Future Fair updates portraiture for 2025

Future Fair returns for its fifth anniversary from May 7-10 at Chelsea Industrial in Manhattan, featuring 67 exhibitors. The fair is impacted by President Donald Trump’s tariffs, with one Bologna-based gallery, Magazzeno Art Gaze, displaying a sign that its shipment is stuck at JFK customs, showing only works brought in luggage. Montreal’s Wishbone Gallery narrowly avoided a similar fate after its artist consulted a psychic, and the works arrived just in time. Despite trade disruptions, the fair continues its focus on portraiture, showcasing artists such as Saki Sonoda (depicting Bushwick club House of Yes), Émile Brunet (Dutch Golden Age-inspired portraits), Izere Antoine (impastoed Black women), Matthew Rosenquist (wooden reliefs of Americana), Katie Commodore (digital textile tapestries), and Catie Cook (animal stand-ins for Southern womanhood).

Venice Biennale in crisis: The controversies explained

The Venice Art Biennale's official awards ceremony, scheduled for May 9, has been canceled after the entire five-member jury resigned days before the event. The jury had previously announced they would not consider countries whose leaders face International Criminal Court charges, directly impacting Russia and Israel. Instead of jury-selected prizes, visitors will vote throughout the Biennale's run, with "Visitor Lions" awarded on November 22. The event, running from May 9 to November 22, features 100 national participations, including seven first-time countries, and a posthumous main exhibition titled "In Minor Keys" curated by the late Koyo Kouoh, the first African woman to lead the show. Iran withdrew on May 4 amid Middle East tensions, while Russia's return to the Biennale in 2026 has sparked EU threats to cut funding.

Meet the Canadian artists heading to Venice Biennale

Five Canadian artists have been selected for the main exhibition of the Venice Biennale, titled *In Minor Keys*, which opens to the public next Saturday. The participants are Abbas Akhavan (featured in the Canada Pavilion), Manuel Mathieu, Rajni Perera, Marigold Santos, and one additional artist. The exhibition is the first Biennale curated by a Black woman, Cameroonian-Swiss curator Koyo Kouoh, who died suddenly in May last year after a cancer diagnosis, just six months after her appointment. Despite her death, the Biennale proceeded with her plans, with her team completing the work.

Haiti’s Visionary: Edouard Duval-Carrié previews Venice-Bound work in Little Haiti

Haitian-American artist and curator Edouard Duval-Carrié has been selected to represent Haiti at the 61st Venice Biennale, titled "Smaller Keys." Ahead of the exhibition, he is opening his Little Haiti studio for a rare one-night preview on Friday, April 24, organized alongside the Tout-Monde Art Foundation. The preview includes a conversation with art historian Erica Moiah James and features works that were not sent to Venice but share the same themes of Haitian history, African connections, and diaspora. Duval-Carrié's Biennale theme centers on the question, "What did Africa bring to the world?" His selection was posthumously confirmed from the notes of chief curator Koyo Kouoh, the first African woman appointed to the role, who passed away last year.

MODERN MADE: Modern, Post-War & Contemporary Art, Design, Craft and Studio Ceramics

Lyon & Turnbull is presenting the 14th edition of its MODERN MADE sale, featuring a curated selection of modern and contemporary art, design, craft, and studio ceramics. Highlights include a private collection of early 2000s contemporary art, Modern British Art from Sickert to the post-war period, and works by European artists such as Klimt, Picasso, and Braque, alongside a rare wartime piece by Jankel Adler. The sale also emphasizes Kinetic and Light Art, design pieces led by an early Ettore Sottsass Carlton bookcase, and concludes with part two of the Y2K! collection featuring works by John Sonsini, Barnaby Furnas, and Elizabeth Peyton.

A Francis Bacon self-portrait and a Surrealist avian painting: our pick of the March auctions

Major auction houses in London are preparing for a series of high-profile sales in March, featuring significant works by Francis Bacon, René Magritte, and Osman Hamdi Bey. Highlights include a 1972 Bacon self-portrait gifted to his doctor following a studio injury, a rare Magritte "leaf-bird" painting appearing at auction for the first time in 25 years, and a monumental 19th-century work by Turkish artist Osman Hamdi Bey being sold by the Penn Museum.

Venice Biennale curatorial team reveal how they are bringing the late Koyo Kouoh's vision to life

The curatorial team for the 61st Venice Biennale has unveiled the details for the 2026 exhibition, titled "In Minor Keys." The project follows the vision of the late Koyo Kouoh, the first African woman appointed to curate the Biennale, who passed away in May 2024. The exhibition will feature 111 artists and collectives, with a significant focus on the Global South and themes such as Shrines, Schools, and the Creole Garden. The team emphasized that the show is designed as a "collective score" rather than a traditional commentary on world events, prioritizing spiritual rest and radical social connection.

A selective history of the moving image comes to downtown Los Angeles

The Julia Stoschek Foundation has launched its first major U.S. exhibition at the historic Variety Arts Theater in downtown Los Angeles. Curated by Udo Kittelmann, the show features over 40 time-based works ranging from early cinematic pioneers like Georges Méliès and Alice Guy-Blaché to contemporary icons such as Arthur Jafa and Doug Aitken. The exhibition utilizes the labyrinthine spaces of the 1924 Italianate theater to create a dialogue between the history of Hollywood and the evolution of media art.

TIERRA FUTURA: Boricua Land Futures, a solo exhibition by Shey Rivera Ríos and a group exhibition of 22 Boricua artists

The WaterFire Arts Center in Providence, Rhode Island, is presenting "TIERRA FUTURA: Boricua Land Futures," a dual exhibition featuring a solo show by Shey Rivera Ríos and a group exhibition of 22 Boricua (Puerto Rican) artists from both Puerto Rico and its U.S. diasporas. The exhibition, curated by Rivera Ríos with co-curators Ruchika Nambiar and Anabel Vázquez Rodríguez, runs from March 5 to March 29, 2026, and explores themes of land-based memory, eco-feminism, queer joy, and cultural sovereignty through diverse media.

Artist Princess Pea wins inaugural Swali Craft Prize

Artist Princess Pea, the alter ego of Natasha Preenja, has won the first-ever Swali Craft Prize. The award, presented by the Chanakya School of Craft in partnership with India Art Fair, includes a cash prize of 1.1 million rupees and an exhibition slot at the fair for a large embroidered wooden sculpture created during a residency at the school.

Saudi painter Safeya Binzagr outshines Picasso at Sotheby’s second sale in Diriyah

Sotheby's second auction in Saudi Arabia, 'Origins II,' concluded with strong results, achieving a hammer total of $15.4 million and an 89% sell-through rate. The sale demonstrated robust demand for regional artists, particularly Arab Modernists, while some high-profile Western works were withdrawn or failed to sell. The standout lot was a 1968 painting by the late Saudi pioneer Safeya Binzagr, titled 'Coffee Shop in Madina Road,' which sold for $1.1 million, significantly outperforming a Picasso work in the same sale.

Seeing Silence: The Paintings of Helene Schjerfbeck

This article introduces the work of Finnish modernist painter Helene Schjerfbeck (1862–1946), whose career spanned eight decades and evolved from naturalism to near abstraction. Born in Helsinki, she studied in Paris under French naturalist painters and initially gained recognition for history paintings celebrating Finnish heritage. Later, retreating to Hyvinkää to care for her mother, she abandoned naturalism, paring down her figure paintings and still lifes to simplified, materially intense compositions. The exhibition features key works such as 'View of St Ives' (1887) and 'Clothes Drying' (1883), highlighting her shift toward ethereal, boundary-testing imagery that early Finnish critics dismissed.

Strauss & Co offers accessible works in year-end auctions

Strauss & Co has launched its year-end auctions, featuring five concurrent timed online sessions from 20 November to 8 December 2025, plus a separate contemporary sale titled 'In the Now' running until 9 December. The auctions offer a wide range of modern and contemporary works at accessible price points, including pieces by major South African artists such as Irma Stern, William Kentridge, Sam Nhlengethwa, Norman Catherine, and Alexis Preller. Sessions include 'Re/View' with works from previous auctions, focused sessions on paintings, sculpture, and works on paper, and an 'Art Club' session curated by Strauss & Co specialists.

A look inside the ‘Dreamworld’ of surrealism at the Philadelphia Art Museum

The Philadelphia Art Museum opened 'Dreamworld: Surrealism at 100,' a traveling exhibition marking the centenary of surrealism, which originated in France in 1924. The show, curated by Matthew Affron, features about 180 works from the museum's own collection and loans from Europe and the Americas, including pieces by Salvador Dalí, Max Ernst, Remedios Varo, and Joseph Cornell. The opening occurred the day after the museum's board abruptly fired CEO Sasha Suda, with interim director Louis Marchesano declining to comment on the termination and focusing on the exhibition instead.

Degenerate! Hitler’s War on Modern Art

The National WWII Museum in New Orleans will host the traveling exhibition "Degenerate! Hitler's War on Modern Art" from November 6, 2025, through May 10, 2026. Originally created by the Jewish Museum Milwaukee, the show examines the Nazi campaign against modern art and music, featuring over 65 original works by artists such as Wassily Kandinsky, Max Beckmann, Pablo Picasso, and Marc Chagall. It explores how modernist art was labeled "degenerate" by the Third Reich, used as propaganda, and systematically suppressed, with many works seized, destroyed, or sold. The exhibition also expands into music, highlighting the suppression of jazz and works by Jewish composers.

Comment | Exhibitions comparing artists can be problematic, but the Barbican brings Giacometti, Bhabha and Hatoum together with perfect judgement

The Barbican in London has opened two new exhibition spaces in a redesigned former restaurant, showcasing the work of Alberto Giacometti alongside contemporary artists Huma Bhabha and Mona Hatoum. Curated by Shanay Jhaveri and Émilie Bouvard, the shows pair Giacometti's sculptures with Bhabha's and Hatoum's works, drawing formal and thematic connections without forcing comparisons. The exhibitions highlight shared preoccupations with the human body, vulnerability, and resilience, while allowing each artist's distinct approach—Giacometti's figuration versus Hatoum's found-object manipulation—to remain clear.

Southampton Arts Center Celebrates Opening of "Second Skin" Exhibition

Southampton Arts Center has opened its "Second Skin" exhibition, curated by Latin American art scholar Estrellita B. Brodsky. The show explores clothing as a medium for identity, gender, cultural expression, and political activism, featuring approximately 30 works by international artists and designers, including prints from Martine Gutierrez's "Indigenous Woman" series and Andy Warhol works on paper from the Jordan D. Schnitzer Foundation. The exhibition runs through December 28.

Man Ray: When Objects Dream

The article presents an extensive list of artworks by the avant-garde artist Man Ray, spanning from 1914 to the mid-1940s. It includes paintings, sculptures, photographs, and readymades such as "Cadeau (Gift)" (1921), "The Rope Dancer Accompanies Herself with Her Shadows" (1916), and "L’énigme d’Isidore Ducasse" (1920). Many entries are marked "Returned to lender," indicating these works were part of a loan exhibition that has now concluded, with pieces being sent back to their respective owners.

Four years on from the Taliban takeover, Afghan women are asserting themselves through art

Four years after the Taliban takeover of Afghanistan in 2021, Afghan women are using art as a means of expression and resistance. The article profiles artist Alina Gawhary, who fled to study art in Belfast, and highlights the work of the UK-based NGO Turquoise Mountain, which collaborates with women carpet weavers in Bamiyan. Afghan-British artist Maryam Omar collected poetry from illiterate weavers and designed watercolor patterns that were woven into carpets, displayed in the selling exhibition "Weaving Poems" at Sotheby's in London. The exhibition foregrounds the women's creative voices and returns profits to the weavers.

UL’s Hilliard Art Museum showcases permanent collection

The Hilliard Art Museum at the University of Louisiana at Lafayette is showcasing its permanent collection for the first time in over a decade through the exhibition "Tides, Times and Terrain: Floyd Sonnier and the Evolving Cultural Landscape." The show features more than 41 artists from southwest Louisiana, including the prominently displayed 1844 painting "Woman In Tignon," which was once misidentified as Marie Laveau. Executive Director Molly Rowe and Curator-at-Large Aaron Levi Garvey are rotating pieces from the museum's 2,000-work collection throughout its 11,000 square feet of gallery space, emphasizing the importance of placing historical works in contemporary context.

'Black Gold: Stories Untold' art exhibit reclaims forgotten histories of Black Californians at Fort Point

A new immersive art exhibition titled 'Black Gold: Stories Untold' opens at Fort Point in San Francisco, featuring 25 commissioned works by 17 artists that uncover the overlooked histories of Black Californians from the Gold Rush through Reconstruction. Curated by FOR-SITE, a nonprofit focused on art and place, the exhibition transforms the Civil War-era military fort into a multi-sensory space with beaded portraits, video installations, sculptures, and a tent installation by artist Umar Rashid. Works include Cheryl Derricotte's tribute to Mary Ellen Pleasant, a formerly enslaved woman who became a wealthy abolitionist.

Rain, insomnia and finding a model: how Morocco challenged and changed Matisse

Henri Matisse made two pivotal trips to Tangier, Morocco, in 1912-1913, documented in Jeff Koehler's new book *Matisse in Morocco: A Journey of Light and Colour*. At a low point in his career—having lost patrons and critical support after his Fauve period—Matisse sought new inspiration, producing over 20 paintings despite challenges like rain, insomnia, and difficulty finding models. Commissions from Russian collectors Sergei Shchukin and Ivan Morozov helped fund the trips, and Matisse worked at the Villa Brooks estate, creating works such as *Moroccan Landscape (Acanthus)* (1912) and *The Palm* (1912). The article also highlights Matisse's discovery of fingerprints on *View of the Bay of Tangier* (1912-13) and his reliance on a Moroccan model named Zorah.

Is Banksy getting personal? New lighthouse mural prompts speculation over its philosophical meaning

Banksy has unveiled a new mural on Instagram after a six-month hiatus, depicting a black lighthouse with the stenciled phrase “I want to be what you saw in me.” The work, located in Marseille’s Rue Félix Fregier, marks the first time the artist has referred to himself in the first person in a public mural. Speculation about its meaning ranges from a tribute to a deceased artist known as Lonely Farmer to a moment of rare self-reflection, though Banksy’s studio Pest Control declined to comment.

An art project 150 years in the making

Artist Janet Fry discovered a 150-year-old pocket diary belonging to her great-great-grandmother, Caroline Currey Kelso, which had been stored in a nightstand drawer for nearly two decades. In May 2024, Fry decided to create an exhibition titled "The 1875 Diary Project" at Storage Space Gallery, opening October 17. The show features recorded diary excerpts read by 12 women artists, enlarged reproductions of the diary pages, and Fry's own artistic responses. Fry transcribed the diary using a magnifying glass, revealing Kelso's experiences as a 19th-century Illinois housewife, including her loneliness, daily chores, and repeated pregnancies.

Photographer Walter Pfeiffer: ‘Everyone else my age is already in an asylum’

Swiss photographer and artist Walter Pfeiffer, now in his late 70s, is the subject of a profile in which he discusses his daily life, his love for Marlene Dietrich, his disdain for rude people, and his habit of wearing the same clothes every day. The article offers an intimate glimpse into his personality and creative philosophy.

Here are the photos of the Austrian Pavilion at the Venice Biennale (the one full of nude performers that it is forbidden to photograph)

Ecco le foto del Padiglione Austria alla Biennale di Venezia (quello pieno di performer nude che è vietato fotografare)

The Austrian Pavilion at the 2026 Venice Biennale, titled "Seaworld Venice" and curated by Nora-Swantje Almes, features provocative performances by artist and choreographer Florentina Holzinger. The installation includes four distinct nude female performances: a performer acting as a bell clapper on the hour, a female Deposition of Christ scene with three women on a rotating vertical structure, a nude woman riding a jet ski in circles, and a reenactment of Giorgione's Sleeping Venus in a urine-filled tank. The pavilion has become the most talked-about and Instagrammed at the Biennale, drawing long queues despite a ban on photography.

Monopol is giving away 1 × 2 tickets for "Arv og miljø" at the Schaubühne Berlin

Monopol verlost 1 × 2 Tickets für "Arv og miljø" in der Schaubühne Berlin

The Schaubühne Berlin is hosting the Norwegian production "Arv og miljø" (Will and Testament) as part of the Festival Internationale Neue Dramatik (FIND). Based on Vigdis Hjorth’s controversial novel, the play follows Bergljot, a woman who confronts her estranged family during an inheritance dispute over summer houses, leading to a harrowing clash over suppressed childhood memories and the nature of truth.

Ella Maillart, intrepid photographer of the 1930s, highlighted in an exhibition in Lausanne

Ella Maillart, photographe baroudeuse des années 30 mise en lumière dans une exposition à Lausanne

Ella Maillart, a Swiss photographer and adventurer from the 1930s, is the subject of a new exhibition in Lausanne. Born in Geneva in 1903, Maillart was an Olympic sailor and champion skier before turning to travel and photography. She journeyed across the Soviet Union, Central Asia, and China, often by train, ski, or camel, documenting remote cultures and political landscapes. Her travels included a 6,000-kilometer trek from Beijing to Kashmir with British writer Peter Fleming, and a road trip from Geneva to Kabul with friend Annemarie Schwarzenbach. The exhibition highlights her photographs and writings, which blend geographical exploration, political chronicle, and personal meditation.

オノ・ヨーコ「A statue was here　一つの像がここにあった」@ 小山登美夫ギャラリー六本木／天王洲

Yoko Ono's solo exhibition "A statue was here" is being held simultaneously at Tomio Koyama Gallery's Roppongi and Tennozu spaces from June 10 to July 5, 2025. The show features conceptual objects and participatory works spanning Ono's career, including early pieces like *Mind Object I* (1960/1966) and *Mind Object II* (1966/1967), as well as *Mend Piece* using porcelain fragments damaged in the Noto Peninsula earthquake, and the debut of *Three Lives* (2019). The Roppongi space focuses on conceptual objects, while Tennozu emphasizes audience participation and performance.

Shadows in the Hand: Sayaka Uehara's 'Green Room: Peace Island'

手の中の影――上原沙也加「緑の部屋：平和の島」

Photographer Sayaka Uehara, born in Okinawa in 1993, presented the exhibition "Green Room: Peace Island" at Gallery Athos in Naha in February 2025. The show brings together two series—the monochrome "Green Room" and the color "Green Days"—for the first time, focusing on Heping Island (Heping Dao) off the coast of Keelung, Taiwan. Uehara's black-and-white photographs document the island's layered colonial history, from Spanish and Dutch occupation to Japanese rule and the 1947 February 28 Incident, where local Ryukyuan residents were killed. The exhibition uses a circular layout that encourages viewers to move repeatedly through the images, connecting historical violence to the present through small objects like souvenir cookies and bottle openers.