Kunstverein Braunschweig is presenting 'Let it R.I.P.', a solo exhibition by American artist D'Ette Nogle, curated by Junia Thiede and running from March 21 to May 31, 2026. The exhibition features 69 images documenting Nogle's work, with press releases available in both English and German, along with a booklet and venue website links.
Faig Ahmed, the Baku-based artist known for transforming traditional Azerbaijani carpets into melting, glitching textile sculptures, has opened a solo presentation at the 61st Venice Biennale, where he represents Azerbaijan. Titled 'The Attention,' the sprawling, maze-like installation curated by Gwendolyn Collaço explores science, alchemy, spirituality, and self-perception, weaving together digital processes with handcrafted techniques. Works include monumental machine-woven carpets like 'I Can Contain Both Worlds But I Do Not Fit Into This One,' a handwoven piece called 'Ancestors' that glows under black light, and 'Entropy Altar,' which uses a quantum random number generator to respond to visitors. The exhibition bridges 15th-century Hurufi mysticism with modern information theory, reflecting Ahmed's interest in consciousness, quantum physics, and the dialectic between measurable science and subjective experience.
Artist Gary Baseman has opened his first hometown solo show in over a decade, titled “Off the Menu,” inside the long-shuttered Johnie’s Coffee Shop on Wilshire and Fairfax in Los Angeles. The exhibition features about 40 colored pencil drawings, mostly executed on real menus from iconic L.A. restaurants such as Musso & Frank, Canter’s Deli, and Genghis Cohen, as well as newer spots like Jon & Vinny’s. The whimsical show, which launched in conjunction with the opening of the Wilshire and Fairfax subway station, runs through June 14 and celebrates the dining culture and community of the Fairfax neighborhood.
Gió Marconi Gallery in Milan will host 'Phantom Banter', the first Italian solo exhibition of American sculptor Ron Nagle, from May 29 to July 24, 2026. The show features eleven ceramic sculptures created between 2024 and 2026, along with a selection of recent drawings, highlighting Nagle's process-oriented practice focused on material, surface, and language. Nagle, born in San Francisco in 1939, is a key figure in the California Clay Movement, having apprenticed with Peter Voulkos in the 1960s and influenced by Ken Price. His small-scale works, rarely exceeding 15 centimeters, explore reduction of scale and surface construction through cast and fired ceramics combined with resins and synthetic materials.
The Asian Art Museum in San Francisco has opened "Chiharu Shiota: Two Home Countries," the first solo museum exhibition in the Bay Area for the Berlin-based Japanese artist. The centerpiece is "Diary," an 88-foot-long network of blood-red yarn that incorporates pages from diaries of Japanese soldiers and German citizens from World War II, creating an immersive web of memory. The exhibition also includes a crimson dress unraveling into cords, set designs for a theatrical psycho-drama, performance videos, and paper works reflecting on the artist's experience as a cancer survivor.
Uzbek artist Saodat Ismailova is making her U.S. museum debut at the Smithsonian Institution. The exhibition introduces her multimedia works, which often explore Central Asian history, spirituality, and female identity, to an American audience for the first time.
The Art Museum of Southeast Texas (AMSET) in Beaumont is presenting two new exhibitions this month, featuring a mix of contemporary and regional artwork. An opening reception honoring artists Bill Pangburn and Julius Stockfleth was held on May 8, and the shows will remain on view through the summer. The exhibitions showcase diverse mediums and perspectives, highlighting both emerging and established artists from Southeast Texas and beyond.
The article titled "Helen McNicoll: An Impressionist Journey" appears to be about the Canadian Impressionist painter Helen McNicoll, likely focusing on her life, work, and artistic legacy. However, the actual content of the article is inaccessible due to a security verification page from the National Gallery of Canada's website, which blocks access to the full text. The page displays a security challenge requiring JavaScript and cookies to proceed, preventing any substantive information from being extracted.
A generation of Native American artists, emerging from the Institute of American Indian Arts (IAIA) in Santa Fe from the 1960s onward, reclaimed Indigenous representation in American art. Figures like Fritz Scholder, T.C. Cannon, Kevin Red Star, and Earl Biss used modernism, irony, and cultural specificity to dismantle colonial stereotypes of Native peoples as romanticized relics, instead portraying them as contemporary individuals with agency and living traditions.
An Oxford primary school is hosting an art exhibition on 16-17 and 23-25 May as part of Oxford Art Weeks, featuring works by celebrity artists to raise funds for improving the school's deteriorating adventure playground and restoring a community green space. The exhibition, themed 'inspired by birds,' is accompanied by talks from historian Mark Davies on how Jericho and Oxford inspired figures like Lewis Carroll and the Pre-Raphaelite Brotherhood.
The Abraham Lincoln Presidential Library and Museum in Springfield will host a new art exhibition titled “Pillars of Democracy,” opening May 15. The show features mixed-media portraits by artist Niki Johnson that highlight women’s contributions to democracy, depicting allegorical figures like Liberty and Justice as voters. The exhibition includes an opening talk, a guided discussion, and a hands-on workshop during the Old Capitol Art Fair, with materials incorporating remnants from Shepard Fairey’s 2020 mural “Voting Rights are Human Rights.”
The P.E.I. Farm Centre in Charlottetown is hosting an exhibition titled "Chaos Corralled: Art Harvested from the Heart of Havoc" by Belle River artist Wendy Jones, running from May 20 to June 30. The show features paintings and photographs, with an opening reception on May 20 where Jones will demonstrate fluid art techniques and offer visitors a chance to create their own miniature pour paintings.
David Zwirner presents 'Set In Stone,' a group exhibition organized with Galerie Kugel, running from May 12 to June 26, 2026, at its East 69th Street location in New York. Curated by Emma Kronman, the show pairs modern and contemporary paintings and sculpture from Zwirner's program with antique hardstone objects from Galerie Kugel's collection, spanning classical antiquity to the nineteenth century.
A Brighton art gallery, Indelible Fine Art Gallery, has spoken out after its charity exhibition featuring actor and artist Jake Wood—known for his role on EastEnders—was overshadowed by controversy over the use of AI-generated imagery. The exhibition, titled Icons, was designed to raise awareness and funds for Dementia UK, but criticism erupted on social media after Wood shared a portrait of David Attenborough that appeared to include AI-generated elements. Wood later clarified that two pieces in the show (portraits of Attenborough and Trump) incorporated AI-generated source material, though he did not create the AI imagery himself. He has since apologized and pledged to donate 100% of the exhibition's proceeds to Dementia UK.
A traveling exhibition titled "Painting the Arkansas Parks" is on display at Arts On Main in Van Buren, Arkansas, through June 27. The show features artworks created outdoors that highlight the natural beauty and character of Arkansas's landscapes. The article also lists numerous other events and exhibitions in the region, including "In Full Color" showcasing pastel works, "Peeking Inside the Imagination" featuring student art from Southside High School, and "Soul Taking Shape" by Arkansas Living Treasure Longhua Xu at the Fort Smith Regional Art Museum. Additionally, the calendar includes theater performances, culinary classes, a plant swap, and a cycling festival.
NXT Gallery at Next Stage Arts in Putney, Vermont, presents “Forgotten Not Gone,” a new exhibition by Brattleboro-based artist Joey Morgan. The show features 12 mixed-media collage works salvaged from a previous project, “Have You Ever Loved Me?,” which was largely destroyed in a flood. An opening reception will be held on May 24, and the exhibition runs from May 8 to August 9.
The article announces the exhibition 'Seeing, Again' at Tang Contemporary Art in Beijing, running from May 16 to June 27, 2026. The show features artists Melody Park, Goyoung, Vibeke Slyngstad, Ruo-Hsin Wu, Yasuhito Kawasaki, and Yoshikatsu Ikeuchi, whose works across painting and sculpture explore themes of perception, memory, and the recovery of Walter Benjamin's concept of 'aura' in an age of image saturation. The exhibition is structured as a continuous sensory reawakening, inviting viewers to slow down and engage with art beyond habitual consumption.
The Academy of Visual Arts at the University of the Arts Sharjah is presenting a faculty exhibition titled 'Show White,' curated by Tor Seidel and assisted by Maryam AlQassimi. The show, first hosted at Rawaq Gallery (April 8–23) and currently at XVA Gallery in Al Fahidi (April 25–May 21), explores the multifaceted concept of 'white' through diverse mediums and techniques. Participating faculty artists include Georgina Abood, Dr. Mohammed Yousif Alhammadi, Muatasim Alkubaisy, Alina Erimia, Muhammad Asad Iqbal, Thaier Helal, Dr. Iman Ibrahim, and Andreea Lonhardt-Muresan, each presenting works that engage with white as a symbol of minimalism, purity, emptiness, or cultural memory.
Columnist Philip Kennicott reports that the Smithsonian's most contested exhibition has returned to public view, largely intact, despite ongoing culture war attacks from the Trump administration. Since Donald Trump returned to office in January 2025, the Smithsonian has been a primary target for the administration's campaign against diversity and inclusion initiatives, as well as historical narratives that address slavery, Native American genocide, and the struggles of marginalized communities.
Carrie Haddad Gallery in Hudson, NY, presents "Between here and home," a group exhibition running from May 22 through July 12, with an opening reception on May 23. The show features works by Fred Cohen, Frank DePietro, Deb Lawrence, Olan Quattro, and ransome, exploring the concept of home as an evolving construct shaped by memory, material, and experience. The exhibition draws on the Welsh idea of hiraeth—a longing for a lost or imagined home—and includes paintings, collages, and mixed media works that reflect each artist's personal engagement with place, interior space, and inherited histories.
The Pearl Fincher Museum of Fine Arts announces its 2026 summer programming, including Summer Art Camps for ages 5 to 13 running June 16 through July 31, with weekly themes such as "Color World" and "Kinetic Canvas." The museum will also open two exhibitions on June 13: "Chromatica: A World in Color" in the Main Gallery, organized like a color wheel with works from Texas and beyond, and "Fragments, Remnants, and Remains" by artist Curtis Gannon in the Cole Gallery. Additional activities include a Maker Space, Wild Art Wednesdays, and a free artist talk by children's author and illustrator Steven Weinberg on June 19.
A coalition of seven Zurich-based artist-run collectives, led by Peter Baracchi and his nomadic platform 6½, has taken over the former Museum Haus Konstruktiv building in Zurich's Selnau district. The project, titled "Oceans Flow Upwards," occupies 1,200 square meters across five floors and expands into over 2,000 square meters by activating the cellar, offices, storage, shop, café, and rooftop. Participating collectives include Hotel Tiger, Die Diele, Papillarya, MATERIAL, volumes, and zwischentext. Baracchi, who previously worked at Haus Konstruktiv as a technician and photographer, initiated the takeover after the museum relocated to Areal Löwenbräukunst, securing temporary cultural use from the City of Zurich in March. Rather than dividing the space into separate zones, the exhibition presents a single, integrated show where artists were invited by the collectives, not selected by open call.
P21 gallery in Seoul, South Korea, presents 'Balance in Motion,' an exhibition running from May 14 to July 4, 2026. The show takes place at the gallery's Itaewon district space, which features two separate facades (P1 and P2) designed for site-specific works. P21, founded in 2017 by Soo Choi, opened with an inaugural exhibition by Choi Jeong Hwa and continues to promote international contemporary art.
The Brea Gallery in Brea, California, is currently hosting its 41st annual "Made in California" exhibition, featuring nearly 100 artists from across the state. The juried show, which runs through June 28, 2026, includes works in multiple media created within the last three years, with submissions reaching 5,000 this year. The gallery, a 6,500-square-foot space opened in 1980, focuses on contemporary art by living artists and mounts four exhibitions annually. Upcoming shows include "America 350" (opening July 31) and "What Fearful Shadows" (opening October 10), which reimagines early American horror themes.
Glasstire's Five-Minute Tours series features a video walk-through of Helmut Barnett's solo exhibition "Surfaces" at Wally Workman Gallery in Austin, Texas. The show runs from April 11 to May 3, 2026, and presents Barnett's paintings, collages, and drawings that blend geometric and organic forms, created over his 50-year career.
Dozens of urban artists from 17 countries have gathered at Germany's Völklinger Hütte (Völklingen Ironworks), a UNESCO World Heritage site, for the Urban Art Biennale 2026 opening this Saturday. The exhibition features 50 artists including Tomas Lacque, Boris Tellegen (Delta), Vortex-X, Ampparito, Remi Rough, and Anders Reventlov, who have created site-specific installations that engage with the industrial landmark's sprawling spaces, rust, dust, and sense of decay. Works range from a van covered in ash-like paint to a massive wooden sculpture and a rooftop text piece visible from 45 meters high.
This is a sales listing for Aude Herledan's bronze sculpture "Black Venus" (2015), an editioned work from her series "Faithful To My African Roots." The piece is offered by 1831 Art Gallery in Paris, with a certificate of authenticity and price available on request. The listing also provides a biography of Herledan, a French-born artist raised in Kinshasa who studied at the École Estienne, Parsons School, École des Beaux-Arts, and École du Louvre, and who has shown at major fairs including TEFAA and Art Paris.
The Malta International Contemporary Art Space (MICAS) has opened "Mela," the first European solo exhibition by American artist Reggie Burrows Hodges. Running from May 9 to August 30, the show features 30 newly created works inspired by Malta, including the monumental painting "Mamajamma" (over 14 feet high and 26 feet wide), which responds to Caravaggio's "The Beheading of St. John the Baptist." Hodges relocated his studio to Malta to develop the exhibition, engaging with the island's coastline, architecture, labor traditions, and communities.
The Boca Raton Public Library in Florida will host two summer art exhibits featuring local and international artists. The first, “Fine Art Photography” by Jacoby, runs June 1–July 6, 2026, at the Downtown Library, showcasing infrared and intentional camera movement photography. The second, “Discover You” by Marina Veen, runs June 8–July 17, 2026, at the Spanish River Library, presenting layered mixed-media works exploring nature and emotion. Both exhibits are free and open to the public.
The Kimbell Art Museum in Fort Worth, Texas, will host "Treasures of the Pharaohs," an exhibition of 130 ancient Egyptian artifacts including granite statues, gold jewelry, funerary masks, and sarcophagi, opening in March 2027. The show features Queen Ahhotep’s golden sarcophagus and recently unearthed objects from a worker’s community in the Valley of the Kings, on loan from the Luxor Museum and the Egyptian Museum in Cairo. It is currently on view in Rome and will travel to the Fine Arts Museums of San Francisco before arriving in Fort Worth as its second and final North American stop.