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Chinese artist and activist Ai Weiwei will debut a new site-specific work in Kyiv, Ukraine, this fall, responding to the country's ongoing war with Russia. Titled "Three Perfectly Proportioned Spheres and Camouflage Uniforms Painted White," the installation will be on view at Pavilion 13, a Soviet-era exhibition space, from September 14 to November 30. Commissioned by the nonprofit Ribbon International, the work reimagines Ai's "Divina Proportione" series (2004–12) using metal spheres encased in camouflage fabric painted white, symbolizing layered realities and the concealment of truth during conflict.

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Sotheby's London contemporary evening sale on Tuesday brought in nearly £62.5 million ($84 million), within its pre-sale estimate of £55 million to £74 million. The 48-lot sale achieved an 83% sell-through rate, with five works selling for over £5 million each, led by Tamara de Lempicka's 'La Belle Rafaëla' (1927) at £7.4 million and Pablo Picasso's 'Nu assis dans un fauteuil' (1964–65). The auction saw strong bidding for a Basquiat work on paper, 'Untitled (Indian Head)', which sold for £5.4 million, and a standout result for Yu Nishimura's 'through the snow' (2023), which tripled its high estimate at £230,000.

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The Judd Foundation has settled a lawsuit with Kim Kardashian and Clements Design over a 2022 promotional video in which Kardashian promoted knockoff versions of Donald Judd's minimalist furniture. The video, which garnered over 3.6 million views before being deleted, featured tables resembling Judd's La Mansana Table 22 and Chair 84. Under the settlement, Kardashian will acquire authentic Judd furniture from Donald Judd Furniture LLC, and both parties expressed satisfaction with the outcome.

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MoMA PS1 has opened its marquee spring exhibition, “The Gatherers,” a group show featuring 14 artists from around the world who explore the psychic and material burdens of climate change, globalization, and neoliberalism. Curated by Ruba Katrib, the exhibition includes works in sculpture, video, assemblage, and installation, spanning regions from the Democratic Republic of Congo to Lithuania, and is on view through October 6. Katrib, PS1’s chief curator and director of curatorial affairs, emphasizes that the show lets the artworks speak for themselves through form and material rather than delivering a direct lecture.

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On Monday, Whitney Museum director Scott Rothkopf announced via email that the museum would "pause" the 2025–26 academic year of its Independent Study Program (ISP), citing a lack of a director and strained operations. The announcement coincided with an open letter from high-profile ISP alumni—including artists Emily Jacir, Andrea Fraser, Mark Dion, and others—denouncing the museum's cancellation of a pro-Palestine performance titled "No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance" by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi. The performance was canceled two days before it was to be part of an ISP curatorial exhibition, after the museum accused the artists of "valorizing specific acts of violence" and singling out community members based on belief systems. The letter also referenced the earlier demotion of ISP director Gregg Bordowitz in February.

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Suzanne Valadon, a self-taught French post-impressionist painter known for her brash, unflinching style and commitment to representation, is the subject of a major retrospective at the Centre Pompidou in Paris through May 26. The exhibition, simply titled "Suzanne Valadon," features 200 works and is part of a recent swell of attention that includes six major exhibitions in six years, highlighting her self-portraits, nudes, and depictions of the human body with unidealized realism.

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Art in America hosted a launch event for its 2025 "New Talent" issue at PMC's headquarters in New York, bringing together 20 emerging artists and two established luminaries—Carroll Dunham and Rochelle Feinstein—for a panel discussion moderated by senior editor Emily Watlington. The conversation explored the art world's current shift from figuration to abstraction, with Dunham and Feinstein reflecting on their own careers and the evolving dynamics of painting.

Van Gogh Museum in funding mediation with Dutch government following threats of closure

The Van Gogh Museum in Amsterdam has entered mediation with the Dutch government after initiating legal proceedings to secure additional public funding for a major renovation. The museum, which plans a three-year, €104m renovation starting in 2028, claims it could be forced to close unless its annual subsidy increases by €2.5m. The Dutch government, facing a budget deficit, considers the current €8.5m subsidy sufficient and argues the museum should contribute more itself. Mediation talks are making progress, and legal proceedings have been postponed indefinitely, with both sides aiming to conclude before summer.

‘It’s really important that the public is not just a silent witness’: Marina Abramović on her Venice Biennale exhibition

Marina Abramović is the first living female artist to have a solo exhibition at the Gallerie dell'Accademia in Venice, where her work will be installed alongside the museum's permanent collection. The show, titled *Transforming Energy*, features interactive 'transitory objects' such as stone beds and crystal-embedded structures that visitors are invited to use, as well as a juxtaposition of her 1983 photograph *Pietá (with Ulay)* with Titian's final masterpiece *Pietá* (1575-76). Abramović, who won the Golden Lion for Best Artist at the 1997 Venice Biennale, emphasizes audience participation over passive viewing, banning telephones and encouraging visitors to spend at least three hours engaging with the works.

Harnessing the winds of societal change: how art dealers have been able to shape taste for centuries

Valentina Castellani, a former Gagosian director, has authored a new book titled *Trading Beauty: Art Market Histories from the Altar to the Gallery* (out 1 May). The book traces how art dealers have historically leveraged societal changes—political, economic, and social—to reshape taste and market structures. Castellani begins in the Middle Ages, when art was made only on commission for patrons like the Catholic church and monarchies, and moves through key shifts such as the Dutch Republic's first open art market in the 17th century, which gave rise to the professional art dealer. She highlights dealers like Paul Durand-Ruel, Joseph Duveen, and Leo Castelli who capitalized on anti-establishment energy, new wealth, and post-war consumer culture to bring avant-garde art to the forefront.

Gulf art market feels the force of Middle East conflict

The ongoing conflict in the Middle East, involving the US, Israel, and Iran, has disrupted the Gulf region's art market. Key events like Art Dubai have been postponed, and the inaugural Frieze Abu Dhabi faces uncertainty, as the area's stability—crucial for attracting international dealers and auction houses—is now in question.

What is a botanical curator? Rahel Kesselring takes on inaugural role at Fondation Beyeler

Fondation Beyeler in Switzerland has appointed Rahel Kesselring as its inaugural botanical curator, a newly created position supported by the Chanel Culture Fund. Kesselring, a former research associate at Humboldt University, will develop a hybrid curatorial programme focused on the museum's park and surrounding ecosystems, aiming to integrate botanical knowledge with artistic practice on a practical, material level.

Museum openings: V&A East and Los Angeles County Museum of Art. Plus, William Blake in Dublin—podcast

Two major museum projects have reached completion as London’s V&A East prepares for its public debut and the Los Angeles County Museum of Art (LACMA) unveils its new $700m David Geffen Galleries. V&A East opens with a focus on community-driven programming and its inaugural exhibition, 'The Music is Black: A British Story,' while LACMA’s long-awaited Peter Zumthor-designed building begins member previews amidst ongoing debates regarding its scale and cost.

Zurich’s controversial Bührle Collection is rehung, including five paintings by Van Gogh—plus one forgery

The Kunsthaus Zurich has unveiled a comprehensive new display of the Emil Bührle Collection, featuring 205 works including five significant paintings by Vincent van Gogh and one acknowledged forgery. This reinstallation marks a shift from previous thematic displays focused on provenance research to a denser presentation of the collection's breadth. Notable works on view include a 1887 self-portrait and the masterpiece 'The Sower at Sunset,' though one Van Gogh remains in conservation and another has been withdrawn due to Nazi-era ownership complications.

‘A fresh look at contemporary culture’: Gus Casely-Hayford, director of V&A East, takes us inside the new London museum

The Victoria and Albert Museum is expanding its footprint with the opening of V&A East Museum in London’s Queen Elizabeth Olympic Park on April 18. Led by Director Gus Casely-Hayford, the new five-story institution joins the recently opened V&A East Storehouse as part of the East Bank cultural quarter. The museum will debut with the "Why We Make" galleries, featuring over 500 objects and new commissions by artists such as Tania Bruguera, Carrie Mae Weems, and Thomas J. Price, whose 18-foot bronze sculpture anchors the museum's entrance.

Melissa Chiu leaving Hirshhorn to take over New York’s Guggenheim Museum

Melissa Chiu has been appointed as the new director of the Solomon R. Guggenheim Museum in New York, transitioning directly from her decade-long tenure at the Hirshhorn Museum and Sculpture Garden. During her time at the Hirshhorn, Chiu was credited with doubling attendance, significantly increasing fundraising, and overseeing a major $68m garden renovation by Hiroshi Sugimoto. She will begin her new role on September 1, while Aaron Seeto steps in as interim director at the Hirshhorn.

Philadelphia art museums celebrate America's 250th anniversary with blockbuster two-venue show

The Philadelphia Museum of Art (PMA) and the Pennsylvania Academy of the Fine Arts (PAFA) have announced a massive collaborative exhibition titled "A Nation of Artists" to commemorate the 250th anniversary of the Declaration of Independence. Featuring over 1,000 works, the show spans from colonial-era masterpieces like Charles Willson Peale’s portrait of George Washington to contemporary Indigenous art and modern portraiture by Barkley L. Hendricks. The exhibition will also debut 120 works from the Middleton Family Collection, including significant Hudson River School and American Impressionist pieces.

The art of technology jostles for position in venues both new and historic

Canyon, a new 40,000-square-foot institution dedicated to moving image, sound, and performance art, is set to open this autumn on Manhattan’s Lower East Side. Founded by entrepreneur Robert Rosenkranz and led by former Mass MoCA director Joe Thompson, the space aims to bypass the slow curatorial cycles of traditional museums by hosting international media-rich exhibitions with a faster 18-to-24-month turnaround. Unlike traditional collecting institutions, Canyon will focus on public accessibility and domestic-style hospitality rather than building its own permanent archive.

The story of London's Great Exhibition, as seen through the eyes of artists

Julius Bryant’s new book, the fourth volume in his history of the Victoria and Albert Museum, re-examines the 1851 Great Exhibition through its visual legacy. By analyzing paintings, prints, and ephemera—including the vast archive of Charles Wentworth Dilke—Bryant reconstructs the 'Crystal Palace' experience, highlighting the youth of its organizers and the staggering speed of its construction. The narrative shifts focus away from traditional social theory toward the actual visual evidence of the event, from David Roberts’s massive panoramic paintings to the 235 sculptures that defined the era's artistic output.

From technology to Gen Z collectors, Adrian Cheng shares the key trends in Hong Kong’s art scene

Adrian Cheng, a key figure in Hong Kong's art world, identifies major trends shaping the city's art scene ahead of Art Basel Hong Kong. He highlights the convergence of major art fairs, auction house sales, and new gallery openings during the 'Art March' period, drawing a global audience with high-profile exhibitions by international artists like Mary Weatherford, Nicole Eisenman, and El Anatsui.

Billionaire Collector Ken Griffin’s Basquiat Buying Spree Continues

Billionaire collector Ken Griffin has significantly expanded his holdings of Jean-Michel Basquiat, notably acquiring the 1983 masterpiece 'In Italian' from the collection of Peter Brant. The acquisition came to light through press materials for an upcoming exhibition at the Pérez Art Museum Miami (PAMM) titled "Basquiat: Figures, Signs, Symbols," which will showcase nearly a dozen works from Griffin’s private collection. The show, curated by PAMM director Franklin Sirmans and Griffin’s curator Megan Kincaid, includes other high-profile acquisitions such as the 1982 'Untitled (Skull)' previously purchased from Yusaku Maezawa.

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President Donald Trump’s return to office has triggered a sweeping overhaul of the American cultural landscape through executive orders and the newly formed Department of Government Efficiency (DOGE). Key actions include the dissolution of diversity, equity, and inclusion (DEI) offices at the Smithsonian, the cancellation of thousands of National Endowment for the Humanities (NEH) grants, and the removal of high-profile Biden appointees from the U.S. Holocaust Memorial Museum board. These measures are accompanied by new tariffs and immigration policies that threaten the international art trade and cross-border collaborations.

You Can Become an Artwork at This New York Museum—Thanks to Piero Manzoni

Magazzino Italian Art in Cold Spring, New York, is reactivating Piero Manzoni’s seminal conceptual work, "Magical Base" (1961). On April 10 and 11, visitors can stand on the artist's wooden pedestal to be documented as living sculptures, receiving a photograph and record of their participation. The activation is part of the larger exhibition "Piero Manzoni: Total Space," which also features the artist's "Achromes" and immersive, unrealized environments like the "Phosphorescent Room" and "Hairy Room."

The Prints Market Is Having a Moment—Driven by New Collectors and a Taste for the Historic

The prints and multiples market is experiencing a significant transformation, driven by an influx of new collectors and a shift in taste toward historically significant works. Artnet Auctions data shows that 50% of prints and multiples lots sold between 2020 and 2025 went to first-time buyers on their platform. This surge in demand is coinciding with major events like the IFPDA Print Fair and Artnet's own Premier Prints and Multiples sale, which features works from modern masters like Frank Stella and Jeff Koons.

How Pharrell’s Joopiter Is Redefining What an Auction House Can Be

Pharrell Williams launched his own auction platform, Joopiter, after finding traditional auction houses ill-suited to sell his collection of fashion, jewelry, and timepieces. The platform has rapidly expanded from single-owner sales into a multi-category auction house, handling luxury goods, sports memorabilia, pop culture artifacts, and contemporary art, with a recent headline lot being a $5 million Triceratops skeleton named Trey.

Brooklyn Museum Treasures, History-Making Guitars—and More Collectibles to Watch

The Brooklyn Museum is deaccessioning approximately 200 objects from its collection, including American furniture, artworks, and textiles, through a sale hosted by Brunk Auctions on April 9. Highlights include a rare circa 1690 walnut dressing table, estimated at $80,000–$120,000, and a late 17th-century oak cupboard. The museum states the sale is part of an ongoing effort to convert storage spaces into galleries and that proceeds will fund collection care and new acquisitions.

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The 2026 Whitney Biennial has opened to an early critical consensus of being "above average," though critics suggest the exhibition requires significant time to process. Curated by Marcela Guerrero and Drew Sawyer, the show emphasizes a subtle atmospheric mood rather than overt spectacle, featuring a diverse array of installations, sculptures, and multimedia works that span multiple floors of the museum and its exterior.

It's Time to Give Annibale Carracci Some of Rembrandt's Spotlight

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This article advocates for a critical re-evaluation of the Italian Baroque painter Annibale Carracci, arguing that his historical significance and artistic influence rival that of the more widely celebrated Rembrandt van Rijn. While Rembrandt has dominated recent museum headlines and auction records, the author highlights Carracci’s foundational role in establishing the Accademia degli Incamminati in Bologna, which revolutionized art education by prioritizing life drawing and elevating the social status of artists from mere craftsmen to intellectual creators.

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The Los Angeles art scene faced a moment of introspection during Frieze Week as logistical hurdles and rumors of New York gallery departures sparked debates about the city's long-term viability. Despite whispers of downsizing from major transplants and the 'quiet quitting' of spaces like Tanya Bonakdar and Sean Kelly, the week was defined by high-energy alternative events. Highlights included a massive group show curated by Barry McGee and Jeffrey Deitch in a defunct 99 Cent Only Store and the 'Away From Desk' micro-fair, which showcased the city's resilient underground and Chinatown-adjacent gallery circuit.

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French artist Claire Tabouret is currently the subject of a major career retrospective at Museum Voorlinden and a high-profile solo exhibition at the Grand Palais in Paris. The latter showcases her full-sized maquettes for six new stained-glass windows commissioned for Notre-Dame Cathedral, depicting the Biblical story of Pentecost. These works, created in collaboration with the historic Atelier Simon-Marq, represent a significant shift for the artist as she translates her signature fluid, figurative painting style into the medium of translucent glass.