A major painting by the 18th-century Venetian master Canaletto, titled 'Venice, the Bucintoro at the Molo on Ascension Day' (c. 1754), sold for $30.5 million at Christie's New York during its Old Master week. The work, which had been backed by a guarantee, hammered at $26 million, meeting its pre-sale estimate and marking its fourth appearance at auction.
A trio of Bob Ross paintings sold for over $1 million at Bonhams' “Americana” auction on January 27, 2026, with proceeds benefiting American Public Television (APT). The top lot, *Change of Seasons* (1990), fetched $787,900—more than 13 times its high estimate—followed by *Babbling Brook* (1993) at $279,900 and *Valley View* (1990) at $203,700. The sale follows APT's record-breaking November auction and is part of a series of 24 Ross paintings to be offered throughout the year.
Emails released by the U.S. Department of Justice in January 2026 reveal that convicted sex offender Jeffrey Epstein boasted to associates about securing a private after-hours visit to the Musée d'Orsay in Paris with filmmaker Woody Allen on March 18, 2012. In the correspondence, Epstein wrote to a recipient identified only as 'junkermann' that the French government would open the museum for him and Allen, and later messaged others including former girlfriend Eva Dubin, who responded with a 'King of the castle' quip. Epstein also made crude sexual references in connection with the visit, mentioning Edgar Degas's depictions of nude women.
Thaddaeus Ropac is opening a new project space in New York and has hired Emilio Steinberger as a senior director. Hauser & Wirth now represents artist Conny Maier in collaboration with Société in Berlin. Zippora Elders Tahalele has been appointed director of the Nederlands Fotomuseum. The Tulsa Artist Fellowship announced its 2026–28 cohort of ten artists and arts workers. The ADAA appointed four new board members: Elizabeth Feld, Bridget Moore, Yancey Richardson, and Melissa Timarchi. Sotheby's second sale in Saudi Arabia, 'Origins II,' totaled $19.6 million, with a record $2.1 million for Safeya Binzagr's work. The article also covers Art Basel Qatar's first edition, with comments from Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani and artistic director Wael Shawky.
London's National Gallery has acquired a recently rediscovered self-portrait by Artemisia Gentileschi, 'Self Portrait as Saint Catherine of Alexandria' (c. 1615–17), for £3.6 million ($4.7 million). The painting was purchased from a London dealer who had secured it at a Paris auction in December, where it set a new auction record for the artist. The acquisition marks a significant addition to the museum's holdings, as it is only the 21st work by a female artist in its collection of over 2,300 pieces.
Ronald Lauder, the billionaire art collector and heir to the Estée Lauder fortune, is named over 900 times in the recently released Jeffrey Epstein court documents. The emails reveal his assistants frequently scheduling meetings and calls with Epstein in 2017, though the substance of their discussions remains largely unclear. One email suggests Epstein sought to review Lauder's tax returns and will, while another indicates Epstein attempted to arrange a dinner involving filmmaker Woody Allen.
The Rijksmuseum in Amsterdam has secured a major loan of the ancient marble sculpture *Sleeping Hermaphroditus* from the Louvre in Paris. The work will be a centerpiece of the museum's upcoming exhibition "Metamorphoses," which opens on February 6, 2026, and explores themes of transformation drawn from Ovid's epic poem.
On International Lego Day, the article ranks Lego Art sets inspired by famous artworks, including Vincent van Gogh's *Sunflowers* and *Starry Night*, Hokusai's *The Great Wave*, and others. The ranking is done by the author and their brother, an Adult Fan of Lego, who rate each set from both an art critic and a Lego builder perspective.
A 450-year-old watermill in Wrexham, Wales, that was the subject of a J.M.W. Turner watercolor has been listed for sale at £1.5 million ($2.05 million). The Rossett Mill, built in 1588, has been converted into a four-bedroom home with modern amenities while retaining its historic features, including a restored corn mill. The property is listed with Currans Unique and was previously owned by Celia and Branden Wilson, who restored it after it was rescued from demolition in 1973.
The Musée Marmottan Monet in Paris has opened a new exhibition titled "The Empire of Sleep," curated by neurologist Laura Bossi and museum director Sylvie Carlier. The show gathers 130 artworks from the 19th and 20th centuries, exploring how artists have depicted sleep, dreams, nightmares, and the bed as a site of birth, love, illness, and death. Featured artists include John Everett Millais, Eugène Delacroix, Jean Cocteau, Giovanni Bellini, Gabriel von Max, Evelyn De Morgan, Odilon Redon, Gustave Courbet, Francisco de Goya, and Claude Monet, whose painting *Camille on Her Deathbed* is a centerpiece.
Brendan and Celia Wilson are selling Rossett Mill, a Grade II-listed 16th-century water mill in Wrexham, Wales, for £1.5 million ($2 million). The couple purchased the derelict property 17 years ago for £660,000 and spent two years and roughly £250,000 restoring it into a four-bedroom home, sourcing reclaimed oak beams from France and preserving its historic character. The mill, which dates to 1588, once inspired an early painting by J.M.W. Turner titled *Marford Mill* (1795), created during one of his tours of Wales. The Wilsons are selling to move closer to their children.
The Louvre closed on Monday due to a strike by employees demanding improved working conditions and pay equity, marking the fourth closure since mid-December. Roughly 300 workers voted to extend the strike, which began December 15, after fruitless negotiations with the Ministry of Culture and Louvre management. The dispute has been intensified by an October 19 burglary that exposed systemic security failures, and workers have also protested the museum's long-term redevelopment plans, including a proposed standalone gallery for the Mona Lisa, calling them unrealistic given staffing shortages and maintenance issues.
Francis Irv, an unconventional art space in New York known for its unpredictable programming, is closing after over three years. Founded by Sam Marion Wilken and Shane Rossi, the gallery operated first in a Chinatown mall beneath the Manhattan Bridge and later in a nondescript third-floor room nearby. It showcased a multigenerational mix of artists from the US and Europe, including Megan Marrin, Win McCarthy, and Reinhard Mucha, and participated in alternative art fairs like Basel Social Club and Paris Internationale rather than the mainstream circuit.
A Nobilified, a start-up that lets customers insert themselves into classic paintings for about $140, has created a series of artworks depicting Super Bowl heroes from the New England Patriots and Seattle Seahawks in historical masterpieces. Patriots quarterback Tom Brady appears as Prometheus (1868) by Gustave Moreau, tight end Rob Gronkowski as Abduction of Ganymede by Jupiter (ca. 1644) by Eustache Le Sueur, while Seahawks quarterback Russell Wilson is shown in Ideal portrait of a Spanish King (ca. 1643) by Alonso Cano, with other players featured in works by John Singleton Copley and Benjamin West.
The Institute of Contemporary Art San Francisco announced a major public art commission by Jeffrey Gibson for Super Bowl LX festivities. The work, an adaptation of Gibson's 2022 video installation "THIS BURNING WORLD," will be installed as a 433-foot-long vinyl mural on the former Bloomingdale's building at San Francisco Centre, wrapping an entire city block. It will be fully unveiled on February 2, 2026, coinciding with the FOG Design+Art Fair. The project is funded by the San Francisco Downtown Development Corporation and the Yerba Buena Partnership, which have previously supported public art by Sarah Sze and Hank Willis Thomas.
Tate Modern's upcoming exhibition "Frida: The Making of an Icon," opening in June, will feature only 36 works by Frida Kahlo, a significant drop from the 50-plus works shown in the museum's last major Kahlo exhibition in 2005. Curators cite the artist's soaring global popularity as a practical obstacle: her paintings have become scarcer, more valuable, and harder to borrow. A key example is Kahlo's 1940 painting "El sueño (La cama)," which sold at Sotheby's New York for $54.7 million last fall, setting a new auction record for a woman artist. Tate is still trying to secure that work for the show, but curator Tobias Ostrander says chances are slim. Notably, Madonna, who lent works in 2005, has declined to loan this time. The exhibition, which premieres at the Museum of Fine Arts Houston before traveling to London, will not be a traditional retrospective but will instead place Kahlo's work within a broader cultural context, including works by over 80 artists she influenced and a section examining "Fridamania" and the mass merchandising of her image.
Nan Goldin used the opening of her retrospective “This Will Not End Well” at Berlin’s Neue Nationalgalerie to deliver a forceful 14-minute speech condemning the Israel-Gaza war and criticizing Germany’s censorship of pro-Palestinian voices. She called for a phone-free moment of silence for the dead in Palestine, Israel, and Lebanon, and framed her exhibition as a test case for artistic freedom. The event drew a large crowd, police presence, and was widely shared on social media by figures like Ai Weiwei and Wolfgang Tillmans.
Artist Ai Weiwei will unveil a new exhibition titled “Button Up!” at Factory International in Manchester, England, opening July 2. The show features monumental installations made from 30 tons of buttons he rescued from a shuttered British factory in 2019, along with over 3.5 million Lego pieces. Highlights include eight flags sewn with 9,000 buttons each, referencing the Eight-Nation Alliance that invaded China during the Boxer Rebellion, and a new version of his Lego work *History of Bombs*. The buttons were secretly shipped to China, where artisans assembled the works over 281 days.
A new TV series titled "The Artist" on The Network offers a chaotic, irreverent take on art history, centering on a widow (Janet McTeer) who may have murdered her robber-baron husband. The show features historical figures like Edgar Degas and Thomas Edison, blending campy soap-opera drama with accurate art-historical references, including real artworks by Monet, Manet, Cassatt, and Degas. The final episodes air December 25 on a free ad-sponsored platform created by director Aram Rappaport.
Jermaine Jackson has announced plans to launch a touring museum dedicated to Michael Jackson's visual art, debuting in Monaco toward the end of 2026 as part of a biennial. The museum, described as a "Showseum," will open with a 120-work exhibition of Jackson's paintings, including collaborations with Andy Warhol and portraits of US presidents. The collection of 200 works, reportedly worth $1.6 billion, has been stored in a secure facility in Washington, D.C., and is not for sale.
Christie’s has secured the estate of Belgian collectors Roger and Josette Vanthournout, with over 200 works to be sold in its March sales in London, including a René Magritte painting estimated at $4.7 million. Meanwhile, South Africa blames Qatar for the cancellation of its Venice Biennale pavilion featuring a work about Gaza violence by Gabrielle Goliath, claiming Qatar sought to use the pavilion for "proxy power." Art Cologne has announced 88 exhibitors for its revived Palma, Mallorca edition launching April 9.
The Smithsonian’s National Air and Space Museum will reopen its newly renovated Flight and Arts Center in July 2026 with a major exhibition devoted to Robert Rauschenberg. Titled “The Ascent of Rauschenberg: Reinventing the Art of Flight,” the show features 30 works by the American Pop artist, some never before exhibited, tracing how aviation and space exploration themes permeated his six-decade career. Highlights include his lithograph *Sky Garden (Stoned Moon)*, inspired by the Apollo 11 mission, and works from his “Combines” series. The exhibition draws loans from the Hirshhorn Museum, the Smithsonian American Art Museum, the National Gallery of Art, and the Robert Rauschenberg Foundation.
Artnet News columnist reflects on the fragile state of the art market as 2025 ends, noting that global instability and troubling news have dampened buyer psychology. Despite this, major auction houses reported strong annual sales—Sotheby's at $7 billion (up 17%) and Christie's at $6.2 billion (up 6%)—and a series of high-profile sales, including the Pauline Karpidas collection auction and Leonard Lauder's Gustav Klimt portrait fetching $236.4 million, have sparked renewed momentum. The article quotes advisors and dealers who sense a market bottom has passed, with buyers returning to auctions and fairs like Art Basel Miami Beach.
A UK judge has scheduled a 10-day trial for January 2028 in the case against mega-gallery Hauser & Wirth and liquidated shipping firm Artay Rauchwerger Solomons over alleged violations of UK sanctions against Russia. The Crown Prosecution Service (CPS) charged the gallery with making George Condo's 2021 work on paper, *Escape from Humanity*, available in 2022 to a person connected to Russia. The next hearing is set for May 5, 2026, for arraignment. Hauser & Wirth has stated it strongly contests the charge and intends to plead not guilty, while the shipping company went into voluntary liquidation in April 2024.
Yoko Ono's retrospective "Music of the Mind" at the Museum of Contemporary Art Chicago showcases over 200 works, including word scores, ephemera, and performances from the 1960s and early '70s. Central to the show is Ono's aesthetic of refusal, exemplified by pieces like *Strip Tease for Three* (1966), where empty chairs await a dancer who never arrives, and *Smoke Painting* (1961), which instructs viewers to burn a canvas. The exhibition, which first appeared at Tate Modern in 2024 and travels to the Broad in Los Angeles after closing in Chicago on February 22, challenges viewers to find meaning in absence and denial.
The Louvre Museum in Paris was forced to close on Monday, January 12, 2026, after staff launched a strike over pay, staffing levels, and working conditions. The closure is the latest in a series of disruptions since mid-December, including a three-day walkout before Christmas and multiple delayed openings in early January. Unions representing employees say the museum is understaffed, poorly maintained, and workers are overworked, calling for increased hiring, higher wages, and greater infrastructure investment. The labor unrest has been compounded by heightened scrutiny following an October daytime robbery of crown jewels valued at over $100 million, and tensions have also flared over a proposed standalone gallery for Leonardo da Vinci's *Mona Lisa*, which unions deem unrealistic given existing problems.
Hauser & Wirth and art shipping company Artay Rauchwerger Solomons face trial over charges of evading U.K. sanctions by allegedly making artist George Condo's 2021 work on paper, *Escape from Humanity*, available to a person connected with Russia in 2022. The U.K. Crown Prosecution Service brought the charge in November, and a judge has scheduled a 10-day trial for January 2028, with a hearing on May 5, 2026, for arraignment. Hauser & Wirth has stated it will plead not guilty, while the shipping firm, which went into voluntary liquidation in April 2024, did not respond to requests for comment.
South Africa selected a work by artist Gabrielle Goliath for its Venice Biennale pavilion, then rescinded the decision on January 2, just eight days before the finalization deadline. The culture ministry, led by Minister Gayton McKenzie, objected to a section of Goliath's "Elegy" series that included words by Palestinian poet Hiba Abu Nada, who was killed in an Israeli airstrike in 2023. The pavilion's selection committee publicly disagreed with the cancellation, calling it censorship and highlighting a history of mismanagement.
Belgian art dealer Klaas Muller purchased a painting at an online auction three years ago, identified only as a study by an unknown artist of the Flemish school. After research, he discovered the work is likely a rediscovered study by Peter Paul Rubens (circa 1609), featuring a hidden second image of a woman's face visible when the painting is turned upside down. The work will debut at the BRAFA art fair in Brussels, where Muller serves as chairman.
Belgian art dealer Klaas Muller has identified a previously unattributed oil-on-paper study as a work by Flemish master Peter Paul Rubens, titled "Bearded old man, looking down to his left" (ca. 1609). Muller purchased the piece for under €100,000 at a lesser-known northern European auction house three years ago, where it was listed as an unknown artist from the "Flemish school." After recognizing the bearded figure as Saint Thomas from Rubens's "Apostolado Lerma" series at the Prado, Muller commissioned research from art historian Ben van Beneden, former director of Rubenshuis, who confirmed the work's exceptional quality and likely attribution to Rubens. The study also features a ghostly woman's face visible when turned upside down, reflecting Rubens's playful reuse of materials.