filter_list Showing 1168 results for "Stories" close Clear
search
dashboard All 1168 museum exhibitions 678article news 132article local 108article culture 98trending_up market 43person people 33rate_review review 26article policy 23gavel restitution 14candle obituary 13
date_range Range Today This Week This Month All
Subscribe

Smithsonian under fire from Trump, Frieze Seoul, Dara Birnbaum and Quantum—podcast

The Art Newspaper's podcast 'The Week in Art' returns with three major stories. Ben Luke hosts a discussion with Ben Sutton, the publication's editor-in-chief in the Americas, about the Trump administration's announced comprehensive internal review of eight Smithsonian museums and artist Amy Sherald's cancellation of a long-scheduled exhibition at the National Portrait Gallery, citing censorship and institutional fear. The episode also covers Frieze Seoul 2024, the season's first major art fair, with correspondent Lisa Movius reporting from the South Korean capital amid political turmoil. The Work of the Week segment features Dara Birnbaum's landmark video artwork 'Technology/Transformation: Wonder Woman (1978-79)', part of a new exhibition 'The Quantum Effect' at the San Marco Art Centre in Venice, curated by Daniel Birnbaum and Jacqui Davies with physicist Ulf Danielsson.

Ten surprises at the National Gallery’s five-star Van Gogh exhibition

The National Gallery in London opened its exhibition "Van Gogh: Poets & Lovers" (14 September 2024–19 January 2025) to five-star reviews, attracting a record 335,000 visitors. The article reveals ten surprising details about individual paintings on loan from around the world, including a self-portrait that once hung in the American ambassador's residence in Regent's Park, a painting executed on a dish towel when Van Gogh ran out of canvas, and the revelation that casino mogul Steve Wynn owns The Trinquetaille Bridge. Other surprises include a stark white replica frame for Roses, inspired by frames designed by Dr. Paul Gachet, and the fact that The Public Garden, Arles is owned by a foundation set up by Bernard Arnault, the world's third richest person.

Krannert Art Museum’s opening turned a gallery into gathering

Krannert Art Museum in Champaign-Urbana, Illinois, reopened after an 18-month closure for repairs and upgrades with a celebratory evening event. The crowd included students, retirees, new faculty, and local dignitaries such as Champaign Mayor Deborah Frank Feinen and Urbana Mayor DeShawn Williams. Speeches emphasized the museum's role as a community anchor, and performances by Peruvian Quechua hip-hop artist Liberato Kani and dancer Yana Paqcha energized the space. Attendees explored newly reinstalled collections, including works by Thomas Gainsborough and Nicola Victor Ziroli, as well as exhibitions like "Fragmented Histories: Andean Art Before 1600" and "Ronny Quevedo: a l l s t a r s."

‘Geometry of Light’: Step into the shadows at Seattle Asian Art Museum

The Seattle Asian Art Museum has opened 'Geometry of Light,' an immersive exhibition featuring artist Anila Quayyum Agha's 300-pound laser-cut steel lantern sculpture that projects intricate geometric shadows across the gallery walls, ceiling, and floor. Visitors' movements become part of the artwork as their own shadows interact with the light patterns. The show spans three galleries, including paper and fabric works and two light-box installations, and also features Ai Weiwei's 'Water Lilies' rendered in LEGO bricks, on view through March 2026.

Stories brought to life: the National Portrait Gallery's latest virtual reality venture is a triumph of immersive storytelling

The National Portrait Gallery has partnered with Frameless Creative, a London-based immersive experience studio, to launch 'Stories—Brought to Life,' a virtual reality exhibition that brings portraits of historical and contemporary figures to life through dynamic 150-second animated sequences. The experience, projected onto a mosaic of screens, features figures including Queen Elizabeth I, Audrey Hepburn, Nelson Mandela, David Bowie, and Ncuti Gatwa, drawing on the museum's collection. It debuted at a temporary site in MediaCity, Manchester, and is designed to travel to other locations.

Person of the Day | Chase Quinn Adopts Multi-Discipline Approach to Art-Museum Exhibits, Programs

Chase Quinn has been appointed as the inaugural creative director and curator of special projects at the Mississippi Museum of Art (MMA) in Jackson, starting in January 2025. In this newly created role, he oversees both curatorial and education departments, focusing on inclusive, cohesive content development and storytelling. Quinn, previously co-director of education and programs and curator of special projects at the Gibbes Museum of Art in Charleston, South Carolina, was inspired by Carrie Mae Weems’ series “From Here I Saw What Happened and I Cried” at Tate Modern in the mid-1990s, which shaped his approach to complicating narratives around race in museum exhibitions.

Final Weeks to Experience Kent Monkman: History is Painted by the Victors

The Denver Art Museum is hosting 'Kent Monkman: History is Painted by the Victors,' a major exhibition of the Cree artist's provocative, large-scale paintings that challenge Western art history through an Indigenous lens. The show, co-organized with the Montreal Museum of Fine Arts, runs until August 17 before traveling to Montreal in September. It has drawn widespread critical acclaim and emotional visitor responses, with reviewers praising its blend of humor, beauty, and political urgency.

‘I'm excited for the future because it's in great hands’: winners of Somerset House's Talent 25 on what the programme means to them

Somerset House in London has announced the first five winners of its Talent 25 programme, a scheme supporting artistic innovators within its creative community. The awardees—Shanti Bell, Tyreis Holder, enorê, Identity 2.0 (founded by Arda Awais & Savena Surana), and Piarvé Wetshi—each receive an £8,000 bursary and mentorship from artist-designer Yinka Ilori to develop new work. Their creations will be exhibited in September as part of the Step Inside 25 Weekend, celebrating 25 years of Somerset House's public opening.

Exhibition at The Met Highlights Role of Photography in Cross-Dressing Community in 1960s New York

The Metropolitan Museum of Art's exhibition "Casa Susanna," on view from July 21, 2025 to January 25, 2026, brings together approximately 160 photographs and publications created by and for a community of cross-dressers who gathered in New York City and the Catskills Mountains during the 1960s. The works, discovered at a Manhattan flea market in 2004, document safe spaces provided by Susanna Valenti and Marie Tornell at two modest resorts, where guests used cameras—especially Polaroids—to affirm their femme identities and connect a nationwide community. The exhibition is organized by the Art Gallery of Ontario and Les Rencontres d’Arles in collaboration with The Met, and includes collections from the Art Gallery of Ontario, artist Cindy Sherman, and donor Betsy Wollheim.

Can you mount an art exhibition about race in the age of Trump?

The article reports on the exhibition "The Shape of Power: Stories of Race and American Sculpture" at the Smithsonian American Art Museum in Washington, DC, which challenges visitors to reconsider how American sculpture has reinforced racist social orders. The show features 82 works from 1792 to 2023, including John Rogers’ 1864 sculpture "The Wounded Scout, a Friend in the Swamp," and includes interpretive prompts about race as a human invention and a tool of power. President Donald Trump issued an executive order condemning the exhibition for promoting "divisive narratives," and Vice President JD Vance, who sits on the Smithsonian’s Board of Regents, has been tasked with stopping government funding for exhibits that do not align with a celebratory national agenda. The Smithsonian has begun a review of content across its museums, raising concerns about future candid discussions of race and history.

At the Amon Carter Museum, two exhibitions explore the American West

Two concurrent exhibitions at the Amon Carter Museum of American Art in Fort Worth explore the American West from distinct perspectives. "Richard Avedon at the Carter" marks the 40th anniversary of Avedon's landmark 1985 series "In the American West," featuring 124 unflinching portraits of working-class subjects like oilfield workers and ranchers, alongside archival photographs by Laura Wilson that show the project's human side. Across the hall, "East of the Pacific: Making Histories of Asian American Art" presents 48 works from the Cantor Arts Center at Stanford University, spanning from the 1849 gold rush to the present, highlighting Asian American artists including Bernice Bing, Roger Shimomura, Chiura Obata, and Toshiko Takaezu.

Your weekly dose of wonder: introducing The Specialist, a new podcast by Sotheby's

Sotheby's has launched a new podcast series titled "The Specialist," featuring its global specialists who share behind-the-scenes stories about extraordinary artworks and objects. Each episode focuses on a specific narrative, such as the restitution of a Kandinsky painting lost in Nazi-era Germany, the rediscovery of Rubens' "The Massacre of the Innocents," the story of the shredded Banksy artwork "Love is in the Bin," and the decade-long attribution project for a Vermeer painting. The podcast is available on Apple Podcasts and Spotify.

Albuquerque Museum Presents German Modernism Amid Empire, Democracy, and Dictatorship

The Albuquerque Museum will present "Modern Art and Politics in Germany 1910-1945: Masterworks from the Neue Nationalgalerie, Berlin" from August 23, 2025, to January 4, 2026. The exhibition features over 70 paintings and sculptures tracing German modern art from the early 20th-century avant-garde through the Weimar Republic to the Nazi dictatorship, including works by Max Beckmann, Otto Dix, George Grosz, Hannah Höch, Wassily Kandinsky, Paul Klee, and Salvador Dalí, many rarely shown in the U.S.

Guest Artists Space Foundation announces ambitious 2025–26 programme exploring African art archives

Guest Artists Space (G.A.S.) Foundation and Yinka Shonibare Foundation have announced the 2025–26 edition of 'Re:assemblages', a programme focused on African and Afro-diasporic archives as sites for artistic inquiry and decolonial practice. Curated by Naima Hassan with contributions from Maryam Kazeem, Ann Marie Peña, and Jonn Gale, the initiative includes international convenings, symposia, fellowships, and micro-publications, anchored by a two-day symposium in Lagos during Lagos Art Week (4–5 November 2025). The programme draws on the Picton Archive at G.A.S.'s Lagos campus and is supported by the Terra Foundation for American Art, featuring four curatorial themes: Ecotones, The Short Century, Annotations, and The Living Archive. It also launches the African Arts Libraries Lab (AAL Lab), a pan-African network of libraries and publishers across Lagos, Dakar, Marrakesh, Cairo, Nairobi, Cape Town, and Limbe.

Julian Charrière: ‘The deep sea is a phantasmagorical space’

French Swiss artist Julian Charrière presents 'Midnight Zone' at Museum Tinguely in Basel, an exhibition that plunges viewers into the oceanic abyss through four new commissions and earlier works. The show features video installations, sculptural works, and acoustic pieces that explore deep-sea ecologies, including a film set in the Clarion-Clipperton Zone targeted for deep-sea mining, and a rotating Fresnel lens installation that translates low-frequency noise pollution into vibration. Charrière’s multidisciplinary approach draws on fieldwork in extreme geographies like the Arctic and deep ocean.

The Met to Present Focused Exhibition of George Morrison Works from the Artist’s Early Years in New York

The Metropolitan Museum of Art will present "The Magical City: George Morrison’s New York," a focused exhibition of works by George Morrison (1919–2000), a Native American artist from the Grand Portage Band of Lake Superior Chippewa. Running from July 17, 2025, to May 31, 2026, at The Met Fifth Avenue, the show highlights Morrison’s early years in New York City, where he became a key figure in the American Abstract Expressionist movement. It features paintings, drawings, and archival materials from his time at the Art Students League and his interactions with peers like Willem de Kooning and Franz Kline, tracing his evolution from figurative work to abstract automatism infused with Ojibwe aesthetics.

Review: Guadalupe Rosales crafts an analog Wayback Machine for a vibrant show at Palm Springs Art Museum

Guadalupe Rosales presents a solo exhibition titled "Tzahualli: Mi memoria en tu reflejo" at the Palm Springs Art Museum, centered on a checkerboard dance floor with a makeshift DJ booth, motorized blue spotlights, and mirrored disco fixtures. The show gathers ephemera from the 1990s—magazines, snapshots, lowrider bicycle parts, bandannas, street signs, and more—used in assemblage sculptures and display cases. Four thematic sections include a dance room, an entryway, a nighttime space, and a car culture gallery, with imagery referencing Chicana culture, Los Angeles' Eastside, and historic clubs like Arena and Circus.

Must-See Art Installations in NYC, June 2025

This article highlights several must-see art installations and events in New York City for June 2025. Highlights include "Van Gogh's Flowers" at the New York Botanical Garden, featuring floral displays inspired by van Gogh's paintings; Photoville, a citywide pop-up photography festival with over 80 international exhibits; Pigeon Fest on the High Line, celebrating Iván Argote's pigeon sculpture "Dinosaur"; AMPLIFIED, an immersive rock 'n' roll experience at ARTECHOUSE NYC presented by Rolling Stone; and Lily Kwong's living installation "Gardens of Renewal" in Madison Square Park.

Amid a wave of political hostility, the Getty Center uses photography to tell stories of queer resistance and love

The Getty Center in Los Angeles has opened a new exhibition, "Queer Lens: A History of Photography," coinciding with Pride Month amid rising political hostility toward LGBTQ+ communities. Curated by Paul Martineau over six years, the show features 300 photographs from the 19th century to the present, including works by Claude Cahun, Imogen Cunningham, and Peter Hujar, alongside anonymous and amateur images. A companion exhibition at the Getty Research Institute, "$3 Bill: Evidence of Queer Lives," displays printed ephemera from the Merrill C. Berman Collection, highlighting queer resistance and community-building.

Stanford University acquires Filipina American artist Pacita Abad’s archive

Stanford University has acquired the archives of Filipina American artist Pacita Abad, a gift from the Pacita Abad Art Estate that also includes funding to catalog 120 linear feet of archival materials—photographs, correspondence, exhibition records, and personal artifacts. The archive will be stewarded by Stanford University Libraries' Bowes Art and Architecture Library in collaboration with the Cantor Arts Center, and is expected to be available to students and scholars within a year. The acquisition follows Abad's posthumous traveling retrospective that opened at the Walker Art Center in 2023, which brought her prolific 32-year practice to the attention of U.S. institutions.

Denver Art Museum presents photography exhibition What We’ve Been Up to: Landscape

The Denver Art Museum has opened a new photography exhibition titled *What We’ve Been Up to: Landscape*, featuring works by over a dozen artists including Meghann Riepenhoff, Masao Yamamoto, Linda Conner, Terri Weifenbach, Tanya Marcuse, Christina Fernandez, Patrick Nagatani, Zora J. Murff, Marion Post Wolcott, William Henry Jackson, Mary Peck, Abelardo Morell, Steve Fitch, John Ganis, Frank Gohlke, and Henry Wessel, Jr. The photographs are loosely grouped by theme—ranging from intimate nature studies and scenic beauty to technology’s imprint and difficult histories of slavery, Indigenous conflict, and natural disasters. A related lecture by Terri Weifenbach is scheduled for September 30, 2025.

"East-Northeast: Charting Moments in Maine" Presents Four Different Exhibitions of Maine-Focused Artists in Summer 2025

The Bowdoin College Museum of Art (BCMA) presents "East-Northeast: Charting Moments in Maine," a series of four exhibitions running in summer 2025 that highlight artists inspired by Maine. The shows include Gordon Parks’s previously unseen 1944 photographs of rural life, John McKee’s coastal series "As Maine Goes" (first public viewing since 1966), Ann Craven’s lunar paintings from 2020 and 2024, and films by Swiss-American artist Rudy Burckhardt. The exhibitions span from June 28 to November 9, 2025, with a keynote lecture by Philip Brookman on June 28.

‘I feel at home here’: Michael Rakowitz’s Acropolis Museum exhibition locates the lines between stories of lost heritage

The Acropolis Museum in Athens has opened "Allspice: Michael Rakowitz and Ancient Cultures," the first exhibition in a trilogy organized with the Hellenic Ministry of Culture and the nonprofit Neon. It is also the first time the museum has presented work by a living artist. The show pairs ancient objects from the University of Chicago’s Institute for the Study of Ancient Culture and the Thanos N. Zintilis Collection of Cypriot Antiquities with 14 works by Iraqi-American artist Michael Rakowitz, including pieces from his ongoing series "The invisible enemy should not exist," which recreates artifacts looted or destroyed from the National Museum of Iraq. Rakowitz’s lamassu reliefs, reimagined from the Palace of Nimrud, and a new commission featuring his mother’s recipes explore themes of lost heritage, memory, and diaspora.

Jean Tinguely’s 100th anniversary, migration museum opens in Rotterdam, Ben Shahn's social security mural—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three major stories. First, a host of exhibitions and events celebrating the 100th anniversary of Swiss kinetic artist Jean Tinguely, including shows at the Tinguely Museum in Basel, Lehmbruck Museum in Duisburg, Hauser & Wirth Somerset, and the Grand Palais in Paris. Second, the newly opened Fenix museum in Rotterdam, a museum dedicated to migration, featuring a dramatic stainless steel tornado staircase. Third, the episode's Work of the Week focuses on Ben Shahn's 1941 study 'Harvesting Wheat' for his mural 'The Meaning of Social Security,' discussed in conjunction with a major exhibition of Shahn's work at the Jewish Museum in New York.

“Selma Burke African American Art Show” at Phillips’ Mill

Phillips’ Mill Community Association in New Hope, Pennsylvania, has announced a new exhibition titled “The Selma Burke Invitational African American Art Show,” running from May 31 through June 29. The show pays homage to Selma Burke, a prominent 20th-century sculptor and art educator who lived in New Hope for the last 40 years of her life. It features over 60 works by African American artists Burke mentored, taught, or inspired, including James E. Duprée and Kimberly Camp, alongside historical pieces by artists such as Faith Ringgold, Romare Bearden, and Thornton Dial. The exhibition also includes works loaned from collectors like Lawrence Hilton.

New Amon Carter Museum exhibitions spotlight distinct views of the American West

The Amon Carter Museum of American Art in Fort Worth is opening two new exhibitions on May 18: “Richard Avedon at the Carter” and “East of the Pacific: Making Histories of Asian American Art.” The Avedon show marks the 40th anniversary of the museum’s original 1985 presentation of his “In the American West” series, featuring 40 portraits alongside archival photographs by Laura Wilson. The second exhibition explores Asian American influence on the West Coast, reframing the U.S. as east of the Pacific.

An Interview with Asheville Art Museum Associate Curator Jessica Orzulak

Jessica Orzulak, associate curator and curatorial affairs manager at the Asheville Art Museum, participated in an interview discussing her personal interests and professional insights. She spoke about her love for hiking trails in the Appalachian Mountains, missing the desert landscapes of the West Coast, and her current TV preferences including "Severance" and "Star Trek: The Next Generation." The interview also covered her work presenting artist Pedro Lasch's "Black Mirror" series as part of the public program "What Can Become of Us?" at the museum, part of a collaboration with the Stanford Institute for Advancing Just Societies and Zócalo.

One Fine Show: “In Creative Harmony, Three Artistic Partnerships” at the Blanton Museum of Art

Observer's "One Fine Show" column highlights "In Creative Harmony: Three Artistic Partnerships" at the Blanton Museum of Art in Austin, Texas. The exhibition examines three distinct artistic duos: José Guadalupe Posada and Artemio Rodríguez, Arshile Gorky and Isamu Noguchi, and mother-daughter team Nora Naranjo Morse and Eliza Naranjo Morse. Spanning different eras, geographies, and mediums, the show explores how creative kinship and mutual influence shape artistic output, from Posada's Day of the Dead imagery to Gorky and Noguchi's Surrealist-inspired abstraction and the Morses' work in Pueblo ceramic and graphic traditions.

Pope Francis and art, J.M.W. Turner’s 250th birthday, John Singer Sargent’s ‘Madame X’—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three major art stories. Host Ben Luke is joined by managing editor Louis Jebb to discuss Pope Francis's deep engagement with art and the Vatican collections following his death on Easter Monday. The podcast also marks the 250th anniversary of J.M.W. Turner's birth, featuring an interview with Tate Britain senior curator Amy Concannon about Turner's enduring appeal. The episode's 'Work of the Week' is John Singer Sargent's 'Madame X' (1883-84), discussed with co-curator Stephanie L. Herdrich ahead of a major Sargent exhibition opening at the Metropolitan Museum of Art in New York and traveling to the Musée d'Orsay in Paris.

Conversation with Kent Monkman

Artist Kent Monkman (Fisher River Cree Nation) and curator John Lukavic will hold a conversation on April 19, 2025, at the Martin Building's Sturm Grand Pavilion, discussing Monkman's new exhibition *History is Painted By the Victors*. This marks the first time Monkman's work is presented on a grand scale in the United States, featuring his large-scale painting *mistikôsiwak (Wooden Boat People): Resurgence of the People* (2019), which is in the collection of The Metropolitan Museum of Art. The event is sold out, with a waitlist available.