online journal.
Weill Cornell Medicine is proceeding with plans to develop a research facility at 1334 York Avenue, the former headquarters of Sotheby’s, despite a federal funding freeze that has disrupted hundreds of research projects. The 200,000-square-foot leased space is intended for medical research, patient care, and teaching, and the university has stated the lease is not contingent on government funding. However, S&P Global Ratings has revised the property’s valuation downward by nearly 12% since last year, citing uncertainty over Weill Cornell’s financial commitment to complete the build-out.
The Pompeii Archaeological Park has unveiled the restored Garden of Hercules, replanted with 1,200 violets, 1,000 ruscus plants, 800 antique roses, vines, and fruit trees to mirror its appearance 2,000 years ago. The restoration is based on botanical research from the 1950s by Wilhelmina Jashemski, who identified pollen, spores, and plant fossils at the site. The garden, located on Regio VIII, Insula 2, also features a recreated ancient irrigation system and a terracotta statue of Hercules, and was once used for commercial perfume production.
A rare painting by Indian modernist Krishna Kanwal (1910–1993) sold for £152,800 ($207,573) at Bonhams London on June 5, setting a new auction record for the artist. Titled *Portrait of His Holiness the 14th Dalai Lama at His Enthronement*, the work came from the collection of British diplomat Sir Basil Gould and depicts the 1940 enthronement ceremony of the four-year-old Dalai Lama. The sale also included a group of 40 watercolors by Kanwal that fetched £457,600, and the 49-lot dedicated sale of Gould's collection achieved £951,770 with a 96% sell-through rate.
A new exhibition at the Pompeii Archaeological Park, titled “Being a Woman in Ancient Pompeii,” aims to correct centuries of historical neglect by highlighting the lives of real women from the ancient city. Through frescoes, artifacts, inscriptions, and an interactive app, the show presents the stories of entrepreneurs, priestesses, innkeepers, artisans, sex workers, and slaves—including Clodia Nigella, a public pig-keeper; Faustilla, a pawnbroker; Asellina, a tavern owner who employed bar workers and sex workers; Julia Felix, an independent property owner who rented out her bathhouse; and Eumachia, a businesswoman. Co-curated by archaeologist Francesca Ghedini, the exhibition uses archaeological evidence to reconstruct the personalities and daily activities of these women, whose roles have long been obscured by male-dominated historical narratives.
Jonathan Crockett, deputy chairman of Phillips in Asia, reflects on the auction house's 10-year journey in the region, from a small Hong Kong office to a major presence in the West Kowloon Cultural District. He recounts his career path from Christie's and Sotheby's to founding his own advisory firm, then joining Phillips to launch its Asian operations, overcoming brand confusion and building a robust client network.
ArtReview's feature 'The Collaborative Museum' presents a diagnosis of the current state and future of museums from professionals within the field. The article highlights concerns about cultural amnesia in the United States, the need for diverse and accessible art spaces beyond large institutions, and the critical role of museums as public spaces for remembrance and reflection.
A new study by University College London, published in the journal Innovation in Aging, reveals that engaging with arts and culture can slow biological aging at a rate comparable to exercise. Researchers found that attending performances or visiting galleries once a month led to a 3 percent reduction in aging speed, while weekly engagement produced a 4 percent slowdown. Those who participated in the arts at least weekly were biologically at least a year younger than non-participants, outperforming weekly exercisers, who were only six months younger biologically. The study tracked 3,356 adults from 2010 to 2012 using survey data and blood tests, measuring aging via epigenetic clocks that analyze DNA changes.
Matt Browning presents a solo exhibition at Kunstverein München, featuring a series of new works that explore the intersection of digital imagery and traditional painting techniques. The show includes 27 documented images, with Browning's characteristic blend of abstract forms and figuration, drawing on internet culture and personal memory.
Zheng Zhilin presents a solo exhibition at Linseed Projects, featuring a series of new works that explore themes of memory, materiality, and spatial perception. The show includes paintings and mixed-media installations that engage with the physical and emotional textures of everyday environments, drawing on the artist's personal experiences and cultural references from contemporary Chinese life.
Iris van Dongen presents 'Spellbound' at dépendance VIEW in Brussels, running from April 30 to May 23, 2026. The exhibition features 13 images documenting the show, with press release, floor plan, and checklist available. Images are courtesy of the artist and the gallery, with photos by Camille Poitevin.
Kunstverein Braunschweig is presenting 'Let it R.I.P.', a solo exhibition by American artist D'Ette Nogle, curated by Junia Thiede and running from March 21 to May 31, 2026. The exhibition features 69 images documenting Nogle's work, with press releases available in both English and German, along with a booklet and venue website links.
Dominique White presents her solo exhibition "All Great Powers Collapse from the Centre" at Kunsthalle Basel, running from February 13 to May 17, 2026. The show features a press release, floor plan, and 10 exhibition images documented by photographer Philipp Hänger, with images courtesy of the institution.
An exhibition titled "Suzanne Perrottet with Tarren Johnson & Joel Cocks, OOR Saloon & Elaine Mitchener, New Kyd, Thibault Lac" is on view at Cabaret Voltaire in Zurich from December 19, 2025, to May 17, 2026. The show features works by multiple artists including Suzanne Perrottet, Tarren Johnson, Joel Cocks, OOR Saloon, Elaine Mitchener, New Kyd, and Thibault Lac, with images courtesy of the artists and the venue, and photos by Cedric Mussano, Romain Mader, and Johanna Bommer.
An exhibition titled "Resisting Death: Glitches and Ornaments" is on view at CASTLE in Los Angeles from March 21 to May 2, 2026. Curated by Oriane Durand, the show features works by artists Ull Hohn, Bod Mellor, and Bruno Pélassy, presenting 22 images and no videos in the documentation.
Reba Maybury presents her solo exhibition "I Come in Peace" at Secession in Vienna, running from March 6 to May 31, 2026. The show features a press release, floor plan, and venue website, documented through 10 images and photographs by Lisa Rastl, courtesy of Secession.
Bodenrader in Chicago is currently hosting a group exhibition titled "Ethical Managers Make Their Own Rules," featuring works by Jessica Diamond, Hélène Fauquet, and Jason Hirata. The exhibition, which runs from March 21 through May 2, 2026, presents a curated selection of contemporary works documented through an extensive digital archive of installation views.
Gianni Motti presents a solo exhibition titled "Au-delà de tout doute raisonnable" at Galerie Mezzanin in Geneva. Running from March 13 through May 14, 2026, the show continues Motti’s career-long exploration of conceptual interventions and socio-political commentary.
The contemporary art space Spike Island in Bristol is hosting a solo exhibition by artist Phillip Lai titled "Rain / Ruin." Running from January 30 to May 10, 2026, the exhibition features a series of sculptural installations and works that engage with the architectural environment of the gallery. The presentation is documented through a comprehensive suite of installation photography by Rob Harris, capturing the spatial relationship between Lai's objects and the industrial character of the venue.
Sant'Andrea de Scaphis in Rome is hosting a solo exhibition of works by the late Italian artist Gino De Dominicis, curated by Luca Lo Pinto. The presentation, titled "1975+27," runs from March 13 through April 18, 2026, and features a selection of the artist's enigmatic works within the atmospheric setting of a deconsecrated 9th-century church.
Christine Tien Wang and Rachel Youn presented a two-person exhibition titled "Factory Doomscroll" at Night Gallery in Los Angeles. The show ran from February 21 to April 4, 2026, and was documented extensively with 82 installation images.
A group exhibition featuring works by Alessandro Agudio, Edie Duffy, Gina Folly, Jason Hirata, and Josephine Pryde opened at the Milan gallery Fanta-MLN. The show ran from February 19 to March 28, 2026, and was documented with 20 installation photographs by Roberto Marossi.
An Hoang at Halsey McKay
An Hoang has opened a solo exhibition titled "Garden Poems" at Halsey McKay Gallery in East Hampton. The show, running from February 7 through March 29, 2026, features a collection of new works, documented by 33 images in the announcement. This presentation marks a continued collaboration with the gallery, highlighting Hoang's latest artistic developments.