Sotheby’s held Saudi Arabia’s first-ever international auction on February 8, 2025, in Diriyah, offering fine art and luxury items in a historic amphitheater. The event, led by auctioneer Oliver Barker, underscores the Gulf states’ rapid expansion in the art world, with major firms like Christie’s, Sotheby’s, and Art Basel launching new ventures in the region.
The Zero Art Fair, running through Saturday at the Flag Art Foundation in Chelsea, New York, offers visitors the unusual option of taking artworks home for free. Co-founded by artists Jennifer Dalton and William Powhida, the fair operates on a model where buyers can either purchase a piece outright or acquire it at no cost, with the condition that their name appears on a public registry and they agree to lend the work for exhibitions. If no paying buyer emerges after five years, the free acquirer keeps the work permanently. The fair's first edition took place during Upstate Art Week in a Hudson Valley barn, and this second edition is supported by sponsors including collector Glenn Fuhrman's Flag Art Foundation and Gagosian gallery.
Johnny Depp has directed a new film titled "Modigliani – Three Days on the Wing of Madness," based on a play by Dennis McIntyre, which dramatizes 72 hours in the life of Italian painter Amedeo Modigliani. The film stars Riccardo Scamarcio as Modigliani and follows the artist's struggles with relationships, money, police, and a meeting with a collector, set against his bohemian life in early 20th-century Paris. It marks Depp's first directorial effort since 1997's "The Brave."
Maya Man, an artist who earned her MFA from UC's Media Art program in 2023, is the subject of a conversation with critic Ben Davis. Her work *A Realistic Day in My Life Living in New York City* is the first commission for the Whitney Museum's 'On the Hour' program, appearing on the museum's website for 30 seconds each hour. Man also founded the experimental art space HEART in New York City, which operated briefly but left a significant impact on the online/offline art scene before closing earlier in 2025.
ARTnews analyzed publicly reported sales from five blue-chip galleries—Hauser & Wirth, Pace, Thaddaeus Ropac, White Cube, and David Zwirner—at Art Basel 2025, finding a combined total over 35% lower than in 2024, around 8% below 2023, and just over 20% down from 2022. The high-water mark was $204 million in 2024, boosted by eight-figure works from Hauser & Wirth. Meanwhile, the number of artists sold by these galleries rose steadily from 109 in 2022 to 157 in 2025, indicating a shift toward broader, less concentrated inventory. Dealers reported mixed sentiments, though seven-figure deals still occurred, and some noted that market uncertainty has led to more scattershot presentations with wider price ranges.
The article reports on a record-breaking auction sale of a 4-foot-4-inch Labubu doll, which sold for RMB 1.08 million ($150,300) at Yongle International Auction in Beijing, with premium reaching RMB 1.24 million ($174,000). The character was created by Hong Kong artist Kasing Lung, who also collaborated with Art Basel on a limited edition. Other key developments include the closure of the Art Basel Hong Kong satellite fair Supper Club after two editions, Frieze announcing a new year-round space called Frieze House Seoul in Yaksu, and Blum gallery taking on global representation of Japanese ceramic artist Kimiyo Mishima's estate. The article also covers upcoming exhibitions by Christine Ay Tjoe at White Cube New York, Seulgi Lee at Ikon Gallery Birmingham, Kenny Scharf at the Modern Art Museum Shanghai, and Trevor Yeung's adaptation of his Venice Biennale show at M+ Hong Kong.
Art Basel has concluded and the London sales have wrapped, marking a busy first half of 2025 for Asian art markets despite economic uncertainties and geopolitical challenges. New players and trends have emerged: international auction houses aligned their Hong Kong sales with Art Basel Hong Kong for the first time, South Asian art has had a banner year at auction and in institutions, and West Asia is rising with Sotheby's inaugural sale in Saudi Arabia and Art Basel's planned Qatar fair. Asian galleries are expanding into Western capitals, while Western galleries are picking up Asian talent, such as Korean artist Anna Park joining Lehmann Maupin and Rim Park partnering with Kraupa-Tuskany Zeidler. Japanese artist Yu Nishimura had his first U.S. solo show at David Zwirner, and the Labubu plush toy by Kasing Lung became a pop culture sensation.
Marisa Adesman, a rising artist based in Chicago, is presenting her solo exhibition “Under the Rose” at Anat Ebgi in New York, featuring six new paintings that blend trompe l’oeil and surrealism to create nocturnal interior scenes of magic, eroticism, and domestic disobedience. The show follows her Los Angeles debut “Forklore” in 2021 and her first museum exhibition at KMAC Contemporary Art Museum in 2023, where her painting sold for $90,000 at Art Basel Miami.
The Art Angle podcast team reviews three major art stories from June. First, Canyon, a new museum-like venue dedicated to immersive video art, has been announced for New York's Lower East Side. Second, the team discusses the outcomes of Art Basel in Switzerland, the art world's most important fair, and ongoing volatility in art pricing. Third, they examine the buzz—and mockery—surrounding Oscar-winning actor Adrien Brody's painting exhibition in New York City. Culture editor Min Chen joins host Ben Davis and senior editor Kate Brown to analyze these developments.
The feminist collective Guerrilla Girls began its activism in May 1985 by wheat-pasting posters in SoHo, New York, that listed prominent male artists and revealed that their galleries showed 10 percent or fewer women artists. The group formed after the 1984 MoMA exhibition 'An International Survey of Recent Painting and Sculpture' included only 13 women out of 169 participants, sparking protests that failed to gain traction. For 40 years, the Guerrilla Girls have used statistics-driven, provocative posters to call out sexism and racism in galleries, museums, and the broader art world. This year, their anniversary is marked by retrospective exhibitions at the National Museum for Women in the Arts in Washington, D.C., the Getty Research Institute in Los Angeles, and the National Gallery of Bulgaria in Sofia.
The Digital Art Mile, Basel's first-ever digital art fair, opened its second edition on Monday at the city's Kult Kino Camera cinema, running through Sunday. Founded by digital art adviser Georg Bak and ArtMeta founder Roger Haas, the fair features panels, conferences on the digital art market, and the headline exhibition “Paintboxed,” which explores the history of the Quantel Paintbox. In a calmer, more academic atmosphere than Art Basel, ARTnews asked 10 prominent digital art figures to select their favorite artwork from the fair, with responses highlighting works such as Kim Asendorf's "Monogrid 90," XCOPY's "Last Selfie," and Matt Kane's "Gazers 200."
Sotheby's London contemporary evening sale on Tuesday brought in nearly £62.5 million ($84 million), within its pre-sale estimate of £55 million to £74 million. The 48-lot sale achieved an 83% sell-through rate, with five works selling for over £5 million each, led by Tamara de Lempicka's 'La Belle Rafaëla' (1927) at £7.4 million and Pablo Picasso's 'Nu assis dans un fauteuil' (1964–65). The auction saw strong bidding for a Basquiat work on paper, 'Untitled (Indian Head)', which sold for £5.4 million, and a standout result for Yu Nishimura's 'through the snow' (2023), which tripled its high estimate at £230,000.
Elizabeth Peyton's double portrait of Oasis brothers Liam and Noel Gallagher sold for £1,992,000 ($2.7 million) at Sotheby’s Modern and Contemporary Evening Auction in London, just above its low estimate of £1.5 million. The work, depicting the band in 1996, was backed by a house guarantee and irrevocable bid. The consignor had purchased it in 2011 for $511,640, yielding a positive return. The sale coincided with Oasis's upcoming reunion tour starting July 4.
Architect and designer Michael Graves has died at age 80 of natural causes at his home in Princeton, New Jersey. Known for iconic projects such as the Portland Municipal Services Building, the Denver Public Library, and the Alessi tea kettle for Target, Graves was a leading figure in postmodern architecture. His death prompted tributes from fellow architects Tod Williams and Richard Meier, who recalled his teaching at Princeton University and his influence on the field. Graves also designed the Humana Building, Team Disney building, and Walt Disney World Dolphin Resort, and in later years focused on accessibility projects after becoming paralyzed from a spinal cord infection.
Sotheby's has announced the consignment of Roy Lichtenstein's painting *The Ring (Engagement)* (1962) for its May 12 spring contemporary evening sale in New York, with an estimated price of around $50 million. The work, one of the largest from Lichtenstein's iconic 1961–1964 comic-book-inspired series, has had only two owners in its 53-year history, most recently from the collection of Chicago philanthropist Stefan Edlis, who acquired it at Sotheby's in 1997 for $2.2 million.
Christie’s London is auctioning Tamara de Lempicka’s 1928 painting *Portrait du Docteur Boucard*, which has not been seen on the market in 40 years. The work, depicting doctor and bacteriologist Pierre Boucard, is expected to sell for between £5 million and £8 million ($6.18 million and $9.89 million). The sale coincides with the close of Lempicka’s historic retrospective at San Francisco’s de Young Museum—the first U.S. survey of the Art Deco master—and ahead of its opening at the Museum of Fine Arts Houston.
Romania has secured a "long-term hold" on El Greco's painting *Saint Sebastian* (1610–1614), which was pulled from a Christie's New York Old Masters sale in February. The work is claimed by Romania as unlawfully taken from its national collection in 1947. The painting will remain at Christie's until legal proceedings resolve the dispute. Meanwhile, Italian sculptor Arnaldo Pomodoro died in Milan at age 98, and abstract painter Thornton Willis died in New York at 89. Other news includes a letter from National Gallery director Gabriele Finali defending the Rubens attribution of *Samson and Delilah*, Japan's curatorial appointments for the 2026 Venice Biennale, and a Bristol City Council fundraiser to acquire an early JMW Turner painting.
A new exhibition at the Gibbes Museum of Art in Charleston, South Carolina, titled “Picturing Freedom,” highlights Harriet Tubman’s role in the Combahee River Raid of 1863, where she guided Union troops to free 756 enslaved people in a single night. The show features works by Jacob Lawrence, Aaron Douglas, Elizabeth Catlett, and Faith Ringgold, alongside contemporary artists, and includes multimedia elements such as audio interviews with descendants, a video reenactment, and landscape photographs by J. Henry Fair. Guest curated by Vanessa Thaxton-Ward of Hampton University Museum, the exhibition is based on Edda L. Fields-Black’s Pulitzer Prize-winning book "COMBEE."
The National Park Service has added the Donald Judd Historic District in Marfa, Texas, to the National Register of Historic Places. The designation covers 15 buildings transformed by artist Donald Judd, including structures on the decommissioned Fort D.A. Russell army base, as well as his outdoor work *15 Untitled Works in Concrete* (1980–84). Judd began acquiring property in Marfa in 1971, creating an artist-centered environment that now draws around 50,000 visitors annually.
Art Basel, the flagship art fair, returns to Basel, Switzerland from June 17 to 22 amid a period of market contraction and geopolitical instability. The article explores key questions surrounding the fair, including whether the proliferation of new Art Basel editions in Paris and Doha is diluting interest in the original Swiss event. Gallerists and collectors weigh in, noting that while Paris is rising in importance, Basel retains unmatched prestige and draws a genuinely engaged international audience. The piece also highlights the fair's new "Premiere" section, which spotlights mid-career and established artists, featuring London gallery Edel Assanti's debut presentation of American artist Lonnie Holley.
New York City will gain a major new cultural venue in 2026 called Canyon, a 18,000-square-foot hub on the Lower East Side dedicated to durational, time-based art forms such as video, sound, and performance. Founded by philanthropist and collector Robert Rosenkranz, the space is designed by New Affiliates Architecture and will feature state-of-the-art galleries, a 300-seat performance hall, and a skylit piazza with food and beverage options. Joe Thompson, founding director of MASS MoCA, will serve as the venue's director. Canyon has already appointed conservator Cass Fino-Radin as director of art and technology and curator Sam Ozer as curator-at-large, with partners including Rhizome, Electronic Arts Intermix, and the Archive of Contemporary Music. Its inaugural exhibitions will include a major retrospective of Japanese new media artist Ryoji Ikeda and a show titled "Worldbuilding" curated by Hans Ulrich Obrist.
The Texas Historical Commission announced that buildings repurposed by minimalist artist Donald Judd in Marfa, Texas, have been added to the U.S. National Register of Historic Places. Approved by the National Park Service in May 2025, the designation expands the existing Fort D.A. Russell Historic District to include 15 buildings and a large-scale installation, all altered or created by Judd between 1973 and his death in 1994. The properties are managed by the Chinati Foundation and the Judd Foundation, which operate as separate entities. This is the second Judd-linked historic district in Marfa, following the Central Marfa Historic District’s designation in 2022.
Marlene Dumas's largest retrospective to date, "The Image as Burden," has opened at Tate Modern, showcasing her uncompromising approach to portraiture. The exhibition features over 200 works, including early ink drawings like "Rejects" (1994-ongoing), political pieces such as "Osama" (2010), and the "Magdalenas" series from the 1995 Venice Biennale. Dumas, a South African painter based in Amsterdam, explores themes of identity, politics, and the female body through her fluid, often dark palette and responses to mass media images.
The American Museum of Natural History in New York City will remove human remains from its public displays over the next eight weeks and update its policies regarding the collection. The decision follows an investigation by Erin Thompson, a professor of art crime at John Jay College, whose report for Hyperallergic raised ethical and legal concerns about the acquisition of approximately 12,000 individuals' remains held by the museum. Museum president Sean Decatur announced the removal as the "right course of action," acknowledging that the remains were collected without consent and often used to advance racist scientific agendas.
The article explores the artistic friendship between Renaissance masters Raphael and Albrecht Dürer, who never met but exchanged letters and artworks across 600 miles. Initiated when both were at the height of their careers, the correspondence began with Dürer sending Raphael a gouache self-portrait, to which Raphael responded with drawings, including "Two male nude studies" (1515) and "Three Standing Men" (1514-16). The friendship lasted only five years, ending with Raphael's death in 1520 at age 37. The exchange is documented by Giorgio Vasari in "The Lives of the Artists," and one surviving drawing bears an inscription by Dürer acknowledging Raphael's gift.
Art critic Ben Davis shares a personal three-and-a-half-step method for getting the most out of visiting an art exhibition alone. The process begins with a quick walkthrough of the entire show to build a cognitive map of the space and note artworks that immediately stand out. The second step involves a systematic, slower tour to read wall texts, examine individual works, and uncover connections and hidden details, with special attention to time-based media like video art.
On Monday, Whitney Museum director Scott Rothkopf announced via email that the museum would "pause" the 2025–26 academic year of its Independent Study Program (ISP), citing a lack of a director and strained operations. The announcement coincided with an open letter from high-profile ISP alumni—including artists Emily Jacir, Andrea Fraser, Mark Dion, and others—denouncing the museum's cancellation of a pro-Palestine performance titled "No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance" by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi. The performance was canceled two days before it was to be part of an ISP curatorial exhibition, after the museum accused the artists of "valorizing specific acts of violence" and singling out community members based on belief systems. The letter also referenced the earlier demotion of ISP director Gregg Bordowitz in February.
Crystal Bridges Museum of American Art in Bentonville, Arkansas, has acquired a monumental Tiffany stained-glass window titled "Mountain Landscape (Root Memorial Window)," created by Tiffany Studios in 1917 and designed by Agnes Northrup. The 9-foot-tall, 8-foot-wide window, which depicts a cascading waterfall and mountains, was previously installed for 94 years at the Sunset Ridge Church and Collective in San Antonio, Texas. It is only the second Tiffany work in the museum's collection, joining a wisteria lamp donated in 2022.
A new museum dedicated to Frida Kahlo will open in Mexico City's Coyoacán district this September, housed in the Casa Roja, a private residence purchased by Kahlo's parents and passed down through the family. The property was gifted by the artist's grandniece Mara Romeo Kahlo, and the museum was designed by the New York–based Rockwell Group. Adán García Fajardo has been appointed director, and the project is funded by the newly established nonprofit Fundación Kahlo, chaired by public relations veteran Rick Miramontez. The museum will explore Kahlo's early life, inspirations, and cultural influences, and will feature rotating contemporary art exhibitions focused on Mexican, Latin American, and women artists.
Bill Horrigan, a pioneering curator who transformed Ohio's Wexner Center for the Arts into a leading destination for film and video art, died on May 15 after a long battle with amyloidosis. Over 34 years at the Columbus museum, he built a celebrated film and video program that attracted world-renowned artists like Chris Marker and Julia Scher, and organized landmark exhibitions for Mark Dion, Gretchen Bender, and Shirin Neshat. He also served as a curatorial adviser for the 2008 Whitney Biennial, helped program the Video Data Bank, and led the 1989 edition of Video Against AIDS.