no artists arent the winners of the new gilded age

The article critiques the current art market frenzy in New York, where fairs and auctions dominate the scene, and argues that the relationship between art and money is being misrepresented in mainstream media. It cites recent op-eds by David Brooks, Tyler Cowen, and Matthew Yglesias, who suggest that wealth inequality benefits artists by boosting the financial returns of fine art. The author counters that these commentators conflate the art market with artists' livelihoods, ignoring the precarious reality most artists face.

art market minute jun 23

Art Basel 2026 confirmed that the global art market remains a buyer's market, with sales occurring across various price brackets. A new generation of collectors is emerging, driven by curiosity, community, and long-term engagement rather than speculation. Meanwhile, former Sotheby's executive Adam Chinn has quietly built the art lending firm International Art Finance, backed by the Nahmad family.

2025 bienal de sao paulo artist list

The Bienal de São Paulo has announced the 120 artists for its 2025 edition, titled “Not All Travellers Walk Roads – Of Humanity as Practice,” opening September 6 at the Ciccillo Matarazzo Pavilion. Curated by Bonaventure Soh Bejeng Ndikung, the selection was inspired by bird migration patterns and rivers, aiming to avoid nation-state classifications. Notable participants include Isa Genzken, Firelei Báez, Wolfgang Tillmans, Forensic Architecture, and 19 Brazil-based artists, alongside 20 deceased figures such as Bertina Lopes and Ernest Cole.

new talent art in america 2025

Art in America, the sister publication of ARTnews, has released its Summer 2025 issue featuring profiles of 20 emerging artists selected as "New Talent." The list includes artists from around the world working in various mediums, such as Agnes Questionmark, Aislan Pankararu, Alejandro García Contreras, Alison Nguyen, and others. This marks a continuation of the magazine's long-running "New Talent" designation, which began in 1954 and ran regularly until 1966, was relaunched in summer 2021, and has continued since.

at christies 13 6 million marlene dumas painting sets new record for living female artist at auction

Christie's 21st-century evening sale in New York on Wednesday night totaled $96.5 million, surpassing last year's $80.3 million, though the auction was characterized by caution, few fireworks, and a reduced number of lots. The headline event was Marlene Dumas's painting *Miss January* (1997) selling for $13.6 million with premium, setting a new auction record for a living female artist. The work, estimated at $12–18 million, was guaranteed and sold to a client bidding through Christie's deputy chairman Sara Friedlander; Miami collectors Don and Mera Rubell were the consignors. Other notable results included new records for Simone Leigh, Emma McIntyre, and Louis Fratino, while the top lot was Jean-Michel Basquiat's *Baby Boom* (1982) at $23.4 million. Four of 43 lots were withdrawn, and several works failed to sell, including an Ellsworth Kelly canvas with a $2 million low estimate.

art bites illustrator marginel wright enright frank lloyd wright sister

Maginel Wright Enright, the youngest sister of famed architect Frank Lloyd Wright, is the subject of this article highlighting her career as a prolific children's book illustrator and commercial artist. Born in 1877, she studied at the Chicago Art Institute and worked for the engraving firm Barnes, Crosby Co. before illustrating 63 children's books, including works by L. Frank Baum (author of *The Wonderful Wizard of Oz*), Johanna Spyri's *Heidi*, and Clara Ingram Judson's *Flower Fairies* series. She also contributed to magazines such as *Woman's World* and *McClure's*, and created a World War I poster.

In plane sight: how the gilded elite live – in pictures

Photographer Will Vogt's second monograph, *Behind the Hedges*, offers an intimate glimpse into the lives of America's gilded elite, featuring images of his own social circle at hunting estates, weddings, exclusive club lunches, and golf weekends. The book, published by Schilt Publishing, includes quotes by Vogt and text by editor Jennifer Garza-Cuen from her essay 'Posture of Privilege,' capturing a world of inherited wealth and tradition.

Art for art’s sake, but for people’s health too | Letter

Art Fund director Jenny Waldman responds to a philosophical article about art's intrinsic value, arguing that while art should be enjoyed for its own sake, promoting its measurable health benefits can serve as a crucial entry point for new audiences. She cites the organization's National Art Pass adverts and recent research with King's College London, which demonstrated immediate physiological responses to viewing original art, as tools to invite people who might otherwise feel excluded from cultural institutions.

Loveland artist brings colorful, bold florals to new Fort Collins gallery exhibit

Loveland artist Annie O'Brien Gonzales, who specializes in bold, colorful floral paintings, is featured in 'The Bright Side' exhibition at The Lincoln Center in Fort Collins, Colorado. The show, which runs until June 12, includes her expressive acrylic and mixed-media works alongside pieces by Laura Merage, Tricia Soderberg, and Randall Steinke. O'Brien Gonzales, a former labor and delivery nurse and medical professor who became a full-time artist in 2004, will also teach a floral still life workshop at The Gardens on Spring Creek on May 31.

11 Art Shows to See in the Hudson Valley in May 2026

The article surveys 11 art exhibitions opening across the Hudson Valley in May 2026, highlighting a regional preoccupation with structure, materiality, and resistance to singular narratives. Featured shows include "Surface, Structure, String" at Hudson Hall, a textile survey curated by Richard Saja with artists like Portia Munson and Laleh Khoramian; "Jose Picayo: 35 Years in Photographs" at Robin Rice Gallery; "The Linda McCartney Retrospective: From the Light" at the Fenimore Art Museum; "Carol Seitz: Growth in Difficult Places" at Convey/er/or; and "Stephen Olivier: Hazmat" at ASK in Kingston, among others.

THE SMOKING SECTION: GOTHAM CHELSEA UNVEILS FIRST ASHTRAY ART EXHIBITION FEATURING COMMISSIONED WORKS BY PREMIER ARTISTS

Gotham, the world's first cannabis concept store, has unveiled 'The Smoking Section,' its first commissioned art exhibition at Gotham Gallery in Chelsea, New York. Running from November 6, 2025, to January 5, 2026, the show features over 45 artists and designers—including Ridykeulous (Nicole Eisenman and A.L. Steiner), Daniel Gordon, Mika Tajima, Deborah Czeresko, and Peter Shire—who each created original ashtrays that range from functional to conceptual. Curated by Rachel Berks, Gotham's VP of Product Development & Partnerships, the exhibition explores the ashtray as both a ritual object and cultural symbol, linking cannabis culture to contemporary art.

Where to see art in Houston now: 9 fun new exhibits opening in July

Nine new art exhibitions are opening in Houston in July, spanning traditional paintings, sculptures, high-tech immersive shows, and textile works. Highlights include Nick Vaughan and Jake Margolin's "Town Meeting 1978-2028" at Art League Houston, which uses wind-drawing techniques to explore pre-Stonewall queer histories; Jeffly Gabriela Molina's "Fragmentos de un sueño que yo también soñé," focusing on immigrant experiences of home and memory; and Lin Qiqing's "Every Fiber of Their Bodies," weaving narratives of gender, immigration, and human relationships. The Menil Collection also re-installs René Magritte paintings after their return from a major retrospective in Sydney.

Jenna Sutela on Representing Finland at the 61st Venice Biennale

Jenna Sutela, representing Finland at the 61st Venice Biennale, will present an exhibition titled *Aeolian Suite* in the Giardini pavilion. The work features sound sculptures that engage with wind as both a physical and political force, using meteorological data, wind machines, recorders, a children's woodwind orchestra, and recordings of winds from Venice, Helsinki, and beyond. Sutela explores noise as a creative medium, drawing on the concept of deep listening inspired by artist Pauline Oliveros, and connects her project to the Biennale's theme, *In Minor Keys*, curated by Koyo Kouoh.

Arthur Jafa and Julie Mehretu Among Art Basel Awards 2026 Medalists

Art Basel has announced the thirty-three winners of its 2026 Art Basel Awards, recognizing individuals and institutions across nine categories. The winners include prominent artists like Arthur Jafa, Julie Mehretu, and Barbara Kruger, as well as institutions such as The Brick in Los Angeles and the Diriyah Biennale Foundation. A new jury member, Prof. Dr. Bonaventure Soh Bejeng Ndikung, was also added for this edition.

Frist Art Museum Presents Exhibition Spanning 100 Years of Contemporary Indigenous Art, Highlighting a Continuum of Elders and Emerging Makers

The Frist Art Museum is presenting a new exhibition that spans 100 years of contemporary Indigenous art, featuring works from both established elders and emerging makers. The show aims to highlight the continuity and evolution of Indigenous artistic practices across generations.

Philadelphia Museum of Art 'Rising Up: Rocky and the Making of Monuments (4/25-8/2)'

필라델피아미술관 '라이징업: 록키와 기념비 제작(Rising Up: Rocky and the Making of Monuments, 4/25-8/2)' - Lounge

The Philadelphia Museum of Art has announced a major exhibition titled "Rising Up: Rocky and the Making of Monuments," scheduled to open in April 2026. Curated by Paul Farber of Monument Lab, the show will feature over 150 works by more than 50 artists, including Keith Haring, Kara Walker, and Andy Warhol. The exhibition uses the iconic Rocky statue—a fictional character that has become one of the city's most visited landmarks—as a focal point to explore the history, mythology, and evolving role of public monuments from antiquity to the present day.

Blank Spaces. Sung Tieu by Sarah Johanna Theurer

Sung Tieu's installations, characterized by austere, bureaucratic surfaces, explore the hidden architectures of power embedded in everyday systems. The article examines her series of works that deconstruct administrative forms used in asylum procedures, reducing them to blank spaces and quantified grids to expose how institutional power operates through seemingly neutral documents. Her exhibition "In Cold Print" at Nottingham Contemporary physically manifests these themes by using steel fences to control viewer movement, drawing direct parallels between minimalist sculpture and the dehumanizing design of border controls.

To-Do List: A night of poetry at the art museum, the rodeo comes to town and a Beatles tribute

This article is a weekly events roundup from Free Times, listing activities in the Columbia, South Carolina area from May 6-11. It includes an art exhibition by sculptor Ellen Emerson Yaghjian at Stormwater Studios, a poetry and performance night at the Columbia Museum of Art responding to Rodney McMillian's exhibition, a Beatles tribute concert, a rodeo, an oil paint-making workshop, a music concert, a historic walking tour, a teen craft workshop, and a rock concert.

Anyone can say something against injustice. This group uses artwork to do that.

The exhibition "Instructions for Unrest: Art Against Complacency" has opened at Art Produce Gallery in San Diego, featuring a group of artists who utilize their work as a tool for political and social disruption. Curated by Alessandra Moctezuma in collaboration with the nonprofit Space 4 Art, the show presents a diverse range of media aimed at addressing issues such as immigrant rights, LGBTQ+ protections, and environmental policy.

REVIEW: The Open: Odyssey at Hastings Contemporary

Hastings Contemporary has launched its inaugural biennial, titled "The Open: Odyssey," featuring over 150 artists with connections to Sussex. Selected from a pool of 2,600 applicants by a panel led by Kathleen Soriano, the exhibition explores themes of marine ecology, migration, mythology, and coastal life. Notable works include Alan Patch’s large-scale hanging of plastic detritus, Kate Howe’s monumental waxed paper installation "The Moving Edge," and Kevin J J Warren’s sculptures made from salvaged fishing nets.

The Metropolitan Museum of Art Announces the Opening of the Condé M. Nast Galleries, Designed by Peterson Rich Office

The Metropolitan Museum of Art has announced the opening of the Condé M. Nast Galleries, a 12,000-square-foot exhibition space designed by the New York-based architecture firm Peterson Rich Office (PRO). The galleries, located adjacent to the museum's Great Hall, will be inaugurated in May 2026 by The Costume Institute's spring exhibition titled "Costume Art," which explores the dressed body by juxtaposing garments from the Institute's holdings with treasures from the museum's broader collections. The project is part of a larger renovation that also includes a redesign of the Fifth Avenue and 83rd Street entrance to improve visitor flow.

The Art of an Art Exhibition

Seventeen Colby College seniors, all studio art majors, have organized the Senior Art Exhibition 2025 at the Joan Dignam Schmaltz Gallery of Art in downtown Waterville, Maine. The exhibition, on view through May 24, features work by four sculptors, two photographers, three painters, five printmakers, and three digital media artists. It is the culmination of a yearlong capstone course that taught students the behind-the-scenes process of mounting an exhibition, including installation, collaboration with museum preparators, and producing a print catalog with artist statements and critical essays.

The message behind the US pavilion at the Venice Biennale

The article previews the 61st Venice Biennale, opening May 9 and running through November 22, highlighting early controversies. The five-person Golden Lion jury, led by Brazilian curator Solange Farkas, resigned after declaring they would not consider pavilions from countries under International Criminal Court investigation, targeting the Israel pavilion and its artist Belu-Simion Fainaru. Separately, the US pavilion has drawn scrutiny from the New York Times over its selection process, with commissioner Jenni Parido (a former pet food store owner) tapping curator Jeffrey Uslip and sculptor Alma Allen, bypassing traditional funders like the Ford and Mellon foundations.

Cameron Art Museum partners with Cucalorus on new cinema series

Cameron Art Museum (CAM) in Wilmington, North Carolina, has announced a new film series called CAM at the Movies, produced in partnership with the Cucalorus Film Foundation. The series will take place at Jengo’s Playhouse and feature screenings paired with live conversations with artists, curators, and cultural leaders. The lineup includes three films: "Legacy" (June 26), a short film about the United States Colored Troops; Andy Warhol's "Flesh for Frankenstein" (August 28); and "Always Looking: Titus Brooks Heagins" (December 11), a documentary about the photographer's work. Each screening will be accompanied by discussions with filmmakers, curators, and museum staff, connecting the films to CAM's current exhibitions.

This Years Met Gala Felt More Like an Art Exhibition Than a Red Carpet

The 2026 Met Gala, held on May 4 at the Metropolitan Museum of Art in New York, was widely described as feeling more like an art exhibition than a traditional red carpet. The theme, "Costume Art," with the dress code "Fashion Is Art," encouraged celebrities to treat their bodies as canvases. Beyoncé made a highly anticipated return after a decade, serving as a co-chair alongside Nicole Kidman, Venus Williams, and Anna Wintour. Beyoncé wore a sculptural skeleton-inspired design by Olivier Rousteing, while Kiddon wore a shimmering red Chanel gown and Williams donned a Swarovski crystal gown inspired by her Smithsonian portrait. Other notable looks included Sabrina Carpenter in a Dior dress made from vintage film strips, Kendall Jenner referencing classical sculpture, Madonna channeling surrealist painter Leonora Carrington, and Heidi Klum arriving as a marble statue. Inside, live performances by Sabrina Carpenter and Stevie Nicks added to the spectacle.

How Tony Albert’s childhood instinct became a radical art practice

Tony Albert, a Girramay/Yidinji/Kuku-Yalanji artist, has spent his life collecting Aboriginalia—kitsch household items from the mid-20th century that feature naive or racist depictions of Indigenous culture. These objects, including ashtrays, velvet paintings, and figurines, form the basis of his upcoming exhibition *Tony Albert: Not A Souvenir* at the Museum of Contemporary Art, curated by Bruce Johnson McClean. Albert's practice transforms these mass-produced artifacts into a powerful critique of colonization, displacement, and erasure.

Landmark Exhibition at the Smithsonian American Art Museum Unites U.S. Bicentennial Photography Surveys for the First Time

The Smithsonian American Art Museum will present "Much Here Is Beautiful: Photography Surveys of the U.S. Bicentennial," a landmark exhibition opening September 18, 2026, that brings together for the first time photography surveys created through a federally funded grant program by the National Endowment for the Arts (NEA) around the 1976 U.S. Bicentennial. Featuring 225 photographs by more than 70 photographers, the show draws on the museum's holdings and collections nationwide, including previously unseen works, and places them in the context of federal survey photography dating back to the 19th century.

‘Get in the Game’ at PAMM puts sports and art on a level playing field

The Pérez Art Museum Miami (PAMM) presents 'Get in the Game: Sports, Art, Culture,' an exhibition running through August 23 that bridges the worlds of sports and visual art. Featuring over 100 works by international artists alongside sports memorabilia—including vintage sneakers, racing equipment, and FIFA World Cup soccer balls from 1930 to 2023—the show is organized by the San Francisco Museum of Modern Art and adapted for Miami with local additions. Curated by PAMM director Franklin Sirmans and co-curator Fabiana A. Sotillo, the exhibition is divided into six thematic sections such as Fandom, Winning and Losing, and Mind and Body, aiming to make both sports and art accessible to all visitors.

art amanda precourt cookie factory denver

Amanda Precourt, a 52-year-old philanthropist and real estate developer, has transformed a former fortune cookie factory in Denver's Baker neighborhood into a combined private residence and public art space called Cookie Factory. Over the past nine years, she has amassed a contemporary art collection at a rapid pace, designing her 8,000-square-foot home around specific works—such as Anselm Kiefer's monumental painting *Engel der Geschichte* (2017) and Jeffrey Gibson's beaded punching bag *Know Your Magic, Baby* (2016). The lower 5,700 square feet of the building serves as a free, self-funded public gallery, where Precourt, her partner Andrew Jensdotter, and artistic director Jérôme Sans invite artists to create site-specific works inspired by Colorado. The space opened last May with an exhibition by Sam Falls, and a second show featuring Gary Simmons runs through May 9.

art collecting on a budget guide

The article reports that the ultra-contemporary art market has cooled, with high-end sales plummeting while works priced at $5,000 or less have grown. Art economist Clare McAndrew, author of the Art Basel & UBS Art Market Report 2025, notes that collectors are now buying art they genuinely like rather than for investment. The piece offers a practical guide for collecting on a $10,000 budget, featuring advice from gallerists, advisors, and collectors on finding affordable works.