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Ronny Quevedo Connects Sites of Cosmovisions at Krannert Art Museum

Ronny Quevedo's first institutional solo exhibition in the Midwest, "a l l s t a r s," has opened at the Krannert Art Museum in Champaign-Urbana. The show features works from the Ecuadorian-born, New York-based artist's recent past alongside a new site-driven installation, "a mother's hand" (2025), which incorporates objects from the museum's reinstalled Andean art collection. Using materials like wax, drywall, muslin, carbon paper, and gold-silver leaves, Quevedo creates abstract fields that evoke cartographies, constellations, dressmaking diagrams, and sports playbooks, weaving together autobiographical references to his seamstress mother and soccer-playing father with broader themes of cultural inheritance, duality, and cosmovisions.

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Independent 20th Century art fair has announced that its 2026 edition will be hosted by Sotheby’s at the auction house’s new flagship headquarters in Manhattan’s historic Breuer building. The move, first reported by the New York Times, marks a significant expansion for the fair and an unprecedented collaboration between an art fair and an auction house in the modern art market. Founded in 2022, Independent 20th Century focuses on overlooked and celebrated artists of the last century, with curatorial programming that reframes movements from women in Surrealism to Arab Modernism. The Breuer—a landmark of Modernist architecture designed by Marcel Breuer and recently renovated by Herzog & de Meuron with PBDW Architects—will allow the fair to grow to more than 50 galleries, up from 31 at its most recent edition.

Independent 20th Century fair will move to Sotheby’s Breuer Building in 2026

The Independent 20th Century art fair will move to the Breuer Building in New York, soon to become Sotheby’s headquarters, for its 2026 edition running September 24–27. The fair, previously held at Casa Cipriani, will expand to accommodate over 50 galleries. Sotheby’s acquired the landmarked building in 2023 and has made subtle renovations led by Herzog & de Meuron, with the new headquarters opening November 8.

Despite external chaos, Frieze Seoul soldiers on

The fourth edition of Frieze Seoul (3-6 September) took place alongside the Korea International Art Fair (Kiaf) at the Coex convention centre in Gangnam, amid economic concerns and a slower art market. Despite a modest 0.8% expected growth in South Korea's economy and fewer Western exhibitors, the fair saw strong institutional attendance, including curators from M+, the Museum of Modern Art, and the San Francisco Asian Art Museum, as well as celebrity visitors like BTS members and Blackpink's Lisa. Galleries reported cautious but steady sales, with a notable presence of Asian collectors, particularly from Japan, and a Stand Prize awarded to Kohesi Initiatives for a politically charged booth by Timoteus Anggawan Kusno.

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The article reviews Stephen Shore's book *Early Work*, which collects photographs he took between the ages of 13 and 18, from 1960 to 1965. Despite his youth, the images display remarkable sophistication, a feat Shore attributes to an atypical childhood that included early access to cameras and a copy of Walker Evans's *American Photographs*. The book includes a "pre-history" essay in which Shore reflects on his formative influences, including time spent at Andy Warhol's Factory and a friendship with headmaster William Dexter, who deepened his interest in photography. The earliest image in the book is a portrait of Dexter taking a photograph, which Shore describes as a metanarrative of a photographer photographing a photographer.

The Armory Show jumpstarts New York art market after summer of hand-wringing

The Armory Show opened its 2024 edition in New York with solid sales during the VIP preview on September 4, providing a positive signal for the city's art market after a summer marked by gallery closures and economic uncertainty. The fair saw the return of over 20 galleries that had previously taken a hiatus, including Andrew Kreps, Uffner and Liu, Instituto de Visión, and White Cube for the first time since 1994. Fair director Kyla McMillan emphasized the importance of rooting the fair in New York and praised exhibitors for taking risks with experimental works, such as Nikita Gale's installation 'Interceptor' (2025), which sold for $60,000 before the preview began.

The Getty hires Justine Ludwig of Creative Time to run PST Art

The Getty has hired Justine Ludwig, currently the executive director of Creative Time in New York, as the creative director of PST Art, a newly created position. Ludwig will relocate to California and start on October 27, leading a team that includes Zachary Kaplan and Tina Lee, with plans to expand the department. The Getty has spent around $50 million on PST Art over two decades but previously lacked a dedicated team for the event. Ludwig's appointment comes as the Getty prepares for the 2030 edition and aims to refine the program, including working closely with smaller partner museums and non-profits.

New music and art series will rock the block in Redwood City

The Center for Creativity in Redwood City, California, is launching a new fall series called Art+Sound on Broadway, held on three Sunday afternoons in September and October 2025. The series combines live concerts by local musicians, a juried visual arts exhibition titled "Art of the Community: Redwood City 2025," and hands-on art-making activities led by local artists. Performers include Alex and Maya Valdivia, Melissa Modifer, Andy Z, The Corner Laughers, Ol' Blue Genes, and Redwood Souls, while artists such as Elizabeth Gomez, Gadget, and Corinne Feldman lead community workshops. The series is funded by a grant from the Redwood City Arts Commission and takes place on a pedestrian-only block of Broadway outside the historic Hotel Sequoia, where the Center for Creativity is temporarily housed until 2027.

an insiders guide to frieze seoul newly found nazi loot goes missing a look at the new national museum of uzbekistan and more morning links for august 28 2025 1234750337

A Nazi-looted painting, *Portrait of a Lady* by Giuseppe Ghislandi, was spotted in a house in Argentina via real estate photos, but vanished before police could seize it. The work once belonged to Jewish dealer Jacques Goudstikker and was linked to SS officer Friedrich Kadgien. Separately, Egyptian doctor Ashraf Eldarir was jailed in the US for smuggling 590 ancient artifacts, using fabricated provenance. Other news includes the upcoming National Museum of Uzbekistan designed by Tadao Ando, a Banksy work moving to London Museum, and an insider's guide to Frieze Seoul.

louvre ends nintendo 3ds museum guide partnership 1234750584

The Louvre Museum in Paris has ended its long-running partnership with Nintendo that provided Nintendo 3DS consoles as museum guides. Launched in 2012, the program loaned 5,000 devices to the museum, which visitors could rent for a few euros. The 3DS units featured a multimedia library of over 700 artworks, 30 hours of audio commentary, and geolocation for personalized tours. Nintendo later discontinued the 3DS in 2020, and smartphones have since become the dominant tool for accessing information in museums. The Louvre has not yet announced a replacement.

In a new exhibition, Turkey displays the success of its heavyweight heritage drive

Turkey has opened a new exhibition titled "The Golden Age of Archaeology" at a national library in Ankara, showcasing 570 ancient artifacts—most unearthed in the past two years and displayed for the first time. Highlights include 11,500-year-old Neolithic vessels, a Bronze Age tablet revealing a previously unknown language (Kalasma), and a repatriated bronze statue of Roman emperor Marcus Aurelius, which was smuggled out of Turkey in the 1960s and recently returned from the Cleveland Museum of Art after a legal battle. The exhibition is part of the government's Heritage for the Future project, which spends around $150 million annually on excavations, visitor centers, and museums, with active digs rising to about 800.

Pioneering Brazilian artist Lygia Pape's estate is now represented by Mendes Wood DM

Mendes Wood DM now represents the estate of pioneering Brazilian artist Lygia Pape (1927-2004), a central figure in the Concrete and Neo-Concrete art movements. The gallery, founded by Pedro Mendes, Felipe Dmab, and Matthew Wood, operates spaces in São Paulo, Brussels, Paris, and New York. It plans a career-spanning exhibition of Pape's work in São Paulo in April 2026, coinciding with SP-Arte and her centenary year, and will bring works to Art Basel in Paris this October. Pape's first retrospective in France, 'Tisser l'espace (Weaving Space),' opens next week at the Pinault Collection's Bourse de Commerce in Paris, running from 10 September to 23 February 2026.

The Armory Show puts spotlight on the American South

The Armory Show, New York's premier art fair, is dedicating its 2025 Focus section to artists and galleries from the American South, running September 4-7. Curated by Jessica Bell Brown, executive director of the Institute for Contemporary Art at Virginia Commonwealth University, the section features 13 galleries, including Martha's from Austin and Wolfgang Gallery from Atlanta, with works exploring themes of queer identity, Black communities, and Southern cuisine. The fair, now under director Kyla McMillan and owned by Frieze, aims to amplify the region as a nexus for diasporas and challenge preconceived notions about the South.

A former director at Lower Manhattan galleries goes it alone Uptown

Christiana Ine-Kimba Boyle, a former director at Lehmann Maupin, Canada, and Pace, has launched Gladwell Projects, a nomadic gallery with a staff of one. The gallery's second show, "The Spirituality of Color," opens October 3 in a Harlem townhouse, featuring works by Sam Gillam, Kylie Manning, and others. Its first show, "The Metroplex," was held in collector Christie Williams's Dallas home during the Dallas Art Fair, resulting in acquisitions by the Dallas Art Museum. Ine-Kimba Boyle aims to present blue-chip rigor at a smaller, community-focused scale, part of a "Domestic Interventions" series in private homes.

11 Must-See Museum Shows This Fall

Maxwell Rabb's article for Google News highlights 11 must-see museum exhibitions opening worldwide in fall 2025. Among the featured shows are Ayoung Kim's "Delivery Dancer" video trilogy at MoMA PS1 in New York, the largest UK survey of Kerry James Marshall's work titled "The Histories" at the Royal Academy of Arts in London, and "Strange Realities: The Symbolist Imagination" at the Art Institute of Chicago, which explores the Symbolist movement across Europe. The article also mentions other major retrospectives and thematic exhibitions spanning Symbolism to Nigerian modernism.

Art Blooms Across South Korea in September, Despite an Uneasy Market

South Korea's Ministry of Culture, Sports and Tourism is promoting a month-long Korea Art Festival in September 2025, featuring scores of events including design, craft, and calligraphy biennials across the country. The centerpiece is the concurrent staging of Frieze Seoul (fourth edition, over 120 exhibitors) and Kiaf (24th edition, some 175 galleries) at the Coex convention center in Gangnam, with a single ticket granting access to both fairs. International galleries have been opening local outposts in Seoul, and a Centre Pompidou branch is planned, as the city builds its reputation as an art capital.

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A new biography of James Baldwin, titled "Baldwin: A Love Story" by Nicholas Boggs, frames the writer's life through his relationships with four key figures: the painter Beauford Delaney, Lucien Happersberger, Engin Cezzar, and Yoran Cazac. The article focuses on Baldwin's formative bond with Delaney, who served as mentor and artistic inspiration, teaching Baldwin about light, music, and cultural heritage in his Greenwich Village studio.

SAM Opens Its First Solo Exhibition By a Pakistani-American Artist

Seattle Asian Art Museum (SAM) has opened "Anila Quayyum Agha: Geometry of Light," the institution's first solo exhibition by a Pakistani-American artist. The show, running from August 26, 2025 through April 19, 2026, features Agha's intricate laser-cut steel light sculptures, beadwork, and embroidered pieces that explore cultural identity, gender, and spirituality. Curated by José Carlos Diaz, SAM's Susan Brotman deputy director for art, the exhibition marks Agha's first presentation in the Pacific Northwest and includes works such as the 2021 piece "Liminal Space."

Minneapolis Institute of Art announces artists for its first juried crop art exhibition

Minneapolis Institute of Art (Mia) has announced the artists for its first juried crop art exhibition, "Cream of the Crop," opening September 6, 2025. The exhibition features winners and honorable mentions selected from crop art entries at the Minnesota State Fair. Jeanne Morales won best interpretation of a Minnesota landmark, story or tradition with "My Chagall Dream," while Amy and Steve Saupe won best interpretation of an artwork at Mia with "The Treachery of a Pronto Pup." The selections were made by Mia director Katie Luber, associate curator Galina Olmsted, and associate curator Leslie Ureña. Honorable mentions include works by Jill Osiecki, Jill Moe, Amanda Cashman, and Ursula Murray Husted.

New York Dealer Hal Bromm Can’t Remember His Last Art Fair. He Couldn’t Be Happier

Hal Bromm, a New York art dealer who opened his gallery in Tribeca decades before it became a gallery hub, is celebrating 50 years in the neighborhood. He opened in 1974, predating the wave of galleries that moved to Tribeca around 2013, and has remained at 90 West Broadway since 1977. To mark the milestone, he will present the exhibition “50: The View from Tribeca” on September 19 and publish a book, *New Art, Old Buildings: Stories from Hal Bromm’s Tribeca*. Bromm reflects on his early career, including introducing artists like Donald Judd, Alighiero Boetti, and Mario Merz to New York audiences, and his instinct-driven approach to selecting artists.

Ceramics exhibition opens Dowd Gallery 2025-26 year

Two ceramic artists, Errol Willett and Edward Feldman, opened the 2025-26 exhibition year at SUNY Cortland’s Dowd Fine Arts Gallery with the show “Creating Movement and Flow: A Conversation of Form and Utility.” The exhibition, on view through November 14, 2025, features ceramic works that emphasize motion and process over static objects. A series of free public workshops accompanies the show, including two-part sessions led by Feldman in September and Willett in October, focusing on wheel-throwing and hand-building techniques.

Art Museum and Galleries at W&L: Fall 2025 Programs and Exhibitions

Washington and Lee University's Art Museum and Galleries announced its Fall 2025 programs under the theme "Materiality & Transformation," featuring two concurrent exhibitions: "Taking Place," a solo show of large-format aerial photographs by Canadian artist Edward Burtynsky, and "Recoded Memories," an immersive installation by Zimbabwean artist Moffat Takadiwa that repurposes discarded materials like computer keys and VHS tapes. Burtynsky's exhibition runs from September 3, 2025, to April 18, 2026, at the Reeves Museum of Ceramics, with a keynote lecture on September 11; Takadiwa's installation is on view from October 24, 2025, to May 31, 2026, at the Watson Galleries, with an artist talk on October 23.

Upcoming art shows and festivals

The article highlights a series of upcoming art exhibitions and festivals in Springfield, Illinois, running from late August through September 2025. Key events include the Springfield Art Association's 37th Annual Edwards Place Fine Art Fair, the solo watercolor exhibition “Perceptions of Nature” by Donald Landry at the Hoogland Center for the Arts, and the “NOIR V: Resilience” exhibition at the Illinois State Museum. Other featured shows include “Confluence” and “PLEIADES” at the SAA Collective, and the “Statewide: Illinois Artist Showcase” at the M. G. Nelson Gallery. The Fae Folk Art Collective also presents its fourth festival, Mythical Creatures, at Union Square Park.

Middle Eastern art takes center stage in Sotheby’s London exhibition

Sotheby’s London is hosting an exhibition previewing highlights from its upcoming Modern & Contemporary Middle East and Arts of the Islamic World & India auctions. Featured works include Abdulhalim Radwi’s 'Untitled (Desert Scene)' (1975), a mix of oil and sand on canvas estimated at £40,000–£60,000; Ahmed Mater’s 'X-ray Painting 5' from his pioneering series blending medicine and art; Paul Guiragossian’s 'Portefaix en Chomage,' depicting unemployed porters; and Fahrelnissa Zeid’s 'Untitled (Flowers)' from the late 1940s, bridging figurative and abstract styles.

Step into the fire. A new exhibition ignites the Modern Art Museum of Fort Worth

Dallas-based artist David-Jeremiah presents his solo exhibition "The Fire This Time" at the Modern Art Museum of Fort Worth, featuring 27 shaped paintings created between 2020 and 2024. The paintings are shaped like Lamborghini hoods and arranged in clusters that invite visitors to stand at the center, becoming the focal point of an "inverted performance installation." Curated by Christopher Blay, the show spans four rooms and explores themes of beauty, violence, identity, and transformation, drawing inspiration from James Baldwin's "The Fire Next Time." The exhibition also includes works from the museum's permanent collection by John Chamberlain, Anselm Kiefer, and Mark Rothko that resonate with the show's themes.

Tens of thousands sign petition to stop loan of ‘extremely fragile’ Bayeux Tapestry to UK

Nearly 50,000 people have signed a petition to block the loan of the Bayeux Tapestry to the British Museum, citing warnings from textile restorers that moving the 1,000-year-old embroidered linen could cause irreparable damage. The petition, launched by art historian Didier Rykner, opposes the planned exhibition in London from September 2026 to July 2027, which coincides with the closure of the Bayeux Tapestry Museum in Normandy for renovations. The loan was announced in July by French President Emmanuel Macron and British Prime Minister Keir Starmer. Prominent French cultural figures, including former museum director Isabelle Attard, have voiced strong concerns, and Rykner hopes to ally with British opponents of the exchange, which would also send Anglo-Saxon and Medieval treasures from the British Museum to France.

Hear the untold stories of North Korean women in this limited-time NYC art show

A limited-time art exhibition titled "UNSEEN: 14 Artists on Resilience and Rights of Women in North Korea" will open in New York City's Tribeca neighborhood from September 20 to 27 at Lume Studios on Broadway. Curated by Dr. Stephanie Seungmin Kim, the show features 14 international artists alongside video testimonies from North Korean escapees, coinciding with the 80th session of the UN General Assembly.

brian ferriso named director dallas museum of art 1234749635

The Dallas Museum of Art (DMA) has appointed Brian Ferriso, the longtime director of the Portland Art Museum (PAM), as its next director, effective December 1. Ferriso succeeds Agustín Arteaga, who left last year to lead the Crocker Art Museum in Sacramento. During his 18-year tenure at PAM, Ferriso grew the endowment by $40 million, eliminated $7 million in debt, doubled curatorial staff, and made the museum free for visitors 17 and under. He also oversaw major collection diversification, co-commissioned Jeffrey Gibson’s U.S. Pavilion at the 2024 Venice Biennale, and will open a 100,000-square-foot expansion funded by a $140 million capital campaign.

Dallas Museum of Art picks director wrapping up another institutional expansion to guide it through campus overhaul

The Dallas Museum of Art (DMA) has appointed Brian Ferriso, the longtime director of the Portland Art Museum (PAM), as its next director. Ferriso will oversee the inauguration of PAM's $111 million expansion on November 20 before starting his new role in Dallas on December 1. He succeeds Agustín Arteaga, who left the DMA last spring to lead the Crocker Art Museum in Sacramento. Ferriso brings nearly two decades of experience at PAM, where he increased the endowment by $40 million, doubled curatorial staff, eliminated $7 million in debt, and led a $140 million fundraising campaign for the museum's expansion and endowment.