The BBC is launching a new six-part reality TV series called 'The Big Deal,' which follows amateur art dealers competing for a prize of £50,000 worth of British art. Hosted by Steph McGovern, the show tasks contestants with navigating the art market, from discovering artists to securing sales, under the guidance of a panel of industry judges.
Metal detectorists Nick Yallope and Peter Nicolas discovered two rare Roman lead ingots, or 'pigs,' in the community of Llangynfelyn, West Wales. Dated precisely to 87 C.E. during the reign of Emperor Domitian, the artifacts were found buried approximately 1.5 feet underground. Following a geophysical survey by the archaeology trust Heneb, the finds were officially declared treasure under the U.K.’s Treasure Act, marking a significant addition to the region's archaeological record.
Archaeologists working on the controversial Maya Train project in Mexico's Yucatán Peninsula have discovered a 2,000-year-old limestone face carving. The 18-inch-tall sculpture, featuring deep-set eye sockets, a flat nose, and a cleft lip, was found in Sierra Papacal near Mérida during construction of the Mérida-Progreso Railway Bypass. The carving was attached to the foundation of an ovoid building with a west-facing entrance, suggesting it served as a ceremonial marker. Mexico's National Institute of Anthropology and History (INAH) is overseeing the excavation of 15 other nearby structures, and the artifact will be transported to a laboratory for conservation.
A new survey by Museums Moving Forward (MMF), the 2025 Report on Workplace Equity and Organizational Culture in U.S. Art Museums, finds that employees at smaller U.S. museums report higher job satisfaction than those at major institutions, despite persistent issues of low pay, burnout, and inequity. The report surveyed over 3,100 staff across 91 institutions, nearly double the number in MMF's 2023 study, and notes a sharp rise in union organizing, with 55% of art museum unions formed in the last five years. Non-union staff earn about 78% of unionized counterparts, though unionized workers report higher dissatisfaction. Smaller museums (budgets under $15 million) outperformed larger ones on well-being measures, suggesting workplace culture and agency matter more than pay.
A team led by Washington State University has successfully recreated Egyptian Blue, the oldest manufactured pigment in history, which was first synthesized in ancient Egypt and used in funerary rituals and Roman art. The production process was lost during the Renaissance. Working with the Smithsonian’s Museum Conservation Institute and the Carnegie Museum of Natural History, the researchers developed 12 recipes using silicon dioxide, copper, calcium, and sodium carbonate, heating them at around 1,000 degrees Celsius for up to 11 hours to mimic ancient methods. They discovered that only half the expected amount of blue-producing compounds was needed to achieve the exact chemical match.
Faculty at the School of Visual Arts (SVA) in New York have voted to unionize, with 1,200 instructors casting ballots 77% in favor of joining the United Auto Workers (UAW). The new bargaining unit, SVA Faculty United–UAW, was certified by the Labor Relations Board on May 23 and will seek its first contract this summer. Adjunct faculty, who make up most of SVA’s teaching corps, cited stagnant wages, heavier course loads, and the loss of retirement contributions and paid sabbaticals as key reasons for organizing. SVA’s administration said it encouraged participation and pledged to bargain in good faith.
Photographer Steve Parke recounts the story behind his iconic 1999 photo shoot of Prince for Notorious magazine. The singer rejected the magazine's initial concept of painting "1999" on his stomach, instead insisting on the word "Free" to reflect his ongoing battle for artistic freedom from record labels. Parke, who was Prince's in-house art director, ended up painting the word on the singer's stomach himself with gold paint, causing Prince to laugh like a child from the cold sensation.
The Houston Center for Contemporary Craft (HCCC) has opened the exhibition 'Clutch City Craft,' which explores the craft traditions and material cultures that define Houston. The show features a diverse range of making practices, from mosaic street signs and cowboy boot making to fiber artists involved in aerospace design, framing the city's creative density as an extension of its industrial identity.
The Sehwa Museum of Art in Seoul, operated by the Taekwang Group Sehwa Arts and Culture Foundation, has launched a series of artist-led participatory programs tied to its current exhibitions. On May 17, artist Yesol Kim will lead "Perhaps Scribbling on the World Crookedly," where participants draw and view their work through a kaleidoscope. On May 23, artist Jeong Manyoung will host "Sound Exploration: Finding My Own Sound Space," involving outdoor sound recording. Every Tuesday and Sunday at 3 p.m., visitors can enjoy a performance while holding cotton candy, linked to Lee Wonwoo's work "Gentle Prince." Additional ongoing activities include a handmade zine-making station and a social media review giveaway offering an "Artist Puzzle" from the museum shop.
Christian Art has launched the Faith Art Prize, a rebranded international award formerly known as the Laudamus Award, celebrating contemporary art that engages with faith, prayer, and the sacred. The prize offers a total fund of £30,000, including a £25,000 first prize donated by John J Studzinski CBE, and is open to artists worldwide working in any medium. Up to 100 shortlisted works will be exhibited at Westminster Cathedral and Westminster Cathedral Hall from 9–13 November 2026, with a People's Choice Award of £5,000 selected by public vote. The exhibition coincides with the Christian Art Conference 2026 at the QEII Centre, London.
The Westchester Regional Library in Miami is hosting "Circular Reflections," an exhibition featuring over 80 contemporary Cuban artists, each working within a 21-inch circular format. Organized in collaboration with the Miami-Dade Public Library System, the show opened on April 3 and runs through June 25. Curated by Miami-based artist and independent curator Miguel Rodez, the project began nearly a decade ago and has evolved into a traveling, ongoing documentation of Cuban visual culture. Artists like Ismael Gómez Peralta discuss how the circular constraint challenged traditional rectangular composition, pushing them to rethink spatial organization while maintaining their individual visual languages.
The Arts Center at Duck Creek in Springs presents two concurrent exhibitions opening May 9 through June 14. 'Residual Light' is a group show curated by Galina Kurlat and Andrea Cote, featuring eight female artists working with alternative photographic processes and camera-less techniques. 'What the Garden Remembers' is a solo exhibition by Avani Patel, displaying paintings and drawings that explore memory, ecology, and nature. Both exhibitions include opening receptions, artist talks, and a cyanotype demonstration.
Art students from a local university, under the guidance of assistant professor Dawn Kramlich, collaborated with the Elmhurst Art Museum after an assignment inspired by a visit to the museum's "Living with Modernism" exhibition featuring artist Kelli Connell. The museum shared the students' resulting artwork on Instagram and invited several to exhibit in the new Emerging Artists Pavilion at the Art in Wilder Park festival. Students received private tours and one-on-one feedback from museum director Allison Peters Quinn, deepening their professional experience.
Chosun University Museum of Art in Gwangju, South Korea, is hosting a special exhibition titled 'Strolling Through the Garden' from May 7 to May 27 to celebrate the university's 80th anniversary. The show features 34 works by 13 contemporary artists working in Western painting, Korean painting, installation, and media art, organized around three themes: 'Garden of Imagination,' 'Garden of Senses,' and 'Garden of Metaphor.' Admission is free, and the exhibition coincides with the university's Rose Week (May 14–17), encouraging visitors to experience nature and art together on campus.
Old School Studios, a new meanwhile arts space, opens this May as part of Artists Open Houses 2026 in Brighton. Developed by Artcore Brighton, the project transforms the former Brighton Waldorf school into working studios and an exhibition site, featuring over 50 artists working across sculpture, painting, photography, printmaking, textiles, ceramics, jewellery, and moving image. Co-founded with Mutoid Waste Company and Glastonbury Art Director Alex Wright (aka Wreckage), the space includes pop-up performances, workshops, and food from Lost Pier and La Cantina.
McRae Art Studios, Orlando's oldest and largest professional artist collective, is celebrating its 40th anniversary with a spring open house on April 25 at its 10,000-square-foot converted garage space in urban Orlando. Founded in 1986 by George and Marty Whipple, the studio has hosted over 100 award-winning artists across five locations. The event features studio visits, original artwork sales, live music, and a cash bar, along with a new exhibition of self-portraits titled "The Faces of McRae" created by the current 22 member artists. The collective is also reorganizing as a nonprofit to strengthen the local arts community.
The Arts Council of Wales has announced a 19-strong team of early-career artists, curators, and students who will travel to Venice this summer to support Wales' presence at the 61st International Art Exhibition – La Biennale di Venezia, running from May 9 to November 22, 2026. As part of the Invigilator+ programme, participants will spend at least one month in Venice acting as ambassadors for the Wales in Venice exhibition, an official collateral event. The exhibition, titled Sownd, is led by artists Manon Awst and Dylan Huw, jointly organized by Oriel Myrddin in Carmarthen and Oriel Davies in Newtown, with Steffan Jones-Hughes as Curator and Catherine Spring as Exhibition Project Director. The invigilators include Lily Tonkin Wells, Robert Oros, Ophelia dos Santos, Grace Springer, Cerian Wilshire Davies, Megan Evans, Howl Hubbard, Temeka Davies, Llyr Evans, Chloe Goodwin, Abby Pouslon, and Niamh O'Dobhain, while student team members come from Cardiff Metropolitan University, University of Wales Trinity St David, Wrexham University, and Aberystwyth University.
The creative initiative Roadside, founded by artist Ali Arshad, is challenging the traditional gallery model in Pakistan by hosting pop-up exhibitions in unconventional public spaces. Their latest show, "Anighst Preeminent Prosaics," transformed Iqbal House, a pre-partition bungalow in Lahore, into a multi-sensory art experience featuring 14 artists. By placing works in sites ranging from barber shops to parking lots, the initiative seeks to dismantle the elitist barriers of the "white cube" and engage a broader demographic, including the working class and Gen Z.
The Quest Emporium in Montclair, New Jersey, launched a group exhibition on March 7 to celebrate Women’s History Month. The show features a diverse array of local, national, and international women artists working across various mediums, accompanied by a month-long series of events including wellness circles, jazz performances, and culinary experiences.
Two exhibitions in Sarasota trace the origins of the Sarasota Artist Colony, which flourished between 1945 and 1965. One is at Ringling College of Art and Design, titled “Origins: Sarasota Artist Colony, 1945-1965,” co-curated by Tim Jaeger and Bill Hartman. The other is at the downtown offices of Michael Saunders & Co. The Ringling College show features 36 works by colony artists, including Jon Corbino, Ben Stahl, Syd Solomon, and Craig Rubadoux, and places them in the context of post-World War II America, when the GI Bill and cheap rents attracted hundreds of artists to the small beach community.
The independent group exhibition 'Re:Wilding' opens in Riyadh's JAX District at Misnad Gallery, coinciding with the 2026 Diriyah Contemporary Art Biennale. Co-curated by Dena Nahar AlSaud and Dalya Suha Islam, the show features five Saudi and regional artists—Sireen Khalifah, Noor Alwan, Abdullah Al Amoudi, Khadija Arif, and Mashael Alsaie—working across painting, photography, and textiles. The exhibition explores themes of memory, imagination, and the Jungian inner child, aiming to rekindle curiosity and play in adult life.
The Georgetown Art Center (GAC) has issued an open call for its 2027 exhibition season, inviting U.S.-based artists working in any medium to propose monthlong solo exhibitions featuring work created within the past three years. Submissions will be reviewed by a panel of three artists—Caroline Walker, Mark Greenwalt, and Molly Mansfield—each of whom had solo shows at GAC in 2025. Selected artists receive a $500 honorarium, promotional support, and opportunities for an opening reception, artist talk, and masterclass. The deadline for submissions is February 28, 2026, with a $45 fee.
Fevicryl, a brand under Pidilite Industries, launched 'The Art Chapter – Celebrating the Local Artist' at Ahmedabad Ni Gufa, an iconic underground gallery designed by Balkrishna Doshi in collaboration with M.F. Husain. The six-day exhibition featured over 50 local artists working in acrylics, mixed media, sculpture, folk motifs, and contemporary mythological reinterpretations. Highlights included a painting titled 'Melody of Knowledge' and an Indian Art Workshop offering hands-on traditional techniques. The event drew nearly 5,000 visitors, with on-site sales and commission inquiries reported, and was inaugurated by Dr. Bhanwar Rathore, Founder and President of BRDS.
Perkins Center for the Arts in Collingswood, New Jersey, opens its winter gallery season with a joint artists' reception on January 10, 2026, featuring two exhibitions. In the Main Gallery, 'Room For My Lens' surveys the first 20 years of photographer Liz Wuillermin's career, pairing images with personal stories. Upstairs in the Loft Gallery, 'The Untitled Art Exhibition' presents oil, acrylic, and mixed-media works by Anthony Charles Christopher Johnson and special guest artist Jamil Ameer Cobb, exploring freedom of expression, transformation, and truth through layered surfaces and reimagined found objects. Both shows run from January 5 through February 27, 2026.
NCI ARTworks is hosting an exhibition opening for international contemporary artist Ken Knight on Friday from 6 to 8 p.m. at its gallery in Peru. Knight will join via video to discuss his works, including recent pieces created in Portugal. The exhibition features a collaboration between Knight and contemporary artist Lorena Malm, where Knight's Mondrian-inspired works are enhanced by Malm's brushwork and layering techniques. The collaborative artwork will be on display and available for purchase through March at the NCI ARTworks Gallery in the Westclox building and at the Starved Rock Country Welcome Center in Utica.
Artist George McCalman is preparing to launch his interactive exhibition “A March Through Time” on November 22 at Pier 29 in San Francisco. The exhibition is housed within a curtained-off section of the 122,000-square-foot pier, which McCalman describes as a timeworn space that reflects his belief that the past and present are intertwined. He has worked for nine years from a studio in an Outer Sunset home, a stripped-down, weathered building owned by architect Douglas Jacuzzi and ceramicist Georgia Hodges, which embodies a philosophy of material purity and reverence for process. The studio itself is filled with projects in various stages, including the 155 portraits of Black pioneers that make up his book “Illustrated Black History.”
Ukrainian cultural institutions and artists are actively restoring and creating art despite ongoing Russian attacks targeting the country's cultural identity. The Nahirna 22 arts collective in Kyiv, which runs 30 artist studios, was hit by air strikes in August that killed at least 23 people, damaging studios and forcing relocations. Meanwhile, the Mykhailo Boychuk State Academy of Decorative Applied Arts and Design in Kyiv, named after a Modernist executed in 1937, was struck by a Russian missile in 2024. Contractors in July 2025 recovered surviving works from the academy's archives, including paintings, textiles, ceramics, and student pieces, with support from UNESCO, the Japanese government, and Ukraine's culture ministry. A new conservation training program and exhibitions like Body/Fragility demonstrate ongoing cultural resilience.
Wilton Library in Connecticut will host "Weir Inspired: The Annual Show of the Weir Farm Artist Collective" from November 7 to December 31, featuring works by over 30 local artists. The opening reception on November 7 is free and open to the public, with a majority of works available for purchase and a portion of proceeds benefiting the library.
Artist David Lewry spent a year creating 36 colored pencil portraits of people working in Bedford, including a nurse, teacher, farm worker, dog groomer, funeral director, and hairdresser. The series, titled "Bedford at Work," will be exhibited at The Basement at Bunyan Gallery in Bedford from Tuesday to Saturday. Lewry, a 72-year-old former botanical artist trained at the Eden Project, was inspired during the pandemic by his wife Liz's work as a carer and wanted to honor ordinary workers in the community.
Mark Freeman, a former sales professional who turned to painting in 2020, is opening his own gallery and studio called Studio 80 in downtown Overland Park, Kansas, on November 7. The space at 7139 W. 80th St. will display his abstract and figurative works with local themes, feature a monthly local artist, and operate as both a gallery and working studio. Freeman, who previously showed at the 80 Santa Fe Gallery, aims to control his artistic destiny and give back to the community through partnerships with nonprofits.