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The Sun Is Shining on Saif Azzuz

Saif Azzuz, a Bay Area-based artist of Libyan and Yurok descent, is experiencing a surge in his career with multiple exhibitions and projects across the globe. His first solo museum show at the Blaffer Art Museum at the University of Houston, a second solo exhibition at Anthony Meier Fine Arts in Mill Valley, and a temporary outdoor sculpture commission at Storm King Art Center are among his recent achievements. He also has an installation at the Oakland Museum of California, which recently acquired the work, and his first monograph has been published by Sming Sming Books. Azzuz's practice connects Indigenous land practices in California, the Hudson Valley, and beyond, incorporating foraged plant matter and ancestral knowledge.

New York art world spared worst of logistics woes

New York's spring art fairs—including Frieze, Tefaf, Independent, and Nada—are proceeding largely on schedule despite ongoing disruptions from the war in Iran. Airspace closures, reduced flights, rising fuel costs, and the closure of the Strait of Hormuz have strained global art logistics, forcing rerouting, last-minute cancellations, and cost increases of up to 2,500%. Logistics firms like Hasenkamp and Gander & White report that while shipments are still arriving, the system has become fragile, with clients prioritizing safety and resilience over speed.

"Man biegt die Röhren wie Makkaroni"

This roundup of art news covers several stories: Sotheby's failed private auction of Jackson Pollock's "Number 19, 1951" from Arne Glimcher's collection; a restitution lawsuit filed in New York for Gustav Klimt's "Fräulein Lieser" against the Austrian owner and auction house im Kinsky; a critical reflection on the purpose of Gallery Weekends amid market pressure; a tribute to the late Hilde Lynn Helphenstein, creator of the Instagram account "Jerry Gogosian"; and a feature on the 100-year anniversary of Marcel Breuer's Wassily Chair and the Bauhaus tubular steel furniture revolution.

Georgia O’Keeffe Ignored Advice to Mimic Great European Masters. Her Goal Instead Was to Be a Great American Painter

Georgia O’Keeffe, one of America’s most celebrated painters, is the subject of a Smithsonian Magazine feature that traces her artistic journey from a frustrated art student in New York to a visionary who rejected European influences in favor of a distinctly American style. The article recounts how a male classmate painted over her work to demonstrate Impressionist techniques, an experience that solidified her resolve to paint only as she saw. It follows her career through early charcoal exhibitions, her iconic flower paintings, and her eventual move to New Mexico, where the desert landscape and its bones became central to her work. The piece includes photographs of her Ghost Ranch studio and home, as well as a portrait by her husband Alfred Stieglitz.

Protests, picket lines and Indigenous pride: examining US democracy – in pictures

FotoFocus, a non-profit organization, has opened its inaugural exhibition titled "Big Tent" at the new FotoFocus Center in Cincinnati, Ohio. The show, on view until 22 August 2026, features the work of more than 50 photographers, including Dawoud Bey, Robert Frank, and RaMell Ross. Partly inspired by Amanda Gorman's poem "In This Place (An American Lyric)," the exhibition examines the present state of US democracy through documentary and artistic photography, with images ranging from civil rights protests to contemporary border issues.

Alma Allen Doubles Down on Accusations Against Publicist David Resnicow of Working Against His Venice Biennale Pavilion

Artist Alma Allen has publicly accused veteran art publicist David Resnicow of working against his U.S. Pavilion at the 2026 Venice Biennale. In an Instagram post, Allen claimed that two of three galleries that withdrew their support did so on Resnicow's advice, and that Resnicow warned arts writers, museum directors, funders, and curators not to support the pavilion. Resnicow denied the allegations, calling them "baffling" and stating he never told anyone not to work with Allen. This marks the second time Allen has named Resnicow, following a New York Times article in March.

Guimi You’s Ethereal Paintings Capture the Art of Starting Over

Lehmann Maupin in New York is presenting “Guimi You: When the Sun Shines Again,” the South Korean artist’s first major solo exhibition in the city, opening June 11, 2026. The show features a new body of atmospheric paintings that explore the theme of starting over after a period of artistic dormancy, using light as a metaphor for growth and transformation. Works such as *Spring Walk* (2026), *Golden* (2026), and *Violet Haze* (2026) depict solitary figures in quiet, luminous landscapes, blending Eastern ink-painting traditions with Western oil techniques.

Terry Winters review – flashes of magic in patterns science has yet to explain

Terry Winters presents eight new paintings at Modern Art in London, titled after geometric and mathematical terms like Area, Array, Field, and Locus. The works explore patterns inspired by botany, engineering, computer modeling, and cybernetics, using optical illusions and layered compositions to evoke natural and scientific systems. The review highlights how Winters' paintings create a push-pull effect through color and form, blending sensory pleasure with intellectual inquiry.

Oscar Tuazon Resurrects a Lost Scott Burton Work for New York’s AIDS Memorial

Oscar Tuazon has created "Eternal Flame for Scott Burton," a functional sculpture for New York City's AIDS Memorial at St. Vincent's Triangle, set to be unveiled on June 20. The work reimagines elements from a 1994 public commission by the late sculptor Scott Burton for the Sheepshead Bay Fishing Piers in Brooklyn, which had decayed and was decommissioned after Hurricane Sandy. Tuazon used salvaged materials from Burton's original installation, including perforated steel benches and lamps, to build a circular metal bench topped with a light-emitting pole. The project was supported by the New York City Department of Cultural Affairs and several foundations, and was facilitated by the city's Parks Department and the gallery Olney Gleason.

What a $181 Million Pollock Doesn’t Say

Hyperallergic reports that while headlines touted a $181.2 million Jackson Pollock sale and a $107.6 million Brancusi at Christie’s spring evening sale, the broader art market is struggling. Gallerist Marc Straus notes that roughly 30% of lots in the $1.1 billion sale sold below low estimate or went unsold, including major works like Agnes Gund’s Twombly, and many were backed by third-party guarantees. The article contrasts this with a new joyful subway mosaic by Ruby Onyinyechi Amanze at Brooklyn’s Borough Hall Station, titled “May Your Road Be Light and Fun.”

Nicola Florimbi’s Paintings Are Unsettling and Necessary

Hyperallergic reviews Nicola Florimbi's debut exhibition "Rooms" at Corbett vs. Dempsey in Chicago, featuring 10 acrylic paintings that depict individuals in ambiguous, theatrical interiors. The works reference Old Masters like Velázquez, Balthus, and Hopper, creating complex visual narratives that resist easy interpretation. Florimbi's figures—children and adults—interact in unsettling, stage-like settings that blend timelessness with contemporary unease.

After Viral Venice Pavilion, Florentina Holzinger Brings a 9-Hour Body-Art Spectacle to Vienna

Florentina Holzinger, the Austrian performance artist known for her provocative and physically extreme works, staged a 9-hour body-art spectacle titled "Pfingstspiel" (Pentecost Play) on May 23 at Hermann Nitsch's castle in Prinzendorf an der Zaya, near Vienna. The one-time performance, created with the Wiener Festwochen arts festival and the Nitsch Foundation, follows her widely discussed Venice Biennale pavilion "Seaworld Venice," which featured an underwater amusement park, a jet-ski, and a performer living in a reconstructed sewer treatment plant sustained by audience body fluids. Holzinger, who recently signed with Thaddaeus Ropac gallery, has built a reputation as one of Europe's most uncompromising performance artists, using motorbikes, helicopters, nudity, and endurance feats to challenge audiences.

Tiwani Contemporary, Beloved Gallery with a Focus on Art of the African Diaspora, Closes After 15 Years

Tiwani Contemporary, a London-based gallery known for championing artists of the African diaspora, is closing after 15 years. Founder Maria Varnava announced the closure on Instagram, citing the current economic climate and shifting London art market as unsustainable for the gallery's business model. The London space will close immediately, while the Lagos outpost will restructure. The gallery helped launch or elevate artists including Joy Labinjo, Emma Prempeh, Njideka Akunyili Crosby, Simone Leigh, and Theo Eshetu.

4 Must-See Shows at Gallery Weekend Beijing

Gallery Weekend Beijing (GWBJ) took place in the 798 Art District, drawing visitors who mingled art-viewing with shopping and leisure in a commercialized landscape. The 10th annual event featured solo exhibitions by younger Chinese artists, including Ouyang Chun's "Nirvana" and Yang Fudong's "Fragrant River," with collectors and patrons like Tian Jun and Zhu Zhu actively shaping the programming. Despite an economic downturn, veteran galleries such as Hive Center for Contemporary Art and Tang Contemporary Art maintained robust activity, while emerging artists explored themes of technological anxiety, bodily perception, and material systems.

‘Shocking? It’s only what you see in ancient temples’: painter T Venkanna on his joyous carnivals of copulation

T Venkanna, an Indian painter known for his sexually explicit and mythologically-infused works, is the subject of his first institutional solo show. The exhibition features an altarpiece shaped like a juvenile phallus, populated with scenes of graphic copulation, including figures from Hindu mythology and Adam and Eve. Venkanna draws inspiration from ancient Indian temple sculptures, which he says depict similar acts, and his work challenges the disparity between puritanical religious doctrine and licentious reality. The artist, who grew up as the son of a Hindu priest, has faced death threats and accusations of blasphemy in India for his provocative imagery.

Jury Convicts Daniel Sikkema in Killing of New York Dealer Brent Sikkema

Daniel Sikkema, the estranged husband of murdered New York art dealer Brent Sikkema, was found guilty in Manhattan federal court on charges related to a murder-for-hire plot. Prosecutors proved that Daniel orchestrated the killing of Brent Sikkema, founder of the Chelsea gallery Sikkema Jenkins & Co., at his vacation home in Rio de Janeiro in January 2024, amid a bitter divorce and custody dispute. Daniel was convicted on three counts for conspiring to hire Alejandro Triana Prevez, a Cuban former security officer, who stabbed the dealer 18 times. Daniel faces a mandatory life sentence.

Ancient Treasures From Lost Egyptian City Head to San Francisco

Dozens of ancient Egyptian artifacts from the newly discovered lost city of Aten—built under King Amenhotep III in the 1300s B.C.E.—will debut in the United States this summer at the de Young Museum in San Francisco. The exhibition, titled “Treasures of the Pharaohs,” features 130 objects spanning over 2,000 years of Egyptian history, including 20 relics from the Aten site itself. The show premiered in Rome in November 2024 and is organized with loans from the Egyptian Museum in Cairo and the Luxor Museum, with a catalog by famed archaeologist Zahi Hawass.

Felix Art Fair Founder Mills Morán Steps Back From Gallery Duties

Mills Morán, cofounder of the Los Angeles gallery Morán Morán, is stepping away from its day-to-day operations to focus on Felix Art Fair, the fair he cofounded with his brother Al Morán and collector Dean Valentine in 2018. The fair, held at the Hollywood Roosevelt Hotel alongside Frieze Los Angeles, has staged eight editions. Morán announced the decision in a statement shared with artists and colleagues, citing personal recalibration after nearly two decades in the art world and a desire to be more present for loved ones.

M+ in Hong Kong and Centre Pompidou in Paris Plan New Five-Year Partnership

M+ in Hong Kong and the Centre Pompidou in Paris have announced a new five-year partnership beginning next year. The agreement, announced at M+ on May 15, includes lending artworks for exhibitions, collaborative research and commissions, curator exchanges, and a four-year postdoctoral fellowship. A major exhibition focusing on visual culture in France and Greater China will debut at the Pompidou when it reopens in 2029 or 2030, then travel to M+.

‘You look at it and you just feel better’: this year’s Photoville festival highlights

The 15th annual Photoville festival in New York features over 90 photographic exhibits, ranging from whimsical subjects like cosmic-looking apples in "Old Apples" to hard-hitting reportage on wildfires, water access inequalities, and ICE's impact on communities. Notable exhibits include "Special Girls," showcasing 1990s photos of trans women from the Remsen Wolff archive, and "Point of View," pairing self-portraits by Dutch college students with Rijksmuseum artworks. Other highlights include Lexi Parra's "The Avillas," documenting a family after a matriarch's self-deportation, and "Puppies Behind Bars," a photo series on incarcerated men raising service dogs at Green Haven prison.

Artists turn to textiles as they excavate history at Nada New York

At the New Art Dealers Alliance (Nada) New York fair, running until 17 May, multiple artists are presenting works that heavily incorporate textiles to explore themes of culture, belonging, and history. Artists such as Keith Lafuente (with SoMad), Polina Osipova (with JO-HS), and Griselda Rosas (with Luis De Jesus Los Angeles) use fabric and sewing techniques to examine histories of inequality, migration, and labor. Rosas embroiders over painted paper using imagery from Mexican codices, Osipova prints family photos onto traditional Chuvash fabric, and Lafuente repurposes scraps from Oscar de la Renta to comment on global labor inequalities. Other participants like Ruth Owens (with Voltz Clarke Gallery) use textiles in lightbox works to tell personal stories of migration and abduction.

Independent art fair makes the most of more spacious digs

The Independent art fair in New York has relocated from Spring Studios in Tribeca to Pier 36 on the East River, doubling its footprint while slightly reducing the number of exhibitors from 87 to 76. The move creates a more spacious, single-level layout with larger stands and improved circulation, allowing for more ambitious installations. Dealers report strong early collector turnout, with over a third of exhibitors presenting solo stands by artists showing in New York for the first time, including Omar Mismar and Julia Maiuri. Notable presentations include Charles Moffett’s revival of late textile artist Silvia Heyden, James Fuentes’s cross-generational downtown New York showcase, and a large-scale installation by Gretchen Bender.

J.M.W. Turner’s Most Famous Self-Portrait Might Not Actually Be by the Artist at All

Art historian James Hamilton has publicly claimed that J.M.W. Turner's most famous self-portrait, which appears on the £20 note, is actually by the painter John Opie. Hamilton, who used the portrait on the cover of his 1997 biography of Turner, argues that the work was misattributed when it entered the Turner Bequest—the vast collection of paintings and works on paper Turner left to the nation after his death in 1851. He points to stylistic evidence, noting Opie's signature technique of "light emerging dramatically from dark," and has published his research in Turner Society News, calling on the Tate to reattribute the painting.

At Independent, Joel Mesler’s ‘Death Wish’ Is Part Art Exhibit, Part Market Experiment

Joel Mesler, a former gallerist turned artist, is debuting a new series of figurative paintings titled “Interiors” at the Independent art fair under the deliberately strange name “Joel Mesler Presented by The Estate of Joel Mesler.” The project includes only 12 paintings, which will not be sold through a gallery sales team; only Mesler himself and his former dealer David Kordansky can sell the work. Mesler describes the presentation as part art exhibit, part controlled market experiment, reflecting his frustration with the contemporary art market's loss of intimacy and unpredictability.

Lucy Liu Paints the ‘Emotional Truth’ of Family Memories

Lucy Liu, best known for her acting career in films like "Kill Bill" and the TV series "Elementary," is currently presenting a new exhibition of paintings titled "Hard Feelings" at Alisan Fine Arts in New York. The show features works that explore family memory and personal history, including pieces like "Family Portrait" (2016) and newer, more gestural paintings such as "What Stays" (2023) and "Hourglass" (2026). Liu, who studied at the New York Studio School from 2004 to 2007, uses layered and obscured imagery to reflect the unstable, fragmentary nature of memory, drawing on family photographs and her own childhood experiences following her father's death.

With New Tribeca Outpost, Gratin Gallery Doubles Down on Young Artists

Gratin Gallery, founded by Talal Abillama, is opening a new outpost in Tribeca at 15 White Street, leased for ten years. The space will debut on May 15 with “Blinds and Shutters,” the first U.S. solo exhibition of Spanish sculptor Mónica Mays. The gallery, which started on Avenue B in 2022 and later moved to Grand Street, is expanding despite a challenging art market. Abillama cites the need to be closer to collectors who avoid the 15-minute walk from Tribeca to Chinatown. The new location sits near Luhring Augustine and Ortuzar Projects, and will officially open in November after renovations.

‘It smells like my ranch!’ Diva of dirt Delcy Morelos and her amazing 30-tonne earthworks

The article profiles Colombian artist Delcy Morelos and her immersive earthwork installations, focusing on two major works: 'The Womb Space' in Mexico City, which has drawn over 60,000 visitors in its final month, and 'Origo', a new 24-metre-wide outdoor pavilion opening at the Barbican in London. Morelos creates vast soil sculptures sourced from specific regions, evoking sensory experiences of smell, touch, and memory, and invites visitors to contemplate their connection to the earth. The piece includes her reflections on Andean cosmovision, the sacredness of nature, and her 14-year artistic inquiry into soil as a humble yet life-sustaining material.

Frieze New York Diary: a charity sale and rogue underwear

Frieze New York is underway, with notable highlights including a provocative marble sculpture of underwear by Reza Aramesh at the Iranian gallery Dastan, representing the last garment removed before imprisonment. Meanwhile, collectors Susan and Michael Hort are hosting a charity sale at their Tribeca townhouse benefiting the Rema Hort Mann Fund, featuring a popular "Buy What You Love" section where $150 works on paper are sold anonymously. Actor Lucy Liu is also making waves with a new exhibition titled "Hard Feelings" at Alisan Fine Arts on the Upper East Side, showcasing deeply personal paintings about memory and family.

Coco Fusco and Jeffrey Gibson’s Public Lectures, Free Admission at MCA Denver, and More: Industry Moves for May 13, 2026

This week's art industry moves include Coco Fusco and Jeffrey Gibson being named speakers for Johns Hopkins University's Sam Gilliam Lecture Series, with free talks scheduled in Washington, D.C. Other notable developments: MCA Denver received a $1 million gift from the Precourt Foundation for free youth admission through 2031; Xavier Hufkens now represents painter Richard Aldrich; Galatea will represent the estate of Brazilian self-taught painter Grauben do Monte Lima; Green Art Gallery added Sharjah-based artist Fatma Al Ali; Chris Sharp Gallery now represents sculptor Richard Rezac; and the Oakland Museum of California received a ceramics gift and $1 million endowment from the Brian and Edith Heath Foundation. Additionally, a Banksy painting from the "Crude Oils" series is estimated at $18 million for an upcoming Fair Warning auction at Tiffany & Co.

Hoffnung auf Rekorde bei Auktionen in New York

New York's major auction houses, Sotheby's and Christie's, are gearing up for their spring sales with high-value consignments from prominent collections. Sotheby's will auction Mark Rothko's "Towering Brown and Blacks in Reds" (1957), estimated at up to $100 million, from the estate of investment banker Robert Mnuchin. Christie's is offering works from the collection of the late gallerist Marian Goodman, including Gerhard Richter's "Kerze" (1982) valued at up to $50 million and "Mohn" (1995) around $15 million, alongside pieces from the estates of publisher S. I. Newhouse and collector Agnes Gund, with a Constantin Brâncuși sculpture and a Jackson Pollock painting each estimated at $100 million, and another Rothko at $80 million.