The Painted Book Cover Is Back

The article reports on a growing trend in book cover design: the use of painted, figurative artwork instead of stock photos or digital renderings. Publishers are increasingly licensing paintings by artists from Hilma af Klint to Shannon Cartier Lucy, seeing them as a way to signal cultural authority and intellectual rigor. The trend is discussed through examples like Victoria Redel's *I Am You* (2025) and Kyung-Ran Jo's *Blowfish* (2025), with insights from LiteraryHub Managing Editor Emily Temple and Astra House publisher Benjamin Schrank.

The Carnegie International Looks Back at Itself

The 58th Carnegie International at the Carnegie Museum of Art in Pittsburgh looks back at its own 130-year history, featuring a gallery dedicated to past iterations. The exhibition includes Chris Ofili's "The Adoration of Captain Shit and the Legend of the Black Stars" (1998), which was originally shown in the 53rd International in 1999, the same year Ofili's more notorious "The Holy Virgin Mary" sparked controversy at the Brooklyn Museum. The article reviews how the current iteration captures the excitement of earlier exhibitions while providing commentary on authoritarianism and militarism.

May You Live in Less Interesting Times

The international jury for the Venice Biennale has collectively resigned just before the press preview, following their announcement that countries accused of crimes against humanity—specifically Israel and Russia—would be excluded from award consideration. The jurors did not provide an explicit reason for their resignation. Meanwhile, Russia's return to the 61st Venice Biennale will involve workarounds to comply with international sanctions, including restricted pavilion access. The article also highlights a widely-read essay by Hakan Topal on the financialization and 'administrification' of American art schools and academia.

Édouard Glissant’s Museum-as-Archipelago

The article reviews the exhibition "The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant" at the Center for Art, Research and Alliances (CARA) in New York, the first U.S. showing of works from the personal collection of Martinician philosopher and writer Édouard Glissant. Curated from his archive, the exhibition features artists such as Roberto Matta, Wifredo Lam, Etel Adnan, Irving Petlin, Antonio Seguí, Öyvind Fahlström, Jack Whitten, and Mel Edwards, reflecting Glissant's friendships and intellectual exchanges across Europe, Africa, and the Americas. Highlights include Antonio Seguí's large pastel works from his Titanic series.

Remembering Agosto Machado, Keeper of Queer Histories

Agosto Machado, a seminal performer, archivist, and fixture of New York’s downtown queer arts scene, has passed away. Known as a "keeper of secrets" and a vital connector within the avant-garde community, Machado was a muse to filmmaker Jack Smith and a lifelong friend to Warhol superstar Mario Montez. His life spanned the height of the East Village performance era, where he transitioned from a quiet observer to an essential participant in the preservation of underground history.

Why the Photo Market Is Moving Closer to Painting, With Unique Works Leading the Way

Artnet Auctions has launched its Spring Photographs sale, running through April 16, 2026, featuring works by blue-chip artists such as Peter Beard, Adam Fuss, and Diane Arbus. The auction highlights a significant shift in the photography market toward unique, one-of-a-kind works—including photograms, hand-painted images, and collages—that blur the lines between photography and painting. This trend is evidenced by increasing auction prices, with several works recently crossing the $1 million and $2 million thresholds.

Taking a Seat at Robert Therrien’s Table

The Broad museum in Los Angeles has opened a major retrospective, "Robert Therrien: This is a Story," dedicated to the late artist Robert Therrien. The exhibition, featuring over 120 works from five decades, aims to move beyond Therrien's most famous piece—the monumental "Under the Table" sculpture—to present the full scope of his obsessively iterative practice, which transformed personal memories into universal forms.

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The National Museum of Contemporary Art in Athens has opened "Why Look at Animals: A Case for the Rights of Non-Human Lives," a major exhibition curated by Katerina Gregos that spans seven floors and features over 60 artists. The show confronts animal exploitation through works such as Ang Siew Ching's video "High-Rise Pigs" (2025), depicting a 26-story factory farm in China, and Art Orienté Objet's charcoal map of endangered species slowly erased by a robotic arm. Other artists include Sue Coe, Igor Grubić, and Janis Rafa, with the exhibition taking its title from a John Berger essay.

Is the art market slump over?

Ist die Flaute im Kunstmarkt vorbei?

The New York spring auctions saw explosive top prices, with Jackson Pollock's drip painting "Number 7A" (1948) selling for $181.2 million at Christie's, making it the fourth most expensive artwork ever auctioned. Christie's evening sales alone generated $1.1 billion, including $630.8 million from 16 works from the S.I. Newhouse collection. Sotheby's opened the season with a Mark Rothko from the estate of dealer Robert Mnuchin, achieving $85.8 million, while Phillips sold all 40 lots for $115 million, double the previous year. Younger artists like Joseph Yaeger also saw prices far exceed estimates.

Werke von Pollock und Brancusi für Rekordsummen versteigert

At Christie's spring auctions in New York, Jackson Pollock's painting "Number 7A" sold for approximately $181 million and Constantin Brancusi's sculpture "Danaïde" fetched around $108 million, both setting records. The works came from the estate of publisher S. I. Newhouse, who died in 2017. Christie's total sales for the evening exceeded $1 billion, while rival Sotheby's had sold several hundred million dollars' worth of art the previous week. Christie's enlisted actress Nicole Kidman to promote the Brancusi piece.

Opinion: In galleries across Canada, too much art is being hidden away

Don LePan, a novelist, book publisher, and painter, argues that public art galleries across Canada are failing to display their permanent collections, using the MacKenzie Art Gallery in Regina as a prime example. During a visit in early March, LePan found that none of the gallery's extensive permanent collection—which includes works by Group of Seven artists, European masters like Picasso and Gauguin, and modernists such as Agnes Martin—was on view. Instead, the entire exhibition space was devoted to three special shows: a photographic and conceptual art exhibition by Plains Cree artist Joi T. Arcand, a selection of works by 2025 Governor General’s Awards in Visual and Media Arts recipients, and an Indigenous art exhibition. LePan praises these exhibits but criticizes the gallery's decision to completely exclude its permanent collection.

Archie Rand On the Irreducibility of Painting in a Post-Digital Age

Archie Rand, now in his late 70s, recently held his first extensive solo show in years at Jarvis Art in New York, featuring his new body of work titled "Heads." The exhibition reclaims painting's primordial function, emphasizing the connection between brain and hands, imagination and reality. Rand, who emerged from the downtown New York scene in the late 1970s and early '80s, has witnessed the full postwar evolution of American art. His career includes a pivotal synagogue mural commission that led to backlash from the Orthodox community and a break with critic Clement Greenberg, pushing him toward representational forms. He found allies in figures like Philip Guston and John Ashbery, and after his wife's death ten years ago, began reflecting on mortality and childhood influences.

The 21 best art galleries to explore in Australia to get lost in

This comprehensive guide highlights the 21 premier art institutions across Australia, ranging from major state museums to specialized private galleries. The selection features iconic venues such as the National Gallery of Australia in Canberra, which houses the world’s largest collection of Indigenous art, and David Walsh’s subversive Museum of Old and New Art (MONA) in Tasmania. The list serves as a roadmap for navigating the country's diverse artistic landscape, including contemporary Chinese art at White Rabbit Gallery and significant Aboriginal works at the Araluen Arts Centre.

Exhibition Review: “Alan Davie: Paintings, 1959 - 1971” at A Hug from the Art World, Chelsea (long-term viewing, by appointment)

A Hug from the Art World in Chelsea is presenting a long-term exhibition of Scottish Abstract Expressionist Alan Davie (1920–2014), focusing on his work from 1959 to 1971. Gallery founder Adam Cohen, who discovered a Davie painting in his father Frank Cohen's collection, curated the show to highlight what he considers Davie's most influential period, when his style evolved into a psychedelic, complex visual language amid the rise of Pop Art and Minimalism.

In Basel, a Dive into the Great Bath of Colors of Helen Frankenthaler

À Bâle, plongée dans le grand bain de couleurs d’Helen Frankenthaler

The Kunstmuseum Basel has opened a major retrospective of American painter Helen Frankenthaler (1928–2011), a key figure in Color Field painting who is less known in Europe than her contemporaries Jackson Pollock and Mark Rothko. The exhibition was sparked by a 2024 donation of Frankenthaler's 1963 painting "Riverhead" from the Helen Frankenthaler Foundation, and features around fifty works showcasing her signature soak-stain technique, in which she applied thinned paint to unprimed canvas using sponges, brooms, and scrapers. The show traces her career chronologically, highlighting influences from Old Masters and her physical approach to painting on the floor.

6 musées incontournables à visiter à Venise

Beaux Arts Magazine highlights six must-visit museums in Venice, including the Palazzo Ducale, Gallerie dell'Accademia, Peggy Guggenheim Collection, and the Pinault Collection venues Palazzo Grassi and Punta della Dogana. The article notes that during the Biennale, the city is filled with free pavilions, but the main museums have high entry fees, offset by passes like the Venice Museum Pass (€59) and Venice City Pass (€119). It also mentions a current Marina Abramović exhibition at the Gallerie dell'Accademia, marking her as the first living female artist honored there.

Jack Goldstein “Pictures, Sounds and Movies” at Kunst Museum Winterthur

Jack Goldstein (1945–2003), a Canadian-born artist and CalArts graduate, is the subject of the exhibition "Pictures, Sounds and Movies" at Kunst Museum Winterthur. The show highlights his role in the Pictures Generation, a group that in the 1970s rejected traditional art forms by appropriating images from advertising, television, and popular culture, while Goldstein also explored the autonomy of Minimal Art objects.

Beatriz González at Barbican Art Gallery, London

The Barbican Art Gallery in London is presenting a major retrospective of Colombian artist Beatriz González, marking her first solo show in the UK and her largest-ever exhibition in Europe. The exhibition spans six decades of her work, from the 1960s to the present, showcasing her roles as an artist, curator, art historian, and educator.

Whitney Biennial 2026: Care, Catastrophe, and Private Gestures

The Whitney Biennial 2026, the 82nd edition of the longest-running survey of American art, opened with a stripped-down, self-referential title and no subtitle, reflecting a moment of national self-questioning. The exhibition features 56 artists, duos, and collectives, with highlights including Agosto Machado's shrine sculptures dedicated to friends lost to AIDS, Emilie Louise Gossiaux's tender works about her guide dog London, and Michelle Lopez's apocalyptic video projection *Pandemonium*. Machado, a longtime downtown New York artist and caregiver, died shortly after the biennial opened, and his ashes are to be mixed with those of Marsha P. Johnson and spread in the Hudson River.

sandy stephen perlbinder art collection sagaponack norman jaffe 2

Philanthropists Sandy and Stephen Perlbinder, who have been part of Long Island's East End cultural scene since 1969, are being honored at the Parrish Art Museum's annual midsummer gala in July 2025. The couple commissioned an oceanfront home from architect Norman Jaffe in Sagaponack and have filled it with a collection featuring works by Jack Pierson, Almond Zigmund, Constantino Nivola, Roni Horn, Jenny Holzer, Mel Kendrick, Lynn Chadwick, Claude Lawrence, and others. Sandy serves as vice president of the museum's board of trustees, and the couple previously supported a Jaffe retrospective at the Parrish in 2005.

The Devil Wears Prada 2 to Lenny Henry: your complete entertainment guide to the week ahead

The Guardian's weekly entertainment guide highlights two major art exhibitions opening in May 2025: 'Aleksandra Kasuba' at Tate St Ives (2 May to 4 October) and 'Zurbarán' at the National Gallery, London (2 May to 23 August). The Kasuba show is the first UK presentation of the Lithuanian American artist's proto-immersive 'spatial environments,' featuring early paintings, mosaics, and installations focused on utopian social harmony. The Zurbarán exhibition presents a blockbuster survey of the 17th-century Spanish Baroque master, known for his intense religious subjects and dramatic chiaroscuro.

‘It’s not much but, at the same time, it’s very much’: the enduring impact of Sade’s style

The article discusses the enduring style of Sade Adu, frontwoman of the British group Sade, following the band's announcement of their induction into the 2026 Rock and Roll Hall of Fame. It highlights how Adu's signature look—scraped-back hair, red lipstick, hoop earrings, and simple black dresses or denim—has become iconic and influential, with her outfits featured in exhibitions like V&A East's 'The Music is Black' and referenced by celebrities such as Drake. The piece traces the origins of her style to her fashion design studies at Saint Martin's School of Art and her early work with designer Fiona Dealey.

literature hans ulrich obrist curator book

Hans Ulrich Obrist, the prolific Swiss curator and artistic director of Serpentine Galleries, discusses his lifelong passion for books in a new interview timed to the U.S. release of his memoir "Life in Progress." Obrist reveals his daily ritual of buying a book, which has amassed an archive of over 40,000 volumes housed at LUMA Arles, and shares current reading recommendations including Kenneth O. Stanley's "Why Greatness Cannot Be Planned." He also reflects on the serendipitous origins of his Instagram Post-it note project, inspired by philosopher Umberto Eco and artist-poet Etel Adnan.

united states artists 2026 fellowships

United States Artists, a Chicago-based nonprofit, has named 50 artists as recipients of its 2026 USA Fellowship and awarded the Berresford Prize to Lori Lea Pourier. Each fellowship comes with an unrestricted $50,000 grant, marking the 20th anniversary of the organization founded in 2006. The 2026 cohort spans nine disciplines, including visual art, media, and writing, with notable fellows such as Mendi + Keith Obadike, Nancy Baker Cahill, Edra Soto, Eric-Paul Riege, Macon Reed, Maia Chao, and Johanna Hedva. The Berresford Prize honors Pourier for her decades of advocacy for Native artists and her role in founding the First Peoples Fund.

art dead artists museum exhibitions politics

CULTURED reports that in 2025, nearly 50 percent of solo exhibitions at New York museums featuring modern and contemporary art focused on deceased artists, more than double the 18 percent share in 2019. Major institutions like MoMA, the Broad, ICA Miami, and the Whitney have programmed posthumous shows for figures such as Wifredo Lam, Helen Frankenthaler, Ruth Asawa, Robert Therrien, Joyce Pensato, Richard Hunt, and Roy Lichtenstein. The article traces this trend to a confluence of factors: ongoing scholarly revisionism, a cultural swing toward equity during the Biden administration, and the long lead times for museum exhibitions that have landed in a more polarized political climate under Trump II.

jack butcher self checkout abmb

Artist Jack Butcher (b. 1988) debuted his first-ever booth at Art Basel Miami Beach, titled *Self Checkout*, where he sells art—literally receipts—on a pay-what-you-wish model. Each receipt includes a seed phrase creating a custodial Ethereum wallet holding a digital copy, but the NFT cannot be sold; it merely proves ownership of the physical receipt. The project features a real-time tracker showing his progress toward recouping the $74,211 total cost of the booth, with purchases made at self-checkout kiosks or online in Ethereum. By the fair's second day, the amount needed had dropped to $33,103.56, and Butcher was optimistic about breaking even. If the countdown hits zero, he will auction the flip board and receipt case as a one-of-one sculpture.

art film tina kukielski art21 documentary

Art21, the nonprofit documentary platform behind the PBS series *Art in the Twenty-First Century*, is celebrating its 25th anniversary and the 12th season of its Peabody Award-winning series. In an interview with *CULTURED*, Executive Director and Chief Curator Tina Kukielski discusses how the organization has evolved from its early days in 2001 to embrace digital platforms like YouTube and TikTok, producing over 575 films featuring more than 300 artists. The organization also offers educational programming through Art21 Educators and makes its archive freely available to a global audience of five million.

vaginal davis moma ps1

The article profiles artist Vaginal Davis and her exhibition "Magnificent Product" at MoMA PS1, which opened shortly after the author visited. Davis, born in 1961, is described as a transformative figure who repurposes fragments of popular culture—from classic Hollywood to gay porn—to create immersive, queer alternate realities. The show includes works like *The Wicked Pavillion* (with *Fantasia Library* and *Tween Bedroom*, both 2021) and a collaboration with Jonathan Berger titled *Naked on my Ozgoad: Fausthaus—Anal Deep Throat* (2024–ongoing). Davis's practice is characterized by a playful, femme-centered critique of mainstream culture, centering Black women and inverting traditional gazes.

artist jackie ferrara died by assisted suicide at 95 in switzerland

Jackie Ferrara, a New York-based artist known for her stacked-wood sculptures, died by physician-assisted suicide in Basel, Switzerland, on October 22 at age 95. She told the New York Times she had fallen twice in the past year and did not want to be dependent on anyone. Assisted suicide is legal in Switzerland even for those who are not terminally ill.

orange county museum of art acquired by university of california irvine

The University of California, Irvine (UCI) has acquired the Orange County Museum of Art (OCMA) and will merge it with the UC Irvine Jack and Shanaz Langson Institute and Museum of California Art (Langson IMCA). The combined institution will be renamed the UC Irvine Langson Orange County Museum of Art. UCI will oversee OCMA's 53,000-square-foot, $98 million facility in Costa Mesa, California, and integrate its 4,500-object collection with approximately 9,000 works from the Irvine Museum Collection and the Gerald Buck Collection. Previously planned programming at both venues is expected to continue through 2026, and a national search is underway for an executive director to lead the new museum.