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Art Museum Announces Spring 2026 Exhibitions

The Syracuse University Art Museum has announced three new exhibitions for spring 2026: “Possible Worlds: 20 Years of the Wynn Newhouse Awards,” “Afterimages: Legacies of the Thirteenth Amendment,” and “Undressed: The Nude in Dutch Art, circa 1550-1800.” These shows will join the permanent collection exhibition “Human/Environment: 4,000 Years of Art” and an Art Wall Project by artist Bhen Alan. The exhibitions explore themes of disability, race, and the human body, with curator talks and programming scheduled throughout the semester.

In post-'revolution' Bangladesh, a photography festival questions how to rebuild after ruin

The Chobi Mela, a Dhaka-based international photography festival, is taking place in Bangladesh amid political upheaval following the 2024 'Monsoon Revolution' that toppled the authoritarian government of former Prime Minister Sheikh Hasina. Co-organized by photographer and curator Munem Wasif with Sarker Protick, the festival explores themes of revolution, rebuilding, and historical repetition through themed exhibitions and solo shows by international and Bangladeshi artists, including Bani Abidi, Myriam Boulos, and Mong Mong Shay. The event occurs at a tense time, with mob violence targeting arts groups in December 2024 drawing UN condemnation, yet organizers insist on addressing the region's current crises.

Heidi Lau and Wong Ping both win M+ Sigg Prize

Heidi Lau and Wong Ping have been named joint winners of the Sigg Prize 2025, awarded by the M+ museum in Hong Kong. Each artist receives HK$300,000 ($39,000). The other shortlisted artists—Bi Rongrong, Ho Rui An, Hsu Chia-Wei, and Pan Daijing—each receive HK$100,000 ($13,000). Their works are on view at M+ until 4 January. Lau, based in New York, creates ceramics exploring time, space, mythology, and personal grief; Wong, based in Hong Kong, produces animated videos addressing social and political issues.

A haunting portrait of the Everglades appears in Miami

Artist Isabelle Brourman, known for courtroom sketches of high-profile figures like Donald Trump and Johnny Depp, has unveiled a new painting titled "No Rest for the Wicked" (2025). The work synthesizes her observations from documenting the Trump administration's immigration crackdown in courtrooms across the country, incorporating imagery from the Everglades and the detention facility nicknamed Alligator Alcatraz in southwest Florida. The painting is featured in the exhibition "The Body is the Body," curated by Simon Brewer and Nathalie Martin at the Rice Hotel, a renovated former hotel in downtown Miami now used as an art studio and exhibition space.

Delta artists show unique flair

The Art Guild of the Delta Annual Showcase 2025 opened on November 13 at Los Medanos College's Library gallery, featuring works by local Delta-area artists. Curator Sarah Lee introduced the event, where artists including Marsha Mees, Rosalinda Grejsen, Rick Haley, Julee Richardson, Susan State, Carol Ligon, and Kathy Emerick presented and discussed their pieces, ranging from clay sculptures and mixed-media works to photography and jewelry. Highlights included Mees's Kintsugi-inspired mixed-media pieces, Richardson's Steampunk dolls and a ceramic commentary on gun violence, and Haley's serendipitous beach photograph.

Graduating art students explore change within and around through the senior studio

Six senior art students at the University of Idaho presented their Bachelor of Fine Arts capstone works at the Ridenbaugh Gallery in an exhibition titled "Senior Studio," running from November 18 to December 12. The students—Kieran Heywood, Adelia Hopper, Sofia Nuss, Tyler Ready, and Austin Eike—each explored personal and societal themes through various media, including watercolor, felt, ceramics, and 3D printing. Heywood's work addressed grief and loss of a parent, Hopper's felt creatures examined gender non-conformity, Nuss painted nostalgic childhood memories, Ready critiqued militarism and fascism, and Eike focused on pharmaceutical addiction. Associate professor Aaron Johnson mentored the students to ensure their portfolios met professional gallery standards.

VCSU Arts Gallery announces new exhibit

Valley City State University's Robinson Center for the Arts Gallery has opened "Uncensored: The Art of Politics," an exhibition exploring political discourse through a variety of media including digital art, painting, fiber, and bronze sculpture. Co-curated by Gratia Brown and Reagan Koppelman, the show features works from a national call for politically themed art, addressing topics such as pedestrian rights, immigration, ecological concerns, and public trust in political institutions. The exhibit runs through November 28, 2025, and includes a virtual component on the VCSU Art Department’s YouTube Channel, with a curator talk by Koppelman scheduled for November 20.

‘It was the cheapest possible art form I could imagine’: Sophia Al-Maria performs stand-up for Frieze London

Sophia Al-Maria, winner of the 2025 Frieze London Artist Award, is performing a stand-up routine titled *Wall-Based Work* (2025) daily at the fair. Her act blends humor and serious topics, from art world bureaucracy and the Gaza conflict to being mansplained to by Robert De Niro, and includes karaoke and an editioned work benefiting the LGBTQ+ asylum charity Micro Rainbow.

California School Shutters Exhibition After Altering "Political" Art

Pepperdine University, a private Christian university in Malibu, abruptly closed the exhibition "Hold My Hand in Yours" at its Frederick R. Weisman Museum of Art six months early, after at least a dozen artists requested to withdraw their works in protest. The school had removed or altered artworks it deemed "political," including Elana Mann's video "Call to Arms 2015-2025" (2025), which documented performances using megaphone-like sculptural instruments and included footage from a 2017 May Day March with chants supporting immigrants and racial justice. Another work by the group AMBOS, a collaborative sculpture featuring an embroidery reading "Save the Children" and "Abolish ICE," was altered by turning the fabric swatch to hide the text and removing a sign inviting visitor interaction. The school did not explain its decisions to the artists.

Lots to play for: Serpentine exhibition explores censorship and connection through video games

Danielle Brathwaite-Shirley's exhibition *The Delusion* opens today at Serpentine North in London, running until 18 January 2026. The Berlin-based artist and video game designer presents a series of multiplayer video games that challenge players to confront ethical, political, and moral choices. Games like *The Unifier* require collaborative problem-solving while prompting reflection on censorship, and *The Validators* transforms an arcade shooter into a contemplative experience addressing censorship, dehumanisation, and hope. The exhibition was developed with a team of artists, researchers, technologists, and members of Brathwaite-Shirley's Black trans and queer community, and builds on the artist's ongoing work archiving Black trans histories.

These exhibits spotlight 600 female artists in DC area

Curator and blogger Florencio “Lenny” Campello has organized a series of 18 exhibits featuring 600 female artists from the Washington, D.C. region under the project Women Artists of the DMV. The main exhibition is at American University’s Katzen Arts Center, displaying 63 pieces, with additional shows at venues like Strathmore Galleries in Bethesda and Montpelier Arts Center in Laurel. Campello hand-selected each work, receiving nearly 4,000 inquiries from local artists, and structures the shows in a three-tier pyramid from well-known to emerging artists.

Creating positivity out of toxicity

Artists from Good Bank Gallery in McLaren Vale are collaborating with The Wild South on a series of events called TOXIC SURF (Mid Coast) as part of South Australia's Nature Festival. The program includes workshops, exhibitions, a lantern parade, film screenings, and a choir performance, all aimed at addressing the ecological crisis caused by the harmful algal bloom Karenia Mikimotoi along the state's coastline. Community members can participate in ocean lantern-making workshops, a roving lantern performance, a community art exhibition, and an art and eco-resilience workshop, with contributions from local artists, Ngarrindjeri elders, and environmental groups.

Children of Ruth: Artists Choosing Judaism

The Heller Museum at Hebrew Union College in New York presents “Children of Ruth: Artists Choosing Judaism,” an international group exhibition featuring 17 artists who converted to Judaism. Curated by Nancy Mantell and Susan H. Picker, the show includes works by artists from New Zealand, Japan, Hong Kong, Norway, the Netherlands, Canada, and the United States, exploring their diverse spiritual journeys through various media. Featured artists include Tetsuya Noda, whose print “Diary: June 11, 1971: Bet Din for Conversion” depicts his conversion ceremony; Yona Verwer, whose “Immersion VIII” portrays her mikvah experience; and Carolyn Carson, whose “Daughters of Ruth” addresses antisemitism and belonging.

Varley Art Gallery Hosts Opening Reception for 2025 Fall Exhibitions

The Varley Art Gallery of Markham will host an opening reception on September 20, 2025, for two new fall exhibitions: "Kejie Lin: A Garden of My Own," a solo show of meticulous Chinese ink paintings by former landscape architect Kejie Lin, and "Sights of Convergence," a group exhibition featuring Jess Riva Cooper, Gabriela García-Luna, and Stanzie Tooth that explores the entanglement of human and natural worlds. The free public event includes a guided tour by guest curator Yuluo Wei, family-friendly activities, and light refreshments, with both exhibitions running through January 11, 2026.

UNE Art Gallery show honors Deaf community and victims of the Lewiston shootings

An art exhibition titled "Unspoken Resilience: Healing from the Lewiston Shootings Two Years In" will open at the University of New England Art Gallery in Portland on September 25, 2025, coinciding with Deaf Culture Week. Co-curated by Michelle Ames and Meryl Troop, the show features works by deaf artists and artisans, alongside photographs by Michael Kolster documenting Lewiston, Maine, where a mass shooting in 2023 killed 18 people and injured 13. Four of the victims were deaf, and two other deaf individuals were injured, making this the only mass shooting in U.S. history to disproportionately impact the Deaf community. The exhibition runs through February 7, 2026, and includes contributions from American Sign Language interpreters.

'Rhino World Order' to open Tyler Art Gallery season

SUNY Oswego's Tyler Art Gallery opens its fall season with 'Rhino World Order,' an exhibition of large-scale ceramic and plaster sculptures by Buffalo-based artist Richard Tomasello. The show runs from September 2 to October 8, with an opening reception on September 5. Tomasello's work draws inspiration from Eugène Ionesco's 1959 absurdist play 'Rhinoceros,' using the rhinoceros as a metaphor for fascism and conformity. His sculptures address themes of physical assault, school shootings, mob mentality, toxic masculinity, and systemic violence, emphasizing the power of individual resistance. Related events include a panel discussion with the artist and gallery director Davana Robedee, and a student reading of the play.

NMSU Art Museum to introduce three exhibitions September 19

New Mexico State University's Art Museum (UAM) will open three exhibitions on September 19, 2025: “Necessary Futures,” featuring New Mexico-based artists sheri crider, Haley Greenfeather English, and Szu-Han Ho; “Greetings from Tijuana,” a solo show by Mexican artist Georgina Treviño; and “Jennifer Ling Datchuk: RIPENING,” which examines women's labor and Asian American histories. A free public reception will be held from 5:30 to 7:30 p.m. on opening night, and all exhibitions run through March 7, 2026.

In Milwaukee, Four Artists Unravel Trauma to Move Toward Collective Wellness

An exhibition titled 'No One Knows All It Takes' opens at the Haggerty Museum of Art in Milwaukee, featuring four artists—Bryana Bibbs, Raoul Deal, Maria Gaspar, and Swoon—who use their work to address concealed trauma and its connection to collective wellness. Curated by Colossal, the show includes Bibbs’ weavings made while caring for her dying grandparents, Deal’s portraits and sculptures exploring immigration, Swoon’s installation confronting her mother’s addiction, and Gaspar’s interactive series on incarceration in Wisconsin.

‘We just wanted to do our small part’: how Texas's art community responded to deadly flash floods

Flash flooding in Texas's Hill Country over the 4 July weekend killed at least 137 people, devastating towns like Kerrville. Darrell Beauchamp, executive director of the Museum of Western Art, describes waking to evacuation efforts and later joining volunteer search groups along the river. The museum, located on high ground, was unharmed and opened the next morning as a refuge for first responders and locals, offering its parking lot and gallery space. Beauchamp received support from neighboring institutions like the Nimitz Museum, which offered archival supplies to help save art.

Reclaim, Repurpose, Reimagine exhibition opens at SSU this fall

An exhibition titled 'Reclaim, Repurpose, Reimagine (RRR)' will open at Sonoma State University's Art Gallery on September 4, 2025, featuring works by five Bay Area artists: Mia Feuer, Bryan Keith Thomas, Arleene Correa Valencia, and Richard Lang and Judith Selby Lang of One Beach Plastic. Co-curated by SSU faculty members Eileen Parent and Stefan Kiesbye, the show transforms discarded objects into art across mediums like sculpture, fiber arts, painting, photography, and mixed media, exploring themes of resilience, diversity, vulnerability, and cultural identity. It also includes pieces from The Recology Artstart Student Hub (TRASH) summer art residency program, with a public reception on opening day and an artist talk on September 25.

Duke Riley’s Art Exhibition at the MOCA in Virginia Beach

The Virginia Museum of Contemporary Art (MOCA) in Virginia Beach is presenting "O'er the Wide and Plastic Sea," an exhibition of multimedia works by Brooklyn artist Duke Riley, running through August 31. The show spans two decades of Riley's practice, with the centerpiece artwork created from beach trash—including lighters, buoy pieces, and syringes—collected largely from Virginia Beach shores. Riley's work explores tensions between individual and collective behavior, institutional power, and nature's struggle with modern problems, blending early American styles, folklore, and sea-craft aesthetics.

Brooklyn-based artists shine in The Shed’s free summer exhibition, ‘Open Call: Portals’

The Shed in Hudson Yards has opened 'Open Call: Portals,' a free summer exhibition featuring twelve early-career New York City artists. Curated by Dejá Belardo, the show includes works across multimedia, sound, and sculpture, such as Tyson Houseman's live soundscape 'The Six Seasons,' Zain Alam's audiovisual piece 'Meter & Light: Night,' and Mel Corchado's sugar-based garment installation '$ticky $in$.' The artists were selected based on their pitches and given a year to develop their pieces, with the exhibition exploring themes of spirituality, colonialism, migration, and identity.

Artist whose work addresses art world access is not in Basel—because his visa was denied

Zimbabwean artist Richard Mudariki, creator of the Art World Passport project, was denied a visa by the Swiss embassy in Pretoria to attend the Africa Basel art fair in Switzerland. The project, which sells physical booklets at art events for attendees to document their experiences, symbolically addresses barriers faced by artists from the global South in accessing Western institutions. Mudariki had planned to debut the project in Europe at Africa Basel but was forced to appear via video link after the visa rejection, citing unreliable documentation for his stay.

Mystic Seaport Museum exhibition chronicles whale oil industry's far-reaching impact

The Mystic Seaport Museum in Connecticut has opened a new exhibition titled "Monstrous: Whaling and Its Colossal Impact," which explores the deep connection between the US whaling industry and capitalism. Featuring objects from the museum's permanent collection—including 19th-century photographs, blubber hooks, ship models, captain's logbooks, a sperm whale jawbone, a jar of blue whale fetuses, and whale oil products—the show illustrates how whale oil lit lamps and greased machines for over a century. A giant scratchboard mural by contemporary artist Jos Sances, titled "Or, The Whale" (2019-20), dominates the space, while references to Herman Melville's "Moby-Dick" permeate the exhibition, which also includes a copy of a 1930 illustrated three-volume edition.

Crosscurrents Art Exhibition Open at Stifel Center; Winners Announced

The annual Crosscurrents art exhibition has opened at Oglebay Institute’s Stifel Fine Arts Center in Wheeling, West Virginia, running through July 12. Now in its 46th year, the show features 92 works selected from over 250 submissions by artists across six states and Washington, D.C. Pittsburgh-based artist Michael Lotenero served as juror, awarding Best in Show to Asha Cabaca for “Unit,” with second and third prizes going to Jade-Lynn Lewis and Jesse Baggett, respectively.

Jewyo Rhii: ‘If you don’t die today, you get another opportunity to live’

Jewyo Rhii, a Seoul-born artist from the first generation to come of age during South Korea's dramatic political shifts in the 1980s, has been selected for this year's Korean Artists Today project. Her work, which began as personal explorations of misplacement and survival using ephemeral materials and found objects, evolved around ten years ago into collaborative projects like Love Your Depot (2019), a series of storage-unit-like installations that question the lifespan of artworks. Rhii's practice includes object-oriented performance pieces such as Ten Years Please (2007-17) and Lie on the Han River (2003-06), and she has shown at institutions including the Queens Museum, the National Museum of Modern and Contemporary Art (MMCA) in Seoul, and the Venice Biennale.

Annual Juried Show at Gallery A3: Open Call for Artists

Gallery A3 in Amherst, Massachusetts, has issued an open call for its 10th Annual Juried Show, scheduled for August 7–30, 2025. Submissions will be accepted online from May 19 to June 21, with a theme of "United We Stand: Art for Divisive Times." The juror is Billy Myers, Artistic Director and Curator of the Art for the Soul Gallery in Springfield. Accepted artists will exhibit in the downtown Amherst gallery, with an opening reception on August 7 and a free public Art Forum on August 21.

ART06870 Gallery Announces Opening Reception for “Recycle Reuse Repurpose” on Saturday

ART06870 Gallery in Old Greenwich, Connecticut, will host the opening reception for "Recycle Reuse Repurpose" on Saturday, May 3, from 6:00–8:00 PM. The exhibition features artists working with recycled and repurposed materials such as plastics, discarded newspapers, and found objects. It is timed with Earth Day celebrations at Old Greenwich School and the annual beach cleanup by the Live Like Luke Foundation. The gallery partnered with the Developing Artist Program and the Greenwich Alliance for Education to host a creative workshop where students created art from washed-up plastics, guided by artist Alejandro Durán.

alt_ Chicago - A new arts hub for Austin

Alt Space Chicago (alt_ Chicago), an artist-led nonprofit, celebrated the grand opening of its new arts hub in the historic Austin Bank building at 5645 W. Corcoran Pl. on Chicago's West Side. Over 500 people attended the event, which featured an open house, art exhibition, sustainability panel, artist market, and Sunday worship. The space will house mixed-use areas for events, exhibitions, retail, teaching, workshops, and a cafe. The building was purchased with grant money and nonprofit funds. The House Collective, a group of five nonprofits and 10 artists-in-residence, will share resources to offer classes, workshops, and exhibitions, with 10% of its income going back into the community to support elders and single-parent households.

If You See Only 6 Venice Shows, Make It These

The New York Times Art section has published a curated guide recommending six must-see exhibitions at the Venice Biennale. The article highlights thought-provoking and senses-stirring works that address themes such as war, art patronage, and the Black experience in America, as selected by the newspaper's critics.