Andrew Durbin's new book, 'The Wonderful World that Almost Was,' is a double biography of painter and sculptor Paul Thek and photographer Peter Hujar. It chronicles their artistic maturation, their open and unapologetic gay relationship, and their central role in defining the 'cool' of the New York creative scene from the 1950s to the mid-1970s, before their deaths from AIDS.
L.A. Metro opened the first phase of its D Line extension on Friday, May 1, 2026, adding three new underground stations connecting downtown Los Angeles to Beverly Hills: Wilshire/La Brea, Wilshire/Fairfax, and Wilshire/La Cienega. The stations feature nine site-specific public artworks by artists including Mariana Castillo Deball, Eamon Ore-Giron, Ken Gonzales-Day, Todd Gray, Karl Haendel, Soo Kim, Fran Siegel, Susan Silton, and Mark Dean Veca. The competitive selection process began a decade ago, drawing over 1,200 applicants, with finalists judged by a panel of art professionals including curators from Miracle Mile museums. Metro deputy executive officer Zipporah Yamamoto leads the agency's public art program, which is funded by a 0.5% construction budget set-aside.
Congolese artist Jean Katambayi Mukendi has opened a solo exhibition titled "RATIO" at the KW Institute for Contemporary Art in Berlin. The show features works that interrogate fundamental dualities such as the natural versus the artificial, growth versus destruction, and the dynamics between resources and power.
Fondazione Sandretto Re Rebaudengo in Turin presents "Theatre of the Mind," the first Italian institutional solo exhibition by German-born painter Lenz Geerk. The show features recent works from 2022 to 2024, exploring painting as a perceptual device where figures, objects, and domestic interiors exist in unstable, unresolved configurations. Installation views by Giorgio Perrottino accompany the exhibition, which runs at the foundation's space.
Charles White Elementary School in Los Angeles, in collaboration with LACMA, is presenting the exhibition "From MacArthur Park, with Love" opening May 21, 2025. The show features artworks by over 100 students from the school's Visual Arts Magnet program, celebrating the MacArthur Park neighborhood through diverse media including collaborative diptychs, observational drawings, and paintings of local landmarks and bird species. The exhibition runs Saturdays from May 23 to August 1, with free drop-in art workshops.
Two new photography exhibitions in Houston explore the past and future of image-making. At Moody Gallery, a retrospective titled "MANUAL — The Collaboration of Ed Hill & Suzanne Bloom, 1974-2024" honors the legacy of the groundbreaking photographic duo MANUAL, co-founded by Ed Hill and the late Suzanne Bloom, who passed away in 2025. The show, closing April 25, features works inspired by art history, literature, and nature, including pieces referencing Paul Cézanne and Walt Whitman. Meanwhile, at Rice University's Moody Center for the Arts, the group exhibition "Imaging After Photography" (through May 9) examines the intersection of photography and artificial intelligence, featuring artists like Trevor Paglen, Refik Anadol, and Joan Fontcuberta, and raising questions about bias in datasets and algorithms.
The 25th Biennale of Sydney, titled "Rememory," opened in March 2026 across multiple venues in Sydney, including the prominent White Bay Power Station. Curated by Hoor Al-Qasimi, the exhibition features 83 artists and collectives from around the world, presenting works that demand slow, immersive engagement rather than spectacle, with highlights including large-scale textile installations by Edgar Calel and Nikesha Breeze.
Maya Lin, the renowned artist and designer known for the Vietnam Veterans Memorial, has created new works for a Manhattan skyscraper and a Chicago project, drawing on her deep connection to nature. The article highlights her latest installations that integrate environmental themes into urban architecture, reflecting her ongoing exploration of landscape and ecology.
The Korean artist Lee Ufan, now 90 years old, remains actively engaged in his artistic practice, working daily and preparing for three upcoming exhibitions. Among these is a display of his pivotal paintings at the Venice Biennale, underscoring his enduring creative output and continued relevance in the contemporary art world.
Nine artists, including Hiroshi Sugimoto, Irene Neuwirth, and Umberto Pasti, share personal reflections on unforgettable gardens from around the world. Each contributor describes a specific garden that left a lasting impression, ranging from historic estates to wild natural landscapes, highlighting the sensory and emotional impact of these spaces.
Grant Wood's 1926 mural "Corn Room" has been restored and will serve as the centerpiece of a centennial exhibition at the Sioux City Art Center in Iowa. The mural, created by the painter best known for "American Gothic," depicts a vibrant interior scene dominated by corn motifs, reflecting Wood's regionalist style and his deep connection to the American Midwest.
High Desert Test Sites (HDTS), a long-running, itinerant art event in the California desert, is approaching its 25th anniversary. Founded by artist Andrea Zittel, it has evolved from a series of experimental artist projects into a vital, decentralized community network that fosters collaboration and dialogue between artists and local residents.
Goen Choi and Hyeree Ro are representing South Korea at the 61st Venice Biennale, which runs from 9 May to 22 November 2026. In an interview with ArtReview, Choi describes his sculptural installation "Meridian," featuring ruptured copper pipes that traverse the Korean Pavilion in the Giardini, exploring unseen infrastructures and unstable relations between fixed structures. Ro presents "Bearing," a membranelike waxed fabric installation with eight stations for mourning, remembering, and mending, inspired by Korean gardens and temples. Both artists respond to the Biennale's theme "In Minor Keys," emphasizing subtle forces, low vibrations, and contemplative spaces.
Anish Kapoor has publicly condemned the inclusion of the United States in the upcoming 61st Venice Biennale, calling for its exclusion due to what he describes as the country's 'abhorrent politics of hate and its incessant warmongering.' In an interview with The Guardian, Kapoor praised the five-person jury that resigned en masse after refusing to consider Israel and Russia for the event's top prize, both nations having been accused by the International Criminal Court of crimes against humanity. Kapoor's remarks come amid the ongoing US war with Iran under the Trump administration, and he previously threatened to sue the Trump administration over a photo taken at his Cloud Gate sculpture in Chicago.
The American Arts Conservancy (AAC), an organization founded last year by the Trump administration, has launched a crowdfunding campaign to support the United States Pavilion at the Venice Biennale. This comes amid widespread controversy and calls to exclude the US, Russia, and Israel from the event. The AAC website solicits donations starting at $100, claiming a "once-in-a-generation opportunity" to restore America's artistic presence abroad. The US government has already contributed $375,000, but the State Department says the total exhibition cost far exceeds that amount. This year's pavilion will feature sculptor Alma Allen, after Barbara Chase-Riboud and William Eggleston declined to participate.
The Vancouver Biennale has appointed Brazilian artist and documentary filmmaker Marcello Dantas as senior curator for its 2027–29 edition. Dantas, currently art director at the immersive museum Ster Ik in Tulum, Mexico, recently cocurated the 2024 iteration of Saudi Arabia's Desert X AlUla with Maya El Khalil. He has previously organized exhibitions for artists including Ai Weiwei, Anish Kapoor, Shirin Neshat, and Bill Viola, and curated a project by Vik Muniz for the 2013–15 Vancouver Biennale. Dantas plans to shape the event by addressing the city's corporate real estate development alongside its First Nations and colonial history, exploring themes of displacement and belonging.
Art Basel has announced the thirty-three winners of its 2026 Art Basel Awards, recognizing individuals and institutions across nine categories. The winners include prominent artists like Arthur Jafa, Julie Mehretu, and Barbara Kruger, as well as institutions such as The Brick in Los Angeles and the Diriyah Biennale Foundation. A new jury member, Prof. Dr. Bonaventure Soh Bejeng Ndikung, was also added for this edition.
The Frist Art Museum is presenting a new exhibition that spans 100 years of contemporary Indigenous art, featuring works from both established elders and emerging makers. The show aims to highlight the continuity and evolution of Indigenous artistic practices across generations.
Una delle più importanti gallerie del Brasile in queste settimane è a Roma con una mostra. L’intervista
Brazilian gallery A Gentil Carioca has brought the first Italian solo exhibition of artist Miguel Afa to the Fondazione Capitolina in Rome, in collaboration with the Rhinoceros space. Titled "Il tempo che vive in me" (The Time That Lives in Me), the show features works created during Afa's residency in Rome, exploring themes of time, memory, and light through oil paintings that blend Brazilian and Roman imagery.
Sta per debuttare nella cittadina di Fiuggi la fiera d’arte contemporanea più a sud d’Italia
A new contemporary art fair called ArteFiuggi is set to debut in September 2026 in Fiuggi, a small town in Lazio, south of Rome. Organized by Nicola Monti, son of renowned dealers Pio Monti and Liliana Maniero, the fair aims to become the southernmost art fair in Italy. It will be held at the Fiuggi Convention Centre, designed by Studio Valle and previously host to the 2024 G7, and will offer included hospitality for exhibitors at two local hotels.
A Napoli una mostra internazionale per mappare l’instabilità e disattivare i confini
The exhibition "Atlante" at Thomas Dane Gallery in Naples, curated by James Lingwood, brings together works by eight international artists—Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari—to challenge traditional cartographic representations. Through maps, drawings, textiles, and photographs, the show interrogates the ideological and political assumptions embedded in mapping, reframing the Mediterranean not as a border but as a connective space, and exposing the instability and power asymmetries underlying historical worldviews.
Sung Tieu's installations, characterized by austere, bureaucratic surfaces, explore the hidden architectures of power embedded in everyday systems. The article examines her series of works that deconstruct administrative forms used in asylum procedures, reducing them to blank spaces and quantified grids to expose how institutional power operates through seemingly neutral documents. Her exhibition "In Cold Print" at Nottingham Contemporary physically manifests these themes by using steel fences to control viewer movement, drawing direct parallels between minimalist sculpture and the dehumanizing design of border controls.
New Jersey-based artist Hadieh Afshani is featured in the 334th installment of Hyperallergic's 'A View From the Easel' series, which profiles artists in their workspaces. Afshani describes her studio practice at Mana Contemporary in Jersey City, where she balances her art with caring for her baby, working around his feeding and sleeping rhythms. She emphasizes the importance of natural light, a sink for fluid processes, and the supportive community of fellow artists and mothers.
Rosa Loy, a German painter associated with the New Leipzig School, presents a new body of work at a solo exhibition that explores themes of togetherness, collaboration, and female solidarity through her signature figurative, dreamlike style. The show features large-scale paintings and works on paper that depict pairs or groups of women engaged in shared activities, rendered in muted earth tones with subtle surrealist undertones.
The Farnsworth Art Museum in Rockland, Maine, has opened a year-long exhibition titled "Maine: A Force Within American Art (1890-2026)" in honor of America's 250th anniversary. The show presents 150 works across media, highlighting the state's artistic legacy from the late 19th century to the present. It features leading modernists such as Marsden Hartley, John Marin, Charles Demuth, and Georgia O'Keeffe, who found inspiration in Maine's landscapes, as well as contemporary artists like Theresa Secord. The exhibition is curated by Jaime DeSimone and Francesca Soriano, in collaboration with multiple institutions including the Ellis-Beauregard Foundation and Skowhegan School of Painting and Sculpture.
An exhibition titled "Paris in Black: Internationalism and the Black Renaissance" at the DuSable Black History Museum and Education Center in Chicago celebrates the Black American artists, writers, and performers who moved to Paris after World War II to escape American racism. Curated by Danny Dunson, the show features over 100 artworks from the museum's permanent collection, including paintings by Archibald J. Motley Jr., sculptures by Richmond Barthé, Augusta Savage, and William Artis, and ephemera related to Josephine Baker. It traces the global influence of the Harlem Renaissance and the cross-pollination between Paris and U.S. cities like Chicago.
Dayanita Singh has organized a major exhibition titled "ARCHIVIO" at the State Archives of Venice, marking the first time the institution has opened its doors to the public for an art show. The exhibition, which runs until July 31, features collapsible wooden pillars covered with black-and-white photographs that explore Singh's 25-year relationship with Italy and her broader engagement with archival documents from both Italy and India. Singh achieved this without major institutional funding, instead relying on a "friendship economy" of bartering, negotiation, and individual patrons, and even arranged for local art students to serve as docents in exchange for professional mentorship.
Bruno Bischofberger, the influential Swiss gallerist and collector, has died at age 86. A pivotal figure in the contemporary art market, he opened his first gallery in Zurich in 1963 and was instrumental in introducing American Pop Art to Europe, exhibiting Warhol, Lichtenstein, and Rauschenberg. He later championed Minimalism, Land Art, and Neo-Expressionism, representing artists like Sol LeWitt, Donald Judd, and Francesco Clemente. Most famously, Bischofberger discovered Jean-Michel Basquiat in 1981 and orchestrated the legendary collaboration between Warhol, Basquiat, and Clemente. His close relationship with Warhol included a first-refusal agreement on future works and the suggestion of standardized portrait commissions that became Warhol's primary income source.
The article previews the Berlin Gallery Weekend, focusing on the Mitte district as a hub for contemporary art. Highlights include Pae White's exhibition 'pushmi-pullyu' at Neugerriemschneider, featuring oversized insects, crabs, and kaleidoscopic wall sculptures, alongside other shows with photo art on copper, queer historical explorations, and mobile urban interventions along Linienstraße, Oranienburger Straße, and Rosa-Luxemburg-Platz.
The Fabric Workshop and Museum (FVM) in Philadelphia has opened "Some American Dreams," an exhibition marking the 250th anniversary of the U.S. Declaration of Independence. Curated by Hilde Nelson, FVM curatorial fellow, the show features 27 works by 20 artists created during the museum's Artist-in-Residence Program over four decades. The exhibition includes pieces in furniture, sculpture, textiles, clothing, video, and photography, and is on view until June 14, 2026. In an interview with My Modern Met, Nelson discusses her curatorial approach, which poses the question, "What if 'America' is not one project, but many?" and explores how these multiple Americas are affirmed, resisted, or remade through the artworks.