“Water’s Edge: The Art of Truman Lowe” Opens Nov. 25 at the National Museum of the American Indian

The Smithsonian’s National Museum of the American Indian in Washington, D.C., will open “Water’s Edge: The Art of Truman Lowe” on November 25, 2025, running through January 2027. This is the first major retrospective of Hoocąk (Ho-Chunk) artist Truman Lowe (1944–2019), featuring nearly 50 sculptures, drawings, and paintings from public and private collections, including 28 from the museum’s own holdings. The exhibition is organized around four themes—Moving Water, The Land Holds Memory, Woodland Structures, and Memory and Shared Knowledge—highlighting Lowe’s use of natural materials like willow branches and feathers to evoke the waterways and woodlands of his Wisconsin upbringing.

Trout Museum exhibit and lecture hall honor Li Hu’s legacy at UW-Oshkosh and beyond

The Trout Museum of Art in Appleton, Wisconsin, opened a retrospective exhibition and named a lecture hall in honor of Li Hu, the late UW-Oshkosh emeritus art professor. The event, titled "A Tribute to Li Hu: Celebrating a Visionary Legacy," included a ribbon cutting for the Li Hu Lecture Hall, a panel discussion featuring former students and colleagues, and an exhibition of Hu's sculptural and painted works spanning his career. Hu, who died in 2016, was born in Shanghai, survived the Cultural Revolution, earned a degree from Shanghai University Fine Arts College, and moved to the U.S. in the early 1990s before teaching at UW-Oshkosh for nearly two decades. The exhibition is on view through January 4, 2026.

Absa L’Atelier ambassador opens Solo Exhibition in Uganda, challenges hair bias

Absa Group has announced that Eric Joe Gayi, an Absa L’Atelier 2023 Ambassador, will open his solo exhibition *Breaking the Norm* on November 1, 2025, at The Summit Residences in Naguru, Kampala, in collaboration with Amasaka Gallery. The show features intricate ballpoint pen drawings exploring Afro hair as a symbol of identity, resistance, and cultural pride, using blue figures to represent conformity and black figures with honeycomb textures to symbolize authenticity and resilience against Eurocentric beauty standards.

Cedar Rapids Museum of Art receives Oaxacan artwork to honor local teacher

The Cedar Rapids Museum of Art has received a collection of Oaxacan prints donated in memory of Ellen Barth, a longtime art teacher at St. Pius Elementary School in Cedar Rapids, Iowa. The donation was organized by her husband, Chuck Barth, a local artist and former Mount Mercy University instructor, who worked with museum staff and Oaxacan artists to select works reflecting the culture of Oaxaca, Mexico, where the couple spent part of each year. The museum plans to feature the collection in an exhibition, though it is booked through 2027, and will also use the works in future displays and educational programs.

Alberta Foundation for the Arts opens first gallery in Calgary

The Alberta Foundation for the Arts (AFA) opened its first-ever gallery in Calgary on September 10, 2025, called the AFA art house, located on the second floor of the Edison building. The space, previously used as a temporary gallery by the Glenbow Museum during its renovation, will host rotating exhibitions from the AFA’s 10,000-piece collection, including the opening show "New Views" featuring 50 works purchased in the last decade. The gallery also allows Alberta artists to display and sell their art, and will feature a solo exhibition by Samantha Williams-Chapelsky, the 2024-25 AFA Alberta Artist in Residence, beginning in October.

His final exhibition: More than 300 paintings featured in Marley Kaul's fourth book

Bemidji State University art professor Marley Kaul's fourth and final book, "Marley Kaul Paintings," will be released in September, featuring over 300 full-color paintings selected by Kaul and his family. The hardcover coffee table book is divided into 10 chapters that trace Kaul's artistic development from 1961 to 2021, including a final chapter titled "The Unfinished Series" from his last year. A retrospective exhibition of nearly 50 paintings will open at the Talley Gallery on September 4, followed by three book release events in Minneapolis, Bemidji, and Grand Forks.

Historic 16-Venue Art Exhibit Spotlights Local Women Artists

The Greater Washington region launches "Women Artists of the DMV," the largest curated fine arts exhibition ever dedicated to contemporary female artists in the United States. Featuring more than 500 artists across Maryland, Virginia, and Washington, D.C., the landmark survey spans 16 galleries and cultural venues from late August through January 2026, with the American University Museum at the Katzen Arts Center serving as the central hub. Curated by Florencio Lennox Campello, the exhibition highlights both established and emerging voices across genres including painting, sculpture, glasswork, textiles, and public art, with strong representation from Southern Maryland and Prince George's County.

Monica Rodriguez: Californiana

Monica Rodriguez's exhibition "Californiana" at the de Saisset Museum explores the colonization of California from 1542 to 1846, focusing on the missionization period (1769–1833) when Native Californians were forced into labor within the Alta California Mission system. The installation features twenty-one adobe bells planted with native California plants, architectural plans, and photorealist drawings of historical texts from the Mission Library Collection, all critiquing the colonial mindset and its enduring impact on the land and people.

World-first Ozzy Osbourne exhibition to open at Birmingham Museum & Art Gallery

Two free exhibitions celebrating Ozzy Osbourne and Black Sabbath will open in Birmingham, UK, timed to the band's historic homecoming concert at Villa Park. 'Working Class Hero' at Birmingham Museum & Art Gallery displays Ozzy's Grammy Awards, Rock and Roll Hall of Fame honors, platinum and gold discs, and rare photography. A separate outdoor photography exhibition in Victoria Square features archive images of all four founding Black Sabbath members, iconic album artwork, and band facts. A 40-meter street mural by Mr Murals on Navigation Street depicts the band's logo and portraits.

Portraits of the student artists in the 2025 Senior Thesis Exhibition

Bates College's 2025 Senior Thesis Exhibition, titled "Under the Parachute," opened on April 11 at the Bates College Museum of Art, showcasing works by seven studio art majors. The exhibition features a range of media including mixed-media pieces, cyanotype quilts, ceramics, watercolors, and sculptural installations. Student artists such as Avery Lehman, Miryam Keller, Danny Zuniga Zarat, Alex Provasnik, Lila Schaefer, and Lizi Barrow presented year-long projects that explore themes of memory, empathy, family, and modern life. The exhibition is open through May 24, with faculty advisers Carolina González Valencia and Susan A. Dewsnap supporting the seniors.

Conservation of Tintoretto painting in UK reveals ‘layer of history hiding under the surface’

A two-year conservation project by the National Trust has uncovered significant compositional changes in Jacopo Tintoretto's painting *The Wise and Foolish Virgins* (around 1546), which returns to public display at Upton House in Warwickshire, UK on 28 April. X-ray imaging revealed a hidden stone balcony beneath the final architectural setting, matching a balcony in a related version at the Museum Boijmans Van Beuningen in Rotterdam. Infrared scanning and paint analysis also showed that Tintoretto removed criss-cross elements and a balcony section, replacing them with a servant laying a table, while previous restorers had misinterpreted these pentimenti as part of the intended composition.

Authentic Michelangelo

Michel-Ange authentique

Jean-René Gaborit, former head of Sculptures at the Louvre, has published a major new book, "Les Sculptures de Michel-Ange. Le vrai, l'incertain et le faux," which rigorously examines the authenticity of works attributed to Michelangelo. The 500-page volume, based on fifty years of study, categorizes the master's sculptural corpus into works of certain authenticity, lost-and-found pieces that spark debate, sculptures executed by others after his designs, and works mistakenly attributed due to stylistic similarities.

New exhibition explores the evolution of St. Pete’s Dalí Museum

A new exhibition titled “The Architecture of the Dalí” will open on May 2 at The Dalí Museum in St. Petersburg, Florida. The show traces the museum's architectural evolution from its origins in a Cleveland factory to its iconic waterfront building, culminating in a preview of expansion concepts including an immersive flyover video. It features three-dimensional models, archival photographs, and newspaper clippings, and pays tribute to founding collectors A. Reynolds and Eleanor R. Morse.

Caravaggio ‘Baroque Masterpieces’ on view in Charlotte

An exhibition titled 'Caravaggio | Revolution: Baroque Masterpieces from the Roberto Longhi Foundation' opens to the public on April 26 at Mint Museum Uptown in Charlotte, North Carolina. The show centers on Caravaggio's painting 'Boy Bitten by a Lizard' and includes 40 other works by leading Baroque masters from the Roberto Longhi Foundation. A section of the exhibition also explores Caravaggio's influence on modern visual storytelling through music videos, films, and photography, featuring works by artists such as David LaChapelle and Tom Hunter. Opening weekend includes a talk by Professor Cristina Acidini, president of the Roberto Longhi Foundation.

'Is This Art?': Mulberry Art Studios' newest exhibition features cryptic art from telephone poles

Mulberry Art Studios in Lancaster, Pennsylvania, has launched a posthumous exhibition titled "Is This Art?: The Collected Works of Donald Shoffstall." The show features a collection of photocopied signs and posters that Shoffstall, a local figure who experienced homelessness, stapled to telephone poles throughout the city during the late 20th century. Curated by Steve Sylvester and Jerry Greiner, the exhibition presents these stream-of-consciousness writings and abstract graphic works as significant pieces of outsider art.

Palmer Museum teaching gallery exhibition examines ‘Who Wears the Pants?!'

The Palmer Museum of Art is hosting "Who Wears the Pants?! Fashion History One Leg at a Time," an exhibition exploring the intersection of gender, power, and mobility through the history of clothing. Curated by Charlene Gross and Keri Mongelluzzo, the show features 29 works from the museum's collection ranging from the seventh century to 2007. The display is organized into four thematic sections—gender, labor, mobility, and self-expression—and includes notable works such as Mary Beth Edelson’s feminist lithograph "Some Living American Women Artists/Last Supper."

New documentary provides an inside look at the Harlem Renaissance

A new documentary, *Once Upon a Time in Harlem*, is screening at the Sundance Film Festival in Utah, offering an intimate look at the Harlem Renaissance. The film is assembled from 28 hours of 16mm footage shot in 1972 by the late filmmaker William Greaves at Duke Ellington's home in Harlem, capturing a gathering of key figures from the movement. Greaves's son David, who was one of the original cameramen, completed the film after his father's death. The footage includes interviews and reflections from artists, writers, musicians, and activists such as Romare Bearden, Aaron Douglas, James Van Der Zee, Eubie Blake, and Arna Bontemps.

Comment | Reflecting on my father’s art and life on the occasion of his posthumous exhibition

The article is a personal essay by the author reflecting on the life and art of their father, Samuel Kahn (1927-2007), a self-taught artist and clinical psychologist who struggled with bipolar depression. A posthumous exhibition titled "Samuel Kahn, Ph.D. + Friends" opens on 29 January at the Gordon Art Galleries at Old Dominion University in Norfolk, Virginia, featuring around 50 of his wood-carvings, paintings, and sketches. The author describes how they once believed their father had wasted his life, but now sees his vibrant, untrained works as a source of joy and connection.

Artists share their pin-ups in a London exhibition

London's Incubator gallery has opened 'Notes from the Studio', a group exhibition featuring 45 visual artists, writers, musicians, and fashion designers. Each participant contributed one item currently taped or pinned to their studio wall, ranging from personal objects and notes to postcards, sketches, and reference images. Contributors include Tracey Emin, Michael Stipe, Sam Taylor-Johnson, Harland Miller, and Ben Okri. The gallery preserved the original tape or tack used to attach each item and installed the pieces within drawn charcoal 'frames'.

Rwanda boosts culture infrastructure with new non-profit contemporary art centre

The Gihanga Institute of Contemporary Art (GICA) opened this week in Kigali, Rwanda, as the country's first non-profit centre dedicated to promoting Rwandan art, culture, and history while fostering local and Pan-African artistic exchange. Founded by curator Kami Gahiga and artist-educator Kaneza Schaal, the institute was designed by Rwandan architect Amin Gafaranga and features an exhibition space, reference library, screening room, and residency studios. Its inaugural exhibition, "Inuma: A Bird Shall Carry the Voice," includes works by Rwandan artists and explores themes of faith and subtle expression. The Mellon Foundation provided crucial development support.

Del Mar Fairgrounds to host Banksy-themed art exhibition

“The Art of Banksy: Without Limits,” a touring exhibition dedicated to the anonymous British street artist Banksy, will open January 30 at the Del Mar Fairgrounds in San Diego. Featuring 200 pieces including certified originals from private collectors and replicas, the show presents prints, photographs, sculptures, murals, and video-mapping installations, along with an infinity room, a hologram installation, and a room focused on Banksy’s Ukraine-related works. The exhibition, which debuted in Istanbul in 2016, is not officially sanctioned by Banksy but serves as a tribute to his provocative, satirical art.

Artistic discs

Kolkata Ink Studio presented a group exhibition of graphic art at Gallery Charubasona, featuring 18 artists who each contributed two disc-shaped copperplates and matching prints. The works ranged from Manik Kumar Ghosh's clever double-disc brassiere to Partha Pratim Deb's absurd clownish figures, Laxma Goud's restrained goddess imagery, and Rm. Palaniappan's three-dimensional illusions. Other highlights included Siddhartha Ghosh's identity-less human figures, Sukla Poddar's environmental themes, and Swapnesh Vaigankar's archaeological inspirations. The exhibition was described as neat but lacking in challenge, with most works in monochrome and only faint touches of color.

Impressionist and Modern Works on Paper & Impressionist and Modern Art Day Sale Achieve $56.5 Million - Christie's

Christie's New York held back-to-back Day Sales on November 18, 2025, featuring Impressionist and Modern Works on Paper in the morning and Impressionist and Modern Art Day Sale in the afternoon. The two sales achieved a combined total of $56.5 million, with top lots including Edgar Degas's *Danseuses sur la scène* ($1.14 million), Childe Hassam's *The Flower Seller* ($2.15 million), and Robert Delaunay's *Portrait de Jean Metzinger* ($2.03 million). The sales drew from notable collections such as those of Robert F. and Patricia G. Ross Weis, Carol and Terry Wall, and Arnold and Joan Saltzman, with strong bidding across American, Latin American, and European artists.

Wilson College unveils anti-war art show by Callot on Nov. 19

Wilson College in Chambersburg, Pennsylvania, will open a new art exhibition titled “Jacques Callot and Those Who Came After” on November 19, 2025, in the first-floor gallery of the John Stewart Memorial Library. The show features 18 etchings from Callot’s 1633 series “Les Grandes Misères de la Guerre,” widely regarded as the first anti-war statement in Western art, alongside works by artists he inspired, including Francisco Goya, Otto Dix, and Ernst Barlach. Curated by assistant professor Adam DelMarcelle, the exhibition was a collaborative effort involving students from multiple courses—Western Art History 1000–1800, Graphic Design II, Typography and the Letterform, and digital photography—who conducted research, designed the visual language, built the catalog, and contributed photographic elements.

New book highlights Vorticism’s toxic side—and puts its women pioneers back in the frame

A new book by Canadian art historian James King, titled "Our Little Gang," examines the Vorticist movement, highlighting its toxic internal dynamics and the marginalization of its female pioneers. King details how Wyndham Lewis, the movement's self-appointed leader, belittled followers like Jessica Dismorr and Helen Saunders, even painting over one of Saunders' works. The book also explores the movement's artistic tensions, balancing abstraction with representation, and features works by Lewis, David Bomberg, and Saunders.

We All Know Grandma Moses, Right? But Not Fully, It Seems

A New York Times article reexamines the life and legacy of the beloved American folk artist Grandma Moses (Anna Mary Robertson Moses), suggesting that the public's understanding of her is incomplete. It delves into lesser-known aspects of her biography and artistic practice, challenging the simplistic, sentimental image often associated with her work.

Italy's art police seize 21 suspected forgeries from Dalí exhibition

Italian art police, the Carabinieri TPC, seized 21 suspected forgeries attributed to Salvador Dalí from the exhibition "Dalí, Between Art and Myth" at Palazzo Tarasconi in Parma. The works, including 18 lithographs and three drawings, were among 80 pieces on display. A Rome court ordered the seizure after Dalí experts in Spain and the Gala-Salvador Dalí Foundation expressed doubts about their authenticity. The investigation began with a routine check in January, and the Carabinieri waited until the show opened to confiscate the works, which were loaned by two Italian individuals. The exhibition was organized by Navigare company and had previously run at Rome's Historical Museum of the Italian Army Infantry.

Naples, Marco Island, Everglades CVB pays tribute to local Hispanic cultures in a year-long celebration

The Naples, Marco Island, Everglades Convention and Visitors Bureau (CVB) has launched ¡ARTE VIVA!, a yearlong celebration honoring the Hispanic cultures that make up nearly 30% of the region's population. The 2025-2026 season includes Día de los Muertos events at venues like the Marco Island Center for the Arts, Naples Botanical Garden, and Artis—Naples, featuring Calaveras sculptures by Ricardo Soltero, photography by Lizette Morales, and performances by Ballet Folklorica Jaliscience. Visual arts highlights include a Joan Miró exhibition at Naples Art Institute, a permanent collection show at The Baker Museum, and a public art installation by Michelle Tricca at Lipman Farms. Musical programming features Gulfshore Opera's Carmen, Latin Grammy nominee Leslie Cartaya, and Opera Naples Festival under Ramón Tebar.

The Dutch Masters Were Women, Too

A New York Times article highlights the overlooked contributions of women artists in the Dutch Golden Age, challenging the traditional male-dominated narrative of Dutch Masters. It profiles several female painters such as Judith Leyster, Rachel Ruysch, and Maria Sibylla Merian, whose works were historically undervalued or attributed to men.

Longboat exhibition to showcase multimedia artists

The Longboat Key chapter of the National League of American Pen Women, Inc. has opened a two-month art exhibition at Plymouth Harbor featuring over 30 artists working in oil painting, pastels, photography, glasswork, sculpture, and creative writing. Notable participants include Miriam Cassell, who layers collages and paint to advocate for inclusion; Jo Jo Fusco, who contributed a large-scale oil painting inspired by Edward Hopper; and Medge Jaspan, who debuted a black-and-white piece titled 'Dec. 21' tied to personal milestones. The exhibition debuted on September 9, with Plymouth Harbor resident Joslyn Kirkegaard purchasing a painting by Barbara Jendrysik depicting the Sarasota skyline.