Israel’s Artist Said to Have Threatened Legal Action Before Venice Biennale Jury Resignation

Belu-Simion Fainaru, the artist representing Israel at the 2024 Venice Biennale, allegedly threatened legal action against Biennale officials, accusing them of “racial discrimination” and “antisemitism” after the international prize jury announced it would exclude countries whose leaders are charged with crimes against humanity—effectively barring Israel and Russia from awards. The jury, handpicked by late artistic director Koyo Kouoh, resigned en masse on April 30, citing their earlier statement of intent. Fainaru had previously opposed calls to exclude Israel over its military actions in Gaza, arguing for dialogue over boycotts.

Hedwig Fijen to Depart as Founding Director of Manifesta

Hedwig Fijen, the founding director of Manifesta, the nomadic European biennial launched in 1996, has announced she will depart on October 5. Fijen began working on the platform in 1991 under a commission from the Netherlands Office for Fine Arts, and oversaw editions in cities including Rotterdam, Palermo, Pristina, and Barcelona. The supervisory board has appointed Emilia van Lynden as general director and Catherine Nichols as artistic director to lead future editions, starting with Manifesta 16 in Germany’s Ruhr Valley this year and Manifesta 17 in Coimbra, Portugal, in 2028.

A Parade of Floating Artworks Honors Hieronymus Bosch in the Netherlands

The 2026 Bosch Parade will return to the Dommel river in ’s-Hertogenbosch from June 18 to 21, featuring nineteen new floating artworks inspired by the theme "Powered by Defects." This biennial event pays tribute to the surrealist legacy of Hieronymus Bosch, the city's most famous son, by inviting international artists to create fantastical aquatic installations. The program includes the "Garden of Earthly Delights," an open-air studio at the Citadel where visitors can interact with artists as they develop their contemporary interpretations of Bosch’s fascination with human imperfection and the absurd.

Summer Guide 2025: Gallery Openings

The Summer Guide 2025 highlights a diverse array of gallery openings in Santa Fe, New Mexico, focusing on both established and emerging art spaces. Notable exhibitions include Gerald Peters Contemporary's "Material Girl: Pop Culture and the Female Gaze" (June 13), featuring six female artists examining gender and commodification through Pop Art; Daniel Cooney Fine Art's "George Dureau, Photographs" (May 31), showcasing intimate portraits of New Orleans' counterculture; and Station 5 Micro-Gallery's two shows—"ACCUMULATION" (June 7) by Michael Sumner and Melody Sumner Carnahan, and "THE NARROW LINE TO THE INTERIOR" (August 2) inspired by poet Bashō. Other highlights include ELECTR∆ Gallery's queer mysticism group show "The Third Way" (July 11), new works by Tim Jag (June 12), and Pie Projects' "MOMENTUM" (June 14) featuring Florence Miller Pierce's rediscovered resin reliefs.

Alessandro Rabottini on the Impact of Artists’ Moving Image

Alessandro Rabottini, artistic director of Fondazione In Between Art Film, reflects on the closing of 'Canicula', the final chapter of the foundation's 'Trilogy of Uncertainties' exhibition series in Venice. The article explores how staging time-based moving-image works interacts with the fast-paced environment of the Venice Biennale, and how artists' film and video have evolved as a medium within the art world.

Step into the Sublime Sculptures of Bobby Anspach at the Newport Art Museum

The Newport Art Museum is hosting "Everything is Change," the first solo museum exhibition of the late sculptor Bobby Anspach. Curated by Taylor Baldwin, Anspach's former MFA professor at RISD, the show features immersive installations from his *Place for Continuous Eye Contact* series, alongside a documentary by Julia Barrett Mitchell and a restorative space called "The Nature of Choice" designed by architect Lauren Rottet. The exhibition spans five rooms across two floors, with trained guides facilitating visitors' experiences of Anspach's kaleidoscopic, perception-altering works.

Statement of Intention by the International Jury of the 61st International Art Exhibition In Minor Keys of La Biennale di Venezia

The international jury for the 61st International Art Exhibition of La Biennale di Venezia, titled "In Minor Keys," has issued a statement declaring their intention to exclude from consideration any countries whose leaders are currently charged with crimes against humanity by the International Criminal Court. The jury, chaired by Solange Farkas and including members Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, was selected by artistic director Koyo Kouoh to award the Golden and Silver Lions among the 110 artists in the exhibition.

Zīnah (Adornment): Oman’s Pavilion Tunes the Biennale to Resonance Over Spectacle

At the 60th Venice Biennale, the Sultanate of Oman presents "Zīnah (Adornment)," a pavilion conceived by artist and curator Haitham Al Busafi. The immersive installation, on view at the Arsenale Artiglierie from 9 May to 22 November 2026, draws on the Omani tradition of adorning horses with silver (al-zaanah) to explore themes of relation, movement, and shared presence. Visitors enter through darkness into a field of Omani sand, beneath a canopy of silver elements that respond to movement with sound. The work incorporates drawings by students and emerging artists from a workshop in Muscat, emphasizing collective authorship.

Picasso’s most radical work returns through Bedri Baykam’s Istanbul exhibition

Turkish artist Bedri Baykam has launched a major solo exhibition titled “Baykam on Picasso: Les Demoiselles Revisited” at Piramid Sanat in Istanbul. Following its debut at Galerie S/Beaubourg in Paris, the show centers on a multi-layered reinterpretation of Pablo Picasso’s 1907 masterpiece, "Les Demoiselles d’Avignon." The exhibition features a mix of paintings and immersive installations, including a conceptual Turkish bath and historical recreations of brothels in Paris and Istanbul, all designed to bridge the gap between Western modernism and Eastern influences.

Art: Amanda Heng’s ‘A Pause’ opens at the 61st International Art Exhibition of La Biennale di Venezia to represent Singapore

Amanda Heng Liang Ngim's exhibition 'A Pause' has opened at the Singapore Pavilion of the 61st International Art Exhibition – La Biennale di Venezia. The installation transforms the historic Sale d’Armi into a contemplative space using larch wood platforms, photographs, and a dual-channel video that observes everyday gestures of rest and renewal in Venice and Singapore. The presentation also includes a reprint of her 1990 series 'Parts of My Body' and is accompanied by a comprehensive monograph, 'Amanda Heng: On and On'.

On Exhibit: Must-See Art Shows in Alexandria This May

This article highlights a variety of art exhibitions and events taking place in Alexandria, Virginia, during May 2026. Featured shows include the "Floret 2026" floral exhibit and the May 2026 Open Exhibit juried by Jowita Wyszomirska at the Art League Gallery of the Torpedo Factory Art Center, as well as the Alexandria City High School Titan Student Art Exhibition at Del Ray Artisans Gallery. Other offerings include a mask exhibit at Mount Vernon Unitarian Church, multiple ART + WINE + CHEESE soirées at Nepenthe featuring artists like Leah Sturgis, Sunny Goode, and Evelyn Dunphy, and special print exhibits at Printmakers, Inc. honoring Avis Fleming.

“Huang, Jackson, & Terry,” May 8 through June 19

A trio of Midwest photographers—Qingjun Huang, Natalie Jackson, and Matthew Terry—will showcase their latest works at the Quad City Arts Center in Rock Island, Illinois, from May 8 through June 19. The exhibition, titled "Huang, Jackson, & Terry," features Huang, a Peoria-based freelancer born in China with international exhibition credits including Christie’s London and the Benaki Museum; Jackson, a portrait and fine arts photographer from Peoria who serves on the board of the Contemporary Art Center of Peoria; and Terry, a Davenport-based contemporary photographer and Academy of Art University graduate whose work has been shown in galleries across the U.S. and Europe.

Best of the Year: Check Out the Most Voted Exhibitions of 2025

A public poll with over 8,500 votes has determined the top ten exhibitions of 2025 in Brazil. The number one spot went to conceptual artist Ana Amorim's show at MAC USP, followed by Goya Lopes' exhibition at MAM Bahia in second place. Other notable entries include a group show "Floresta de Espíritos" in Salvador, Thiago Martins de Melo's first solo exhibition in his hometown São Luís, and the Monet exhibition at Masp, which broke visitation records with 502,642 visitors. A special highlight is "Memórias do Inconsciente" by Jhonyson Nobre at Sesc Arapiraca, the only exhibition outside the initial shortlist to make the top ten. Maria Bonomi at Paço Imperial received the most votes according to public comments as a bonus.

Art Galleries Emanate a Warm Glow in Winter

Winter on Cape Cod presents a challenge for local artists and galleries, as off-season landscapes often go unsold. However, several gallery owners are embracing the season with experimental programming: Liz Carney of Four Eleven Gallery in Provincetown is hosting a group show titled "Long Blue Shadow" and planning artist residencies and a "Knitney Biennial." Gary Marotta Fine Art and Schoolhouse Gallery remain open on weekends, while Susie Nielsen's Farm Projects in Wellfleet features a group exhibition of works on paper. These gallerists find that winter visitors are more engaged, fostering richer conversations and a stronger sense of community.

421 is 10: Abu Dhabi’s 421 Arts Campus celebrates decade of proud achievement

Abu Dhabi's 421 Arts Campus, an independent arts platform supporting emerging artists from the UAE and the SWANA region, celebrates its 10-year anniversary on November 15, 2025. Over the past decade, it has supported over 1,500 creative practitioners, presented more than 50 exhibitions, commissioned hundreds of new works, and delivered around 2,000 programs including residencies, grants, and public events. It has also mentored over 60 interns and worked with more than 250 regional designers through its Dukkan421 design store.

Participants withdraw from Chicago Architecture Biennial over sponsor’s investment in weapons manufacturer

Nine participants in the Chicago Architecture Biennial (CAB), which opened on September 19, have withdrawn in protest over exhibition sponsor Crown Family Philanthropies' investment in General Dynamics, a military contractor supplying weapons to the Israeli military. A letter signed by 22 individuals, collectives, and firms—nearly half of whom also withdrew—argues that the sponsorship contradicts the biennial's mission of addressing architecture's role in shaping a collective future. The biennial's sixth edition, titled SHIFT: Architecture in Times of Radical Change, is led by artistic director Florencia Rodriguez. Participants had raised concerns last month, and organizers clarified that Crown Family funds support education programming, not the exhibition itself, which the letter calls "even more painful" given the destruction of schools in Gaza.

Selina Roman photo exhibition at Sarasota Art Museum provides new take on femininity and beauty

Selina Roman's new exhibition "Abstract Corpulence" at the Sarasota Art Museum presents abstract photographs created from tightly cropped images of her own body, wearing pastel bodysuits and tights to transform her physique into rolling landscapes and modernist-inspired compositions. The show runs from August 31, 2025 through March 29, 2026, featuring works from her XS series, including pieces like 'Ballhead, 2021' and 'Blockhead, 2025', printed as dye sublimation on aluminum. Roman, a Tampa-based artist and former print journalist, was named a 2024 Critical Mass Top 50 Artist for this series.

Can Hauser & Wirth's new Palo Alto space achieve what its rivals failed to?

Hauser & Wirth announced on July 30 that it will open a new location in Palo Alto, California, in spring 2025. The 2,600-square-foot space, located in a former post office on Hamilton Avenue near Stanford University and tech giants like Meta and Google, will be the Swiss mega-gallery's 17th location worldwide and its third in California, joining two existing spaces in Los Angeles. The gallery's president, Marc Payot, cited the Bay Area's dedicated collector community and museums as key reasons for the expansion.

Sámi art has gained visibility in Norway—but when will it get a museum of its own?

Sámi artists from Norway are gaining international recognition, with milestones including the rebranding of the Nordic Pavilion as the Sámi Pavilion at the 2022 Venice Biennale, a major mural by Outi Pieski in Oslo, and a forthcoming Hyundai commission by Maret Anne Sara at Tate Modern. Despite this visibility, decades of advocacy have failed to establish a dedicated Sámi art museum; thousands of works purchased with government funds remain in storage. The Norwegian parliament's recent truth and reconciliation report acknowledged historical injustices, but activists like Synnøve Persen and scholars like Katrine Rugeldal argue that existing institutions are insufficient and that a museum must be built on Sámi terms, potentially nomadic or pan-Nordic.

Why is contemporary art afraid of the present?

Warum fürchtet sich die Gegenwartskunst vor der Gegenwart?

The article critiques the 2024 Whitney Biennial, which emphasizes themes of compassion, vulnerability, and community. It argues that the exhibition feels like a capitulation to reality, failing to confront the rise of contemporary fascism and the political urgency of the present moment.

Whitney Biennial Between Cuteness and Panic

Whitney-Biennale zwischen Niedlichkeit und Panik

The Whitney Museum of American Art has unveiled its latest Biennial, a sprawling survey of contemporary art that navigates the tension between playful aesthetics and existential dread. Curators have embraced an expanded definition of American art, incorporating global perspectives and diverse media to reflect a nation grappling with political instability and social change. The exhibition oscillates between moments of "cuteness" and "panic," utilizing strong visual narratives to address the complexities of the current era.

Un agent du Louvre devant le juge

A Louvre agent appeared before a judge. The article, published in Le Journal des Arts on May 2, 2026, covers multiple art world stories including the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, a resized project for Bourges 2028 by Yann Galut, a new contemporary gallery at Angers Cathedral, the abandonment of the Frigos artist site in Paris, and auctioneer Hubert L'Huillier's emergency sales.

Sécurité dans les musées

This issue of Le Journal des Arts (No. 676, May 2, 2026) covers a range of visual art news: the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, an interview with Bourges mayor Yann Galut about scaling back the Bourges 2028 project, the opening of a contemporary gallery at Angers Cathedral, the abandonment of the Frigos artist site in Paris, and a profile of auctioneer Hubert L'Huillier.

L’architecte du Musée Gandur

The article covers several art news items from the May 2, 2026 issue of Le Journal des Arts, including the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, an interview with Bourges mayor Yann Galut about the resized Bourges 2028 project, the unveiling of a contemporary gallery at Angers Cathedral, the abandonment of the Frigos artist site in Paris, and a profile of auctioneer Hubert L'Huillier.

Venice Biennale in crisis: The controversies explained

The Venice Art Biennale's official awards ceremony, scheduled for May 9, has been canceled after the entire five-member jury resigned days before the event. The jury had previously announced they would not consider countries whose leaders face International Criminal Court charges, directly impacting Russia and Israel. Instead of jury-selected prizes, visitors will vote throughout the Biennale's run, with "Visitor Lions" awarded on November 22. The event, running from May 9 to November 22, features 100 national participations, including seven first-time countries, and a posthumous main exhibition titled "In Minor Keys" curated by the late Koyo Kouoh, the first African woman to lead the show. Iran withdrew on May 4 amid Middle East tensions, while Russia's return to the Biennale in 2026 has sparked EU threats to cut funding.

Sharjah Biennial 2027 dates, artists and theme revealed

Sharjah Art Foundation has announced details for the 17th edition of the Sharjah Biennial, titled “What remains, sits restive,” running from January 21 to June 13, 2027. The large-scale contemporary art event will feature 109 participants across multiple sites in the emirate, including Sharjah City, Al Dhaid, Khor Fakkan, and Kalba. Confirmed artists include Anri Sala, Hassan Khan, Ibrahim Mahama, Oscar Murillo, Zina Saro-Wiwa, and Angela Ferreira. The biennial will be curated by Angela Harutyunyan and Paula Nascimento, each presenting separate sections under a shared theme examining how past political and cultural histories shape present-day realities through time, memory, and space.

From Gaza to Syria: Stories from Middle East dominate art exhibition in Portugal

The Anozero – Bienal de Coimbra in Portugal is presenting a significant number of works addressing conflict and displacement in the Middle East. The biennial, curated by John Zeppetelli and Hans Ibelings, features projects like Taysir Batniji's "Just in Case #2," a series of 250 photographs of keys belonging to displaced Palestinians, and Adam Broomberg and Rafael Gonzalez's "Anchor In The Landscape," documenting destroyed olive trees.

Vanderbilt Artists Showcased at Prestigious Venice Biennale

Vanderbilt University has announced its inaugural participation in the Venice Biennale, marking a major milestone for the institution's arts program. Faculty artists Maria Magdalena Campos-Pons and Kamaal Malak have been selected to present works in the 61st International Art Exhibition, curated by the late Koyo Kouoh. To complement the exhibition, the university will launch "Resonance: Vanderbilt University in Venice," a two-month public program series featuring sonic inquiries, performances, and scholarly convenings.

Open call for nominations: exhibition and prize

Artes Mundi has officially opened nominations for its 12th edition, inviting the global art community to propose artists for the prestigious biennial exhibition and prize. Based in Cardiff, Wales, the organization seeks emerging to mid-career artists whose work engages with social reality and the human condition. Nominations are open until May 31, 2026, with the selected winner receiving a substantial prize of £40,000.

New public art biennial to take over Dallas’s urban greenbelt park

Dallas is set to launch the KTX Biennial in spring 2027, marking Texas’s first biennial dedicated exclusively to public art. Curated by Jovanna Venegas of New York’s SculptureCenter, the exhibition will feature nearly a dozen contemporary works installed along the Katy Trail, a popular 3.5-mile urban greenbelt. The inaugural edition is themed around a science-fiction story by Ursula K. Le Guin, focusing on the interconnectedness between humans and their environment.