See What’s on View in NOLA This March

New Orleans is set to host several major art exhibitions this March, highlighting the city's diverse cultural landscape. Key openings include Alexis McGrigg’s "In the Beloved" at the Ogden Museum, which explores Blackness and spirituality through fluid abstraction, and an augmented reality exhibition on the American Revolution at The Historic New Orleans Collection. Additionally, the New Orleans Museum of Art will debut a significant collection of 18th-century French Sèvres porcelain.

Artist Bria Edwards presents solo exhibition, What We Do, We've Always Done

Artist Bria Edwards has debuted a solo exhibition titled "What We Do, We've Always Done" at the Julio Fine Arts Gallery at Loyola University Maryland. The multidisciplinary showcase features oil paintings, photography, and video work resulting from two years of fieldwork and interviews with Black equestrians across Maryland. Curated by Lauren Davidson of Museum Nectar Art Consultancy, the exhibition explores the historical and contemporary presence of Black horse riders, moving from the era of enslavement to modern-day leisure and competitive spaces.

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A collective of volunteers and historians, operating under the name Citizen Historians for the Smithsonian, has documented over 50,000 wall labels across the Smithsonian Institution's 21 museums. This grassroots effort was launched in response to the Trump administration's directives to review and remove what it deems "divisive narratives" or "improper ideology" from federal cultural institutions. The tension escalated at the National Portrait Gallery when a label for Donald Trump’s portrait was edited to remove references to his two impeachments, leading to a "guerrilla teaching" protest by Georgetown historian James Millward.

ACA Galleries Presents 100 Years of Black Art

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ACA Galleries in New York is hosting "Continuum: Over 100 Years of Black Art," an expansive group exhibition running through March 7, 2026. The show features a diverse array of media—including painting, sculpture, textiles, and collage—by more than a dozen pioneering Black artists. Spanning from the 19th century to the present day, the exhibition highlights key figures such as still-life painter Charles Ethan Porter, collagist Romare Bearden, and contemporary textile artist Helen McBride Richter.

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The Metropolitan Museum of Art has announced a major joint exhibition titled "Krasner and Pollock: Past Continuous," scheduled for this fall. Featuring over 120 works, the show marks the first comprehensive joint presentation of Jackson Pollock and Lee Krasner’s entire careers, rather than focusing solely on their years as a married couple. Curated by David Breslin and Brinda Kumar, the exhibition will utilize the Met’s deep holdings alongside significant international loans to trace the evolution of these two Abstract Expressionist titans from their early WPA days to their late-career innovations.

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Kurimanzutto has appointed Corinna Durland as the new senior director of its New York gallery. Durland, who brings over two decades of experience from roles at Schwartzman&, Art Agency, Partners, and Gavin Brown’s enterprise, will lead the Chelsea-based space in collaboration with the gallery’s founders. Her mandate focuses on strengthening the gallery's U.S. program and deepening its international reach through artist management, institutional engagement, and strategic acquisitions.

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A large-scale sculpture by Korean American artist Michael Joo collapsed during the opening reception of his solo exhibition at Space ZeroOne in Tribeca, New York. The artwork, titled 'Saltiness of Greatness' (1992) and composed of compressed salt blocks, reportedly fell after being disturbed by a visitor, resulting in minor injuries to four attendees including a curator, a gallerist, and a foundation board member. The gallery, operated by the Hanwha Foundation of Culture, has temporarily closed to review safety procedures following the incident.

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Alexander Calder’s monumental sculpture "Mountains and Clouds," located in the Hart Senate Office Building in Washington, D.C., is finally undergoing a full restoration. The 75-foot-wide "clouds" component of the mobile was dismantled in 2016 due to structural safety concerns, leaving only the stationary "mountains" portion on display for nearly a decade. Supported by private funding secured by the Calder Foundation, the project will refabricate the suspended elements and reinstall the computer-controlled motor system that allows the sculpture to rotate.

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Agnes Hsu-Tang and Oscar Tang have donated 150 works by Native American artists to the New-York Historical Society to mark the 250th anniversary of the United States. The collection features significant pieces by artists such as Fritz Scholder, Jaune Quick-to-See Smith, and T.C. Cannon, intended to bridge historical and contemporary indigenous narratives. Meanwhile, the Metropolitan Museum of Art has named Jeff Bezos and Lauren Sánchez Bezos as honorary chairs for the upcoming Met Gala, a move that follows their previous roles as major sponsors.

Venice exhibition of US artist Hernan Bas will tackle issue of mass tourism

American artist Hernan Bas is set to debut a major new series of over 30 paintings titled "The Visitors" at the Ca’ Pesaro International Gallery of Modern Art in Venice. The immersive installation, created in part during a residency in the city, satirizes the absurdity of global mass tourism, from iconic clichés like the Mona Lisa to "dark tourism" sites such as Chernobyl. The works depict a procession of North American and European youths performing for cameras and navigating tourist traps with a mix of naiveté and arrogance.

New exhibition sheds light on thriving traditional Samoan art in American Samoa

The Field Museum in Chicago is set to debut "Amerika Samoa," a temporary exhibition opening March 6, 2026, in the Regenstein Halls of the Pacific. Co-curated by Reggie Meredith Fitiao and Su’a Uilisone Fitiao of the nonprofit Fa’asamoa Arts, the show focuses on two primary Samoan art forms: siapo mamanu (painted barkcloth) and tatau (tattoo). The exhibition features contemporary works alongside historical pieces from the museum's collection, including a collaborative large-scale siapo created with the Chicago Samoan community.

Ten London Art Exhibitions Not To Miss Opening in March 2026

London’s spring art season kicks off this March with a diverse array of high-profile exhibitions across the city's major institutions. Highlights include the Serpentine Galleries hosting concurrent shows by David Hockney and Cecily Brown, while the National Portrait Gallery presents the first major UK museum survey of American photographer Catherine Opie. Other notable openings include a George Stubbs focus at the National Gallery and a comprehensive look at the Baroque architecture of Sir John Vanbrugh at the Sir John Soane’s Museum.

CONTACT Inaugural Fundraising Gala and Auction

The CONTACT Photography Festival has announced its inaugural fundraising gala and auction, titled PICTURE THIS, to be held on February 24, 2026, at the Museum of Contemporary Art Toronto (MOCA). The event celebrates the festival's 30th anniversary and features a high-profile auction of works by renowned artists including Edward Burtynsky, Carrie Mae Weems, and Suzy Lake. Led by auctioneer Stephen Ranger, the evening aims to secure the financial future of North America’s largest photography festival.

Museum of Contemporary Art Los Angeles acquires Kara Walker sculpture made from dissected Confederate monument

The Museum of Contemporary Art (MOCA) Los Angeles has acquired "Unmanned Drone" (2023), a significant bronze sculpture by Kara Walker. The work was created by dissecting and reassembling a decommissioned 1921 monument of Confederate General Stonewall Jackson, which was removed from Charlottesville, Virginia, following the 2017 "Unite the Right" rally. The acquisition was announced alongside more than 150 other new additions to the museum's permanent collection, including major works by Cynthia Daignault and Paul Pfeiffer.

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Billionaire collector William I. Koch is set to auction his extensive collection of Western American art at Christie’s New York in January. Titled "Visions of the West," the sale features 76 lots with a combined low estimate of $50 million, potentially doubling the current auction record for the genre. Highlighting the event is Frederic Remington’s 'Coming to the Call', which carries an estimate of $6 million to $8 million and could set a new individual record for the artist.

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Iris Cantor, the prolific art collector and philanthropist whose patronage transformed major American institutions, has died at the age of 95 in Palm Beach, Florida. Alongside her late husband, B. Gerald Cantor, she amassed one of the world's most significant private collections of Auguste Rodin sculptures, eventually donating hundreds of works to museums including the Metropolitan Museum of Art and the Brooklyn Museum. Her death marks the end of an era for a donor whose name is synonymous with some of the most prominent gallery spaces and wings in the United States.

Paint Drippings: Art Industry News February 23

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This week’s art industry roundup highlights major shifts across the global market, including Art Basel’s announcement of 290 galleries for its flagship Swiss fair and Sotheby’s adjustment of its buyer’s premium rates. Significant personnel moves include Devyani Saltzman’s abrupt departure from the Barbican, which sparked an open letter from over 170 cultural figures, and Anne-Claire Legendre becoming the first woman to lead Paris’s Arab World Institute.

Artist talk in Petersburg. Listen to Charles Magistro, view new series

American artist Charles Magistro will host a public artist talk at the Petersburg Area Art League (PAAL) on February 28. The event offers a rare opportunity for the community to engage directly with the artist as he discusses his creative process and a new series of works that span abstract painting, sculpture, and imagined landscapes.

Frieze Los Angeles reflects the city’s resilience

Frieze Los Angeles has returned to the Santa Monica Airport for its seventh edition, marking the first iteration since the fair was acquired by Ari Emanuel’s live events venture, Mari. The event features nearly 100 galleries from 22 countries, balancing global powerhouses like Gagosian and Hauser & Wirth with a strong contingent of local Los Angeles mainstays. Fair director Christine Messineo emphasized the fair's role as a central gathering point for the international collecting community within the city's sprawling landscape.

New York Historical receives gift of 150 works by Indigenous artists

The New York Historical has received a landmark gift of 150 contemporary and historical works by Indigenous artists from Agnes Hsu-Tang, the chair of its board of trustees, and her husband Oscar Tang. The collection features major figures such as Fritz Scholder, Jaune Quick-to-See Smith, and Cara Romero, spanning various media including ceramics and textiles. This acquisition represents the most significant gift of Native art to a New York institution since the founding of the Museum of the American Indian.

Opera Gallery Houston Grand Opening

Opera Gallery has officially opened its 14th international location in Houston’s River Oaks District, marking a significant expansion of its global footprint. The new space debuted with a high-profile presentation featuring masterworks by Claude Monet, Pablo Picasso, and Marc Chagall, alongside contemporary pieces by Yayoi Kusama and Kehinde Wiley. Led by Director Gregory Lahmi and Deputy Director Kara Przybyl McIver, the gallery plans to host several curated exhibitions annually focusing on Modern and Post-War art.

A Conversation with Visual Artist Nick Cave

Acclaimed visual artist Nick Cave participated in a public lecture and live conversation moderated by Rukaiyah Adams, CEO of the 1803 Fund, as part of the Miller Family Free Day. The event centered on Cave’s multidisciplinary practice, specifically highlighting his work featured in the exhibition "Conductions: Black Imaginings II" and his iconic Soundsuits, which address themes of social justice, identity, and trauma.

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The American Federation of the Arts (AFA) has launched a major touring exhibition titled "Abstract Expressionists: The Women," featuring nearly 50 works from the collection of Christian Levett. Currently on view at the Muscarelle Museum of Art in Virginia, the show highlights 32 artists who were pivotal to the movement but often overshadowed by their male peers. The exhibition includes masterpieces by celebrated figures like Helen Frankenthaler and Lee Krasner alongside rediscovered works by lesser-known painters such as Emiko Nakano and Yvonne Thomas.

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Rana Begum’s solo exhibition, "Reflection," is currently on view at the Gallery at Windsor in Vero Beach, Florida, following its debut at the SCAD Museum of Art. The exhibition showcases Begum’s signature style, which utilizes industrial materials like metal bars and reflectors to create elegant abstractions influenced by American Minimalism and Islamic architecture. The show traces her journey from a young immigrant in the UK to a Royal Academician, highlighting her ability to manipulate light and color through geometric forms.

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The Raab Collection has listed a rare, enigmatic manuscript fragment by George Washington for $10,000, featuring the unique phrase "Fathers of the Senate!" The snippet was likely excised from a larger document in the 19th century by biographer Jared Sparks to satisfy autograph seekers. This sale joins a wave of high-value Americana hitting the market, including Jack Kerouac’s original 'On the Road' scroll at Christie's and a collection of vintage film posters at Propstore.

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The Denver Art Museum is hosting "Women of Abstract Expressionism," the first major museum exhibition dedicated exclusively to female painters of the movement. Curated by Gwen Chanzit, the show features over 50 works by artists including Helen Frankenthaler, Jay DeFeo, Elaine de Kooning, and Mary Abbott. The exhibition highlights how these women were integral to the first internationally influential American art movement but were historically sidelined in favor of male peers like Jackson Pollock and Willem de Kooning.

“Flagrant Act of Censorship”: NCAC & ACLU of Texas Call Out UNT Over Gallery Shutdown

The National Coalition Against Censorship (NCAC) and the ACLU of Texas have issued a formal challenge to the University of North Texas (UNT) following the abrupt closure of an exhibition by artist Victor “Marka 27” Quiñonez. The show, titled 'Ni de Aquí, Ni de Allá', featured works exploring Latin American identity and immigration, including pieces critical of U.S. Immigration and Customs Enforcement (ICE). Shortly after opening, the university shuttered the gallery, covered the windows, and terminated the artist's loan agreement without providing a clear explanation.

Guest column | At the nation’s galleries, celebrations of selfhood, joy and renewal

Major American art institutions are undergoing a significant shift in perspective, prioritizing themes of diversity, selfhood, and renewal in their programming. This evolution is evidenced by the Los Angeles County Museum of Art’s total re-evaluation of its permanent collection display in anticipation of its new building, alongside a wave of exhibitions featuring contemporary voices like Derrick Adams and Nick Cave, and retrospectives for historical figures such as Edmonia Lewis and Isamu Noguchi.

10 Art Shows to See in DC This Spring

Washington, D.C. is hosting a series of major art exhibitions this spring that critically examine American identity, race, and gender. Key shows include the National Gallery of Art’s "Dear America," the National Museum of Women in the Arts’ "Making Their Mark," and the National Portrait Gallery’s "Outwin 2025" triennial. These exhibitions feature a diverse range of artists, from historical figures like Mary Cassatt and Fritz Scholder to contemporary voices like Nick Cave, Diana Al-Hadid, and Aliza Nisenbaum.

Rachel Valdés: Light and Matter at Gary Nader Art Centre

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Cuban artist Rachel Valdés has opened a solo exhibition titled "Light and Matter" at the Gary Nader Art Centre in Miami. The show features a new body of work that explores the phenomenon of diffraction and the concept of afterimages—the optical illusions that persist after a light source is removed. Valdés uses these sensory echoes to bridge the gap between physical light and psychological experience, creating abstract compositions that mimic cellular or internal visions.