Andrew Durbin reviews the national pavilions at the Venice Biennale, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The article critiques the lack of meaningful engagement in the US pavilion while praising the depth and emotional resonance of the British and German contributions.
Andrew Durbin reviews the national pavilions at an unnamed biennial, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The review critiques the lack of meaningful engagement in the US pavilion while praising the depth and emotional resonance of the British and German contributions.
Frieze magazine has published a critic's guide to the 2026 Venice Biennale, highlighting key installations and pavilions to see in the Arsenale and Giardini. Notable entries include fierce pussy’s posters welcoming LGBTQ+ visitors to Venice and Florentina Holzinger’s water-themed Austrian Pavilion. The article is part of Frieze's coverage of the 2026 Venice Biennale, offering curated recommendations for attendees.
Andrew Durbin reviews national pavilions at a major biennial, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The review critiques the lack of meaningful content in the US pavilion while praising the depth and emotional resonance of the British and German contributions.
Frieze critic Andrew Durbin reviews national pavilions at an unnamed biennial, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The US pavilion is criticized for lacking meaning, while the British and German pavilions feature incisive and moving works, including a defiant rave and provocative content like porta-potties and porn.
Gallery A3 in Amherst, Massachusetts, has announced an open call for its 11th Annual Juried Show, scheduled for August 6–29, 2026. Submissions will be accepted online from May 10 to June 7, 2026, with an entry fee of $38 for three entries. The theme for this year's show is 'Everyday Sublime,' inviting artists to explore how awe and wonder manifest in daily life. The juror is Andrew S. Yang, a professor at the School of the Art Institute Chicago whose work has been exhibited internationally, including at the 14th Istanbul Biennial and the Museum of Contemporary Art Chicago.
Meriem Bennani, a New York-based artist known for her shape-shifting practice of videos, installations, and immersive environments, gained viral fame during the COVID-19 lockdown in March 2020. She co-created the animated series '2 Lizards' with fellow artist Orian Barki, which depicted surreal, humorous conversations between anthropomorphic reptiles navigating the first weeks of the pandemic in New York City. The series, posted on Instagram, resonated widely and led to eight episodes. Bennani's broader work, including 'Life on the CAPS' (2018–2022) and 'Mission Teens' (2019), blends digital animation, live-action footage, and cultural critique, often exploring themes of diaspora, post-colonialism, and migration through dystopian, supernatural narratives.
Paul Chan, the artist known for his early digital video works, is preparing for a new exhibition at Greene Naftali titled "Automa Mon Amour," opening March 12, featuring his latest "breathers"—kinetic windsock-like sculptures powered by fans. Chan, who quit making art in 2009 to found the indie publishing house Badlands Unlimited, has since returned to art-making with analog-focused works, yet simultaneously developed Paul’ (Paul Prime), a sophisticated AI project that creates a digital version of himself using his personal data, writings, and interviews. The article explores the contradiction between Chan's rejection of screens and his engagement with highly technical, code-intensive digital art.
The New York-based Asian-American art and fashion collective CFGNY has opened a new exhibition, "Puddles into Pond," at the non-profit art space Amant in Brooklyn. The show features an immersive installation with a shaggy fur bridge, kinetic sculptures, and ceramic works, running until August 16. This exhibition is part of a significant season for the collective, which also includes a debut installation at the Whitney Biennial and participation in a group show at Pioneer Works.
Elvira Dyangani Ose is stepping down as the director of the Museu d'Art Contemporani de Barcelona (MACBA) in April, months before her contract was set to expire. Her resignation follows a conflict with the MACBA Consortium, which ruled that her new appointment as director of the Abu Dhabi Public Art Biennial was incompatible with her leadership role in Barcelona. Dyangani Ose, who became the first woman and first person of color to lead the institution in 2021, had requested to balance both positions, but the governing body denied the proposal.
Japan’s Yokohama Triennale has appointed Cosmin Costinaș and Inti Guerrero as co-artistic directors for its 9th edition, opening at the Yokohama Museum of Art on April 23, 2027. Costinaș, a Romanian writer and critic currently senior curator at Haus der Kulturen der Welt in Berlin, will become a curatorial adviser there at year’s end. Guerrero, from Bogotá, is a professor at City University in Hong Kong. The duo previously co-directed the 2024 Biennale of Sydney and the 2018 Dak’Art Biennale, and have collaborated on several other projects. They were selected from 22 candidates by a six-person international committee.
Artist Yeesookyung, known for her "Translated Vase" series that repairs broken ceramics with gold, has created new AI-driven video works for the exhibition "Fail Better," jointly held at Forum & Space in Seoul and Vido Gallery in Jeju through June 13. The two-person show, curated by Kim Yoon-kyung, also features media artist Yangachi and includes works like "Moonlight Crown," which uses real-time GPS and weather data to generate ever-changing forms, and "Oh, Rose!," a digitally bred rose series produced through an AI generative system.
Bvlgari has become the first Exclusive Partner of La Biennale di Venezia, a landmark agreement that extends through 2030. The Roman jeweler will inaugurate its role at the 2026 Venice Biennale with two major initiatives: a newly created Bvlgari Pavilion at the Giardini featuring Canadian artist Lotus L. Kang, and an exhibition at the Biblioteca Nazionale Marciana curated by Fondazione Bvlgari, presenting works by Italian artists Lara Favaretto and Monia Ben Hamouda.
Nadia Hernández, a Venezuelan-born artist now based in Melbourne, has created a multidisciplinary installation titled "Para verte mejor, en todo tiempo" (To see you better, at all times) currently on view at the Art Gallery of New South Wales. The work traces the history of Venezuelan protest music, incorporating a textile collage, a soundscape, and a site-specific mural. Hernández, who won the Grace Cossington Smith Art Award in 2021 and was a finalist for the Ramsay Art Prize and Sulman Prize in 2023, began this project two years ago as an evolving archive of protest songs, building on earlier iterations shown at the Oslo Freedom Forum, TarraWarra Biennial, and Art Basel Hong Kong.
Summer exhibitions are opening across East and South Texas at venues including the Art Museum of Southeast Texas, the Beeville Art Museum, the Longview Museum of Fine Arts, the Museum of East Texas in Lufkin, and the Rockport Center for the Arts. Highlights include Janavi Mahimtura Folmsbee's 'Magic Water' at the Rockport Center for the Arts, a 2026 FotoFest Biennial Participating Space; Jennifer Arnold's 'A Layered Space: Coming Up For Air (v.6)'; Elena Rodz's 'Byways' as part of the Past Master Artists | Rockport Legends exhibition; Bill Pangburn's 'Printed Traces – A Neches River Journal' at the Art Museum of Southeast Texas; and Woody Gwyn's 'Skylight On Water, Trees, Rock and Road' at the Art Museum of South Texas.
The Bronx Museum of the Arts hosted its Seventh AIM Biennial Open House on April 18, a free family day that combined hands-on art-making activities with the ongoing biennial exhibition. Visitors participated in button-making, print-making, screen printing, and memory box creation, led by AIM artists including Skip Brea, Hedwig Brouckaert, Ricki Dwyer, Leekyung Kang, Juyon Lee, lauren mcavoy, Piero Penizzotto, Motohiro Takeda, and V Yeh. The day also featured a critique session with artist V Yeh and a panel discussion titled “Tender Monuments,” moderated by co-curator Nell Klugman, exploring themes of personal, communal, and environmental grief.
Hastings Contemporary has launched its inaugural biennial open exhibition, titled "Odyssey," featuring 151 works selected from over 2,500 submissions by artists across Sussex. The exhibition explores themes of journeying and the local coastal landscape, showcasing a diverse range of media including enamel on aluminium, woodcuts, and ceramics. While the show has been a financial success for the gallery, it has sparked local debate regarding the high volume of rejected entries and the ethics of submission fees.
The Fullerton Museum Center has launched "OC Made," a new biennial juried exhibition dedicated exclusively to artists living and working in Orange County. Curated by Georgette Collard and Jasmine McNeal, the inaugural show features over 130 artworks by more than 100 local artists selected from a pool of 260 submissions. The exhibition includes a diverse range of mediums, from glass sculptures and ceramics to photorealistic paintings of local landmarks, and awarded top honors to artists Ramón Vargas, Jaime “Germs” Zacarias, and Mahta Jafari.
The 2026 Whitney Biennial has opened at the Whitney Museum of American Art in New York, featuring a video and sound installation by artists Basel Abbas and Ruanne Abou-Rahme. Their work, titled 'Until we became fire and fire us,' explores collective feelings of love, longing, and haunting in the context of Palestinian erasure, weaving together traditional songs, contemporary footage of indigenous plants, and personal ephemera like drawings by Abou-Rahme's father.
A critic's visit to the 36th Bienal de São Paulo led to a pointed critique of the exhibition's didactic strategy. The show, curated by Bonaventure Soh Bejeng Ndikung, featured floor-mounted placards with QR codes, poorly placed basic labels, and extremely lengthy omnibus section texts, creating a frustrating experience that oscillated between providing too little and too much information.
Saudi Arabia is actively showcasing its Modern art history through major exhibitions and sales. The 'Beginnings of Saudi Art Movement' at the National Museum in Riyadh features over 250 works by 73 artists from the 1960s-1980s, highlighting pioneering figures like Mounirah Mosly and Safeya Binzagr. Simultaneously, the Desert X AlUla exhibition is displaying monumental, long-unseen sculptures by Modernist artist Mohammed AlSaleem.
University of Rhode Island professor and artist Hongbing Tang is presenting her solo exhibition, 'Spirit of the Place and People,' at URI's Green Hall. The show features her watercolor paintings, which explore themes of memory, cultural heritage, and the layered histories of specific locations, and will be on view through April 30.
The Wisconsin Artists Biennial exhibition opens at the Museum of Wisconsin Art (MOWA) in West Bend from February 7 to April 19, featuring 52 works by 50 Wisconsin artists. Selected from nearly 500 artists who submitted over 1,200 entries, the show was juried by Nicole Jacquard, Taylor Jasper, and Melissa Oresky. The biennial awards $10,000 in cash prizes, including the MOWA Prize of $5,000 and a solo museum exhibition. An opening party on February 7 includes a reception, juror talk, and award presentation.
The eighth edition of the Singapore Biennale, titled "Pure Intention," opens across five neighborhoods in Singapore, embedding over 100 artworks in sites ranging from shopping malls and housing estates to colonial-era buildings and parks. Curated by Selene Yap, Hsu Fang-Tze, Ong Puay Khim, and Duncan Bass, the biennale features works like field-0's "Drifting Bodies" (2025), which critiques Singapore's hydropower imports and their impact on Thailand's indigenous Karen hill tribe, and Allora & Calzadilla's "Under Discussion" (2004), exploring sovereignty and displacement. Organized by the Singapore Art Museum and commissioned by the National Arts Council, the event is part of SG60, Singapore's 60th anniversary celebrations.
The Institute of Contemporary Art (ICA) at the University of Pennsylvania is hosting "Mavis Pusey: Mobile Images," the first museum retrospective of Jamaican-American artist Mavis Pusey (1928-2019). Curated by Hallie Ringle and Kiki Teshome, the exhibition spans five decades and features over 60 works, including seven paintings shown publicly for the first time. Pusey, who studied at the Art Students League and worked at Robert Blackburn's Printmaking Workshop, was known for her geometric abstraction at a time when many Black artists focused on figuration. The show will travel to the Hammer Museum in Los Angeles and the Studio Museum in Harlem.
The article previews several major biennials scheduled for 2026, including the 61st Venice Biennale, the 25th Sydney Biennale, and the 16th Gwangju Biennale. The Venice Biennale will proceed posthumously under the vision of curator Koyo Kouoh, who died in May 2025; she was the first African woman appointed to curate the event. The Sydney Biennale, themed "Rememory" and inspired by Toni Morrison, will be directed by Hoor Al Qasimi, while the Gwangju Biennale will be led by Singaporean artist Ho Tzu Nyen, focusing on collective artistic responses to global crises.
Haverford College's Cantor Fitzgerald Gallery is hosting 'LOOK HERE,' an exhibition curated by Jennifer Gilbert, Paige Donovan, and Mary Bevlock from the Center for Creative Works (CCW). The show features works by Philadelphia artists with physical, intellectual, and developmental disabilities, and is designed for multi-sensory access—including touch panels, audio descriptions, sniffable panels, and sensory backpacks—so that visitors of all abilities can experience the art. Artists include Kelly Brown, Cindy Gosselin, Clyde Henry, Tim Quinn, Brandon Spicer-Crawley, and Allen Yu.
Several museums and art centers across East Texas, South Texas, and the Rio Grande Valley have announced their fall 2025 exhibition schedules. Highlights include the Tyler Museum of Art’s "Alas…" by Alicia Eggert, a floral sculpture that wilts over three weeks, and "Assembled: A Look at Contemporary Collage" featuring Texas artists. The Art Museum of South Texas in Corpus Christi will present three shows: Jason DeMarte’s surrealist photography in "Arcadian Enclosures," the Texas A&M University-Corpus Christi faculty biennial "Quarter Turn," and "Breadth of Latino/a Voices" from its permanent collection. The Rockport Center for the Arts opens Jessica Ninci’s "A Field Guide" and Moira Garcia’s "Nepantla: In-Between." The Beeville Art Museum hosts Caprice Pierucci’s "Threads Through Time," and the Five Points Museum of Contemporary Art in Victoria will survey work by Fort Bend County artists.
Top curators share advice on how emerging artists can get noticed in a tough art world. Key tips include being proactive in building networks, approaching curators directly, and presenting organized online portfolios. Curators like Hitomi Iwasaki (Queens Museum), Marie-Anne McQuay (Liverpool Biennial), and Lisa Long (formerly Julia Stoschek Foundation) emphasize that artists should not wait to be discovered but instead engage with peers, attend shows, and reach out to curators, even those early in their careers.
The second Lahore Biennale took place in early 2020 across Lahore, Pakistan, with installations at historic sites such as the Badshahi Mosque, Lahore Fort, Tollinton Market, and Bradlaugh Hall. Artists like Barbara Walker and the Pak Khawateen Painting Club presented works addressing colonial erasure, sexuality in an Islamic Republic, and water scarcity. Skira has published the "Lahore Biennale 02 Reader," edited by Sheikha Hoor al Qasimi and Iftikhar Dadi, which compiles essays and reflections from the biennial's academic forum, including contributions from the Ajam Media Collective and anthropologist Seema Golestaneh on Sufism and state power in Iran and Pakistan.