Abstract Expressionist painter Tom Wilson Jones is the subject of a new exhibition at Larkin Gallery in Provincetown, Massachusetts. The show runs through June 9, with an opening reception on May 22. Jones, a Louisville native now living in Harwich Port, studied under Robert Henry, Bill Steeves, and at the Royal Museum of Brussels School.
A new exhibition titled '50 Years of PUNK' opens tonight at the Ki Smith Gallery on the Lower East Side, celebrating the legacy of PUNK Magazine. The show features original work from artists, photographers, and contributors associated with the magazine, which helped launch bands like the Ramones and Blondie. Co-founder John Holmstrom and gallery owner Ki Smith organized the exhibit, which includes upcoming events such as a clothing sale, a script reading about the Sex Pistols' 1978 U.S. tour, and a discussion on the making of the first issue.
Crit Club, a roving debate series founded by artist and curator Cem A., reimagines the traditional art-world panel discussion by staging face-to-face debates between two figures in a sporting-style arena, complete with absurdist interludes by athletes. Last month, the series invited journalist and art critic to Dubai in collaboration with Alserkal Avenue to debate the motion "Are art fairs relevant?" against artist-turned-dealer Umer Butt, founder of Grey Noise gallery. The debate forced participants to switch sides mid-way, emphasizing that the goal is not to reach a definitive answer but to explore false binaries.
Can Tefaf Maastricht keep up with the experience economy?
The 39th Tefaf Maastricht fair opened, showcasing high-quality pre-20th century art and antiques, from Monet paintings to a 1st-century Egyptian vase. However, the fair faces an existential question about the relevance of older art in a market where Old Masters specialists are declining and contemporary art sales are volatile.
Artist Jehan Legac, originally from Paris and based in Bangkok, discusses his practice of oil painting and photorealistic surrealism in an interview. His work, which explores femininity, sensuality, and sci-fi or fantasy narratives, has been exhibited at Nave8 Gallery in Ibiza, Saba Gallery in Miami, and Chaiyos Gallery in Bangkok. Legac describes his creative process as a slow, intuitive dialogue with the medium, emphasizing patience and emotional depth over intellectual understanding.
The article reports on 'Still Joy — From Ukraine Into the World,' a collateral exhibition at the 61st Venice Biennale presented by the Victor Pinchuk Foundation and PinchukArtCentre. The show features works by Ukrainian artists including Malashchuk & Khimei, Simone Post, and Zhanna Kadyrova, exploring themes of joy, survival, and resilience amid war. Highlights include a two-channel video juxtaposing a Kyiv rave before and after Russia's full-scale invasion, letters from Ukrainian soldiers printed on foam panels, and installations that transform everyday objects into meditations on sweetness and endurance.
A major exhibition of rarely seen works by Scottish painter John Bellany has opened at the John Gray Centre in Haddington, East Lothian. Curated by his widow Helen Bellany and Alexander Moffat RSA, the show features early and lesser-known pieces, many never publicly displayed before. It runs until September 19 as part of the Royal Scottish Academy's RSA200: Celebrating Together project, marking the RSA's 200th anniversary. Loans come from the Bellany estate, Alexander Moffat's private collection, East Lothian Council Museums Service, and the Royal Scottish Academy.
The Kalamkar Gallery at Bikaner House in Delhi is hosting 'Ya Devi Sarvabhuteshu,' a contemporary art exhibition by artist Shiny Sharma that explores the cultural and spiritual power of the Divine Feminine, or 'Nari Shakti.' Running until April 26, the exhibition features paintings on canvas using acrylic and oil, along with multimedia elements, each depicting a distinct manifestation of Shakti. Sharma, who also serves as President of the Army Wives Welfare Association for the Northern Army Command, draws inspiration from the resilience of Army wives and war widows (Veer Naris).
Artists Charlie Kirkham and Robert Walker are set to debut a joint exhibition titled "The Cost of Love" at the Rugby Art Gallery and Museum this May. The showcase features contemporary paintings that reimagine classical mythological figures—such as Narcissus, Apollo, and Adonis—to explore psychological themes of desire, transformation, and vulnerability. While both artists maintain a focus on technical rigor and the human figure, the works shift away from traditional storytelling to focus on the emotional tensions of modern life.
The Museum of the Southwest in Midland, Texas, is launching a diverse spring season featuring a blend of regional art and scientific exploration. Key highlights include the "West Texas Triangle" exhibition showcasing local talent, a specialized exhibit on space exploration at the Blakemore Planetarium, and the annual "Septemberfest" community fundraiser. The programming aims to bridge the gap between fine arts and the region's scientific interests.
Fifteen international architecture studios have created installations from reused building materials and found objects for the exhibition "Reuse: Architectures of Almost Nothing" at artspace Laguna in Mexico City during art week. The show, curated by Laguna's curatorial director María Muñoz and architect Edgar Rodríguez, features works made from windshields, tarps, barrels, and even a complete car, all arranged across the former factory space. Participating studios include Sam Chermayeff Office, Ex-Soup, Parabase, Bangkok Tokyo, and others, with each piece designed as an "architectural accessory" that resignifies a single object through redeployment.
“Nordic Echoes: Tradition in Contemporary Art” is a traveling exhibition opening October 4, 2025, at the South Dakota Art Museum and running through January 3, 2026. Curated by Sally Yerkovich, it features 55 works by 24 artists from the Upper Midwest, including Bill Amundson, Sonja Peterson, and Tara Austin. The show examines how Nordic folk arts—such as weaving, carving, and blacksmithing—inspire contemporary painting, textiles, and metalwork, presenting tradition as a living, evolving practice.
The Ruth Chandler Williamson Gallery at Scripps College has opened a new exhibition, “Pintor de Poemas: Unseen Works by Alfredo Ramos Martínez,” featuring over 25 drawings and paintings by the Mexican modernist. Guest curator Robin Dubin, director of Louise Stern Fine Arts, organized the show to highlight recently discovered works that reveal Ramos Martínez’s political engagements, challenging the long-held view of his art as merely decorative or folkloric. The exhibition is divided into four thematic sections—Indigenismo, Revolution, Labor, and War—and includes studies for his 1946 mural “The Flower Vendors,” which is housed nearby in the Margaret Fowler Garden.
The Pat Guthrie Special Exhibitions Teaching Gallery at the University of Wyoming Art Museum is hosting its Fall 2025 exhibition, which integrates artworks from the museum's collection into four university courses: GEOL 1101 on the Anthropocene, ENGL 4999 on place and public memory, HP 3165-04 on Inuit environmental dilemmas, and HP 1020 on dreams and reality. Featured works include prints by Katsushika Hokusai, Martin Stupich, Dana Claxton, and Linda Connor, each paired with course themes to foster interdisciplinary learning.
More than 20 local artists are showcasing works in the "Wildest Dreams" exhibit at Nino Studio & Gallery in Seattle's Pioneer Square, running through July 31. Curated by Seattle-based artist Rya Wu, the show honors the histories, experiences, and cultures of first-, second-, and third-generation immigrants. Artists like Yaminee Patel use grains and legumes to depict the journey of food, while Allan Carandang addresses U.S. colonialism and the legacy of Spam in Guam. The exhibit is an extension of Wu's larger series "Have You Eaten," which began in 2023 to explore identity and home for the Asian diaspora.
The Palmer Museum of Art at Penn State has opened a new exhibition titled "Washi Transformed: New Expressions in Japanese Paper," running from June 7 to July 27. The show features nine contemporary Japanese artists—Hina Aoyama, Eriko Horiki, Kyoko Ibe, Yoshio Ikezaki, Kakuko Ishii, Yuko Kimura, Yuko Nishimura, Takaaki Tanaka, and Ayomi Yoshida—who transform traditional handmade washi paper into textured two-dimensional works, sculptures, and installations. The exhibition explores paper's versatility through techniques like layering, weaving, and folding, highlighting its connection to the natural world.
The New York Times Art section published an article titled "The World According to Aldwyth," profiling the artist Aldwyth, who works in paint, bricolage, and collage. The piece explores how her art delves into the history of art, ideas, and the human species, presenting her unique creative vision and thematic concerns.
Uzbekistan has launched a significant design exhibition in Milan, showcasing a collection that blends the nation's ancient cultural traditions with contemporary aesthetics. The showcase features works inspired by the arid landscapes and rich artisanal history of the Central Asian republic, marking a deliberate effort to export its unique creative identity to a global audience during a major international design moment.
Edoardo Pandolfo and Francesco Palù, the founders of the glass brand 6:AM, are revitalizing the traditional glassmaking industry of Murano with a contemporary, "punk" sensibility. By collaborating with master artisans and pushing the technical boundaries of the medium, the duo creates avant-garde pieces that challenge the island's historical aesthetic while maintaining its rigorous craftsmanship standards.
The American Academy of Arts and Letters has unveiled a unique exhibition curated by its own members, designed to function as a contemporary "Cabinet of Wonders." The show features a diverse array of works that interact with the institution’s idiosyncratic permanent collections, blending historical artifacts with modern artistic responses. By mining the Academy's own archives and storage, the participating artists have created a dialogue between the prestigious organization's past and its present creative output.
ArtReview's feature 'The Museum in Crisis' presents a critical diagnosis of contemporary museums, questioning their foundational authority, purpose, and relevance. The article compiles perspectives from professionals, highlighting challenges like restitution claims, alienated audiences, and the need to dismantle colonial hierarchies embedded in language and display practices. It argues that museums must move beyond being mere preservers to become active producers of public knowledge.
The article critiques the growing influence of wealthy tech entrepreneurs on public art commissions, arguing that their personal tastes and desire for monumental, often self-aggrandizing works are reshaping civic spaces. It highlights how this trend sidelines professional curatorial expertise and community input, replacing public dialogue with private patronage that prioritizes technological spectacle over artistic depth or social relevance.
DIALOGUES WITH THE LEGACY OF BURLE MARX AT MAC CCB
The Museum of Contemporary Art and Architecture Center (MAC/CCB) in Lisbon is presenting a major exhibition titled 'Lugar de estar: o legado Burle Marx' (A Place to Be: The Legacy of Burle Marx). The show features an extensive selection of landscape projects for public spaces by the influential Brazilian landscape architect Roberto Burle Marx and his collaborators, tracing nearly seventy years of work through studies, sketches, photographs, and press materials. It highlights his role in shaping modern Brazilian cities like Brasília and Rio de Janeiro.
Siamo stati al concerto di Torino dove i Marlene Kuntz festeggiavano i 30 anni del loro indimenticabile disco “Il vile”
Italian alternative rock band Marlene Kuntz recently performed two sold-out shows at the Hiroshima Mon Amour venue in Turin to celebrate the 30th anniversary of their seminal album, *Il vile*. The concert featured a near-complete performance of the 1996 record, which is widely regarded as a cornerstone of Italian noise rock. The anniversary celebration also includes a nationwide tour and a special vinyl reissue featuring new artwork by renowned illustrator Alessandro Baronciani.
Un souvenir de guerre pour Düsseldorf
The Kunstpalast museum in Düsseldorf has acquired a war-related painting by Bordeaux-born artist William Laparra, who was mobilized in 1917 into the French camouflage section during World War I. Laparra served as a brigadier-chief in the 1st group of the 10th Army at the Chantilly workshop, a unit created in 1915 by figures including Eugène Corbin, Louis Guingot, and painter Guirand de Scévola, who developed earth-toned uniforms and painted canvas to conceal artillery from German aircraft.
Siblings Naiomi and Tyler Glasses, Diné weavers from a seven-generation lineage, have collaborated with Ralph Lauren on the Canyon Road Collection, a home goods line featuring traditional Navajo motifs like eye-dazzler diamonds and Spider Woman crosses. The collection, which includes bedding and dishware, marks Naiomi's second artist-in-residence partnership with the brand and aims to translate Indigenous craftsmanship into contemporary design.
The Art Museum of Southeast Texas is hosting a new exhibition focused on printmaking, highlighting the work of contemporary printmakers who are carving out a distinct space in the art world. The show brings together a range of techniques and styles, from traditional woodcuts to experimental mixed-media prints, demonstrating the enduring relevance and innovation within the medium.
During the Milwaukee Art Museum’s annual Art in Bloom event, the Journal Sentinel gathered feedback from hundreds of attendees and digital survey respondents about what they want from arts coverage. The new arts and culture reporter, who wrote the article, outlines the key requests: more advance event coverage (especially free, family-friendly, and hands-on activities), support for smaller and underground art scenes, profiles of local artists including youth, coverage of overlooked art forms like graffiti and fabric arts, and diverse representation of Latino, women, LGBTQ+, and immigrant artists.
The Frost Art Museum at Florida International University in Miami has opened "MOSAICO: Italian Code of a Timeless Art," an exhibition featuring ancient Italian mosaics, including fragments from a ship belonging to Roman emperor Caligula and 11th-century stone slabs from the tombs of Saints Benedict and Scholastica. These artifacts, on view in the US for the first time, are loaned from the Capitoline Museums in Rome and are presented alongside immersive digital projections by Magister Art that recreate sites like the Mausoleum of Galla Placidia and the Basilica of San Vitale. The exhibition is organized by region, highlighting Unesco World Heritage sites and spanning techniques from the Hellenistic period to Roman opus sectile.
The Museum of Fine Arts, Houston is opening "Art and Life in Imperial Rome: Trajan and His Times," an exhibition exploring the artistic and cultural legacy of Emperor Trajan (AD 98–117). The show features loans from major Italian institutions including the Museo Archeologico Nazionale di Napoli and the Vatican Museums, with standout works such as a 2-meter marble statue of Trajan and a colossal portrait of his wife Plotina. The exhibition, conceived in 2021 with Italian consultancy StArt, will travel to the Saint Louis Museum of Art in March 2026, with each venue offering a different focus—Houston emphasizing large-scale objects like a recreation of Trajan's Column, and St. Louis delving into the port city of Ostia.