A local resident has criticized the Nelson Mandela Bay municipality and local media for their delayed response to the deteriorating state of the historic NMB Metropolitan Art Museum. The critique highlights significant factual errors in recent reporting regarding the museum's history, specifically correcting the timeline of its construction phases which date back to 1927, rather than the 70-year history recently cited by officials.
The Cantor Arts Center at Stanford University has launched two major exhibitions that challenge traditional perceptions of nature and craft. 'Animal, Vegetable, nor Mineral' features the multimedia work of Miljohn Ruperto, utilizing virtual reality, sculpture, and animation to critique how humans categorize and expand into both physical and digital landscapes. Simultaneously, 'Jeremy Frey: Woven' presents over 30 intricate baskets by the MacArthur Fellow and Passamaquoddy artist, marking the final and only West Coast stop for this career-spanning survey.
Two new art exhibitions are tackling the aesthetics and ideology of the online "manosphere," a network of communities promoting hypermasculinity and often misogyny. The shows, 'The Manosphere: A New Hope?' at the New Museum and 'Soft Boys' at the Institute of Contemporary Art, Los Angeles, use video, sculpture, and installation to dissect this digital subculture and its visual language.
The Los Angeles County Museum of Art (LACMA) has opened its new David Geffen Galleries building, a major architectural project designed to be a glamorous cultural beacon. The building itself is a striking landmark, but the exhibition spaces within present significant challenges for the display of art, creating a complex, maze-like environment for visitors.
KidSTREAM, a new $7 million children's museum, has launched in Camarillo, California, transforming a former library site into an interactive educational hub. Founded by Kristie Akl, a former teacher, the museum focuses on hands-on learning across science, technology, engineering, arts, and mathematics (STEAM) to engage young learners through play.
The Chazen Museum of Art at the University of Wisconsin–Madison is implementing a radical reinstallation of its permanent collection galleries. This new curatorial strategy centers each gallery around a single "focus object," which is then surrounded by a "constellation" of supporting artworks designed to highlight specific thematic, historical, or technical connections rather than following a traditional chronological or geographical layout.
Museums worldwide are grappling with the escalating need for heightened security measures following a series of high-profile thefts, including a recent bold robbery at the Louvre. Institutions are forced to re-evaluate their surveillance protocols and physical barriers to protect priceless cultural heritage from increasingly sophisticated criminal tactics.
The New-York Historical Society has launched a major exhibition exploring the 17th-century origins of New York City during its era as the Dutch settlement of New Amsterdam. The show utilizes a diverse array of artifacts, maps, and historical documents to trace the colony's development from a fur-trading outpost to a diverse maritime hub, highlighting the complex interactions between Dutch settlers, Indigenous populations, and enslaved Africans.
The Solomon R. Guggenheim Museum has unveiled a new exhibition that juxtaposes iconic Pop Art works from the 1960s with contemporary pieces recently added to the museum's permanent collection. By placing historical landmarks of the movement alongside modern practice, the show traces the enduring influence of mass media, consumerism, and vernacular imagery on artists across different generations.
MoMA PS1 has unveiled the latest iteration of 'Greater New York,' its signature quinquennial survey showcasing the diverse output of artists living and working across the five boroughs. This year’s edition features 53 artists and collectives, emphasizing those who operate outside the mainstream spotlight or whose contributions have been historically overlooked. The selection leans into a gritty, experimental aesthetic that captures the complex social and physical realities of contemporary life in the city.
The Metropolitan Museum of Art has unveiled a massive $1.5 billion renovation plan titled "Rethinking, Reimagining and Reinstalling," which aims to transform approximately 25 percent of its galleries and public spaces. This ambitious capital project includes the complete overhaul of the Oscar L. and Annette de la Renta Wing for modern and contemporary art, the renovation of the Michael C. Rockefeller Wing for the arts of Africa, Oceania, and the Americas, and significant updates to the European Paintings galleries.
The Austin Museum of Art is hosting a landmark exhibition focused on the intersection of technology and creativity, featuring works driven by real-time data, complex algorithms, and artificial intelligence. The showcase highlights interactive installations that evolve throughout the day, challenging traditional notions of static art and inviting viewers to participate in the creative process through digital engagement.
The Philadelphia Museum of Art is launching a new exhibition centered on the cultural phenomenon of the "Rocky" statue, a bronze monument originally created as a movie prop that has become one of the city's most visited landmarks. By bringing the narrative of the fictional boxer inside the museum's walls, the show investigates the public's emotional connection to populist monuments and the tension between cinematic myth and traditional art history.
The Museum of Fine Arts, Boston is celebrating the 50th anniversary of its signature "Art in Bloom" exhibition, a tradition that began in 1976. The event pairs floral arrangements created by professional designers and garden club members with specific artworks from the museum's permanent collection, transforming the galleries into a multisensory experience.
Jeff Bezos and his wife Lauren Sánchez Bezos served as honorary co-chairs and sponsors of this year's Met Gala, sparking widespread protests and calls for boycotts. Guerrilla activist group Everyone Hates Elon plastered New York with anti-Bezos signage, and activists placed 300 bottles filled with fake urine inside the Metropolitan Museum of Art to highlight Amazon workers' bathroom break complaints. New York Mayor Zohran Mamdani declined his invitation, and the absence of celebrities like Meryl Streep and Zendaya fueled speculation about a boycott, though representatives denied any coordinated protest. Despite the controversy, the gala proceeded with many attendees and is expected to raise more than last year's $31 million for the Costume Institute.
The Museum of Cycladic Art in Athens presents "Jeff Koons: Venus Lespugue," an exhibition pairing Jeff Koons' monumental stainless steel sculpture *Balloon Venus Lespugue (Orange)* (2013–2019) with ten certified copies of Paleolithic Venus figurines from major European museums. The Koons work, on public display for the first time, is loaned from the Homem Sonnabend Collection and directly references the 28,000-year-old Venus of Lespugue carved from mammoth tusk ivory.
Russian contemporary artist Pavel Otdelnov has established a home studio in London, where his domestic environment serves as an extension of his artistic practice. Following his relocation in 2022, Otdelnov has integrated Soviet-era motifs—such as wall carpets and television color grids—into his English terraced house to explore themes of memory and the 'uncanny.' His recent works, including 'Unheimlich' and 'No Signal,' utilize these familiar objects to critique how nostalgia can be weaponized and how violence often hides within the mundane.
The Lucas Museum of Narrative Art in Los Angeles will open to the public on September 22, 2026, with about 20 inaugural exhibitions curated by George Lucas himself across more than 30 galleries. The $1-billion, 300,000-square-foot museum in Exposition Park, designed by Ma Yansong of Mad Architects, will display over 1,200 objects from Lucas's collection of more than 40,000 works, including manga, comics, children's illustrations, and narrative art by artists such as Norman Rockwell, Beatrix Potter, and Dorothea Lange, with only one exhibition focused on "Star Wars" memorabilia.
Lebanese performance artist Rawya El Chab has debuted the second installment of her trilogy, "Crossing the Water," at The Brick in Brooklyn. The performance explores the collective trauma of the 1982 Israeli invasion of Lebanon and her family's subsequent flight to the Ivory Coast, blending personal memory with political satire and mythology. By embodying various roles—from suspicious neighbors to puppet-like politicians—El Chab navigates the complexities of life under military occupation and the persistent feeling of surveillance.
The Anchorage Museum is hosting "Everyday Anchorage: Duke Russell & Ward Wells," an exhibition pairing two artists from different generations who capture ordinary life in Anchorage, Alaska. Ward Wells, a commercial photographer, documented the city after World War II, while Duke Russell uses paint to record post-pipeline scenes. The show runs through August 2027.
The Evanston History Center has launched "Unveiling Evanston Women Artists," a new exhibition dedicated to the historical contributions of female creators in the Illinois city. The show was sparked by a recent donation of works by the late artist Blanche Gildin, who rarely exhibited during her lifetime, and features approximately a dozen local artists including Lucile Roebuck Keeler and Rosemary Zwick. Spanning the early 20th century through the 1970s, the collection includes paintings, sculptures, and commercial illustrations that reflect the creative shifts of the civil rights era.
Artist Isabelle “Izzy” Brourman narrowly escaped serious injury while documenting protests against Immigration and Customs Enforcement (ICE) in Minneapolis. While sketching the scene for her project Starring America News, a masked federal agent fired pepper balls at her at point-blank range; Brourman managed to block the projectile with her wooden drawing board, which was left with a jagged hole. The incident, captured on video by her collaborators Peter Hambrecht and Jeannette Berlin, occurred on the same day a nurse was killed by federal agents during the unrest.
This week's Required Reading from Hyperallergic features a photo by Saber Nuraldin, a finalist for the World Press Photo of the Year, depicting Palestinians climbing an aid truck in Gaza during famine caused by Israel's blockade. The article also includes Elena Megalos's essay on the American Museum of Natural History as a site of motherhood, and reports on Meenu Batra, a legal interpreter arrested by ICE, and the New York Times blocking the Internet Archive from crawling its site.
The entire jury of the Venice Biennale resigned just days before the 61st international art exhibition's opening on May 9, following a dispute over the decision to allow Russia to participate. The five-member panel, led by Solange Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, had previously stated it would not award prizes to artists from countries whose leaders face charges of crimes against humanity, a move seen as targeting Russia and Israel. The Biennale responded by postponing the award ceremony to November 22 and announcing it would give two awards, including one that could go to any national participation, citing its founding principles of openness and rejection of censorship.
The Kelterborn Collection, a German private collection focused on video art and experimental installations, will be exhibited in Italy for the first time at Venice's Contemporary Forces platform from May 7 to September 27, 2026. The exhibition, titled "Who’s a good boy??," is curated by Anastasia Stravinsky and Mario von Kelterborn in collaboration with IKT – International Association of Curators of Contemporary Art, and features works by twelve artists including Joseph Beuys, Gary Hill, Laure Prouvost, and Ulay. The show aligns with the theme of the 61st Venice Biennale, exploring power "in minor keys."
Alla Biennale di Venezia il Padiglione dell’Armenia si trasforma in bottega d’artista: le opere nascono di fronte al pubblico
The Armenian Pavilion at the 2026 Venice Biennale will transform into a functioning artist's studio, where sculptor Zadik Zadikian will create works in real time before the public. Titled "The Studio," the project is curated by gallerist Tony Shafrazi and curator Tina Chakarian, and will operate daily from May 6 to November 22 at the Tesa 41 of the Arsenale. Zadikian, born in Yerevan in 1948 and now based in the US, will work with traditional Armenian plaster techniques alongside his son Aram and studio assistants, emphasizing the process of making over the finished object.
In questa mostra a Milano lo spettatore può modificare gli spazi. Il grande artista-architetto Gianni Pettena ci spiega perché
Gianni Pettena, a pioneer of the Italian Radical Architecture movement, has unveiled his immersive installation "Paper/Northern Lights" at the BiM urban regeneration project in Milan's Bicocca district. Originally conceived in 1971 as a pedagogical exercise at the Minneapolis College of Art and Design, the work consists of 49 kilometers of white paper strips hanging from the ceiling. Visitors are invited to physically interact with the installation by cutting through the paper, effectively reshaping the architectural environment and challenging traditional notions of fixed space and authorship.
Una importante mostra a Milano racconta il Man Ray meno conosciuto: intervista al curatore
The Gió Marconi gallery and Fondazione Marconi in Milan have launched a major retrospective titled "Man Ray: M for Dictionary," marking fifty years since the artist's passing. Curated by Yuval Etgar and Deborah D’Ippolito, the exhibition moves beyond Man Ray’s famous photography to highlight his role as a pioneer of conceptual and multimedia art. The show is organized into five thematic sections that explore his use of visual puns, experimental "Rayographs," and the transformative power of language across painting, drawing, and sculpture.
L’artista ed ex pugile Omar Hassan che è in mostra a Roma coi suoi gesti forti
Artist and former boxer Omar Hassan has debuted his first solo exhibition in Rome, titled "Tempo al Tempo," at Galleria Latina. The showcase features large-scale works from his "Breaking Through" series, where Hassan uses boxing gloves to strike canvases, alongside a massive map of Rome constructed from nearly 9,000 hand-painted spray can caps. The exhibition emphasizes the physical trace of time and action, blending street art aesthetics with the energy of action painting.
Vicino a Parma c’è l’intramontabile eleganza di Erté in mostra al Labirinto della Masone
The Labirinto della Masone near Parma is hosting a comprehensive exhibition titled "Erté. Lo stile è tutto," showcasing the work of the Russian-born Art Déco master Romain de Tirtoff, known as Erté. The display features a diverse array of drawings, gouaches, models, and sketches, many of which were originally acquired by the late publisher Franco Maria Ricci. The exhibition traces Erté's journey from his aristocratic Russian roots to his rise in Paris as a collaborator of Paul Poiret and a visionary of theatrical and couture design.