The article announces the exhibition “Jamea Richmond-Edwards: Another World and Yet the Same” at Hamilton College’s Wellin Museum of Art. The show presents the work of contemporary artist Jamea Richmond-Edwards, whose practice explores themes of Black womanhood, mythology, and Afrofuturism through mixed-media works on paper and large-scale installations.
Kettle Art Gallery in Dallas is hosting "OG's Return to Deep Ellum," an exhibition reuniting eight pioneering visual artists who helped shape the creative identity of the Deep Ellum district. The show features works by Bill Haveron, Brad Ellis, Brad Smith, Clay Austin, Dwayne Carter, Frank Campagna, Greg "Ozone" Contestabile, and Thor Johnson, alongside tributes to the late Albert Scherbarth and David "Mosquito" Hawley. The opening reception precedes a run through August 16.
The Indah Gallery, located within the Roblar Winery complex near Santa Ynez, is hosting a solo exhibition titled "Many Roads" by Native American artist Mitchell Robles. The show features works such as the large triptych "Thunder Mountain," along with pieces like "Little Thunder Horse," "Leaping Brown Horse," and "Sitting Bull," which blend ancient indigenous iconography with contemporary neo-Expressionist techniques. Gallerist and founder Max Gleason, himself an artist, has transformed a former barn into a dedicated art space that provides a serene setting for Robles's culturally resonant work.
Belleville Art on the Square returns for its 24th year from May 15-17, 2026, in downtown Belleville. The festival features over 100 artists from more than 27 states and one international artist, showcasing works in multiple mediums. Highlights include artist demonstrations by the Gateway East Artists Guild, a high school art show with judged awards, a Children's Art Garden with interactive activities, live entertainment at the Wine Court, and food vendors offering a variety of cuisines. Admission is free, and the event runs Friday evening through Sunday afternoon.
Curator Yen Ospina has organized "We Are La Voz II," a month-long pop-up exhibition at Orozco Gallery on The Commons in Ithaca, running from April 3 to May 2. The nomadic gallery highlights Latine fiber artists, featuring works that evolve over time and include textiles, embroidery, and fiber paintings. The exhibition serves as a tribute to Debra Castillo, a Cornell professor who co-founded the first Orozco Gallery exhibit in 2024 and passed away in October 2025. Artists like Sarah Lopez and Carolina Osorio Gil contribute pieces that explore themes of identity, memory, and resilience, with Ospina using the project to process her grief and counter rising anti-immigrant rhetoric.
The Mangaweka Yellow Church Gallery in New Zealand, known for its annual Fakes and Forgeries exhibition, is celebrating its 20-year anniversary. Owner and artist Richard Aslett will host a high tea on Monday to mark the milestone. The gallery opened in 2006 and has since fostered emerging and established artists, hosted live music events, and added antiques and retro-curios to its offerings. Its most famous exhibition pays tribute to Karl Sim, New Zealand’s only convicted art fraudster, who was born in Mangaweka and known for his Charles Goldie forgeries.
The Evanston Art Center is hosting its annual teen exhibition, titled "Stronger Together," running through April 22. Organized by the center’s teen board, the showcase features works that explore themes of peace, unity, and community resilience. This year’s display includes watercolor and digital pieces, specifically highlighting works by local students like Frances Wade, who contributed pieces reflecting on personal and communal connections.
The hit anime series BLEACH and renowned illustrator LAM have announced a collaborative nationwide exhibition tour titled “BLEACH×LAM -SOUL ART SHOWCASE-.” Launching in late April 2026, the showcase features new, highly stylized artworks by LAM that reinterpret iconic characters from Tite Kubo’s manga, including Ichigo Kurosaki and Grimmjow Jaegerjaquez. The exhibition will travel to galleries in Tokyo, Osaka, and Fukuoka, offering free admission and exclusive merchandise to the public.
Artist Lucy Bailey is presenting a solo exhibition titled "Roots and Wings" at the Aiken Center for the Arts, running through April 29. The show features nearly 50 mixed-media works created on vintage early 20th-century infant gowns, exploring the complex origins of human identity through themes of genetics, genealogy, community, and nature. Bailey utilizes diverse materials—ranging from DNA-inspired patterns and family photographs to resin-dipped cicada wings—to symbolize the foundational "roots" of selfhood and the "wings" of individual expression.
O'DA gallery in Lagos has opened a group exhibition titled "Happy," featuring works by contemporary artists that explore the complex and often contradictory nature of happiness. The show aims to move beyond simplistic portrayals of joy to examine its deeper, sometimes unsettling, psychological and social dimensions.
Six opera gowns worn by Maria Callas onstage at La Scala in Milan are on display at the Luther W. Brady Art Gallery in Washington, D.C., as part of the exhibition “Callas at La Scala.” The exhibition, located within the Corcoran School of the Arts and Design, features costumes from roles including Anna Bolena and Ifigenia, alongside costume sketches by designers Nicola Benois and Piero Tosi and photographs of Callas. Students from the Corcoran School, guided by assistant professor Tanya Wetenhall, contributed by researching, writing labels, and installing the show, while ambassadors from Greece and Italy spoke at the opening.
The Muscogee (Creek) Nation has opened the first Mvskoke-owned and operated art gallery in the Greater Tulsa area, Mvskoke Waters Gallery, in Jenks, Oklahoma, on December 13. The inaugural exhibition, “Mvskokvlke: Road of Strength,” features nearly two dozen Mvskoke artists from across the country, including George Alexander, Joy Harjo, and Sterlin Harjo, and includes a tribute to the late artist Mary Edward Smith. Co-curated by Bobby C. Martin and Carly Treece, the show celebrates Mvskoke resilience, strength, and cultural continuity.
A historic warehouse in downtown Fayetteville, known as the Porter Produce Warehouse, has been restored and opened as the Alexander Gallery, operated by the Walton Arts Center. The gallery's inaugural exhibition, "Our Art, Our Region, Our Time," features 106 works from 75 local artists and debuted at a grand opening on Wednesday evening. The building, built in 1906 and added to the National Register of Historic Places in 2020, had been closed to the public for 35 years. Walton Arts Center spent $950,000 on interior renovations, while the city contributed about $1 million for exterior restoration.
Harta Space in Penang is hosting 'A Third Eye', an exhibition paying tribute to the late multi-dimensional artist Askandar Unglehrt. Born in Germany, Unglehrt studied at the Sorbonne in Paris during the 1960s, where he was influenced by Dadaism and surrealist poet Jean Hans Arp. He later settled in Malaysia, taught at Universiti Sains Malaysia, and developed a distinctive artistic practice rooted in collage, assemblage, and the concept of a 'third eye' that synthesizes Eastern and Western perspectives. The exhibition explores his humorous, esoteric works and his lifelong questioning of art's seriousness.
Belfast's murals, long used as tools of political expression and territorial marking during the Troubles, are gradually changing. Research shows that three-quarters of the most intimidatory murals in the loyalist Shankill area have disappeared since 1998. Newer murals commemorate figures like Queen Elizabeth II and King Charles III, while non-sectarian artistic murals—including tributes to murdered journalist Lyra McKee—are appearing across the city. However, some paramilitary-linked murals persist, and a 2024 incident saw a wall in north Belfast rebuilt and its threatening imagery repainted, reflecting ongoing tensions and the complex politics of 'conflict transformation' funding.
Five senior studio art majors at Sweet Briar College—Giselle Vega, Kalin Ross, Laci Walker, Sydney Harris, and Trista Cleaves—presented their work in the Senior Art Exhibition titled “Inner Landscapes: An Artistic Exploration of Our Human Experience.” The show opened on April 4, 2025, at the Benedict Gallery, featuring a range of mediums including painting, sculpture, and photography. Each artist explored themes of identity, transformation, and self-expression, with common threads of inner perception and outer reality linking the diverse pieces.
À Bordeaux, le MADD dévoile sa sublime métamorphose et rend hommage à une étoile filante du design
The Musée des Arts décoratifs et du Design (MADD) in Bordeaux has unveiled a significant architectural renovation and expansion of its public spaces. The project, led by the architecture firm Antoine Dufour, transformed the 18th-century Hôtel de Lalande, creating a new open-air passage, a café-restaurant, a ticket office-shop, and improving accessibility and circulation between the historic mansion and the adjacent former prison used for temporary exhibitions. The redesign emphasizes natural light, reveals original stone walls, and incorporates contemporary, clearly distinguishable interventions.
The Mattatuck Museum in Waterbury, Connecticut, will host a live performance by the Grateful Dead tribute band Mystic Dead on June 11, 2026, as a fundraiser for the museum's education and public programs. The event is tied to the upcoming exhibition "Psychedelic Splendor: The Concert Art of AJ Masthay & Helen Kennedy," which runs from June 13 to September 26 and features over 20 gig posters created for bands including Black Sabbath, Dave Matthews Band, and The Grateful Dead. The exhibit marks the first museum show for both Connecticut-based artists, who are known for their screen-printed concert posters.
Victoria artist Tanya Bub is organizing a benefit exhibition titled "Wild Art for the Big of Heart" at the Victoria Gage Gallery from May 12 to 31, 2026. The show features 10 sculptures or installations, each representing a different local charity focused on people in need, animals, and the environment. Buyers can choose which charity receives 25% of the purchase price. Bub, who has been making art in Victoria since 2019, aims to highlight lesser-known organizations like Soap for Hope, and participating charities will host public events such as film screenings and talks.
Ashland University is set to open its annual Juried Student Art + Design Exhibition on March 5 at the Coburn Gallery. The showcase features 78 artworks created by students over the academic year, ranging from fine art to design projects. An opening reception will include the announcement of several prestigious honors, including Best in Show and the Bernini Award, with a total of $1,000 in prize money distributed to the winners.
The Doosan Yonkang Foundation has announced its sponsorship of the Korean Pavilion at the 61st Venice Biennale, which will take place from May 9 to November 22, 2026, at Giardini Park in Venice, Italy. The Korean Pavilion, titled "Liberation Space: Fortress and Nest," explores political events and historical transitions in Korean society from 1945 to the present, under the artistic direction of Choi Bitna. Participating artists include Noh Hyeri and Choi Goeun, along with fellows such as novelist Han Kang, farmer and activist Kim Huju, writer and singer Lee Lang, photographer Hwang Yeji, and artist Christian Nyampeta. Notably, Noh Hyeri and Choi Bitna are alumni of the foundation's support programs, Doosan Art Lab and Doosan Curator Workshop, respectively.
A rare, intricately carved wooden chair, potentially used by Anne Boleyn during her time in the French courts between 1510 and 1520, has been acquired and is now on display at Hever Castle. The chair was purchased by antiques dealer Paul Fitzsimmons from an online American auction in 2022, and its carvings—featuring dolphins, a Tudor rose, and the initials "AB" intertwined with a cordelière emblem of Queen Claude—suggest a strong link to the Tudor queen's early life.
Archaeologists in northeastern Romania have unearthed a 6,000-year-old 'megastructure' at the Stăuceni-"Holm" site, attributed to the Cucuteni-Trypillia culture. Measuring approximately 350 square meters, the building is significantly larger than typical dwellings of the period and was strategically positioned near the settlement's entrance. The absence of domestic tools or ritual statuettes suggests the space served as a communal assembly hall or administrative center rather than a private residence.
A team of international researchers has published the first scientific analysis of ritual incense residues from Pompeii. By examining ash from two ancient censers—one from an inn and another from a domestic shrine—they identified charred plants like oak and laurel, as well as evidence of imported frankincense from India.
A section of the apse of the 12th-century Romanesque-Mudejar Church of Our Lady of the Castle (also known as the Church of Our Lady of the Assumption) in Muriel de Zapardiel, Valladolid, Spain, collapsed on Monday morning. The protected Bien de Interés Cultural was immediately closed to the public, with no injuries reported. Heritage experts attribute the collapse to long-standing structural issues such as humidity, cracks, and brickwork erosion, compounded by years of insufficient maintenance. The Archbishopric of Valladolid, which owns the church, stated that inspections last summer had not indicated imminent risk, while regional culture minister Gonzalo Santonja visited the site and called for further analysis.
Telfair Museums in Savannah, Georgia, laid off approximately 15 percent of its staff on January 9, 2025. The layoffs were announced abruptly during an afternoon Zoom call without prior warning, according to former employees, though the museum offered severance packages. Museum representatives attributed the cuts to reduced funding and stated the decision was approved by the board’s executive committee.
New Zealand police recovered a diamond-encrusted Fabergé egg pendant from a 32-year-old thief who allegedly swallowed it after stealing it from Partridge Jewellers in Auckland. The suspect was detained within minutes of the theft, and officers monitored him for six days until the pendant was naturally passed. The special-edition locket, valued at $33,585, is a tribute to the Fabergé egg featured in the James Bond film Octopussy, featuring a green guilloché enamel shell and an 18-karat yellow gold octopus set with diamonds and sapphires.
Protesters stormed the campus of the Museum of West African Art (MOWAA) in Benin City, Nigeria, on Sunday, just hours before its first preview events were set to begin. Demonstrators entered through a gate after being denied access, hurling insults at foreign guests and journalists. All preview events have been canceled and the public opening postponed. The museum attributed the unrest to disputes between previous and current state administrations, while local residents claimed anger over the perceived hijacking of a local initiative, with the Oba of Benin reportedly unhappy about the project.
Archaeologists at Complutense University in Madrid have published research suggesting that Neanderthals created art, challenging the long-held belief that only Homo sapiens were capable of symbolic expression. At the San Lázaro rock shelter in central Spain, a site occupied by Neanderthals over 40,000 years ago, researchers discovered a large granite pebble with a red ocher dot applied by a fingertip, along with carved cupules that form a face-like arrangement. Analysis by the Spanish National Police confirmed the dot was intentionally made, and the pebble was transported from three miles away, indicating deliberate selection and symbolic thought.
A new mural at Chicago's Rate Field commemorates Pope Leo XIV (formerly Robert Prevost, known as "Father Bob") attending Game 1 of the 2005 World Series as a White Sox fan. The mural, located near Section 140, features the pope in regalia with hands raised, above a screenshot from the Fox broadcast showing him in White Sox gear alongside his friend Ed Schmit. The artwork honors both the papal election and Schmit, a lifelong Sox fan who died in 2020 and had predicted Prevost would become pope.