Six prominent Nigerian art collectors are exhibiting selections from their private collections at the Yemisi Shyllon Museum of Art (YSMA) in Lagos. The exhibition, titled 'Collecting Now 2', showcases contemporary African art and highlights the personal tastes and motivations of these influential individuals.
Award-winning visual artist and animator Lesego Vorster is set to debut a solo exhibition titled 'BETWEEN THE LINES' at MCA Gallery (Madlozi Contemporary Art) in Paris. Running from April 22 to August 31, 2026, the exhibition features a deeply personal body of paintings that explore human connection through the study of hands and emotional anatomy. The collection includes eleven new works, such as 'NOMAYINI' and 'Portrait of The Artist', with prices ranging from approximately $3,250 to nearly $10,000.
Frank O’Hara, the poet and curator at the Museum of Modern Art, was a central figure in the mid-20th-century effort to promote American high art globally as a cultural counterpart to U.S. military and economic power. The article examines how O’Hara’s work, alongside the Abstract Expressionists and other artists, helped establish New York as the capital of the art world, projecting American cultural influence abroad through exhibitions, poetry, and institutional support.
The Lower Adirondack Regional Arts Council (LARAC) will present a two-person exhibition titled "Show IV: Meet Me in the Woods" featuring artists Noah Bonesteel and Katie Langford at the Lapham Gallery in Glens Falls, New York, from May 22 to June 24. The show includes an opening reception on May 22 and an Artists Talk on June 4, both free and open to the public. Bonesteel, a painter and printmaker, uses abstract, layered compositions inspired by Adirondack ecology, while Langford, an oil painter, brings a narrative, plein air approach to the region's landscapes.
Designklau im Plattformkapitalismus
The article details a growing trend of design plagiarism within the platform economy, where large interior trade platforms and fast-design companies systematically copy the original work of small, independent design studios. These copies are then mass-produced and sold globally at lower prices, often marketed directly through social media channels. The original designers find it nearly impossible to defend their intellectual property due to the high cost and complexity of legal action, especially against international entities.
The article explores the evolving economic landscape of the professional tattooing industry, shifting from a counter-culture fringe to a sophisticated global business sector. It details how artists and studio owners are adopting traditional corporate structures, including brand licensing, specialized retail products, and digital marketing strategies to capitalize on the increasing mainstream acceptance of body art.
A group of senior citizens from Valletta, Malta, has launched a collaborative art exhibition titled 'Kollettiv' at the Valletta Local Council. Organized by the community group Għeruq il-Komunità and supported by the Alf Mizzi Foundation, the showcase features paintings created by residents over the age of 60 alongside works by local primary school students. Under the guidance of artist Paul Galea, participants translated their personal interpretations of the capital city onto canvas during a series of workshops.
US-Regierung reicht Plan für Triumphbogen bei Kommission ein
President Donald Trump has submitted formal plans to the Commission of Fine Arts for a monumental triumphal arch to be located near Washington, D.C. Proposed to stand at 76 meters tall, the structure would significantly surpass the height of Paris's Arc de Triomphe. The project, which Trump describes as the "largest and most beautiful" in the world, is slated for a site near the Arlington Memorial Bridge leading to the Lincoln Memorial.
Multidisciplinary artist and printmaker Irie Zepeda has curated a new group exhibition titled “Print As Protest/Grafica En Resistencia” at the Chicano Park Museum & Cultural Center in San Diego. The show highlights printmaking as a vital medium for solidarity and community storytelling, drawing on Zepeda’s deep roots in Barrio Logan and their work with Por La Mano Press y Arte. The exhibition features works that position the craft of printing as a tool for visibility and collective action within marginalized communities.
The Pacific Island Ethnic Art Museum (PIEAM) is launching "So We Leapt – Para I Hinanao-ta Mo’na," an exhibition centered on a rare archive of photographs taken in Guam between 1944 and 1946. Captured by U.S. Army photographer Frank Buchman and curated by Pulitzer Prize-winner Manny Crisostomo, the images move beyond traditional wartime documentation to highlight the daily lives and resilience of the Indigenous CHamoru people. The show is augmented by "Hasso," a contemporary portrait series by Johnny Cepeda Gogo featuring elderly CHamoru survivors of World War II.
Little Artists Art Studio, a Singapore-based institution, marked its second consecutive year of participation at Art Capital 2026 held at the Grand Palais in Paris. Following their historic 2025 debut as the first children ever included in the event's 200-year history, the studio presented a curated body of work from students across various age groups, including neurodiverse and special-needs artists. The young artists exhibited alongside established professionals within the main salon framework, engaging with international media, critics, and collectors.
Canada's monument to the victims of communism in Ottawa, officially opened a year ago, will no longer include individual names on its Wall of Remembrance after a federal government report revealed that many of the unvetted "victims" had ties to Nazi or fascist groups. Originally designed by architect Paul Raff to feature 553 entries, the Department of Canadian Heritage reversed its decision following alarms raised by Jewish groups and independent media outlets like Ricochet and The Maple, which found that more than half of the 550 names should be removed. The department stated that the wall will now feature only thematic content aligned with Canadian values of democracy and human rights.
Southern Illinois University Carbondale’s Sharp Museum will open “Here We Are,” an exhibition of recent bronze sculptures and paintings by nationally acclaimed sculptor and SIU alumnus Preston Jackson, on December 5, 2025. The show, running through June 26, 2026, features 17 paintings and nine sculptures, including works from Jackson’s public commissions. A separate closing reception on December 12 will highlight local artists Sue Gindlesparger and Nicki Rathert from the Oak Street Art Collective.
Miami International Airport (MIA) has opened a new art exhibition titled "Closer: Photographs by Iran Issa-Khan," on view until April 2026. The show features nature-focused photography by artist Iran Issa-Khan, displayed in the airport's public spaces as part of its ongoing arts program.
The article reports a significant shift in the Islamic art market, where traditional Persianate works from Iran are declining in sales and value, while art from India and historic Arab polities is rising. At Sotheby's April 2025 sale, 14 of 27 Persian works went unsold, continuing a long-term slump. Key factors include U.S. sanctions on Iran that restrict export of Iranian-origin works, aging collectors, maturing museums, and a generational shift away from classical art toward contemporary pieces. In contrast, Mughal art from India is experiencing a steady price increase, reflecting the repositioning of the market away from Persianate mainstays.
The exhibition "Welcome to Paradise: ¡Viva Puerto Rico Libre!" by Seattle-based Boricua artist Jo Cosme opens at ARTS at King Street Station on November 6, 2025. Featuring over 30 artists from Borikén/Puerto Rico, the show confronts the colonial reality and disaster capitalism affecting the island, using the tools of tourism and advertising to challenge viewers' perceptions of Puerto Rico as a tropical paradise.
The 5th Inspired Fine Art Exhibition, themed “Kita 2.0”, is being held from September 5-21 at Capital Fine Art Gallery in Petaling Jaya, Malaysia. Curated by Inspired Fine Art Studio and Capital Fine Art Gallery, the show features 140 works by 33 artists from Malaysia, South Africa, China, and Hong Kong, including watercolour, oil, acrylic, sculpture, and mixed media pieces. Most works are for sale, and weekend art workshops for adults and children are scheduled for September 13-14 and 20-21. The exhibition will be officially launched on September 12 by Zulkifli Hashim, director-general of Malaysia's National Unity and Integration Department.
Frieze has established a permanent venue in Seoul called Frieze House, giving the art fair a year-round presence in the South Korean capital. The space will host exhibitions, events, and programming beyond the annual Frieze Seoul fair, signaling the fair's long-term commitment to the Asian art market.
The New York Times reports on a city in the southwestern United States that has transformed itself into a significant art destination. Through strategic investments in museums, galleries, and public art initiatives, the city has attracted major exhibitions, international collectors, and a growing creative community, positioning itself as an essential outpost for contemporary art beyond traditional coastal hubs.
The article reviews "Contemporary Ruin future visions," an exhibition at Drexel University's Leonard Pearlstein Gallery curated by artist Nancy Agati. The show explores the perpetual cycle of urban construction, demolition, and renewal, focusing on Philadelphia's evolving neighborhoods. Featured artists include Sophie White, who documents rapid gentrification in Fishtown/Kensington through plein-air gouache paintings, and Jennifer Johnson, whose sculptural maps trace the transformation of the Black Bottom area from 1725 to 2025. Joseph E. B. Elliott contributes photographs of decaying buildings, such as Saint Bonaventure Church and Richmond Generating Station, capturing ruins both past and present.
Local artist Lucy Stevens is launching her latest exhibition, 'Blackbird,' at StudionAme in Leicester, UK. The collection features joyful, vibrant paintings that celebrate the life cycle and changing seasons of the blackbird, inspired by her morning walks with her dog, her interest in spirituality, and the bird's resilience. The exhibition opens on April 25, 2025, with a preview event, and runs through May 11.
Paula Punkstiņa's exhibition "The Arrows of Concerns" opened at Kim? Contemporary Art Centre in Riga, running from March 14 to May 19, 2026. Curated by Zane Onckule, the show presents 33 images documenting the artist's work, with photography by Ansis Starks.
Artist Ben Schumacher opened a solo exhibition titled "I was a teenage victim of the scarlet withholding" at the gallery zaza' in Milan. The show ran from February 18 to March 28, 2026, and was documented with 14 images on Contemporary Art Daily.
Photo London 2026, the upcoming edition of the capital's premier photography fair, is being promoted with a special feature in which four artists present London through their own photographic perspectives. The article also covers feminist photo collage, a project by Thomas Duffield exploring father-son relationships, and an interview with the director of The Photographer's Gallery.
Che Onejoon, a South Korean artist, has shifted his focus from documenting North Korea's Cold War-era monument-building in Africa to working directly with West African migrant communities in South Korea. His earlier projects, including the Mansudae Masterclass series and films like *Black Monument* (2017) and *My Utopia* (2018), explored the little-known history of North Korean-built statues and buildings across at least 20 African nations. More recently, he co-founded Space AfroAsia, the Afroasia Eco Museum, and the AfroAsia Artist Collective, and now lives and works in the Bosan-dong "Africa Town" near the Demilitarized Zone, creating multilingual music videos and even a K-pop girl group with a mixed Korean-African lineup.
A new exhibition titled “River Valley Radical Futures” has opened at the Taber Art Gallery at Holyoke Community College in Holyoke, Massachusetts. The show invites visitors to imagine the Pioneer Valley 100 years in the future after the fall of capitalism, using workshops, worker cooperatives, and community groups to create a conceptual map of that possible future. Eight local artists display multi-medium works in the gallery until March 12th.
A new open call for artists and architects under 35 has been launched in Rome, inviting proposals for a public artwork in dialogue with the iconic Gazometro (gasometer) in the Ostiense district. The initiative is promoted by Spazio Taverna in collaboration with Eni and ROAD – Rome Advanced District, and was announced on May 21 during the event "ON THE ROAD – Distretti di Innovazione." Participants are asked to design a monument, pavilion, or installation that engages with the former industrial complex, now a creative hub hosting the cultural program Arte al Gazometro since 2024. A jury including Marco Bassan, Ludovico Pratesi, Mattia Voltaggio, Claudio Quaternato, and Lorenza Baroncelli will select the winner, who will receive a €3,000 prize; the ten finalists will be published on Artribune and gain access to a Masterclass at the School of Vision. Submissions are open from May 21 to July 31, 2026, with results announced in September.
The Luine Archaeological Park in Valcamonica, Italy, closed on April 1, 2026, after the municipality of Darfo Boario Terme, led by Mayor Dario Colossi, failed to renew the management contract held by Zamenhof Art and ArchExperience. The park, which houses rock engravings dating back to the end of the Paleolithic period (about 13,000 years ago), is a UNESCO World Heritage site and a unique part of the Camunian park system. Weeks after the closure, the park remains in limbo with no clear reopening date, while multimedia installations and digital content created by the former managers are being removed. The story has received little media attention beyond local outlets.
Le spire del drago, il fiore e la nuvola. Il Museo del Tappeto Antico di Brescia guarda alla Cina
The Museo Internazionale del Tappeto Antico (MITA) in Brescia, Italy, has opened a new exhibition titled "Le trame del dragone. Tappeti cinesi delle dinastie imperiali" (The Dragon's Wefts: Chinese Carpets of the Imperial Dynasties). The show presents around forty antique Chinese carpets from the MITA collection, the world's most important private collection of antique rugs, assembled by Romain Zaleski and housed in a glass cube designed by OBR. Curated by Giovanni Valagussa, the exhibition traces the history of Chinese carpet-making from the 15th to the 19th century, highlighting two main typologies: red-ground rugs from the Xinjiang region with geometric and floral motifs, and gold-and-blue rugs from the Ming and Qing capitals featuring dragon and auspicious symbols. The exhibition is free and runs until June.
Sarzana non è riuscita a diventare Capitale della Cultura 2028 ma rilancia: “Il dossier sarà realizzato ugualmente”
Sarzana, a city in Liguria, Italy, failed to win the title of Italian Capital of Culture for 2028, which was awarded to Ancona. However, instead of shelving its candidacy dossier, the city has decided to implement its strategic cultural plan, titled "L'Impavida," as its official cultural governance program for 2026-2028. The plan treats culture as a permanent infrastructure, integrating urban planning, tourism, welfare, and economic development, and was developed through a decade-long process involving co-design with associations and citizens.