LATIN AMERICA AT THE VENICE BIENNALE: A VISUAL TOUR OF THE CENTRAL EXHIBITION

LATINOAMÉRICA EN LA BIENAL DE VENECIA: UN RECORRIDO VISUAL POR LA MUESTRA CENTRAL

The 61st Venice Biennale, titled "In Minor Keys," opened its preview days on May 8, 2025, curated by the late Koyo Kouoh (1967–2025). The central exhibition, realized by a team she selected before her death, features 110 participants from around the world, with a strong Latin American presence of 15 artists, collectives, and organizations. The show explores themes of colonial history, plantation economies, geological memory, and environmental crisis through works that emphasize shared materials, politics, and poetics across geographies from Dakar to San Juan.

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London's National Gallery is implementing significant staff reductions and program changes to address a projected £8.2 million ($11.2 million) budget deficit. The museum has launched a voluntary exit scheme for employees and will cut public programs, aiming to reduce the deficit by £2.6–3 million through personnel costs. The remaining shortfall will be addressed through other operational cuts.

In Protest of Israeli Pavilion, Activists and Unions Plan Strike on Venice Biennale’s Opening Day

The Art Not Genocide Alliance (ANGA) has announced a 24-hour strike and rally on May 8, the day before the 2026 Venice Biennale opens to the public, in protest of the Israeli Pavilion. ANGA, formed in opposition to Israel's inclusion in the 2024 Biennale, refers to the current Israeli presentation—featuring Haifa-based artist Belu-Simion Fainaru—as the "Genocide Pavilion." Over 200 artists, curators, and culture workers have signed an open letter demanding Israel's exclusion, and a separate action called Solidarity Drone Chorus involved 60 artists. ANGA is collaborating with local labor and culture organizations including Biennalocene, Vogliamo Tutt'altro, S.a.L.E. Docks, and Mi Riconosci.

Texas Man Who Orchestrated $20 M. Crypto Scam Based on Fictitious Van Gogh and Picasso Masterpieces Sentenced to 23 Years in Prison

A Houston man, Robert Dunlap, was sentenced to 23 years in federal prison for orchestrating a $20 million cryptocurrency scam. Between 2018 and 2023, Dunlap defrauded nearly 1,000 investors by promoting a digital asset called “Meta-1 Coin,” falsely claiming it was backed by a $1 billion art collection featuring works by Salvador Dalí, Vincent van Gogh, and Pablo Picasso, as well as $44 billion in gold. He used forged legal and insurance documents to conceal that he owned neither the art nor the gold. A federal jury in the Northern District of Illinois convicted him on mail fraud charges in 2025, and US District Judge LaShonda A. Hunt imposed the sentence, also ordering restitution.

An Inside Look at Realizing Koyo Kouoh’s Venice Biennale Exhibition and More: Morning Links for April 29, 2026

The article reports on the 2026 Venice Biennale proceeding without its curator Koyo Kouoh, who died last May from liver cancer. Her husband Philippe Mall and son Djibril Schmed agreed with Biennale president Pietrangelo Buttafuoco to continue the exhibition, which opens to the public on May 9. Elsewhere, a Chicago judge sentenced Robert Dunlap to 23 years for a cryptocurrency scam claiming to be backed by artworks by Picasso, Dalí, and van Gogh. A Renoir painting once owned by the Duchess of Alba is returning to Spain, and a robot docent named R1 debuted at Palazzo Madama in Turin.

Prominent German Art Foundation Accuses Top Culture Official of ‘Attempted Intimidation’

Jurors from the Kunstfonds Foundation, a major German contemporary art funding body, have accused Minister of State for Culture Wolfram Weimer of attempted intimidation and political interference. The conflict erupted after Weimer requested the names of the independent jury members, a move the foundation views as a threat to artistic freedom. This follows a separate controversy where Weimer reportedly consulted domestic intelligence to exclude bookstores with left-wing leanings from a national award.

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The Joan Mitchell Foundation has announced the 31 artists selected for its 2026 residency program at the Joan Mitchell Center in New Orleans. The residencies, lasting six or 14 weeks across three seasons, will host no more than nine artists at a time, beginning February 2. The cohort includes 17 local New Orleans artists and participants from cities such as New York, San Francisco, Chicago, Boston, and Atlanta, ranging in age from 27 to 75. Notable participants include Edra Soto, who also won a United States Artists Fellowship, and two leaders of New Orleans’s Black Masking Indian tradition, Kelly Pearson Boles and Efrem Z. Boles. The selection was made by a jury of artists, curators, and academics.

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Christie's closed 2025 with $6.2 billion in projected global sales, a nearly seven percent increase from $5.8 billion in 2024 and in line with its 2023 total. Auction sales reached $4.7 billion, up eight percent year-over-year, while private sales held steady at $1.5 billion. The year's top lot was Mark Rothko's *No. 31 (Yellow Stripe)*, which sold for $62.1 million in New York. Other highlights include a record Picasso sale in Hong Kong ($25.4 million) and the Fabergé Winter Egg in London (£22.9 million). The house also saw strong performance from its automobiles business, Gooding Christie's, which delivered $234 million in sales. Geographically, the Americas grew 15 percent to $2.58 billion, while Asia-Pacific slipped 5 percent.

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Swiss art dealer Yves Bouvier has filed a Section 1782 petition in US federal court to locate 91 artworks he claims are his, worth approximately $100 million. The filing targets roughly 15 major banks and two auction houses (Sotheby's and Christie's) to compel disclosure of financial and transactional records. The request is tied to Hong Kong legal proceedings against French dealer Pascal de Sarthe, whom Bouvier accuses of failing to return works placed with him for safekeeping. De Sarthe disputes Bouvier's ownership, and his attorney has asked the New York court to delay or deny the application as premature.

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American con artist Thomas Doyle, 68, has been charged with wire fraud for allegedly defrauding London gallery owner Patrick Matthiesen over a Gustave Courbet painting. Doyle claimed to manage a family trust with billions in assets and offered to broker the sale of Courbet's 1844 oil painting *Mother and Child on a Hammock* without commission. Instead, he delivered the work to his partner Shalva Sarukhanishvili, who sold it to Jill Newhouse Gallery for $115,000; the gallery then resold it to collector Jon Landau for $125,000. Matthiesen received no proceeds and filed a lawsuit against Doyle, Sarukhanishvili, Jill Newhouse Gallery, and Landau. Doyle has a prior fraud conviction involving a Corot painting and was described by a judge as a "career criminal."

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Vanity Fair has commissioned and will publish an abstract nude portrait of journalist Olivia Nuzzi, titled "How to Disappear," by artist Isabelle Brourman, in its Dec. 2 Hollywood Issue. The painting, which depicts Nuzzi nude with Americana symbols swirling around her, was created after the two met during Donald Trump's criminal trial and will also be exhibited at Art Basel Miami Beach as part of Jeffery Deitch's presentation "The Great American Nude."

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Phillips' modern and contemporary evening sale in New York on Wednesday netted $67.3 million, with a 94% sell-through rate across 33 lots. Highlights included an untitled Joan Mitchell painting, a Francis Bacon diptych, and a juvenile triceratops skeleton, though two lots—a large gold piece and an oversized painting by Jadé Fadojumtimi—failed to sell. Separately, Bonhams announced it will move its US headquarters to 111 West 57th Street in February 2025, occupying a 42,000-square-foot space in the restored Steinway Hall, which will reopen as a public cultural venue. The article also covers declining DEI-related grants, a survey of William Nicholson, rising demand for female photographers, and the launch of Artsignal, an AI platform for art market intelligence.

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A 1969 Fender Competition Mustang guitar owned by Nirvana frontman Kurt Cobain is being auctioned by Christie's in March, with an estimated price of $2.5–$5 million. The guitar was used on the albums *Nevermind* and *In Utero*, as well as in the music video for "Smells Like Teen Spirit" and numerous live performances. It is part of the Jim Irsay Collection, assembled by the late Indianapolis Colts owner, which includes instruments from John Lennon, Jimi Hendrix, Prince, and others.

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A painting long attributed to Moïse Kisling, titled *Kiki de Montparnasse* and held by Japan's Yamada Bee Company Group, has been identified as a forgery by notorious art forger Wolfgang Beltracchi. The discovery, reported by NHK, follows a wave of Beltracchi-linked fakes uncovered in Japanese museums and collections, including a purported Marie Laurencin portrait in Tokyo and a forgery of Heinrich Campendonk's *Girl with Swan* at the Museum of Art, Kochi. Beltracchi admitted to forging the Kisling around 1990, claiming he studied the artist deeply.

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The estate of Jean-Michel Basquiat is releasing a new screenprint titled *King Alphonso*, available from Pace Prints starting November 5. Produced in an edition of 60, the print reproduces a 1982–83 drawing in acrylic and charcoal, referencing the Spanish monarch Alfonso XIII, known as “El Africano.” The work will be stamped and signed by Basquiat’s sisters, Lisane Basquiat and Jeanine Heriveaux, administrators of his estate. The announcement follows recent estate activities, including the 2022 “King Pleasure” exhibition in New York and the designation of Great Jones Street as “Jean-Michel Basquiat Way.”

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The Matthiesen Gallery in London has filed a lawsuit in the Southern District of New York alleging fraud, breach of contract, and other counts over a Gustave Courbet painting, *Mother and Child on a Hammock*. The gallery claims that Thomas Austin Doyle, a convicted con man, orchestrated a scheme to defraud director Patrick Matthiesen, selling the painting—valued at $650,000—through artist and dealer Shalva Sarukhanishvili to Jill Newhouse Gallery for $115,000, which then sold it to top collector Jon Landau for $125,000. The lawsuit also names Landau, who allegedly viewed the work multiple times at TEFAF fairs knowing its retail price, yet refuses to return it. Doyle has a long criminal history, including prior convictions for art fraud and theft.

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Financier George Allen Weiss is seeking court approval to sell Claude Monet's painting *Nymphéas* (1914–17) for $36.5 million to an unnamed buyer, as part of his bankruptcy proceedings. Weiss filed for bankruptcy in June after a federal judge ruled he owed over $100 million in debt tied to his hedge fund, Weiss Multi-Strategy Advisers, which also filed for bankruptcy in 2024. The sale, handled through Weiss's GW Crown Holdings LLC, is intended to cover $123 million in debt to Bank of America, but Jefferies Strategic Investments has filed a limited objection demanding the buyer's identity be disclosed, citing a comparable Monet that sold for $65.5 million at Sotheby's.

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A jury trial is underway in Kingston, New York, to determine who will control the estate of Billy Name, the artist and photographer who lived with Andy Warhol in the 1960s and documented the Factory scene. Name died in 2016, and two competing wills have emerged: one from 2011 naming his niece Suzette Linich as executor, and another from 2015 naming his agent Dagon James. Linich argues Name lacked mental capacity when signing the later will, while James insists Name was lucid and fit.

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Nayland Blake, a conceptual artist known for blending cerebral ideas with visceral, queer sensibilities, is the subject of a major solo exhibition at Mathew Marks Gallery in New York, running through October 2025. Concurrently, a new book titled *My Studio Is a Dungeon Is the Studio: Writings and Interviews 1983–2024* is set for release next month, compiling decades of the artist's writings and interviews. The article explores Blake's unique approach to art, which combines psychoanalytic theory, queer aesthetics, and a critical stance toward institutional power, as seen in their analysis of figures like Judge Daniel Paul Schreber and artist Jack Smith.

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Artist Nan Goldin and Palestinian activist Mahmoud Khalil discussed Khalil's 104-day ICE detention, the 'Palestine Exception' to free speech, and the backlash faced by pro-Palestinian activists in a conversation published in Dazed magazine. Khalil was arrested in March 2024 after serving as a negotiator during Columbia University protests, with the Trump administration alleging he undermined foreign policy and later claiming he failed to disclose information on his green card application. Goldin compared her own experience leading the activist group PAIN, which successfully pressured museums to cut ties with the Sackler family over the opioid crisis, noting that pro-Palestinian activism has faced far greater criminal and professional repercussions.

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A Czech man named Milos Vavra, a descendant of Jewish cabaret performer and collector Fritz Grünbaum who was murdered by the Nazis, has filed a lawsuit against Christie's in New York Supreme Court. Vavra demands that the auction house disclose the ownership and location of several blue-chip artworks from the Grünbaum Collection, including works by Egon Schiele. He alleges that Christie's entered a nondisclosure agreement with a Swiss family seeking to auction looted artworks, and he needs the information urgently to file claims before the Holocaust Expropriated Art Recovery Act (HEAR Act) statute of limitations expires in late 2026.

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Collector Sasan Ghandehari has filed a lawsuit against Christie’s in the High Court of England & Wales, alleging the auction house failed to disclose that a Picasso painting he guaranteed was owned by a man convicted of drug-related charges. The work, Picasso’s *Femme dans un rocking-chair* (1956), was offered in a February 2023 London evening sale with a third-party guarantee from Ghandehari’s company, Brewer Management Corporation (BMC). Ghandehari claims Christie’s told him the owner was José Mestre Jr., but the painting actually belonged to his father, José Mestre Sr., who was sentenced to nine years in prison after 202 kilos of cocaine were found on a cargo ship in 2010. The lawsuit seeks to cancel the guarantee contract and recover a £4.8 million partial payment.

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Tim Blum, founder of Blum Gallery, announced the closure of his gallery in early July, citing systemic problems and burnout. However, former employees and artists have since spoken out, claiming they were blindsided by the decision and criticizing the lack of notice, severance, and transparency. Some sources allege that poor business decisions, including a buyout of partner Jeff Poe and costly renovations in a shaky economy, contributed to the closure, while others dispute Blum's claims of strong sales at Art Basel. Separately, a bipartisan Senate bill seeks to extend a 2016 law aiding Holocaust victims in reclaiming Nazi-looted art, but major museums are pushing back, arguing the law unfairly hinders their ability to defend claims.

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The UK High Court has rejected a final appeal by Icelandic artist Oddur Eysteinn Friðriksson, known as ODEE, to retain ownership of his conceptual artwork *We're Sorry* (2023), a fake website that mimicked Iceland's largest fishing company Samherji and apologized for its alleged role in the Fishrot corruption scandal. Judge Anthony Mann upheld a previous order requiring ODEE to surrender control of the domain, ruling that the site was not a parody and constituted an instrument of fraud, thus not protected under Article 10 of the Human Rights Act.

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The Bienal de São Paulo has announced the 120 artists for its 2025 edition, titled “Not All Travellers Walk Roads – Of Humanity as Practice,” opening September 6 at the Ciccillo Matarazzo Pavilion. Curated by Bonaventure Soh Bejeng Ndikung, the selection was inspired by bird migration patterns and rivers, aiming to avoid nation-state classifications. Notable participants include Isa Genzken, Firelei Báez, Wolfgang Tillmans, Forensic Architecture, and 19 Brazil-based artists, alongside 20 deceased figures such as Bertina Lopes and Ernest Cole.

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One of J.M.W. Turner's earliest oil paintings, *The Rising Squall, Hot Wells, from St Vincent's Rock, Bristol*, painted when he was 17, will be auctioned at Sotheby's London with an estimate of £200,000–£300,000. The work had been misattributed for decades and sold last year at Dreweatts for just £600–£800 as a work by a follower of Julius Caesar Ibbetson, before cleaning revealed Turner's signature. The painting was originally exhibited at the Royal Academy in 1793 and had not been publicly displayed for 167 years.

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A Paris court seized 135 allegedly stolen paintings from Paris-based art authenticators ArtAnalysis in January, which had been holding the works for collector Mozes Frisch. The pieces are part of a 1,778-work collection supposedly by heavyweight Russian modernists. Palestinian businessman Uthman Khatib and his son Prince Castro Ben Leon claim the works were stolen from them by Frisch in 2019, and are suing in Germany for return of the works or $323 million. ArtAnalysis owner Laurette Thomas, Frisch, and collector Olivia Amar are countersuing Khatib for return of the Paris-held works plus $30.5 million in damages. The Khatibs' law firm Dentons hired Doerr Dallas Valuations to appraise the 135 disputed works, which assigned a $208 million valuation but included a caveat, likely related to the fact that many works were listed on the Art Loss Register in 2014 during an investigation into disgraced Israeli art dealer Itzhak Zarug, who was suspected of dealing fakes.

How Art Firms Are—or Should Be—Using A.I. Right Now

Art firms are increasingly experimenting with artificial intelligence, but concrete use cases remain limited and industry-specific tools are still in their infancy. A new partnership between Bonhams and tech company ARTDAI aims to apply AI to market analytics, valuation, and specialist research, while companies like Artsy and Artnet are integrating AI capabilities into their platforms. Industry experts, including former Art Basel chief Marc Spiegler, note that the art market's small size has historically discouraged tech development, but AI now makes high-performance tools accessible to smaller businesses.

A Data Analysis of the 2026 Venice Biennale Signals a Shift to the Present

The 2026 Venice Biennale, titled "In Minor Keys," marks a significant pivot from the historical revisionism of recent editions toward a focus on contemporary, mid-career artists. Posthumously realized based on the vision of the late Koyo Kouoh, the exhibition features 111 participants, including a notable inclusion of artist-led organizations from Africa. Data analysis reveals a balanced demographic split between the Global North and South, moving away from the retrospective focus of predecessors like Adriano Pedrosa and Cecilia Alemani to prioritize living artists and subtler, emotional themes.

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Art collector David Nahmad has publicly denied allegations that Amedeo Modigliani’s "Seated Man with a Cane" (1918) is Nazi-looted property. Following revelations from the Panama Papers that Nahmad is the true owner of the painting via the International Art Center, he defended his provenance, claiming the work sought by the heirs of Jewish art dealer Oscar Stettiner is a different painting entirely. Nahmad asserted that if the work is definitively proven to be looted, he will return it, but he currently maintains that the historical documentation regarding a 1944 sale at Drouot refers to a self-portrait, not the work in his possession.