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Christie’s fall marquee 20th-century evening sales on Monday night generated a combined $690 million across two auctions, far exceeding the pre-sale low estimate of $534.7 million. The first sale featured 18 lots from the collection of the late Robert and Patricia Ross Weis, including works by Picasso, Matisse, Mondrian, and Rothko, while the second 62-lot sale included pieces by Calder, Hockney, Chagall, and Giacometti. Bidding wars drove 16 lots to sell at or above their high estimates, with adviser Ralph DeLuca winning several high-profile battles, including a Matisse painting for $32.3 million and a Max Ernst sculpture for $20.2 million. The sell-through rate was 97% by value and 96% by lot, with only one withdrawn lot and three unsold works.

christies hauls in 690 million at robust 20th century art sale led by 62 million rothko 2714467

Christie’s kicked off the fall auction season in New York with a two-part 20th-century art sale that brought in approximately $690 million, led by Mark Rothko’s *No. 31 Yellow Stripe (1958)*, which sold for $62.2 million. The evening featured 18 works from the collection of Robert F. and Patricia G. Ross Weis, totaling $218 million, followed by a 61-lot main sale that realized $471.7 million. Other top lots included Claude Monet’s *Nymphéas (1907)* at $45.4 million and a new auction record for Beauford Delaney’s *The Sage Black (1967)* at $1.5 million.

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W. David Marx's book "Blank Space: A Cultural History of the Twenty-First Century" argues that 21st-century culture has stagnated, blaming the Internet and its economies for a lack of innovation. The book cites critics like Jason Farago and Alex Ross who lament the death of monoculture and the failure of the Internet's promised diversity, while Marx himself longs for a past era of linear artistic progress defined by -isms like Realism and Cubism. However, the review criticizes Marx's framework as rooted in a 19th-century positivist fallacy, noting that art history has never been a clean linear progression and that overlooked artists—such as Hilma af Klint and Hector Hyppolite—have always complicated the canon.

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Christie’s held a doubleheader evening sale on May 12, 2025, featuring its regular 20th-century art auction and the Riggio collection. The various-owners sale achieved $216.9 million in total sales after fees, a 52% decline from the $413 million equivalent sale the previous year. The top lot was Claude Monet’s *Peupliers au bord de l’Epte, crépuscule* (1891), which sold for $42.9 million with fees. The sale had a 94% sell-through rate, with 34 of 36 lots sold and none bought in. Notable moments included a new auction record for Dorothea Tanning at $2.3 million and a strong result for Remedios Varo’s *Revelación* (1955) at $6.22 million.

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Christie’s spring marquee auctions in New York brought in a combined $489 million with fees across two evening sales: the Leonard & Louise Riggio: Collected Works sale and the 20th Century sale. The Riggio collection, featuring 39 works heavy on Surrealism, modernism, and Minimalism, achieved $272 million with buyer’s premium, led by Piet Mondrian’s Composition With Large Red Plane, Bluish Gray, Yellow, Black and Blue (1922) at $47.56 million and René Magritte’s L’empire des lumières (1949) at $34.9 million. The 20th Century sale included major canvases by Monet, Rothko, and Warhol, but the hammer total of $409 million fell below the $446 million pre-sale low estimate, indicating the auction house did not meet expectations.

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Christie’s has promoted Alex Rotter to global president, a new role in which he will retain his existing title as global chairman of 20th- and 21st-century art. Rotter will collaborate with regional presidents and global chairmen to develop strategies for auction and private sales. He joined Christie’s in 2017 after 16 years at Sotheby’s and created the “20/21” department, which unified postwar, contemporary, and Impressionist and modern art sales. Rotter has overseen landmark sales including Jeff Koons’s *Rabbit* (1986) for $91 million, Andy Warhol’s *Shot Sage Blue Marilyn* (1964) for $195 million, and Leonardo da Vinci’s *Salvator Mundi* (ca. 1500) for $450 million.

Theme and artists announced for British Art Show 10

The 10th edition of the British Art Show, titled 'A Chorus of Strangers,' has announced its theme and a roster of over 30 participating artists. Curated by Ekow Eshun and organized by Hayward Gallery Touring, the exhibition will explore the relationship between the individual and the 'other' through three thematic lenses: 'Moments of Being,' 'Ways of Living,' and 'States of Nature.' The show is scheduled to launch in Coventry on October 2, 2025, before touring to Swansea, Bristol, Sheffield, and Newcastle Gateshead.

Fairfield University Art Museum Exhibition to Commemorate 250th Anniversary of the U.S., Opens Jan. 23

Fairfield University Art Museum will open a major loan exhibition titled "For Which It Stands…" on January 23, 2026, running through July 25, 2026, as part of the university's commemoration of the 250th anniversary of the United States. The exhibition features over 70 works by diverse artists from the early 20th century to the present day, all centered on depictions of the American flag, including pieces by Jasper Johns, Faith Ringgold, Robert Rauschenberg, Shepard Fairey, Julie Mehretu, Childe Hassam, and a new textile sculpture by Maria de Los Angeles commissioned for the show. Works are lent by private collectors, artists, galleries, and institutions such as the Delaware Art Museum, Yale University Art Gallery, and the Gordon Parks Foundation.

Beyoncé, Nicole Kidman and Venus Williams will co-chair 2026 Met Gala

The Metropolitan Museum of Art's Costume Institute has announced the co-chairs for the 2026 Met Gala, scheduled for May 4, 2026. Pop superstar Beyoncé, actor Nicole Kidman, tennis legend Venus Williams, and Vogue editor-in-chief Anna Wintour will serve as co-chairs of the annual benefit. The host committee includes fashion designer Anthony Vaccarello, actor Zoë Kravitz, and a roster of celebrities and artists such as Sabrina Carpenter, Doja Cat, and artist Anna Weyant. The gala will support the Costume Institute's exhibition "Costume Art" (May 10, 2026–January 10, 2027), which will inaugurate the new Condé M. Nast Galleries. The exhibition pairs 200 artworks from the Met's collection with 200 garments, exploring the relationship between the dressed body and Western art. Lauren Sánchez Bezos and Jeff Bezos are sponsoring the event.

Venice Unveils Stunning New Art Spaces

During the Architecture Biennale preview in Venice, two major new art spaces opened: the Nicoletta Fiorucci Foundation's new home in a historic palazzo on the San Barnaba canal, and SMAC (San Marco Art Centre), a contemporary art center on Saint Mark's Square designed by David Chipperfield. Additionally, Belgian artist Luc Tuymans accepted a last-minute commission from the Abbot of San Giorgio Maggiore to replace two Tintoretto paintings with his own large-scale works. The Fiorucci Foundation's palazzo, acquired in December 2024, opened May 10 with an exhibition by Georgian artist Tolia Astakhishvili, featuring works made from found materials and drawings on walls, alongside pieces by Thea Djordjadze and Maka Sanadze. SMAC, restored by Chipperfield, currently hosts two exhibitions: one on Australian modernist architect Harry Seidler and another on Korean landscape architect Jung Youngsun.

Martha Graham Took Classic Ballet and Turned It Into Modern Dance. It’s Still Moving Us 100 Years Later

The Martha Graham Dance Company, the oldest professional dance troupe in the United States, is celebrating its 100th anniversary with a worldwide centennial tour. The company is marking the milestone by performing Graham's classic works, like the 1946 ballet *Cave of the Heart*, alongside newer commissions that continue her innovative legacy.

Riyadh Art Extends Its Citywide Permanent Collection

Riyadh Art, a public art initiative led by the Royal Commission for Riyadh City, is expanding its Permanent Collection with 115 new installations planned through 2026 and beyond, adding to the 75 works already installed across the Saudi capital. The collection includes works by international artists such as Alexander Calder, Anish Kapoor, Jeff Koons, Giuseppe Penone, and Ugo Rondinone, alongside Saudi practitioners like Zaman Jassim and Mohammed Al Saleem, with recent additions including Calder's 'Janey Waney' and Nobuo Sekine's 'Phase of Nothingness'.

Thinking Infrastructurally: On Diversity of Aesthetics, Part 2

The article, part of a series on e-flux, presents a theoretical analysis of the 1965 Watts rebellion through the lens of Guy Debord's Situationist thought. It examines how the rioters' destruction and theft of commodities, like refrigerators they couldn't power, acted as a rejection of capitalist integration and exposed the false promise of consumer affluence.

In major auction night, rare Klimt painting smashes records at $236.4 million

Sotheby's held its first sale at its new US headquarters in New York, where Gustav Klimt's "Portrait of Elisabeth Lederer" sold for $236.4 million, becoming the most valuable work of modern art ever sold at auction and the most expensive artwork ever sold by Sotheby's globally. The record-breaking 20-minute bidding war also saw strong results for works by Edvard Munch ($35.1 million) and a Klimt landscape ($86 million), while the evening's total reached $706 million. However, two top lots by Kerry James Marshall and Barkley L. Hendricks failed to sell, and Maurizio Cattelan's gold toilet "America" drew only a single bid from Ripley's Believe It or Not! for $12.1 million.

Dartmouth Students Turn to Moldy Beef Jerky Installation in Renewed Bid to Remove Leon Black’s Name from Arts Center

Art students at Dartmouth College installed a provocative piece titled "Something Rotten" in the Black Family Visual Arts Center, consisting of 20 moldy beef sticks arranged into a smiley face over the dedication wall honoring billionaire financier Leon Black and his family. The work, created by students Erik Siegel, Angeles Juarez-Ruiz, and Roan Wade, was removed one week after the exhibition "Storage Room" opened on April 14. The piece references Black's documented friendship and business dealings with convicted sex offender Jeffrey Epstein, with the wall label quoting an Epstein email mentioning "jerky." The installation is part of a broader student and alumni campaign to remove Black's name from the arts center, which was funded by a $48 million gift from Black and his wife Debra.

Beacons in a Grim World

Two concurrent solo exhibitions at Alexander Berggruen Gallery feature the work of artists Kevin McNamee-Tweed and Tajh Rust. McNamee-Tweed presents enigmatic, tenderly absurd ceramic scenes, while Rust debuts in New York with figurative paintings that explore perception and Black identity through portraits of leisure and experimental silvered glass works.

Tanka Fonta wins 2026 Wi Di Mimba Wi Prize

Cameroon-born artist and polymath Tanka Fonta has been named the recipient of the 2026 Wi Di Mimba Wi Prize. Awarded by SAVVY Contemporary and the AKB Stiftung, the prize includes a €30,000 grant, production funds for a new commission, and dedicated curatorial support. Fonta, whose multidisciplinary practice spans visual art, composition, and philosophy, was selected from a shortlist of five Germany-based artists by a jury of prominent curators and academics.

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Bvlgari and CULTURED magazine co-hosted a launch party for Bvlgari's new Icons Minaudière collection at the Chateau Marmont in Los Angeles. The event, held in Penthouse 64, brought together a mix of Hollywood actors, visual artists, art dealers, and fashion insiders, with guests including Camila Mendes, Lauren Halsey, Emma Webster, and dealers Shaun Regen and Hannah Hoffman. Attendees enjoyed cocktails, dinner, and a rare pink moon sighting, and left with a co-developed mini-magazine.

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Cultured magazine pairs three artists with three independent fashion designers to mark the reopening of the New Museum on March 21, 2026, following a 60,000-square-foot expansion by OMA. In this installment, Serbian sculptor Ivana Bašić, whose work *Blossoming Being #2* appears in the inaugural exhibition “New Humans: Memories of the Future,” meets designer Claire Sullivan of Miss Claire Sullivan. Their conversation covers their New York origin stories, the city’s affordability crisis, and the challenges of making a creative life in the city.

Uncertainty in the Art Market is Currently Extreme

"Im Moment ist die Verunsicherung auf dem Kunstmarkt extrem"

Prominent Cologne gallerist Gisela Capitain is celebrating her 40th anniversary amid a period of significant market volatility. In recent interviews, she reflects on her career—defined by long-term artist relationships like that with Martin Kippenberger—while critiquing the current state of the art world. She notes that buyers have become increasingly hesitant and deliberate, describing the current level of uncertainty in the art market as extreme and calling for reforms to institutions like Art Cologne.

SFMOMA reimagines our connection to 250 works of art across four floors.

San Francisco Museum of Modern Art (SFMOMA) has unveiled "Reimagined: The Fisher Collection at 10," a major reinstallation of approximately 250 works from 35 artists across four floors. The project was led by project assistant curator Ted Mann and chief education and public engagement officer Gamynne Guillotte, who collaborated to transform how the collection is presented. Changes include rotating galleries, such as the Agnes Martin room, to improve sightlines, and incorporating artists' voices, archival video, and interpretive tools to make abstract works more accessible. The reinstallation marks the tenth anniversary of the Fisher Collection's long-term loan to SFMOMA, originally arranged in 2009 and later extended to 100 years.

Performa Is Bringing a Star-Studded Variety Show to Broadway

Performa, New York's biennial for performance art, is staging a one-night variety show on Broadway at Manhattan's Town Hall on June 10. The inaugural Performa All-Star Variety Show will feature artists including Barbara Kruger, Julio Torres, Marcel Dzama, Laurie Simmons, and Anne Imhoff, hosted by comedian Casey Jost. The 90-minute, 12-act event draws inspiration from 19th-century vaudeville and Futurist cabarets, offering a public spectacle outside the biennial's usual three-week format.

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Rosenfeld Gallery, founded by Michelle Rosenfeld in New York in 1970, has undergone a significant transformation under the leadership of her son Jason Rosenfeld. In 2020, the gallery relocated from New York to Miami’s Design District, and in 2023 it shifted from a public gallery space to a private operation. The gallery now operates as a leading secondary-market contemporary art purveyor, dealing in works on paper, paintings, sculpture, and editions, with a focus on long-term relationships and bespoke client service.

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The Hamptons Jewelry Show (HJS) returns July 24–27, 2025, in Southampton, New York, for its eighth edition. The event brings together 80 brands, dealers, and artisans from around the world, offering high-end jewelry including signed pieces from Cartier, Bulgari, Van Cleef & Arpels, and David Webb. Curator Hilary Joy Diaz and founder Rick Friedman emphasize the show's direct-to-customer model, where collectors meet makers and dealers face-to-face, contrasting with traditional retail and art fair models.

You can spray that again! New York drenched in colour – in pictures

The Guardian published a photo essay featuring Harry Gruyaert's vibrant street photography of New York City, spanning over 50 years. The Belgian Magnum photographer captures the city's energy through bold color and candid moments—children playing in fire hydrants, yellow cabs, neon-lit diners, and diverse neighborhoods. The images are accompanied by text from French filmmaker Cédric Klapisch, who provides fictional vignettes that blur reality and imagination.

The 5 Best Booths at ARCOmadrid 2026

food pati hertling performance space

Pati Hertling, a former restitution lawyer turned art-world fixture, has spent over two decades blending cooking with collaboration in her artistic practice. Since 2023, she has co-led Performance Space in New York's East Village alongside Taja Cheek and Ana Beatriz Sepúlveda, where she serves meals like steaks or grilled salmon to accompany gatherings. Hertling first gained prominence through her "Evas Arche und der Feminist" art salons in Berlin and New York, which offered soup and bread alongside visual art and live performances, creating a communal atmosphere that transformed attendees from bystanders into participants.

Don’t miss Ashraf Talaat’s “The Circus” photo exhibition at the Russian Cultural Centre

The article is a roundup of current and upcoming art exhibitions in Cairo, Egypt, spanning May 2025 through June 2026. Highlights include Mostafa El-Razzaz's "Fractals of Art and Soul" at Bibliothek Arkan Plaza, Mahmoud Hamdi's "Journey to the Core" at Difaf, a retrospective for Said El-Sadr and his students at Gezira Arts Centre, and the Egyptian debut of "Beyond Van Gogh: The Immersive Experience" at District 5 by Marakez in New Cairo. Also featured are a Swiss-Egyptian photography exhibition on glaciers and the Nile at the Goethe Institute, a Colombian embassy exhibition, a Korean embassy show, and a permanent ceramics display at Al-Fustat Centre.

​Walid Nayif’s painting exhibition at Yassin gallery is not to be missed

Walid Nayif is holding a painting exhibition at Yassin gallery, which the article describes as not to be missed. The article also lists numerous other art events in Cairo, including photographic projects, immersive digital exhibitions, and ceramic showcases, featuring artists such as Judi Yassin, Tia Khalil, Mostafa El-Razzaz, Khaled Taher, Mahmoud Hamdi, and Pierre Jeanneret, as well as the 'Beyond Van Gogh' immersive experience directed by Mathieu Saint-Arnaud.

‘Anchors of Light’ reframes 30 years of MOCA North Miami

The Museum of Contemporary Art North Miami (MOCA) celebrates its 30th anniversary with a new exhibition, “Anchors of Light,” which opened on April 15. Curated by Miami native Catherine Camargo, founder of Queue Gallery, the show features nearly 50 artists from the museum’s collection, including historical figures like Robert Rauschenberg and Claes Oldenburg, past retrospective subjects such as Maryan S. Maryan and Edouard Duval-Carrie, and local favorites Purvis Young and Pepe Mar. The exhibition includes a video corridor for multiple video works, addressing space constraints, and highlights Camargo’s preference for dark, muted colors and unconventional materials, exemplified by Will Boone’s painting “Widowmaker.”