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Untitled Art has announced the 84 exhibitors for its inaugural Houston edition, taking place September 19–21, 2025, at the George R. Brown Convention Center, with a preview day on September 18. The fair, which has run in Miami Beach for 12 years, expands to Houston citing the city's $1.3 billion arts-related spending in 2022, making it the largest art market in Texas. The exhibitor list includes 17 Texas-based galleries (about 20% of participants), leading US galleries from San Francisco, Los Angeles, Detroit, and New York, and international dealers from Canada, Spain, the UK, Peru, the Bahamas, and Latvia. A Nest section offers reduced booth prices for 20 galleries, and the fair will collaborate with Houston institutions including the Museum of Fine Arts Houston, the Contemporary Arts Museum Houston, and the Menil Collection for special projects.

A Journey Through the Work of Lucía Pizzani on the Occasion of Her First Institutional Exhibition in London

UN RECORRIDO POR LA OBRA DE LUCÍA PIZZANI A PROPÓSITO DE SU PRIMERA MUESTRA INSTITUCIONAL EN LONDRES

Venezuelan artist Lucía Pizzani presents her first institutional exhibition in the United Kingdom, titled "Faunal Succession," at Focal Point Gallery in London, running through May 30. The show features new works created in collaboration with artists Cecilia Bonilla, Jaime Gili, and Javier Weyler, as well as community groups and local schools, reimagining the Essex coastline through the concept of deep time. The exhibition links geological transformation with contemporary issues such as climate change, migration, and social change, as explored in an interview with curator Inês Costa.

Fred Tomaselli Turns Newspaper Headlines Into Mulch at His New Show at James Cohan

Fred Tomaselli presents his new exhibition “Blooms Disrupted,” opening May 15 at James Cohan’s 48 Walker Street location in New York. The show features his signature densely layered resin paintings embedded with organic matter like leaves and pharmaceutical pills, alongside a new series of collages constructed from New York Times front pages. The anchor piece, *Month of August (evening)*, combines a geometric spiral of headlines with a photographic Mexican sunflower, while other works reference art-historical gardens such as Frederic Edwin Church’s estate. Tomaselli, a Brooklyn-based artist born in 1956, uses the garden as both subject and metaphor throughout the exhibition.

In His Last Interview, Georg Baselitz Unpacks His New Nudes, Identity Art, and Being a Lifelong Outsider

Georg Baselitz, the influential German painter known for his inverted, upside-down works, gave his final interview before his death on April 30 at age 88. In the conversation, he discussed his upcoming exhibition "Eroi d’Oro [Heroes of Gold]" at the Fondazione Giorgio Cini in Venice, featuring monumental gold-primed canvases depicting nude portraits of himself and his wife Elke. Baselitz reflected on his lifelong outsider status, his refusal to follow artistic movements, and the controversial nature of his work, including his 1963 painting that led to an obscenity trial.

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Georg Baselitz, the influential German painter known for his inverted, upside-down artworks, has died at age 88 on April 30. The news was announced by his longtime gallery, Thaddaeus Ropac, via an obituary written by Robert Isaf. Baselitz gave his final spoken interview weeks before his death, discussing his upcoming exhibition “Eroi d’Oro [Heroes of Gold]” at the Fondazione Giorgio Cini in Venice, which opened May 6. The show features monumental gold-primed canvases with inverted portraits of himself and his wife Elke, which he described as a summary of his career and a reflection on art history.

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Cecilia Vicuña, the 77-year-old Chilean artist known for her ecologically and politically engaged practice, is profiled in her Tribeca home. The article describes her daily rituals of corpse pose and walks, her decades-long exile since the Pinochet coup, and her recent international acclaim including the Golden Lion at the 2022 Venice Biennale and the inaugural Icon Artist Gold Medal at Art Basel Miami Beach. A major solo show is on view at the Irish Museum of Modern Art, and MOCA Los Angeles will unveil a new commission, “Quipu of Encounters: The Dream of Water,” following her selection as the first recipient of the Eric and Wendy Schmidt Environment and Art Prize. The interview covers her studio practice, her focus on ecological collapse, and her work with Indigenous knotting traditions, poetry, and performance.

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Miami-based collectors Javier Martin and Austria Ulloa discuss their 404 Art Collection, which spans works from mid-20th century Ivorian artist Frédéric Bruly Bouabré to contemporary pieces by Ryan Schneider, Augusta Lecaros, and others. The couple, who met through their respective art-world careers, acquire works through studio visits, gallery discoveries, and friend recommendations, and they are donating a Bouabré drawing to the Boca Raton Museum of Art for an upcoming exhibition. Their collection also includes pieces by Sadaharu Horio, Ami Yoshida, Lucas Pereira Elias, Katarina Weslien, Michelangelo Pistoletto, Elsa Mora, and Waichi Tsutaka.

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Art dealer Gordon VeneKlasen, former longtime partner of Michael Werner, launched his own gallery at the start of 2025. The new VeneKlasen Gallery made its art fair debut at the inaugural Art Basel Qatar in Doha and will open twin shows of the late German artist Sigmar Polke at its New York and London spaces on March 3 and 12, respectively. In an interview, VeneKlasen discusses his career trajectory, from studying art history and working at the Ashmolean Museum to a stint with the U.S. Census Bureau, before joining Michael Werner and eventually striking out on his own. Several artists, including Florian Krewer, Issy Wood, and Sanya Kantarovsky, are following him to his new venture.

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Cayetano Ferrer, a 44-year-old artist born in Honolulu and raised in Las Vegas, is featured in a studio visit ahead of his solo exhibition "Object Prosthetics" at Commonwealth and Council in Los Angeles, running from January 31 to March 14. Ferrer's work often begins in archives, exploring how time is annotated and reinterpreted; his early piece made from casino carpeting was shown at the first "Made in L.A." biennial in 2012. He has salvaged fragments from the original William Pereira-designed LACMA buildings for recent projects, and is currently pursuing a PhD in Historic Preservation at Columbia University. The interview covers his creative process, influences like Caetano Veloso's concept of antropofagia, and his use of a hot iron seaming machine called the Kool Glide Pro.

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Cultured magazine has published a preview of artists to watch in 2026, focusing on the upcoming biennial season. The article features insights from a dozen industry insiders, including Diya Vij of Powerhouse Arts, who highlights Guadalupe Maravilla's healing-focused practice; Allan Schwartzman, who champions Yoko Ono's underrecognized legacy; Hans Ulrich Obrist, who anticipates Koo Jeong A's multisensory exhibitions; and Victoria M. Rogers, who spotlights Akinsanya Kambon's politically charged ceramics. Major events in 2026 include the 61st Venice Biennale (opening after the death of commissioner Koyo Kouoh), new Art Basel and Frieze fairs in Qatar and Abu Dhabi, and expansions at LACMA and the New Museum.

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Art Basel Miami Beach 2025 generated viral moments with Beeple's 'Regular Animals' installation featuring robot dogs with billionaire faces, while Leandro Erlich's underwater sculpture garden 'Reefline' debuted concrete cars in Biscayne Bay. The fair's priciest work was Andy Warhol's $18 million 'Muhammad Ali' (1977), sold by Lévy Gorvy Dayan. Other highlights included Katie Stout's public commission 'Gargantua's Thumb' in the Miami Design District, Refik Anadol's AI screen, and the return of Sukeban, a Japanese women's wrestling league, as a crowd favorite.

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Cultured's 'Parties Miami Art Week Social Playbook' provides a curated guide to the social and cultural events surrounding Miami Art Week 2024. It lists key art fairs including NADA (Dec. 2-6), Untitled Art (Dec. 3-7), Satellite Art Show (Dec. 4-7), and the Open Invitational (Dec. 1-6), alongside parties, fashion collaborations, and talks. Highlights include a Jimmy Choo installation with Harry Nuriev, a fireside chat with ECOLOGIES moderated by Julia Halperin, and a celebration at MOCA North Miami featuring artists Hiba Schahbaz, Diana Eusebio, and Magnus Sodamin.

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Tishan Hsu, a 74-year-old artist based in Brooklyn, is the subject of a feature article discussing his 40-year career exploring the boundary between the virtual and the physical. His current exhibition, "Emergence," at Lisson Gallery in New York (through Jan. 24), presents new biomorphic UV prints with silicone appendages that evoke fingers penetrating a computer screen. Hsu's interest in this territory began in the mid-1980s while working as a word processor on Wall Street, and his practice has consistently sought to give form to the paradox between bodily presence and virtual distance.

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Eamon Ore-Giron has taken over James Cohan's two downtown Manhattan galleries with "Conversations with Snakes, Birds, and Stars," an exhibition of new paintings and mosaics running through Dec. 20. The works draw on ancient Mesoamerican and Andean symbology, continuing his long-running "Talking Shit" series, which has previously been shown at the Contemporary Austin, Whitney Museum, and LACMA. In an interview with CULTURED, Ore-Giron discusses how he uses color, mythology, and ritual to create a universe where serpents, birds, and stars engage in dialogue with viewers and across time.

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Cultured magazine has partnered with Samsung to launch a "CULTURED Collection" on the Samsung Art Store, available exclusively to owners of Samsung's The Frame and QLED TVs. Starting in October, 60 artworks by contemporary artists including Adam Pendleton, Dominique Fung, Oscar yi Hou, Chris Martin, and Emma Webster will be displayed in the TV's art mode. A temporary pop-up gallery, the Samsung Art Store Gallery, will open to the public on Oct. 9–10 at 545 W 23rd St in New York, offering a preview of the collection.

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Cultured magazine publishes an interview with French conceptual artist Sophie Calle, conducted by a journalist who navigates Calle's characteristic conditions for the conversation. The article recounts the process of securing the interview—including a preliminary phone call from Calle to set rules—and describes Calle's home in the South of France, her tan arms, black sleeveless top, and signature glasses. The journalist references Calle's early photobooks published by Siglio, her "Unfinished" series displayed at the Musée Picasso in Paris (2023–24), and her project "The Address Book," which involved interviewing acquaintances of a stranger whose address book she found on the streets of Paris. The interview also touches on a companion catalog of moldy works after a flood in Calle's storage space, and a large photograph of dried flowers from architect Frank Gehry.

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Tia Tanna, a 24-year-old London-based collector and curator who serves on Tate's photography acquisitions committee, discusses her collecting journey in an interview with Cultured. She began collecting with a Sterling Ruby ashtray and now actively builds a collection that includes Middle Eastern contemporary art, textiles, fashion photography, and couture. Her father sparked her interest by starting a collection on her behalf when she was a child, and she now manages around 70 loans for exhibitions.

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Amy Sillman, a 69-year-old abstract painter based in New York, is preparing for a new solo exhibition titled "Alternate Side (Permutations #1–32)" at Dia Bridgehampton, opening June 28. The show will feature a series of recently completed silkscreen and painted works, which Sillman describes as being like Sol LeWitt's line forms but less structured. She plans to paint the gallery walls herself, creating an improvised backdrop for the works. The article also discusses her recent institutional survey "Oh, Clock!" at the Kunstmuseum Bern and Ludwig Forum Aachen, where she curated selections from their collections and painted the walls on a whim.

Photographer and Activist Claudia Andujar, Known for Documenting Yanomami People of Brazil, Is the Subject of a New Biopic

A new biopic titled *The Outsider (A Estrangeira)* will tell the story of photographer and activist Claudia Andujar, known for documenting the Yanomami people of Brazil. The film is written and directed by Sandra Delgado, produced by São Paulo’s Maria Farinha Filmes, and stars Inga Ibsdotter Lilleaas in the lead role, with Wagner Moura as an executive producer and cast member. The project is based on two decades of research and focuses on Andujar’s journey from Holocaust survivor to Brazilian artist who used photography to resist the military dictatorship’s destruction of Yanomami land in the 1970s.

With New Tribeca Outpost, Gratin Gallery Doubles Down on Young Artists

Gratin Gallery, founded by Talal Abillama, is opening a new outpost in Tribeca at 15 White Street, leased for ten years. The space will debut on May 15 with “Blinds and Shutters,” the first U.S. solo exhibition of Spanish sculptor Mónica Mays. The gallery, which started on Avenue B in 2022 and later moved to Grand Street, is expanding despite a challenging art market. Abillama cites the need to be closer to collectors who avoid the 15-minute walk from Tribeca to Chinatown. The new location sits near Luhring Augustine and Ortuzar Projects, and will officially open in November after renovations.

Coco Fusco and Jeffrey Gibson’s Public Lectures, Free Admission at MCA Denver, and More: Industry Moves for May 13, 2026

This week's art industry moves include Coco Fusco and Jeffrey Gibson being named speakers for Johns Hopkins University's Sam Gilliam Lecture Series, with free talks scheduled in Washington, D.C. Other notable developments: MCA Denver received a $1 million gift from the Precourt Foundation for free youth admission through 2031; Xavier Hufkens now represents painter Richard Aldrich; Galatea will represent the estate of Brazilian self-taught painter Grauben do Monte Lima; Green Art Gallery added Sharjah-based artist Fatma Al Ali; Chris Sharp Gallery now represents sculptor Richard Rezac; and the Oakland Museum of California received a ceramics gift and $1 million endowment from the Brian and Edith Heath Foundation. Additionally, a Banksy painting from the "Crude Oils" series is estimated at $18 million for an upcoming Fair Warning auction at Tiffany & Co.

Authorship Dispute Erupts Over ‘Hair Dress’ at the Met’s Costume Institute

British artist Anouska Samms has publicly claimed that the Metropolitan Museum of Art's Costume Institute exhibition "Costume Art" includes a dress, Corpus Nervina 0.0 (2023-24), that was based on her collaborative work with Israeli fashion designer Yoav Hadari. Samms alleges that she co-created the original "Hair Dress" with Hadari in 2023 while both were residents at the Sarabande Foundation, and that the Met initially sought to acquire that piece. After negotiations fell through, Hadari instead provided a similar garment attributed solely to him, prompting Samms to demand proper credit via Instagram posts and through her lawyer.

The US pavilion's curator on the controversial choice of Alma Allen for the Venice Biennale

The US pavilion at the Venice Biennale has selected Alma Allen, a Utah-born, Mexico-based sculptor, as its representative artist—a controversial and surprising choice given his relative obscurity compared to past pavilion artists. The selection process was unusually fraught: the first artist chosen was dropped before official announcement, and the announcement was delayed by the US government shutdown. The pavilion's curator, Jeffrey Uslip, discusses the exhibition titled "Call Me the Breeze," which will feature Allen's sculptures in stone, bronze, and wood that appear to defy their own weight, emphasizing artistic autonomy despite the State Department's framing of the choice as showcasing "American excellence."

London Dealer Stephen Friedman Owes $10.6 M. to Dozens of Creditors, Including Artists Deborah Roberts and Kehinde Wiley

London-based gallery Stephen Friedman has accumulated debts of approximately $10.6 million, according to official documents filed with Companies House. Creditors include Coutts & Co. bank (£3.2 million), Pentland Group Ltd. (£1.4 million), the UK tax authority, the Pollen Estate, art logistics company Crozier, and several prominent artists—Alexander Diop (£341,905), Deborah Roberts (£289,232), and Kehinde Wiley (£163,849). The gallery closed its New York space in November 2024 after just two years, then abruptly shut its London location and entered insolvency proceedings in February 2025, shortly after pulling out of Art Basel Qatar. A restructuring proposal by FRP Advisory was approved on 22 April.

How Will the Venice Biennale Impact Alma Allen’s Market?

Artist Alma Allen has been selected as America's representative at the Venice Biennale, sparking controversy due to the unusual selection process under President Trump. The pavilion is commissioned by the newly formed American Arts Conservancy, led by Jenni Parido, who previously ran a pet food lifestyle shop and entered Trump's orbit through Mar-a-Lago pet charity events. Following the announcement, Allen's galleries Olney Gleason and Mendes Wood DM dropped him, but he was quickly picked up by high-profile gallery Perrotin. The article examines how the Biennale and its attendant drama might affect Allen's market, noting his longtime collectors include Beth Rudin DeWoody, Peter Morton, Jack Pierson, and others, while his auction prices have remained modest.

Art Dubai Unveils Leaner ‘Special Edition’ Built Around Regional Core

Art Dubai has announced a streamlined "special edition" for its 2026 iteration, featuring a reduced roster of approximately 75 exhibitors. Scheduled for May 15–17 at Madinat Jumeirah, the fair is pivoting toward a regional core, with 60 percent of participants hailing from the Gulf and Southwest Asia. To address economic pressures and regional instability, the fair is implementing a novel risk-sharing financial model where booth costs are partially tied to sales performance.

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Alserkal Avenue in Dubai is expanding its traditional Art Week into a five-week "Art Month" running from April 18 to May 18. This strategic extension includes 16 gallery exhibitions, over 100 public events, and a new commercially focused group show featuring 12 UAE-based galleries. The initiative aims to provide a more sustainable platform for the local art ecosystem, especially as the Art Dubai fair has been rescheduled to mid-May and adapted in response to regional instability.

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The thirteenth edition of Expo Chicago opened its VIP preview at Navy Pier with a streamlined floor plan and a focus on emerging talent. Despite a generally slow global art market, exhibitors reported strong early sales, including Nashville-based artist Annie Brito Hodgin’s debut outside her home state and Wenhui Hao’s near-sell-out presentation with Half Gallery. The fair’s decision to reduce the number of exhibitors from 170 to 130 was widely praised by dealers for improving the quality of presentations and making the event more navigable for collectors.

Overdue payments to artists, landlords and workers at a popular gallery reflect pressures squeezing the dealer sector

The Hole, a prominent gallery with locations in New York and Los Angeles, is facing significant financial distress characterized by shuttered spaces and mounting legal disputes. Following a period of rapid expansion fueled by the 2021–2023 art market boom, the gallery has permanently closed its West Hollywood location and is currently facing multiple lawsuits from Manhattan landlords alleging over $180,000 in unpaid rent and taxes. Founder Kathy Grayson attributes the crisis to a sharp decline in sales starting in late 2023, which has left the gallery struggling to pay artists, staff, and creditors.

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Ariana Papademetropoulos has debuted a new solo exhibition titled "Glass Slipper" at Thaddaeus Ropac’s gallery in Paris. The show features a diverse range of works, including hyper-realistic paintings of dry-cleaned dresses, surrealist landscapes featuring floating chairs, and a central immersive installation. This centerpiece consists of a mattress and a fish tank filled with 150 kissing fish, accompanied by a commissioned ambient soundtrack by Nicolas Godin of the band Air, designed to evoke a meditative, ritualistic experience.