Chelsea Exhibition Reviews: Rosebud Contemporary, Paula Cooper, Fredericks & Freiser, Berry Campbell and more

This article reviews several Chelsea gallery exhibitions, focusing on Mary Ann Unger's monumental sculpture show 'Across the Bering Strait' at Berry Campbell, which features her hydrocal-over-steel works exploring themes of feminism, anthropology, and the natural world. It also covers 'En Route' at Rosebud Contemporary, a group exhibition of abstract painters Rifka Milder, Meg Hitchcock, and Ketta Ioannidou, each reflecting on artistic journeys through their work.

Arts of the Earth

ARTES DE LA TIERRA

The Guggenheim Museum Bilbao has inaugurated "Artes de la Tierra" (Arts of the Earth), a multidisciplinary exhibition curated by Manuel Cirauqui that examines the relationship between contemporary art and the soil. Spanning from the mid-20th century to the present, the show integrates visual arts, architecture, and ancestral Basque knowledge to explore themes of composting, terraforming, and ecological repair. Featured artists include pioneers of Land Art and Arte Povera such as Ana Mendieta, Fina Miralles, and Meg Webster, whose works are presented alongside archival materials and architectural models.

Poly Auction Hong Kong Spring Auctions 2026: High Jewels and Watches, Modern and Contemporary Art Auctions to Be Held on 6 April

Poly Auction Hong Kong has announced its Spring 2026 auction series, scheduled to take place from April 6 to April 8 at the Shun Tak Centre. The sales feature a diverse array of categories including Modern and Contemporary Art, Chinese Ceramics, Chinese Paintings, and High Jewelry and Watches. Highlighting the contemporary selection is Liu Wei’s 1995 masterpiece "You Like Pork?", a rare work previously exhibited at the Venice Biennale, alongside a significant 1960s "White period" abstract canvas by Zao Wou-Ki.

DHM main building likely closed until 2031

DHM-Hauptbau wohl bis 2031 dicht

The German Historical Museum (DHM) in Berlin will remain without its main building, the Zeughaus on Unter den Linden, until at least 2031 due to further delays in its renovation. Museum director Raphael Gross announced that a binding timeline from the property owner and the federal construction authority is not expected until 2027, and a reopening before 2031 is unrealistic. In the meantime, the museum is using its modern Pei-Bau wing to host a new exhibition titled "Objekte. Geschichte. Geschichten," featuring around 200 highlights from its collection of one million objects, including a samurai armor once gifted to Adolf Hitler and objects from a refugee shelter.

Deutscher Pavillon wird zum Plattenbau

The German Pavilion at the Venice Art Biennale has been transformed into a prefabricated concrete slab building (Plattenbau) for this year's edition, designed by artists Sung Tieu and the late Henrike Naumann, who died suddenly in February at age 41 from cancer. Curator Kathleen Reinhardt described the pavilion as part of a highly political Biennale, with Tieu covering the 1938 fascist-era building with a mosaic of over three million tiles depicting a Berlin apartment block that once housed Vietnamese contract workers. Naumann's interior installation features mint-green references to Soviet barracks in East Germany, a cartography of war, and works including a relief of chairs, a curtain of chainmail, and the performance "Trümmerfrau."

Michael Armitage and the Feverish Memory of Images

Michael Armitage und das fiebrige Gedächtnis der Bilder

The British-Kenyan painter Michael Armitage is the subject of a major solo exhibition at the Palazzo Grassi in Venice, part of the Pinault Collection. The showcase features new works, including the titular painting "52,000 Years," which references prehistoric cave art while weaving together themes of political unrest, the refugee crisis, and lush landscapes. Armitage’s technique is noted for its use of Lubugo bark cloth, a traditional Ugandan material that adds a tactile, irregular dimension to his complex figurative compositions.

Morad Montazami appointed artistic director of 2026 Dakar Biennale

Morad Montazami has been named the artistic director for the 16th edition of the Dakar Biennale, scheduled to run from November 19 to December 19, 2026. Titled "(Anti)Fragility: Arts of Repair and Counter-Shock Strategies," the exhibition will explore themes of community-led restoration and the transformation of vulnerability into collective strength. Montazami, a former Tate Modern curator and founder of the platform Zamân Books & Curating, brings an extensive background in postcolonial art histories and global modernisms to the prestigious African forum.

Melissa Chiu leaves Hirschhorn directorship for Guggenheim

Melissa Chiu has been appointed as the new director of the Solomon R. Guggenheim Museum in New York, effective September 1. She departs the Hirshhorn Museum and Sculpture Garden in Washington, D.C., where she has served as director since 2014. This leadership transition follows a decade of growth at the Hirshhorn under Chiu’s tenure and marks a significant shift for the Guggenheim’s administrative structure.

‘Tide of Returns’: Ocean Space in Venice

The Repatriates Collective has launched 'Tide of Returns' at Ocean Space in Venice, an exhibition that redefines repatriation as a continuous process of spiritual and communal repair rather than a singular legal transaction. Set within the historic Church of San Lorenzo, the installation features immersive works such as 'From My Mother’s Country,' which utilizes thousands of handmade dolls from Namibia, and Verena Melgarejo Weinandt’s textile and video works exploring the symbolic power of water and braiding.

The Interview: Kei Ishikawa

Filmmaker Kei Ishikawa has adapted Kazuo Ishiguro's debut novel, 'A Pale View of Hills,' into a feature film, with Ishiguro serving as executive producer. The film expands the novel's dual-timeline narrative, set in post-war Nagasaki and 1980s England, and introduces a decisive narrative closure not found in the original text. It features performances from leading Japanese actors and meticulous period detail.

Morad Montazami Named Artistic Director of 16th Dak’Art Biennial

Morad Montazami has been appointed as the artistic director for the sixteenth edition of the Dak’Art Biennial, scheduled to run from November 19 to December 19. Titled "(Anti)Fragility: Arts of Repair and Counter-Shock Strategies," the upcoming biennial will focus on themes of community, co-creation, and the transformation of vulnerability into artistic strength. Montazami, an esteemed art historian and curator known for his work on global modernism and postcolonial narratives, brings extensive experience from previous roles at Tate Modern and various international exhibitions.

Fondazione Sandretto Re Rebaudengo’s New Art Island Made a Sunny Splash in a Rainy Venice Vernissage Week

Patrizia Sandretto Re Rebaudengo, an ARTnews Top 200 collector, inaugurated a new art site on the island of San Giacomo in Venice’s Northern Lagoon during the rainy preview week of the Biennale. The island, purchased in 2018, features two Napoleonic-era powder magazines transformed into exhibition spaces: one hosting the group show “Don’t have hope, be hope!” from the Sandretto Re Rebaudengo Collection, and the other presenting “Fanfare/Lament,” a solo exhibition by Matt Copson curated by Hans Ulrich Obrist. The site also includes permanent installations by artists such as Claire Fontaine, Mario Garcia Torres, Hugh Hayden, Goshka Macuga, Pamela Rosenkranz, and Thomas Schütte, and will serve as a venue for exhibitions, performances, and residencies.

After His Untimely Death, Rutherford Chang’s Survey Rewrites What a Square Can Do

Rutherford Chang, who died last year at age 45, is the subject of a posthumous survey at UCCA Center for Contemporary Art Beijing titled "Hundreds and Thousands." The exhibition centers on Chang's socially engaged works that explore value, circulation, and systems through the deceptively simple form of the square. His best-known piece, "We Buy White Albums" (2013–25), involved amassing roughly one percent of the first pressing of the Beatles' "White Album," highlighting how objects accrue personal and economic worth through use and history. Other works include melting 10,000 copper pennies into a cube and assembling Wall Street Journal portraits from 2008 into a grid that captures a year of crisis and change.

What Made Marcel Duchamp’s Readymades So Revolutionary?

Marcel Duchamp transformed the trajectory of 20th-century art by introducing the 'Readymade,' a concept where mass-produced, everyday objects are elevated to the status of art through the artist's selection rather than manual craft. Beginning with a bicycle wheel in 1913 and a bottle rack in 1914, Duchamp eventually formalized the term during a 1915 stay in New York, where the city's industrial modernity and lack of rigid class structures inspired him to challenge traditional definitions of creativity.

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The U.S. Latinx Art Forum (USLAF) has appointed artist, archivist, and curator Josh T. Franco as its new executive director, succeeding founding director Adriana Zavala. Under Franco’s leadership and alongside newly promoted deputy director Mary Thomas, the organization is shifting its mission toward fostering "convivial spaces" and organic networking. This new phase includes hosting intimate dinners across major cities to connect artists with supporters and planning a major touring exhibition featuring the 75 recipients of the Latinx Artist Fellowship.

See Comedian Pete Davidson’s Art-Filled New York Home for Sale for $2 M.

Actor and comedian Pete Davidson has listed his four-bedroom country estate in Westchester, New York, for $2.28 million. The 2,300-square-foot property, situated on six acres, features luxury amenities such as a wine cellar, sauna, and a covered lap pool, but the real estate listing has drawn particular attention for showcasing Davidson's private art collection.

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The Washington Post laid off approximately 30% of its newsroom staff, including Pulitzer Prize-winning art critic Sebastian Smee, as part of broader cuts to sports, local news, and international coverage. Smee, who joined the Post in 2018 after working at the Boston Globe and The Australian, confirmed his departure in a statement to ARTnews, expressing gratitude to former editor Marty Baron and solidarity with affected colleagues. Another Pulitzer-winning critic, Philip Kennicott, reportedly remains on staff. The layoffs come shortly after the release of a documentary produced by Amazon MGM Studios, owned by Post owner Jeff Bezos.

artists circulate letter urging jewish museum save murals guston shahn fogel demolition 1234770975

A group of artists led by Elise Engler, Joyce Kozloff, and Martha Rosler has circulated a letter urging the Jewish Museum in New York to intervene and save New Deal-era murals and sculptural reliefs from the Wilbur J. Cohen Federal Building in Washington, D.C. The artworks, created by Jewish artists including Ben Shahn, Philip Guston, and Seymour Fogel, are threatened with demolition after the U.S. government listed the building for accelerated disposal in November 2025 and began soliciting demolition bids in December. The letter, addressed to Jewish Museum board chair Shari Aronson, has been signed by hundreds of artists and art-world figures, including Joan Semmel, Rochelle Feinstein, Joan Snyder, Lucy Lippard, and Kay WalkingStick.

joan mitchell foundation 2026 artists in residence 1234770065

The Joan Mitchell Foundation has announced the 31 artists selected for its 2026 residency program at the Joan Mitchell Center in New Orleans. The residencies, lasting six or 14 weeks across three seasons, will host no more than nine artists at a time, beginning February 2. The cohort includes 17 local New Orleans artists and participants from cities such as New York, San Francisco, Chicago, Boston, and Atlanta, ranging in age from 27 to 75. Notable participants include Edra Soto, who also won a United States Artists Fellowship, and two leaders of New Orleans’s Black Masking Indian tradition, Kelly Pearson Boles and Efrem Z. Boles. The selection was made by a jury of artists, curators, and academics.

leonardo da vinci dna finding 1234769273

Scientists from the Leonardo da Vinci DNA Project (LDVP) have extracted DNA from a chalk sketch titled *Holy Child*, which may be by Leonardo da Vinci. In a preprint paper posted Tuesday, researchers suggest genetic links between the artwork and a letter from one of Leonardo's cousins, indicating a shared Tuscan ancestry. However, the findings are preliminary and not yet peer-reviewed, with experts cautioning that proving a direct connection to Leonardo himself is extremely difficult due to the lack of confirmed DNA from the artist and the disputed attribution of the drawing.

norman rockwell antifa department of homeland security 1234768466

Daisy Rockwell, granddaughter of Norman Rockwell, stated in an interview with the Bulwark that her grandfather was "antifa," pushing back against recent uses of his paintings by the Department of Homeland Security (DHS). Over the summer, DHS posted cropped and edited versions of Rockwell's works, including "Salute the Flag" (1971) and "Working on the Statue of Liberty" (1946), with captions urging readers to "protect your homeland" and "defend your culture." The Rockwell family had already publicly rebutted these posts in a USA Today op-ed, arguing that Rockwell would have been "devastated" to see his art used to promote persecution of immigrant communities and people of color.

christmas identical new banksy murals london housing crisis 1234767781

Banksy has unveiled two identical murals in London, one near Tottenham Court Road Tube station and another in Queen's Mews, Bayswater. The artwork depicts two children lying on their backs, one pointing skyward, and was confirmed via the artist's Instagram. The piece appears during the Christmas season, but its placement near the landmark Centre Point skyscraper—a symbol of London's housing crisis—suggests a critique of homelessness and unaffordable housing.

tuan andrew nguyen 2026 high line plinth commission 1234766942

The High Line in New York has selected Vietnamese artist Tuan Andrew Nguyen to create its next plinth commission, titled *The Light That Shines Through the Universe*, opening spring 2026. The 27-foot sandstone sculpture reimagines one of the Bamiyan Buddhas, destroyed by the Taliban in 2001, replacing the lost hands with melted brass artillery shells. The work is an "echo" meant to invoke memory of the lost cultural treasures.

trump dc buildings demolish philip guston ben shahn 1234766509

A retired General Services Administration official, Mydelle Wright, has accused the Trump administration of attempting to demolish four historic federal buildings in Washington, D.C., including the Wilbur J. Cohen Federal Building. The allegation was made in a supplemental declaration filed in a lawsuit brought by preservation groups. Wright claims the White House is soliciting demolition bids without GSA involvement, which she says has sole authority over such processes. The Cohen building houses significant New Deal-era murals by Ben Shahn, Philip Guston, and Seymour Fogel, and has been described as "the Sistine Chapel of the New Deal." The Trump administration has halted a planned green renovation and listed the building for accelerated disposition, raising fears of demolition and loss of the artworks.

bouvier us discovery 91 missing artworks 1234766044

Swiss art dealer Yves Bouvier has filed a Section 1782 petition in US federal court to locate 91 artworks he claims are his, worth approximately $100 million. The filing targets roughly 15 major banks and two auction houses (Sotheby's and Christie's) to compel disclosure of financial and transactional records. The request is tied to Hong Kong legal proceedings against French dealer Pascal de Sarthe, whom Bouvier accuses of failing to return works placed with him for safekeeping. De Sarthe disputes Bouvier's ownership, and his attorney has asked the New York court to delay or deny the application as premature.

nairy baghramian katarzyna kobro isamu noguchi wiels brussels 1234762854

Nairy Baghramian's exhibition "nameless" at Wiels in Brussels engages in a sculptural dialogue with the Polish avant-garde artist Katarzyna Kobro, whose work was largely destroyed during and after World War II. Baghramian riffs on Kobro's forms with unpainted steel variations that double as plinths for her own works, while also referencing other displaced sculptors such as Isamu Noguchi, Louise Bourgeois, and Jean Arp. The show deliberately leaves works untitled and undated, inviting viewers to discover art-historical references while enjoying the material playfulness of the sculptures.

kurt cobain nirvana guitar christies 1234762094

A 1969 Fender Competition Mustang guitar owned by Nirvana frontman Kurt Cobain is being auctioned by Christie's in March, with an estimated price of $2.5–$5 million. The guitar was used on the albums *Nevermind* and *In Utero*, as well as in the music video for "Smells Like Teen Spirit" and numerous live performances. It is part of the Jim Irsay Collection, assembled by the late Indianapolis Colts owner, which includes instruments from John Lennon, Jimi Hendrix, Prince, and others.

video data bank downsizing school art institute chicago 1234761928

The School of the Art Institute of Chicago (SAIC) laid off three of five staff members at the Video Data Bank (VDB), a renowned video art distribution organization, on November 12. Former director Tom Colley announced the dismissals of digital collection manager Elise Schierbeek and distribution assistant Nicky Ni, and stated that acquisitions and programming would cease. SAIC cited financial pressures from federal policy changes and enrollment declines, insisting the VDB is not closing but needs adjusted staffing to protect its teaching mission. The VDB, founded in 1976 and approaching its 50th anniversary, holds works by major artists including Nam June Paik, Pipilotti Rist, and Bruce Nauman, and has historically received NEA funding.

border patrol anish kapoor bean photo 1234760966

British artist Anish Kapoor's iconic sculpture *Cloud Gate* (2006), known as "the Bean," in Chicago's Millennium Park became the site of a controversial photo op on Monday, when dozens of U.S. Border Patrol agents, led by chief Gregory Bovino, gathered in front of the 110-ton piece just after dawn. The agents, armed and in fatigues, reportedly shouted "Little Village"—a predominantly Mexican American neighborhood where Border Patrol had deployed tear gas in a raid over the weekend—instead of "cheese" for the photo. Local officials, including Chicago governor J.B. Pritzker and alderman Mike Rodriguez, condemned the action, and Kapoor himself expressed horror, likening the agents to "SS Nazi troops" and calling the incident a "fascist battle cry of intimidation." Chicago artist Michael Rakowitz also denounced the shoot as a "horrible invasion and occupation."

french art world opposes proposal new taxes 1234761820

Two French parliamentarians, Jean-Paul Matteï and Philippe Juvin, have proposed a new tax regime on art as part of France's 2026 budget, which would make France the only major art market to impose a wealth tax on the mere possession of artworks. The French art world has strongly opposed the proposal, with 27 signatories including Art Basel, auctioneer Drouot, visual artists' rights organization ADAGP, the Association for the International Diffusion of French Art (ADIAF), and the Comité Professionel des Galeries d’Art (CPGA). Critics argue the tax is technically unenforceable, would drive collectors away, and harm the broader art ecosystem.