Ukrainian artist Nikita Kadan, in an interview with Frieze, reflects on his practice and the ongoing psychological and physical toll of war, questioning whether conflict ever truly ends. He discusses his recent works, which grapple with the persistent state of war in Ukraine, the transformation of urban spaces, and the collective trauma that outlasts active hostilities.
The article announces a series of May art exhibitions across multiple galleries in Key West, Florida. The Studios of Key West opens four solo shows: Tim Marshall Curtis's "Giants Among Us" featuring towering sculptures, Carole Faye's "Reverence/Irrelevance" with works made from scavenged materials, Andree B. Carter's "Roots of a City" textile paintings, and Wayne Garcia's "Once There Was a Railroad" hand-carved reliefs. Other venues include the Key West Collective featuring Steve Bikis and Brad Gruss, Harrison Gallery showcasing Santa Fe artist Melinda K. Hall, Gallery on Greene honoring Peter Vey, and Shade and Shutter Gallery highlighting Mark Klammer's pottery.
Meriem Bennani, a New York-based artist known for her shape-shifting practice of videos, installations, and immersive environments, gained viral fame during the COVID-19 lockdown in March 2020. She co-created the animated series '2 Lizards' with fellow artist Orian Barki, which depicted surreal, humorous conversations between anthropomorphic reptiles navigating the first weeks of the pandemic in New York City. The series, posted on Instagram, resonated widely and led to eight episodes. Bennani's broader work, including 'Life on the CAPS' (2018–2022) and 'Mission Teens' (2019), blends digital animation, live-action footage, and cultural critique, often exploring themes of diaspora, post-colonialism, and migration through dystopian, supernatural narratives.
The National Gallery of Australia has officially opened 'Ngura Puḻka — Epic Country,' a landmark exhibition featuring 30 large-scale paintings by 49 First Nations artists from the APY Lands. The show, which features works predominantly measuring three-by-three meters, highlights the Tjukurpa (lore and ceremony) of the Aṉangu Pitjantjatjara Yankunytjatjara regions. The opening follows a significant three-year delay caused by an independent investigation into allegations of improper interference by non-Indigenous staff.
Johannesburg-based artist Nyakallo Maleke presents her solo exhibition, 'A Soft Language of Distance,' at Bode in Berlin. The show features an expanded practice of drawing that incorporates textiles, wax paper, and intricate stitching to explore themes of movement, memory, and spatial experience. Maleke, who was recently named the recipient of the 2025 Standard Bank Young Artist Award, utilizes these unconventional materials to create a tactile vocabulary that bridges the gap between intimate gesture and architectural form.
Gabrielle Goliath’s exhibition "Elegy" is presented as South Africa’s unofficial pavilion at the 61st Venice Biennale, after the country’s Culture Minister Gayton McKenzie overrode an independent committee’s selection of Goliath, citing her proposed inclusion of a memorial for Palestinians killed in Gaza. The installation features three video works in which singers sound a single note in tribute to victims of violence: a South African femicide victim, two women killed in Germany’s colonial genocide in Namibia, and Palestinian poet Heba Abunada. The show occupies the Chiesa di Sant'Antonin in Venice, curated with Ingrid Masondo, after a legal challenge against McKenzie was dismissed.
Artist, writer, and activist Avram Finkelstein, a founding member of ACT UP, Silence=Death, and Gran Fury, presents his first solo exhibition in New York City, titled “Something Terrible Has Happened (Corpus Fluxus)” at Smack Mellon. The show features large-scale drawings and digital prints on walls, ceilings, and wheeled metal structures that also serve as mobility aids for Finkelstein, who has thyroid cancer. Works such as "Golem (BRAF V600E mutation)" and "Black Golem (after Bergman)" explore themes of disability, pain, and the body in flux, using the Jewish folklore figure of the golem as a central metaphor. The exhibition transforms the gallery into an "experiential dancehall," emphasizing accessibility through movement and sensory engagement.
The Austrian group Gelitin has opened a new exhibition titled "All for All" at Perrotin gallery in New York. The show continues the group's long-term exploration of artworks as social forms, focusing on building chosen families and temporary publics through their collaborative practice.
The Nevada Museum of Art has launched 'Into the Time Horizon,' a massive, multi-year exhibition occupying its entire 120,000-square-foot building. Featuring 193 artists from across the globe, the show is organized into seven thematic sections that survey environmental art and confront the climate crisis, while proposing hopeful pathways forward grounded in care and collective responsibility. It will be on view in full until September 2026, with parts remaining until 2027.
Artist Amina Agueznay will represent Morocco at the 61st Venice Biennale in 2026 with a monumental installation titled 'Asǝṭṭa' in the Arsenale. The work focuses on collaborative practices and ancestral narratives, drawing from her fieldwork with weavers and metalsmiths, and incorporates traditional silver sequins to create a dialogue between the Middle Atlas Mountains and Venice's canals.
A Guardian investigation revealed that 241 UK museums, universities, and councils collectively hold over 263,000 items of human remains, with at least 37,000 originating from overseas, including former British colonies. The Natural History Museum in London houses the largest collection of non-European remains, followed by the University of Cambridge and the British Museum. Records are often incomplete, with the origins of 16,000 items unconfirmed and many institutions unable to provide exact figures due to poor documentation.
The group exhibition "Containers Love Disorder" at Kunst Halle Sankt Gallen brings together seven artists and collectives active in Switzerland: Michèle Graf & Selina Grüter, Dominic Michel, Mathis Pfäffli, Matthias Sohr, Kelly Tissot, Paulo Wirz, and the collaborative project La Bibliothèque des Ready-Mades, initiated by Anaïs Wenger. The show explores strategies of arrangement, classification, and situatedness through a range of works.
A diverse array of international photography festivals and exhibitions are scheduled for May 2026. Key events include Bieler Fototage in Switzerland, focusing on vulnerability as a social condition; Photo London, which is relocating to the Olympia and introducing new curated sections; Hard Copy New York at the ICP, exploring photocopied imagery; Fotofestival Lenzburg, an open-air exhibition in Switzerland; and several other events across Europe and the US.
Artist Karl Ullger is participating in a group exhibition titled 'Running with Scissors' at Anders Galerie in Berlin. The show features over 40 artists from the global online collective Cane-Yo, including six of Ullger's figurative oil paintings, three of which are new works created specifically for the event.
The Beauty Shop collective, a group of five female artists based in the Puget Sound region, has launched a new group exhibition titled "The Party Mix" at Gallery 110 in Seattle's Pioneer Square. Featuring works by Arni Adler, Lynette Charters, Saundra Fleming, Kate Harkins, and Ingrid Sojit, the show presents a diverse array of media unified by a "psychedelic" sense of play, intuitive creative processes, and a focus on the female figure. The exhibition, which runs through March 28, was born out of a collaborative support network that began during the COVID-19 pandemic.
Contemporary artists from Sri Lanka are gaining visibility across South Asia through gallery exhibitions, institutional shows, and art fairs. At Experimenter in Colaba, Pushpakanthan Pakkiyarajah's solo show 'No Race, No Colour' features installations like 'Charred Hyphal Mat' that explore organic communication and wounded ecologies rooted in the country's three-decade civil war. At the Art Mumbai fair, Hema Shironi uses fabric and green mesh to address post-war reconciliation, while earlier in Delhi, the twin exhibitions 'Homes Wrapped in Cloth, Borders Raised in Flags' and 'After Aphantasias' by Shrine Empire showcased similar themes. Artists such as Anoli Perera, Kingsley Gunatillake, Pala Pothupitye, and others are collectively presenting nuanced perspectives on memory, ecology, and joy beyond the conflict.
Gallery Brave has opened in Sydney's Hibernian House, a landmark building known for its graffiti-covered walls. Founded by advertising agency Today the Brave, the gallery launched with a show by Shepard Fairey and is now hosting "Among the Brave," a group exhibition featuring over 30 artists in partnership with creative collective KRVNM & midsöle. The gallery aims to provide a platform for street art and community-driven creative expression.
This article serves as a beginner's guide to art galleries in Minneapolis, highlighting several venues that welcome newcomers. It features All My Relations Arts, a gallery in the American Indian Cultural Corridor showcasing Native artists; Northern Clay Center, which challenges perceptions of pottery with subversive and political clay works; and Dreamsong, a gallery founded in 2021 focusing on female-identified emerging and mid-career artists. The guide emphasizes that galleries are accessible, free, and low-commitment spaces for exploration.
Argentine artist Gabriel Chaile has opened a new commission titled "Archaeology of Memory" at the Whitechapel Gallery in London. The site-specific installation transforms a large gallery space into an archaeological excavation site, incorporating everyday and decorative objects sourced from the surrounding East End neighborhood. These objects are embedded into monumental adobe sculptures that draw on the forms and material traditions of Indigenous communities from northwest Argentina, where Chaile originates. The artist acts as both anthropologist and storyteller, exploring a "genealogy of form" that traces recurring motifs across cultures and time.
In questa mostra a Milano lo spettatore può modificare gli spazi. Il grande artista-architetto Gianni Pettena ci spiega perché
Gianni Pettena, a pioneer of the Italian Radical Architecture movement, has unveiled his immersive installation "Paper/Northern Lights" at the BiM urban regeneration project in Milan's Bicocca district. Originally conceived in 1971 as a pedagogical exercise at the Minneapolis College of Art and Design, the work consists of 49 kilometers of white paper strips hanging from the ceiling. Visitors are invited to physically interact with the installation by cutting through the paper, effectively reshaping the architectural environment and challenging traditional notions of fixed space and authorship.
The New York-based Asian-American art and fashion collective CFGNY has opened a new exhibition, "Puddles into Pond," at the non-profit art space Amant in Brooklyn. The show features an immersive installation with a shaggy fur bridge, kinetic sculptures, and ceramic works, running until August 16. This exhibition is part of a significant season for the collective, which also includes a debut installation at the Whitney Biennial and participation in a group show at Pioneer Works.
Regional arts organizations across the United States are speaking out against recent cuts by the National Endowment for the Arts (NEA). The Trump administration proposed budget cuts that would effectively eliminate the agency by 2026, prompting the NEA to cancel many of its 2025 grants. A collective of U.S. Regional Arts Organizations issued a joint statement urging Congress to restore grant funding and maintain bipartisan support for the NEA. The cancellations also affect humanities councils in 56 states and jurisdictions, which expected about $65 million from the National Endowment for the Humanities (NEH) out of its $210 million annual budget. Three humanities organizations are currently suing the NEH and the Department of Government Efficiency (DOGE) over the dismantling.
Leaders from roughly 10 Ivy League and top private research universities have formed a private collective to coordinate their response to the Trump administration's attacks on academic independence and research funding. The administration has paused billions in funding at Cornell and Northwestern, cut $400 million from Columbia, and blocked $2 million from Harvard, which is now suing the government. The collective, operating behind the scenes, is concerned about federal overreach into admissions, hiring, curricula, and international student and faculty policies.
The Lost Giants (TLG), an art collective based in Lostwithiel, Cornwall, is reviving the British tradition of making processional giants—large, community-built figures made from wood, cloth, and papier-mâché. Founded three years ago by theatre designer Ruth Webb and her sister-in-law Amy Webb, the group has created giants for events ranging from local lantern parades to a harvest procession at Hauser & Wirth’s Somerset gallery. This New Year’s Eve, environmentalist Lisa Schneidau joined a massive procession of these giants in Lostwithiel, describing it as an extraordinary experience. The collective recently issued a public callout for an environmental group to collaborate on making a new beastie.
The Total Museum of Contemporary Art in Seoul has opened "Somebody Has to Collect It," an exhibition featuring works from the collection of French art collectors Catherine and Renato Casciani. Running from April 30 to May 31, the show marks the couple's first major presentation in Korea and inaugurates the museum's new "Collector/tion" project, which reframes collectors not as buyers but as actors at the intersection of capital, memory, and value-making. The exhibition includes 22 artists and collectives, with a focus on video art addressing themes such as precarious labor, state violence, colonial inheritance, climate crisis, and queer intimacy. It is also an official program of the 140th anniversary of diplomatic relations between Korea and France.
The Bronx Museum of the Arts hosted its Seventh AIM Biennial Open House on April 18, a free family day that combined hands-on art-making activities with the ongoing biennial exhibition. Visitors participated in button-making, print-making, screen printing, and memory box creation, led by AIM artists including Skip Brea, Hedwig Brouckaert, Ricki Dwyer, Leekyung Kang, Juyon Lee, lauren mcavoy, Piero Penizzotto, Motohiro Takeda, and V Yeh. The day also featured a critique session with artist V Yeh and a panel discussion titled “Tender Monuments,” moderated by co-curator Nell Klugman, exploring themes of personal, communal, and environmental grief.
A major exhibition celebrating the 20th anniversary of the Aesthetica Art Prize will be presented across four venues in North Yorkshire, England. The show, featuring works by 50 leading contemporary artists, will be divided into four thematic parts and staged at Skipton Town Hall, the Mercer Art Gallery in Harrogate, Scarborough Art Gallery, and Scarborough’s Woodend Gallery from late April through September.
The Aesthetica Art Prize is launching a major touring exhibition across four venues in North Yorkshire, starting in Skipton Town Hall this weekend. The exhibition, celebrating the prize's 20th anniversary, features works by 50 contemporary artists, including environmental artist Steve Messam, and is split into four thematic parts across different galleries until September.
The Aesthetica Art Prize is launching a major 20th-anniversary exhibition across four venues in North Yorkshire, creating a county-wide contemporary art trail. The exhibition, featuring works by 50 leading artists including environmental artist Steve Messam, will be staged at Skipton Town Hall, the Mercer Art Gallery in Harrogate, Scarborough Art Gallery, and Scarborough's Woodend Gallery from April to September.
Detroit-based artist Elonte Davis and Hungarian curator Kriszti Sarusi are among several creatives reflecting on the personal and social impact of their recent projects. Davis highlighted his 2026 community-centered initiatives, including his solo exhibition 'Homeroom: Detroit Taught Me First' and workshops at the Detroit Institute of Arts, while Sarusi discussed 'Floating Reality,' an exhibition series designed to provide space for underrepresented artists through a collaborative collective.