The Springfield News-Leader, in partnership with the Springfield-Greene County Library District, is publishing a historical photograph from its archives. The 1961 image shows Kenneth M. Shuck, director of the Springfield Art Museum, examining Civil War artifacts—including a saber, a drum, and a painting of Union General Nathaniel Lyon—in preparation for a centennial exhibition.
The Army Museum in Paris is hosting "Explorations: A State Affair?", a comprehensive exhibition running from April 15 to August 16, 2026. The showcase traces three centuries of French global expeditions, from the aftermath of the Seven Years' War in 1763 through the space race to contemporary missions focused on climate change and resource security. Featuring a diverse array of artifacts including maps, scientific instruments, military uniforms, and paintings, the exhibition highlights the military's central role in scientific discovery, territorial expansion, and state power.
The Potters Bar Museum is hosting a specialized exhibition titled "The Railway comes to Potters Bar," focusing on the historical impact of the rail network on the local community. The display features a collection of archival photographs, artifacts, and historical documents detailing the evolution of transport in the area.
Conduit Gallery in Dallas is hosting "Dynamatic," a solo exhibition by Brooklyn-based artist Kendall Glover featuring sculptures and textiles produced within the last year. The show highlights three distinct series: large-scale tubular steel sculptures, experimental bronzes cast from rattan and thread, and a collection of silver-leafed crocheted works known as "Quasars."
A new exhibition titled 'Give Me a Ring: A Telephone Retrospective' has opened at the San Francisco Airport Museum. The show explores the history, design, and cultural impact of the telephone through a collection of artifacts and artworks.
The article reports on the opening and conceptual framework of the Museum of Narratives, a new institution in Japan dedicated to exploring and presenting stories through its collections and exhibitions. It emphasizes the museum's focus on narrative as a fundamental human and artistic practice, positioning it as a unique cultural destination.
The Field Museum in Chicago is set to debut "Amerika Samoa," a temporary exhibition opening March 6, 2026, in the Regenstein Halls of the Pacific. Co-curated by Reggie Meredith Fitiao and Su’a Uilisone Fitiao of the nonprofit Fa’asamoa Arts, the show focuses on two primary Samoan art forms: siapo mamanu (painted barkcloth) and tatau (tattoo). The exhibition features contemporary works alongside historical pieces from the museum's collection, including a collaborative large-scale siapo created with the Chicago Samoan community.
A new exhibition at the Museum of Islamic Art (MIA) in Doha, titled *Empire of Light: Visions and Voices from Afghanistan*, highlights Afghanistan’s art and history from pre-Islamic times to the present day. Running until 30 May and timed to Art Basel Qatar week, the show draws primarily from MIA’s collection, with loans from Qatari institutions and international lenders such as the National Museum of Asian Art at the Smithsonian. It includes historical objects like a 13th-century ewer and a 9th-century Qur’an folio, as well as contemporary works such as Khadim Ali’s *Un-Safe Heaven* (2025), a textile piece embroidered by Afghan men and women. No objects come from Afghan museums, but large-scale wooden models and glass vessels were produced in Afghanistan with help from the Aga Khan Trust for Culture.
The Museum of Art and Design (MAD) in New York is presenting "Designing Motherhood: Things that Make and Break our Births," an exhibition curated by Elizabeth Koehn that examines fertility and parenthood through over 250 objects, including mass-market items, medical devices, design notes, archival letters, and video. The show features artifacts such as hospital baby blankets, 17 historical pessaries, 12 IUDs, and the Del Em menstrual extraction tool from 1971, alongside clips from the 1952 film "All My Babies" featuring midwife Mary Coley. The exhibition defines motherhood capaciously, not limited to one sex or gender or to biological childbearing, and also addresses choosing to delay or forgo parenthood.
The article reports a significant shift in the Islamic art market, where traditional Persianate works from Iran are declining in sales and value, while art from India and historic Arab polities is rising. At Sotheby's April 2025 sale, 14 of 27 Persian works went unsold, continuing a long-term slump. Key factors include U.S. sanctions on Iran that restrict export of Iranian-origin works, aging collectors, maturing museums, and a generational shift away from classical art toward contemporary pieces. In contrast, Mughal art from India is experiencing a steady price increase, reflecting the repositioning of the market away from Persianate mainstays.
The Ohio State University Department of Art Faculty Exhibition is currently on view at the Urban Arts Space, featuring works by 23 full-time, tenured, tenure-track, and visiting faculty. The exhibition spans from historical artifacts to cutting-edge technology, with many works focusing on the natural world or technology. Highlights include virtual reality experiences and David John King's "Here Hear," which combines tiny objects on a rotating platform projected onto a wall via video camera, drawing from the artist's dreams and memories.
Phillips auction house will debut a new category called "Out of This World" within its Modern & Contemporary Art Evening Sale on November 18 in New York, headlined by "Cera," a 66-million-year-old juvenile Triceratops skeleton. The specimen, excavated in 2016 from South Dakota's Hell Creek Formation, is the first full juvenile Triceratops ever discovered and the first Triceratops of any kind to appear at a U.S. auction in over a decade, with an estimate of up to $3.5 million. The sale also includes other natural-history rarities such as a large gold nugget and a fossilized marine reptile.
China Institute Gallery in New York has transformed a logistical setback into an opportunity, mounting an urgent contemporary art exhibition that showcases works by Chinese and Chinese American artists. The show, organized on short notice after a previously planned exhibition fell through, features a range of pieces addressing themes of identity, diaspora, and cultural heritage, reflecting the gallery's pivot toward more current and pressing artistic conversations.
De Beers has partnered with Frieze Masters to present an immersive installation titled 'Voyage Through the Diamond Realm,' showcasing diamonds that date back 3.5 billion years. The display, curated by Lynn Serfaty of De Beers, features a 20-minute film exploring the myths, history, and science of diamonds, along with a commissioned sculpture from Botswana craftspeople using uncut diamonds and ostrich eggshells. This marks De Beers' first presentation at an art fair.
The New York Times reports on a new exhibition at San Francisco's Asian Art Museum that juxtaposes traditional Asian art with contemporary works, exploring themes of joy, pathos, divinity, and spectacle. The show brings together ancient sculptures, paintings, and ritual objects alongside glittering modern installations, creating a dialogue across time and culture.
Olivia Bourrat, a 45-year-old chief heritage curator trained at the École du Louvre, the INP, and the Sorbonne, has been appointed director of the heritage and collections department at the Musée du quai Branly-Jacques Chirac in Paris. She succeeds Anne-Solène Rolland, and returns to the museum after previous stints there, as well as at France-Muséums, the Louvre Abu Dhabi, the French Ministry of Culture, and Paris Musées.
Brighton & Hove Museums in southern England will return 45 artefacts to Botswana. The objects, including clothing, accessories and hunting implements, were acquired by English reverend William Charles Willoughby in the 1890s and will be housed at the Khama III Memorial Museum in Serowe, where they will form part of a permanent exhibition opening on 27 May. A team from Brighton & Hove Museums is working with Botswanan curators on the return, which is scheduled for April.
LKA gibt Heiligenfiguren an Tschechien zurück
Bavarian state police (LKA) have returned five stolen religious sculptures—saints and angel figures—to Czech authorities. The artworks, some dating back centuries, were stolen from Czech churches as early as 1993 and later offered for online sale in Bavaria and Berlin. The handover ceremony took place in Prague, coordinated with Germany's Federal Government Commissioner for Culture and Media (BKM).
Administrators' filings for Stephen Friedman Gallery reveal a total debt of £7.8 million following its closure in February. Three prominent artists—Alexandre Diop, Deborah Roberts, and Kehinde Wiley—are among the unsecured creditors owed a combined £795,000, expected to recover only eight to nine pence per pound. The largest secured creditor is Coutts & Company, owed £3.1 million, followed by Pentland Group with £1.4 million outstanding. The gallery also owes £505,113 to the Pollen Estate for its Cork Street lease, £550,000 to HMRC, and significant sums to shipping and storage firms, including Crozier (£256,470) and Gander & White (£86,772). Art fairs Frieze and Art Basel Qatar are owed £71,227 and £18,763 respectively.
Cary Kwok's exhibition at Sessions Arts Club in London presents four new paintings created with support from Herald St, Cabin Studio, Jonny Gent, and David Southard. The works, rendered in acrylic and ink on paper, explore still lifes, silhouettes, and staged interiors inspired by 1980s visual culture, including interior design, cinematography, fashion editorials, and advertising. Featured pieces include *Eclipse* (2026) and *Anticipation* (2026), with the artist's signature subtly embedded in objects like jewelry and glassware. The show opens May 18 and is viewable by appointment or during dining hours, alongside a related wine label collaboration for the Sessions Arts Club Lost Wines Project.
South Korea's Ministry of Culture, Sports and Tourism announced a monthlong celebration called "2026 Museum Week," running from late April to May 31, 2026, to coincide with International Museum Day on May 18. A total of 310 museums will participate under the theme "Museums uniting a divided world," with programs divided into three sections: Museum X Encounter (highlighting stories behind artifacts), Museum X Enjoy (special exhibitions and performances), and Museum X Stroll (expanding cultural access beyond Seoul). The event is hosted by the ministry and ICOM Korea, organized by the Korean Museum Association.
The German state of North Rhine-Westphalia (NRW) is introducing a legislative bill to ban the commercial trade of personal Holocaust documents and artifacts, such as letters from concentration camps, Gestapo cards, and yellow stars. The initiative follows international outrage over a planned auction in Neuss in November 2025, which was halted at the last moment; around 460 objects from that auction were transferred to the Auschwitz-Birkenau Foundation. The bill, to be presented at the Bundesrat session on May 8, aims to prohibit the sale of items directly linked to Nazi victims, while exempting museums, archives, and research institutions.
Gala Porras-Kim presents her first exhibition at kurimanzutto in Mexico City, titled "Future spaces replicate earlier spaces," running from April 11 to June 13, 2026. The show brings together works that examine how museums and conservation institutions reclassify objects removed from their original contexts, using reconstruction and resituating to explore their spatial, material, and temporal conditions. Central to the exhibition is the installation "The motion of an alluvial record" (2024), which recreates the humid marshland atmosphere of the Yucatán Peninsula inside the gallery, contrasting with the controlled climates of museums. Other works include drawings replicating wall decorations from the Techinantitla complex in Teotihuacan, which were fragmented and sold on the black market, and graphite drawings of objects by artist Brígido Lara, whose "original interpretations" of Totonac ritual clay objects were mistakenly catalogued as Pre-Hispanic artifacts in major museums.
The Bullock Texas State History Museum in Austin has opened a new exhibition called "Texas Festivals," running through September 27. The show features artifacts from 27 festivals across the state, including a gown from Fiesta San Antonio, a sand sculpture from Sandfest in Port Aransas, an art car honoring Stevie Ray Vaughan from Houston's Art Car Parade, and mascots from the Texas Onion Fest, Hogeye Festival, and Texas State Forest Festival. The exhibition is divided into three sections exploring how festivals create community, and includes a short documentary, interactive activities, and a talk with historian Dr. Michaele Thurgood Haynes on May 3.
Ittai Gradel, the Israel-born Danish gem expert who alerted the British Museum to the theft of thousands of antiquities from its collection after discovering them for sale on eBay, died on April 28 of renal cancer at age 61. Days before his death, British Museum officials visited him in hospice and presented him with a rarely awarded medal for his service. Gradel first warned deputy director Jonathan Williams in 2021 that artifacts were being sold online, identified veteran curator Peter Higgs as the culprit, and provided detailed evidence. After the museum failed to act, Gradel contacted then-director Hartwig Fischer; two years later, Higgs was fired, and Fischer and Williams left the institution amid the scandal.
A new exhibition titled "Anne Frank The Exhibition" opens Friday, May 1 at the Griffin Museum of Science and Industry in Chicago. It features 130 collection items from the Anne Frank House in Amsterdam, including artifacts from the Secret Annex where Anne Frank and her family hid during the Nazi occupation. Some of these items have never been displayed in the United States before. The exhibition offers a personal look at the Frank family's life in hiding, including a board game that helped pass the time.
Officials from the United States and Italy gathered near dozens of repatriated artifacts to celebrate their ongoing alliance against art looting, which has resulted in the return of thousands of artworks to Italy. The event highlighted collaborative efforts between the two nations to curb the illegal trafficking of cultural property, even as broader diplomatic tensions persist.
Janne Sirén, director of the Buffalo AKG Art Museum, will step down in October after 13 years leading the institution. The museum announced his departure on April 29, noting that the board will begin a search for a new director this summer. Sirén oversaw a transformative period including a $230 million campus expansion completed in 2023, designed by OMA and Shohei Shigematsu, which added a new building and reconnected the grounds. During his tenure, the museum's collection grew, staff expanded from 62 to nearly 200, the endowment rose from $31.3 million to $79.3 million, and annual visitors reached 340,000. He also launched a public art department, the Innovation Lab, and the AKG Nordic Art and Culture Initiative.
The Frist Art Museum is presenting a new exhibition that spans 100 years of contemporary Indigenous art, featuring works from both established elders and emerging makers. The show aims to highlight the continuity and evolution of Indigenous artistic practices across generations.
The New Art Dealers Alliance (NADA) has announced the 12th edition of NADA New York, taking place from May 13 to 17, 2026, at the Starrett-Lehigh Building in West Chelsea. The fair will feature over 121 galleries, art spaces, and non-profit organizations from 15 countries and 46 cities, including 45 NADA Members and 51 first-time exhibitors such as Brigitte Mulholland (Paris), The Address (Brescia), and Central Server Works (Los Angeles). Returning initiatives include the TD Curated Spotlight, organized by Anthony Elms of the Mattress Factory, and NADA Presents, a series of conversations and performances. Highlights include solo presentations by Malcolm McCormick, Jonathan Torres, Effie Wanyi Li, Xiaoyi Gao, and others.