Take a walk on the wild side with the Haas Brothers' fantastical new show

The Museum of Arts and Design (MAD) in New York has opened "Uncanny Valley," a major exhibition dedicated to the Los Angeles-based duo Nikolai and Simon Haas. The show features 85 works spanning 15 years of their practice, showcasing their signature blend of art, furniture, and craft through zoomorphic sculptures and kooky forms. Organized in collaboration with the Cranbrook Art Museum, the exhibition places these physical objects against surreal, algorithmically-generated backdrops that explore the intersection of human craftsmanship and digital technology.

Exhibition | Merlin James, 'See Through' at P420, Bologna, Italy

The gallery P420 in Bologna has opened "See Through," the second solo exhibition by Welsh artist Merlin James. The show features a non-linear curation that blends works from different decades, ranging from landscapes and interiors to erotic scenes and near-abstract compositions. James’s approach treats the exhibition as a "jam session," where visual and thematic repetitions provide a structure for diverse painterly explorations.

Exhibition | Trishla Jain, 'In Equilibrium' at Sundaram Tagore Gallery, New York, New York, United States

California-based artist Trishla Jain presents her first solo exhibition at Sundaram Tagore Gallery in New York, featuring abstract canvases from her 'Yantra' and 'Tantra' series. The works are deeply rooted in the artist’s lifelong meditation practice and spiritual study, utilizing intricate patterns of dots, dashes, and grids to represent the intangible process of breath awareness. While the 'Yantra' series focuses on mathematical precision and geometric focus, the 'Tantra' series explores fluid, organic arrangements that evoke celestial or topographical forms.

Ghost at La Lison Gallery: our photos from the exhibition Before the Ashes

Ghost at La Lison Gallery: our photos from the exhibition Before the Ashes

The La Lison Gallery in Paris is hosting "Avant les cendres" (Before the Ashes), a solo exhibition by the artist Fantôme running from April 9 to May 16, 2026. The showcase features a series of abstract works that utilize black ink, oils, fabric, and ash to explore texture and light, drawing comparisons to the monochromatic depth of Pierre Soulages. The exhibition serves as a prequel to the artist's upcoming show, "Cercles," in Nancy.

Exhibition | Anna Park, 'Hot Honey' at Lehmann Maupin, London, United Kingdom

Anna Park makes her United Kingdom solo debut at Lehmann Maupin London with 'Hot Honey,' an exhibition of large-scale charcoal works running from April 30 to May 30. The show features Park’s signature fractured, cinematic compositions that explore female archetypes like the 'vixen' and the 'bombshell.' For the first time, the artist introduces shaped supports that turn her drawings into sculptural reliefs, alongside restrained passages of color that heighten the psychological intensity of her social critiques.

Top Five Booths Not to Miss at Expo Chicago 2026

Expo Chicago 2026 marks a strategic shift under the new leadership of director Kate Sierzputowski and curator Essence Harden, moving away from purely commercial dealer interests toward a more artist-centric and curatorial approach. This year's iteration features a streamlined selection of galleries, allowing for greater depth and focus on individual practices. Notable highlights include Pablo Delano’s poignant installations at Embajada exploring Puerto Rican history, a diverse group showing at Marc Straus Gallery featuring artists like Marie Watt and Lucia Hierro, and a collaborative presentation by São Paulo galleries Bianca Boeckel and Verve.

Her great-uncle was Jackson Pollock. Now, her fledgling gallery, Argo Fine Arts, is the talk of Paris

Samantha McCoy, the grand-niece of Jackson Pollock, has launched Argo Fine Arts, a new gallery model operating between Paris and New York. Making its high-profile debut at the 28th edition of Art Paris in the Grand Palais, the gallery is garnering attention for its impressive inventory, which includes works by Jackson Pollock, Cy Twombly, and Charles Pollock. McCoy has opted for an "ephemeral" gallery model that prioritizes artists and clients over permanent real estate, reflecting a strategic response to the current economic pressures facing traditional brick-and-mortar galleries.

At Perrotin Paris, Bernard Frize Pushes Against His Own Self-Imposed Constraints

Bernard Frize’s latest exhibition, "Les 26," at Perrotin Paris marks his 21st show with the gallery and a continued exploration of his rigorous, process-driven abstraction. The exhibition features his signature interlocking grids and geometric latticework, created using wet-on-wet brushstrokes locked in resin, alongside tempera paintings on glass that follow strict linear rules. By utilizing utilitarian titles and avoiding representational forms, Frize seeks to decenter his own subjectivity, allowing the physical act of painting and the resulting optical tension to lead the viewer’s experience.

Suffolk exhibit celebrates Boston-based women artists

The Suffolk University Gallery recently concluded "The Long View," a three-part exhibition series dedicated to celebrating the enduring careers of Boston-based women artists. The final installation, which closed on April 3, featured abstract works by Sharon Kaitz, Alyson Schultz, Jo Ann Rothschild, and Maggi Brown. The showcase highlighted the evolution of their studio practices, ranging from Schultz’s urban-inspired "Fracture" series to Brown’s material-focused oil paintings that explore the intersection of beauty and disturbance.

Counterpublic plans sprawling, socially conscious show of public art for St. Louis in September

The St. Louis-based triennial Counterpublic has announced its artist lineup and thematic framework for its 2026 edition, set to open on September 12. Featuring more than 50 artists across five primary locations, the free public art festival will showcase newly commissioned works by major figures such as Glenn Ligon, Rebecca Belmore, and Rirkrit Tiravanija. The exhibition, titled "Coyote Time," explores themes of rapid societal change, community resilience, and the "near future," with specific installations addressing the aftermath of a 2025 tornado and the history of local landmarks like Sumner High School.

Review: Thomias Radin, Echoes of KA at Esther Schipper, Berlin

Thomias Radin’s fourth solo exhibition at Esther Schipper in Berlin, titled "Echoes of Ka," presents a multidisciplinary environment blending painting, woodwork, and installation. The Guadeloupe-born artist draws heavily from Caribbean embodied knowledge, dance philosophy, and the ancient Egyptian concept of 'Ka'—a vital life force—to transform the gallery into a choreographed 'secret garden.' The works, characterized by vibrant colors and gestural oil paintings on raw linen, are informed by Radin’s collaboration with dance scholar Léna Blou and his own practice of improvisation.

Exhibition | B. Koh, 'J Sculpture Show' at Baik Art, Seoul, South Korea

Conceptual sculptor B. Koh is holding his first solo exhibition in South Korea at Baik Art, Seoul, titled 'J Sculpture Show.' The exhibition features a comprehensive survey of the Los Angeles-based artist's career, spanning from his early 1990s experiments to new site-specific works created during a recent residency in Seoul. Koh is known for his "gentle trickery," using everyday objects like clocks, plastic chairs, and water bottles to create subtle interventions that disrupt the viewer's perception of time, gravity, and the mundane.

Piacenza, Klimt's Portrait of a Lady is back at the Ricci Oddi Gallery of Modern Art

Gustav Klimt’s "Portrait of a Lady" has returned to the Ricci Oddi Gallery of Modern Art in Piacenza following a successful loan exhibition at the My Art Museum in Seoul. The masterpiece resumes its permanent display just as the gallery prepares to unveil a comprehensive renovation of its 22 exhibition rooms. Designed by Lissoni & Partners, the redevelopment project has modernized over 1,000 square meters of the institution's floor space.

Artist relationship between Helen Frankenthaler and Anthony Caro examined

Yares Art in New York is hosting "SIMILITUDES: Color, Form, Friendship," a landmark exhibition exploring the creative dialogue between American painter Helen Frankenthaler and British sculptor Anthony Caro. Spanning nearly five decades of friendship that began in 1959, the show juxtaposes Frankenthaler’s soak-stained canvases with Caro’s steel armatures. The presentation includes archival letters and photographs that highlight their mutual influence, including a 1972 proposal from Frankenthaler to collaborate on a sculpture.

The MAGA Theory of Art

The article examines the aesthetic dimensions of the MAGA movement, comparing and contrasting it with historical fascist regimes, particularly Nazi Germany. It argues that while both movements share a theatrical, media-savvy approach to politics and a resentment of cultural elites, MAGA lacks the disciplined, sophisticated aesthetic program and the cadre of high-profile artists and designers that characterized Nazi cultural production.

‘Reality Decay’ Is at the Root of All the Bad News

The article connects a 2009 artwork by Paul Chan, 'Sade for Sade’s Sake,' to the recent release of the Jeffrey Epstein emails. The artwork, a shadow puppet projection based on the Marquis de Sade's violent text, was referenced in a 2010 email from an art adviser to Epstein, suggesting artists who could realize his desires for his private island. This link places a contemporary artwork directly into the evidence of a high-profile criminal conspiracy.

Dismantling Orbán's 16-Year Grip on Hungary's Art World

Following the recent electoral defeat of Viktor Orbán’s Fidesz-KDNP coalition by the opposition party Tisza, the Hungarian art world faces a monumental task of institutional restoration. For 16 years, the regime’s 'System of National Cooperation' (NER) systematically co-opted cultural institutions, installing loyalists in leadership roles at major venues like the Kunsthalle and Ludwig Museum to promote an ethno-nationalist agenda. This period was marked by the exodus of independent curators, the occupation of museums by activists, and a fractured ecosystem where state funding was tied to political compliance.

Beloved CUNY Social Practice Art Program to Shut Down

Social Practice City University of New York (SPCUNY), an artist-led initiative supporting social justice-minded art across the CUNY system, will cease operations in February 2027. Founded in 2021 by artists Chloë Bass and Gregory Sholette with support from the Mellon Foundation, the program distributed over $535,000 in fellowships to 129 faculty and student fellows. The closure is prompted by the departure of both co-directors from their academic positions at Queens College, leaving the independent project without a clear institutional pathway for leadership transition.

The Brooklyn Fine Art Print Fair Has Taken Off Its Training Wheels

The Brooklyn Fine Art Print Fair (BFAPF) has returned for its second edition at Powerhouse Arts, expanding significantly from its inaugural "beta test" last year. The fair now features over 60 exhibitors, including a diverse mix of independent print shops, academic departments, self-represented artists, and established international galleries. This year's iteration emphasizes experimental mixed-media practices and a rigorous juried selection process, moving beyond traditional printmaking to include illuminated plexiglass screenprints and sculptural paper works.

How to Extract the Story of Appalachia

The artist collective GRIT has issued a sharp critique of Fia Backström’s exhibition, "The Great Society," currently on view at the Queens Museum. The authors argue that Backström, a European artist, engages in "extractive" storytelling by focusing exclusively on trauma, environmental disaster, and poverty in West Virginia. They contend that the exhibition’s aesthetic choices—such as inverting landscape photographs and omitting human subjects—flatten the region's complexity into a spectacle of misery that alienates the very community it claims to represent.

At the Grand Palais, the Paris Book Festival Puts Comics in the Spotlight

Au Grand Palais, le Festival du livre de Paris met la bande dessinée à l’honneur

The Festival du livre de Paris returns to the Grand Palais from April 17 to 19, 2026, marking a continued transformation from a massive trade fair into a curated cultural event. This year’s edition features 450 publishers and places a significant emphasis on comic books (BD), highlighted by two thematic exhibitions on the Balcon d’Honneur and a dedicated youth village. The program also includes a culinary-themed nocturne and the "Cabaret Extra!" performance series produced in collaboration with the Centre Pompidou.

Body, Territory, and Food Sovereignty at MAMM

CUERPO, TERRITORIO Y SOBERANÍA ALIMENTARIA EN EL MAMM

The Museo de Arte Moderno de Medellín (MAMM) has inaugurated a trio of exhibitions titled 'Nos habitan pájaros y montañas', 'La luz, el fuego y la ceniza', and 'El susurro del barro'. These shows collectively explore the intersection of the human body, territorial sovereignty, and food security, featuring a dialogue between the museum's permanent collection—specifically the work of Débora Arango—and contemporary artists. The exhibitions utilize diverse media, including sound and raw materials like clay and soil, to address environmental and social crises.

ELENA DAMIANI, XIMENA GARRIDO-LECCA AND ISHMAEL RANDALL-WEEKS: SIGNAL AND STRATA

ELENA DAMIANI, XIMENA GARRIDO-LECCA E ISHMAEL RANDALL-WEEKS: SIGNAL AND STRATA

An exhibition titled 'Signal and Strata' featuring Peruvian artists Elena Damiani, Ximena Garrido-Lecca, and Ishmael Randall-Weeks was presented at the Carpenter Center for the Visual Arts from February 5 to April 5, 2026. The show, examined in an accompanying essay by curator Madeline Murphy Turner, focuses on how the artists use materials like travertine, copper, and concrete to interrogate narratives of modernity, resource extraction, and the climate crisis.

GRACIELA ITURBIDE: EYES TO FLY

GRACIELA ITURBIDE: OJOS PARA VOLAR

The C/O Berlin gallery is presenting "Eyes to Fly With (Ojos para volar)," the first major retrospective in Germany of renowned Mexican photographer Graciela Iturbide. The exhibition, curated by Sophia Greiff and Melissa Harris in close collaboration with Iturbide, runs from February 7 to June 10 and features her iconic works like "Nuestra Señora de las Iguanas" alongside lesser-known series on fashion, the cholo community in Los Angeles, and her travels in India and Bangladesh.

Wandering Star – a photo essay

Photographer Vanessa Vettorello explores the physical and psychological impact of strabismus, or eye misalignment, through her visual project "Wandering Star." Drawing from her personal childhood experience with diplopia (double vision), Vettorello combines intimate portraits of others living with the condition, medical reportage, and reconstructed memories to illustrate the struggle of navigating a world where depth and distance are distorted.

Amina Agueznay on Representing Morocco at the 61st Venice Biennale

Artist Amina Agueznay will represent Morocco at the 61st Venice Biennale in 2026 with a monumental installation titled 'Asǝṭṭa' in the Arsenale. The work focuses on collaborative practices and ancestral narratives, drawing from her fieldwork with weavers and metalsmiths, and incorporates traditional silver sequins to create a dialogue between the Middle Atlas Mountains and Venice's canals.

Working in Art: Opportunities from Movin’Up, Fondazione Accademia Carrara, nctm, and Sugar Music

Lavorare nell’arte: opportunità da Movin’Up, Fondazione Accademia Carrara, nctm e Sugar Music

Several Italian cultural institutions and organizations have launched new open calls and job opportunities for artists and creative professionals. Key initiatives include the Movin’Up international mobility grant for creatives under 35, a residency scholarship from nctm e l’arte, and a talent scouting program by the record label Sugar Music. Additionally, the Fondazione Accademia Carrara is seeking a new Head of Educational Services, while the Associazione Amici dell’Arte has opened a competition for young visual artists to exhibit in Piacenza.

French Pop-Street Artist Jisbar Launches Billboard Art Exhibit in Detroit

French pop-street artist Jisbar has launched a city-wide exhibition in Detroit, transforming 134 static and digital billboards into a public art gallery. Running from April through mid-June, the project is a collaboration with Farmington Hills-based iO Billboard and features numbered works that reimagine pop culture icons and classic art. The initiative encourages residents to interact with the urban landscape by "collecting" sightings of the various pieces scattered across four metro counties.

Institute of Museum and Library Services Allowed to Operate: Settlement

The Institute of Museum and Library Services (IMLS) has reached a legal settlement allowing it to resume full operations after being targeted for dismantling by a presidential executive order. The agreement, facilitated by a lawsuit from the American Federation of State, County and Municipal Employees, reverses planned mass layoffs and the termination of federal grants that support thousands of institutions across the United States.

Tutto Boetti 1966–1993

Tutto Boetti 1966–1993

Magazzino Italian Art has announced a major survey exhibition titled "Tutto Boetti 1966–1993," scheduled to run from April 2026 through April 2028. The show features approximately 30 works tracing Alighiero Boetti’s career from his early industrial material experiments in Turin to his later collaborative embroideries and graph paper works. The exhibition draws from the museum’s permanent collection, the Boetti estate, and private loans, and will be launched alongside a scholarly symposium organized with the Fondazione Alighiero e Boetti.