The Colectivo Los Ingrávidos, an anonymous film collective based in Tehuacán, Mexico, has been named the winner of the 2026 Schering Stiftung Award for Artistic Research. The group will receive a €15,000 prize, a solo exhibition at Berlin's KW Institute of Contemporary Art featuring a newly produced work, and a publication.
The 11th edition of the Chobi Mela photography festival has opened in Dhaka, Bangladesh, under the curatorial direction of artists Munem Wasif and Sarker Protick. With the theme 'Re,' the festival presents work from 58 artists across nine exhibitions, aiming to explore renewal and tenacity in lens-based storytelling following the disruptions of the COVID-19 pandemic and the July 2024 uprising.
Artist Yto Barrada, selected to represent France at the Venice Biennale, has stated that the French government and pavilion organizers were fully aware of her political views when they chose her. This follows criticism from the Representative Council of French Jewish Institutions (CRIF), which denounced Barrada for signing an open letter calling for Israel's exclusion from the Biennale and suggested the government should force her to withdraw her signature.
A historic East Village brownstone where artist Mark Rothko lived and worked in the 1930s has been converted into luxury condominiums following a major renovation. The building, which survived a 2022 fire, was purchased in 2023 and transformed into a two-unit property now marketed as the Rothko House, with its triplex penthouse listed for $6.2 million.
The advisory board of Chicago's DePaul Art Museum has sent a strongly worded letter to DePaul University leadership, condemning the decision to permanently close the 40-year-old museum on June 30. The letter, signed by board chair Scott J. Hunter and members including artists Brendan Fernandes and former Expo Chicago head Tony Karman, expresses "anger, frustration, and deep sadness" over the abrupt closure and the university's unilateral plans for the museum's 4,000-object collection.
A newly discovered 1951 letter reveals that a teenage Paula Rego was profoundly impressed by an Edvard Munch exhibition, specifically citing 'The Scream' and 'Inheritance.' This formative experience directly influenced her early work, such as her 1952 painting 'Drought,' which echoes Munch's style and themes. The letter, written to her mother, documents a pivotal artistic encounter she never publicly discussed.
Over 200 Mexican artists and art professionals signed an open letter accusing the government and the National Institute of Fine Arts and Literature (INBAL) of an 'institutional blunder' for allowing the resurfaced Gelman collection—approximately 300 works including pieces by Frida Kahlo and other major Mexican artists—to be exported to Spain. The collection, now held by Banco Santander's foundation, is classified as Mexican artistic monuments, which typically restricts foreign export to one or two years.
London's Natural History Museum attracted a record 7.1 million visitors in 2025, making it the UK's most popular attraction. Its success is attributed to free entry, renovated gardens, and the popular 'Fixing Our Broken Planet' climate gallery, which drew over 2 million visitors alone.
The rise of short-form video platforms like Instagram and TikTok has transformed painting from a static medium into a performative spectacle. To compete with algorithmic preferences for transformation and speed, artists are adopting specific visual grammars such as the "art reveal"—where a canvas is dramatically flipped toward the camera—and "speed painting," which turns the creation process into a high-stakes live event. These trends emphasize the labor and human presence behind the work, often utilizing emotional storytelling and direct engagement to build dedicated fanbases outside traditional gallery structures.
German artist Heinz Mack, co-founder of the influential ZERO movement, is being celebrated with a solo exhibition at Beck and Eggeling gallery in Düsseldorf to mark his 95th birthday. The show features recent and rarely exhibited works, including ceramics, collages, and pastel drawings, demonstrating his continued exploration of light, color, and materiality.
Icelandic-Danish artist Olafur Eliasson presented 'A symphony of disappearing sounds for the Great Salt Lake,' a large-scale multimedia installation in Salt Lake City’s Memory Grove Park. The work featured a three-story luminous sphere projecting visuals of wind currents and geothermal light, accompanied by a soundscape of migratory birds, brine flies, and frogs. Commissioned by the Salt Lake City Arts Council and Bloomberg Philanthropies, the ten-day public event served as a creative wake for the rapidly receding lake.
The Art Newspaper’s April book roundup highlights four significant new publications spanning art history and contemporary practice. Featured titles include Thomas Laqueur’s visual history of dogs in art, a study of marble depictions in Late Gothic and Early Renaissance painting edited by Karl Kolbitz, a comprehensive overview of Antony Gormley’s drawings, and a new catalogue focusing on Matthew Wong’s interior scenes.
The article examines the exhibition 'Narrative Threads' and related artistic projects that explore the profound significance of Palestinian textile traditions, particularly the cross-stitch embroidery known as tatreez. It highlights how 24 contemporary Palestinian artists, including Joanna Barakat and Sliman Mansour, are using this heritage to create new artistic meanings and address themes of displacement, identity, and cultural preservation.
Italy purchases rare Caravaggio painting for $34.7 million.
The Italian government has purchased Caravaggio's *Ecce Homo* for $34.7 million, preventing the 17th-century masterpiece from leaving the country. The painting, which depicts a bound Christ presented to the crowd, was sold by its private owners after its rediscovery and authentication in 2021. The state exercised its right of first refusal to match a sale agreed with an unnamed foreign buyer, securing the work for public ownership.
A mysterious new art fair called "The Island" is generating intrigue with plans for a super-secretive inaugural edition in the US Virgin Islands this May. Promotional materials suggest an exclusive event for mega-collectors, featuring special water sports activities and rumors of commissions from artists like Andres Serrano and Jeff Koons, with the unusual claim that all sales will be "redacted after the fact."
The U.S. Department of Homeland Security (DHS) used a painting by Japanese artist Hiroshi Nagai in a social media post without his permission. The agency cropped his 2017 untitled beach scene and overlaid it with the text "America After 100 Million Deportations," accompanied by a caption about national peace. Nagai, 78, expressed being "at a loss" and disappointed that a government agency would use his work to promote a political message he does not endorse.
Burnaway has launched its fourth Artist Edition, a limited-run t-shirt titled 'Sweet Lilly-Marie' created by artist Marlos E'van. The design is inspired by a character from the film *La Strada* and represents themes of family, innocence, and joy during chaotic times. Preorders are open until April 10, with shirts being hand-printed in Nashville and shipped in late April.
Der schmale Korridor der Normalität
Artist Beate Gütschow reflects on Pieter Bruegel the Elder’s 16th-century engraving "Spes" (Hope), which she encountered during a visit to the Kunstmuseum Basel. The artwork depicts a personified figure of Hope standing amidst a chaotic scene of shipwrecks and flooding, symbolizing the necessity of maintaining focus and action even in the face of overwhelming disaster.
Photographer Marina Sersale has released a new monograph titled 'Liminal Space,' published by Gost, which compiles over a decade of monochrome photography. The collection features dramatic black-and-white images captured between 2013 and 2021 across diverse locations including Italy, Japan, Iran, and the United States. Sersale, a former documentary filmmaker, focuses on the interplay of light and shadow to document fleeting, everyday moments—from sunbathers in Positano to commuters in Naples.
Jackson Fine Art in Atlanta is hosting a significant exhibition of Gordon Parks’ color photography, titled "The South in Colour." Curated by photographer Dawoud Bey, the show features over 30 works from Parks’ 1956 "Segregation Story" series, including previously unshown images and a new portfolio from The Gordon Parks Foundation. The collection documents the daily lives of the Thornton, Causey, and Tanner families in Alabama, capturing the quiet dignity of Black Americans living under the oppressive Jim Crow laws of the postwar era.
Jackson Fine Art in Atlanta is hosting "Gordon Parks: The South in Colour," a major exhibition curated by photographer Dawoud Bey. The show features over 30 works from Parks’ seminal 1956 "Segregation Story" series, including several previously unshown images of the Thornton, Causey, and Tanner families in Alabama. The exhibition coincides with the 70th anniversary of the series' original publication in Life magazine and the 20th anniversary of The Gordon Parks Foundation.
A new musical titled 'A Mirrored Monet' explores the life of Impressionist painter Claude Monet, focusing on his later years as he reflects on his youth, his artistic struggles, and the personal sacrifices he made, particularly regarding his first wife Camille. The production uses innovative set design to immerse the audience in the Impressionist style and features a strong cast portraying Monet and his contemporaries.
A new exhibition titled 'Love & Fury: New York’s Fight Against AIDS' showcases posters created by grassroots groups and artists in response to the AIDS crisis from the late 1970s to the 2000s. The show features works from collectives like the Silence=Death Project and Gay Men’s Health Crisis, as well as artists including Keith Haring and Howard Cruse, highlighting how graphic design was used to promote safe sex, demand government action, and build community resilience.
Marcel Duchamp's 1917 submission of a porcelain urinal titled 'Fountain' to the Society of Independent Artists remains one of the most provocative acts in art history. By selecting a mass-produced object and designating it as art, Duchamp introduced the concept of the 'readymade,' effectively decoupling the value of an artwork from the manual skill of the artist.
A new exhibition at MoMu in Antwerp, guest-curated by Geert Bruloot, explores the enduring legacy of the 'Antwerp Six'—a group of visionary designers who graduated from the Royal Academy of Fine Arts in the 1980s. The show features dedicated rooms for members including Walter Van Beirendonck and Dirk Van Saene, showcasing their distinct aesthetics ranging from maximalist rave-wear to surrealist runway recreations. It traces their journey from a self-funded trip to a London trade fair in 1986 to becoming global icons who challenged the dominance of Parisian couture.
Artist Genti Korini will represent Albania at the 61st Venice Biennale with a new moving-image installation titled 'A Place in the Sun.' Curated by Małgorzata Ludwisiak, the project utilizes 'Zaum'—a transrational language from the Russian Futurist movement—to explore themes of performance, puppetry, and animation. The work investigates Albania’s historical position as a 'somewhere place' often defined by external exoticism and orientalist perceptions rather than its own internal voice.
Ben Lerner’s latest novel, Transcription, marks a departure from his previous sprawling autofiction like The Topeka School, opting instead for a spare, three-part structure set during the COVID-19 pandemic. The narrative unfolds through three pivotal conversations involving the protagonist, his aging mentor Thomas, a curator, and Thomas’s son Max. Central to the plot is the protagonist’s failure to record a final interview with Thomas due to a broken phone, forcing a reliance on fallible memory and reconstruction.
The St. Louis-based triennial Counterpublic has unveiled its full artist list for the 2026 edition, titled 'Coyote Time.' Running from September 12 to December 12, the exhibition features 47 artists, duos, and collectives, including prominent names like Glenn Ligon, Nicholas Galanin, and Rirkrit Tirivanija. Curated by a diverse team including Stefanie Hessler and Wanda Nanibush, the triennial will utilize site-responsive practices and emergent technologies to explore themes of climate, immigration, and education.
Bose Krishnamachari resigned as director of the Kochi-Muziris Biennale and from the board of its foundation in January. The Kochi Biennale Foundation chairperson has now stated the resignation followed a December complaint alleging Krishnamachari sexually harassed a female employee at his apartment, making unwanted remarks and advances. Krishnamachari had initially cited family reasons for his departure.
A new exhibition titled 'Louise Bourgeois: Echoes of the Morning' has opened at the PoMo museum in Trondheim. The show centers on a series of vibrant, visceral gouaches created by Bourgeois in the last four years of her life, presented in dialogue with major sculptural installations like 'Peaux de lapins, chiffons ferrailles à vendre' (2006) and 'Spider Couple' (2003). The exhibition offers an intimate, focused exploration of the artist's late work.