WHO ARE THE CURATORS THAT WILL LEAD THE NEXT BIENAL DE SAO PAULO

The Fundação Bienal de São Paulo has appointed Amanda Carneiro and Raphael Fonseca as chief curators for the 37th Bienal de São Paulo, scheduled for 2027 at the Pavilhão Ciccillo Matarazzo in Ibirapuera Park. Carneiro, a curator at MASP since 2018 and an artistic organizer for the 2024 Venice Biennale, and Fonseca, a visual arts curator at Culturgest and curator-at-large at the Denver Art Museum, will lead the largest visual arts event in Latin America.

OSCAR SANTILLAN TO REPRESENT ECUADOR AT THE 61ST VENICE BIENNALE

Ecuador has selected artist Oscar Santillán to represent the nation at the 61st Venice Biennale in 2026. Curated by Manuela Moscoso and organized by the Museum of Anthropological and Contemporary Art (MAAC), the pavilion will feature a collaboration between Santillán and the collective Tawna. The exhibition, titled after the collective, will explore Andean-Amazonian contexts through a dialogue on territory, indigenous knowledge systems, and coexistence.

Due giovani artisti in una mostra a Matera si confrontano sulle tracce della memoria

The article reports on "Remain(s)," a dual exhibition at Momart Gallery in Matera, Italy, featuring young artists Luca Granato and Michela Rondinone. Curated by Antonella Marino, the show explores the aesthetics of fragments and memory through installations, sculptures, and video works. Granato's pieces address loss, migration, and climate change, while Rondinone's works focus on childhood, play, and relational practices. The exhibition runs until May 26, 2026.

The MEGA Fair-Exhibition Opens in a Former Milanese Factory: Photos and 5 Must-See Booths

In ex fabbrica di Milano ha aperto la mostra-fiera MEGA. Tutte le foto e 5 stand da non mancare

The third edition of MEGA Art Fair has opened in Milan, relocating to SPAZIO PROFUMO, a former perfume factory in the Barona district. Running from April 15 to 25, 2026, the event strategically bridges Milan Art Week and Design Week, featuring over 30 international exhibitors from Europe, Latin America, and Asia. Eschewing traditional booth structures, the fair utilizes a cohesive curatorial layout that integrates industrial archaeology with contemporary practices, including a dedicated video program and a section titled 'City of Glass.'

Art, Public Space, and Urban Regeneration: The New Issue of the Render Newsletter Arrives

Arte, spazio pubblico e rigenerazione urbana: arriva il nuovo numero della newsletter Render (iscrivetevi!)

Artribune has announced the release of the 55th edition of its bi-weekly newsletter, Render, which focuses on public art, urban regeneration, and contemporary architecture. This latest issue features a deep dive by researcher Fabio Ciaravella into the role of public monuments in shaping societal views on peace versus war, alongside an interview with Mohamed Khalifa Al Mubarak regarding the Zayed National Museum in Abu Dhabi. Additionally, the newsletter highlights Italian urban renewal projects, the trend of repurposing abandoned cinemas, and upcoming events like Milan Design Week.

The Brooklyn Fine Art Print Fair Has Taken Off Its Training Wheels

The Brooklyn Fine Art Print Fair (BFAPF) has returned for its second edition at Powerhouse Arts, expanding significantly from its inaugural "beta test" last year. The fair now features over 60 exhibitors, including a diverse mix of independent print shops, academic departments, self-represented artists, and established international galleries. This year's iteration emphasizes experimental mixed-media practices and a rigorous juried selection process, moving beyond traditional printmaking to include illuminated plexiglass screenprints and sculptural paper works.

Meet the Hawaiʻi creatives behind a workout video featured in a New York art exhibition

A satirical workout video titled "20 minute workout" created by the Hawaiʻi-based artist initiative kekahi wahi is featured at the Whitney Biennial in New York. The video shows dancers in spandex stretching in front of the Captain Cook Monument at Kealakekua Bay on Hawaiʻi Island, set to electronic music. The project was part of a larger effort to reimagine public space and challenge commemorative monuments in Hawaiʻi, drawing on the energy of debates over Confederate statues in the continental U.S.

Para verte mejor, en todo tiempo

The Art Gallery of New South Wales in Sydney is presenting "Para verte mejor, en todo tiempo" (To see you better, at all times), a solo exhibition by Venezuelan-born artist Nadia Hernández. The show features an immersive textile collage, mural, and soundscape that draws on Venezuelan protest songs, musical traditions, and the artist's own diasporic experiences to explore memory, displacement, and resistance. It includes recent works such as "En todo tiempo (at all times)" 2024 and "El segundo verso (the second verse)" 2025, and is part of the gallery's Contemporary Projects series highlighting artists from New South Wales and wider Australia.

Art Gallery of Burlington opens vibrant spring exhibition you have to experience

The Art Gallery of Burlington (AGB) opens its spring exhibition "A material called Earth, Volume 1: The life of corners" on May 16th, featuring the immersive textile art of Argentinian artist Celina Eceiza. The installation transforms the main gallery with hand-dyed, stitched, and embroidered works, including sculptures ranging from palm-sized to near-monumental, and incorporates ceramics from the AGB's collection. A public opening on May 16th includes a talk and tour with curator Sylvie Fortin and the artist, plus free programming by artist Camila Salcedo and refreshments from local vendors.

Exhibition | Dai Chenlian, 'Waxing and Waning of the Augustness III' at ShanghART, M50, Shanghai, China

ShanghART Gallery presents Dai Chenlian's solo exhibition 'Waxing and Waning of the Augustness III' at its M50 space in Shanghai from April 10 to May 29, 2026. The show is the final chapter of the artist's 'Mother Trilogy,' centering on his mother's life from 1954 to 2025. Through a reconstructed old house made from loom parts, along with painting, installation, performance, sound narration, and shadow puppetry, the exhibition explores themes of memory, migration, and female resilience, drawing on a line by Tang dynasty poet Li Shangyin.

Artists Grapple With Cesar Chávez’s Legacy After Abuse Allegations

Latine artists and cultural institutions across California are confronting the legacy of labor leader Cesar Chávez following allegations of his sexual abuse. Murals are being removed or replaced, artists are withdrawing work featuring him, and institutions are canceling events, as the community processes a profound collective trauma tied to a figure central to their identity and activism.

After Going Through the Darkness Part 1: Kōta Takeuchi Exhibition "Nononononomatsuri" @ Ichihara Lakeside Museum

暗闇をくぐってみたら Part1 竹内公太展「のののののまつり」@ 市原湖畔美術館

The Ichihara Lakeside Museum, currently under renovation since late 2025, will partially reopen on May 1, 2026, with a theater-style series of solo exhibitions titled "Kōta Takeuchi: Nononononomatsuri" as its first installment. Artist Kōta Takeuchi, born in 1982 in Hyogo Prefecture and based in Fukushima, presents new video installations created during a four-month residency in Ichihara, where he visited over 70 stone monuments across the city—including horse-headed Kannon statues, Koyasu statues, and war memorials—to explore themes of parallel bodies and possession. The exhibition features works such as "Disassembly of the Sansha-za" (2013–2023), "Cement Thief" (2024), and "Sigh of the Ground" (2022), with a map showing the locations of the documented stone monuments.

The great artist who designed precious rings for an Italian brand inspired by crabs

La grande artista che ha disegnato preziosissimi anelli per un brand italiano ispirandosi ai granchi

American multidisciplinary artist Pae White has collaborated with Milanese jewelry house Maison Vhernier to create a limited-edition ring collection inspired by crabs and marine life. The collection was unveiled in Venice during the launch days of the Venice Biennale, following a preview in Los Angeles at collector Eugenio Lopez's home. White drew inspiration from crab exoskeletons and shells found on the California coast, working with Vhernier's master artisans in Valenza to produce ten ring designs—each limited to two pieces—featuring abalone mother-of-pearl, jade, rock crystal, sapphires, and diamonds set in white gold.

Video interview with Cecilia Canziani and Chiara Camoni, curator and artist of the Italy Pavilion at the Venice Biennale

Video intervista a Cecilia Canziani e Chiara Camoni curatrice e artista del Padiglione Italia alla Biennale di Venezia

The article is a video interview with curator Cecilia Canziani and artist Chiara Camoni about the Italy Pavilion at the 61st Venice Biennale. Camoni's installation, titled "Con te e con tutto," features large, monumental figures called "Sisters" that evoke ancient yet contemporary presences, created through a slow, collective, and materially responsive process. The pavilion is divided into two spaces: a vertical, sacred-like area and a horizontal, convivial one that includes a sub-exhibition called "Dialoghi." The project builds on years of friendship and collaboration between Canziani and Camoni, and involves a fluid community of international students, weavers, midwives, and artists working at Camoni's studio in Fabbiano, on the Apuan Alps.

Art and technology meet in the augmented reality of artist Lois He

Arte e tecnologia si incontrano nella realtà aumentata dell’artista Lois He

Lois He, a Chinese-born artist now based in New York, creates immersive XR installations that blend art and technology, transforming viewers into active participants. Her works, such as "Rising River," an AI-driven virtual reality experience, and "The Silent Carnival," a digital reinterpretation of Goethe's Faust, explore identity, emotion, and the impact of external agents like technology and culture. He also collaborates with institutions like the Museo Dalí and the NYU Neuroscience Institute, merging art with literature and science.

Nick Cave at the 2026 Biennale. Seven works between loss, memory and protest

Nick Cave è alla Biennale 2026. Sette opere tra perdita, memoria e protesta

Nick Cave presents "Two Points in Time at Once" at the 2026 Venice Biennale, a project spanning seven locations across Venice. The installation features a series of bronze works, including the "Amalgam" series (Seated, Origin, Plot, Resuscitation, Meditation) along with "Grapht" and "Siren." This marks a significant material shift from Cave's iconic fabric Soundsuits to bronze, exploring themes of loss, memory, trauma, and protest through a more static yet politically charged presence.

The Claire Fontaine collective and Ugo La Pietra open the new season of the Fondazione La Rocca in Pescara

Il collettivo Claire Fontaine e Ugo la Pietra aprono la nuova stagione della Fondazione La Rocca di Pescara

The Fondazione La Rocca in Pescara has announced its upcoming exhibition program for 2026-2027, including a solo show by Ugo La Pietra (June–October 2026) and a solo exhibition by the feminist conceptual collective Claire Fontaine (December 2026–March 2027). The foundation has also appointed Simone Ciglia as its new Chief Curator, who will work alongside the presidency to shape future artistic research. The season opens with La Pietra's 'Alla finestra,' curated by Giacinto Di Pietrantonio, featuring around seventy works exploring the window as a threshold. Claire Fontaine's 'Manuale d’uso,' curated by Ciglia, is conceived as an exhibition-essay based on Anita Chari's monograph. Additionally, the foundation launches 'FLR Incontra,' a public program of interdisciplinary talks and performances.

The Ricci Oddi Gallery in Piacenza has been renovated. Here's how it changed after the work (funded by citizens)

La Galleria Ricci Oddi di Piacenza è stata rinnovata. Ecco com’è cambiata dopo i lavori (finanziati dai cittadini)

La Galleria d'Arte Moderna Ricci Oddi in Piacenza, Italy, has completed a year-long renovation and reinstallation project, reopening to the public on April 28. The work, designed pro bono by Milanese studio Lissoni & Partners and funded by citizens, restored the original architecture by Giulio Ulisse Arata, emphasizing a central panopticon and natural zenithal light. The museum remained partially open during construction, which refreshed all 22 rooms and over 1,000 square meters of space, aiming to reconnect the collection with its purpose-built building.

Kunsthaus Paradiso is Born in Venice: Italian Art Has a Home, Despite the Biennale

Nasce a Venezia la Kunsthaus Paradiso: l’arte italiana ha una casa, malgrado la Biennale

A new project called Kunsthaus Paradiso has opened in Palazzo Molin Querini in Venice, running from May 4 to May 31 in conjunction with the Venice Biennale. Founded by curator Caroline Corbetta, the initiative evolved from her earlier Crepaccio project (2012–2016) in Milan and the Padiglione Crepaccio, which debuted at the 2013 Biennale Arte curated by Massimiliano Gioni. Kunsthaus Paradiso focuses on Italian and Venice-based artists—including Thomas Braida, Fabio De Meo, Caterina Rossato, Ornella Cardillo, Alessandro Miotti, Melania Fusco, Mauro Campagnaro, Marta Spagnoli, Barbara De Vivi, Spazio Punch, Giorgio Andreotta Calò, Mattia Sinigaglia, and the collective Scafandra—offering a platform for emerging and local talent during the Biennale.

The Most Unique and Research-Focused Exhibitions to See in Brussels in Spring 2026

Le mostre più particolari e ricercate da vedere a Bruxelles nella primavera 2026

Brussels is hosting a series of niche and research-focused contemporary art exhibitions in spring 2026, coinciding with the 42nd edition of Art Brussels. Highlights include Jean-Michel Othoniel's "Diary of Happiness" at the Boghossian Foundation, Caroline Achaintre's "Extrazimmer" at La Verrière, a six-decade survey of the Art & Language collective at Fondation CAB, and a dialogue between Nassos Daphnis and Rita McBride titled "Abstract Constructions."

Sands and Rituals from the Antipodes: To Be Discovered in a Former Church in Venice

Sabbie e riti dagli antipodi. Da scoprire in una ex chiesa di Venezia

The Church of San Lorenzo in Venice, home to Ocean Space, is hosting "Tide of Returns," an exhibition by the Repatriates Collective. The installation transforms the historic nave with sand dunes populated by thousands of decorated shells known as Dadikwakwa-kwa, or shell dolls, from the Anindilyakwa people of Australia. The show also features a tripartite installation of video, textiles, and braids by German-Bolivian artist Verena Melgarejo Weinandt, exploring themes of ancestral connection and the universal significance of water.

In this L’Aquila High School, there is a Contemporary Art Collection Created by Students and Artists

In questo liceo dell’Aquila c’è una collezione d’arte contemporanea realizzata dagli studenti con gli artisti

The Liceo Bafile in L’Aquila has established a permanent collection of contemporary art featuring over 60 site-specific works created through collaborations between professional artists and students. Initiated by artist and professor Licia Galizia following the devastating 2009 earthquake, the project integrates art into the educational environment as a tool for cultural rebirth. In 2026, the collection will expand further with seven new installations created by artists including Elena Bellantoni and Marco Nereo Rotelli in partnership with the Academy of Fine Arts of L’Aquila.

Going clubbing in Ibiza this summer? Then you're going to be in a giant art gallery

A new art exhibition called the Culture Collective has been installed across three of Ibiza's biggest nightclubs—Hï Ibiza, Ushuaïa Ibiza, and [UNVRS]—featuring over 70 international artists. The season-long show, organized by London-based art platform W1 Curates in partnership with The Night League, includes monumental murals, marble sculptures (such as Nazareno Biondo's life-size Vespa and Fiat 500), and works by street artists like PichiAvo and VHILS, running from late April to mid-October.

Indrapramit Roy and Mark Cazalet art exhibition in New Delhi

An exhibition titled "Stray Birds: a journey together" in New Delhi brings together artists Indrapramit Roy and Mark Cazalet, curated by Jyotirmoy Bhattacharya. The show presents a dialogue between two distinct artistic voices, exploring narratives, techniques, and sensibilities shaped by their shared experiences studying under Professor Gulam Mohammed Sheikh at M.S. University in Baroda, including formative trips to the Ajanta and Ellora caves.

Toronto art gallery hosting free party ahead of new exhibit

The Power Plant Contemporary Art Gallery in Toronto is hosting a free opening party on April 24 for its new exhibition, 'Colourful Parachutes: Imagining Alternative Futures Through the Power of Play.' The exhibition features interactive installations by ten international artists, including Temitayo Ogunbiyi, Leisure, Robin Rhode, and Claire Greenshaw, designed to be touched, climbed on, and altered by visitors.

Are All Crises Equal? A Conversation with MOS’s Michael Meredith and Hilary Sample by ANY

Architects Michael Meredith and Hilary Sample of the firm MOS discuss the concept of "polycrisis"—the intersection of economic, political, and ecological failures—and its impact on architectural form. The conversation highlights a growing void between the formal aesthetic project of architecture and the urgent political realities of the modern world. Sample specifically addresses how the dominance of political and regulatory restrictions in collective housing has stifled formal innovation, often reducing architecture to a mere byproduct of governance rather than a tool for social or cultural expression.

What We Saw at Buffalo Prescott’s 'Vernal 2026'

Buffalo Prescott’s Detroit headquarters is hosting 'Vernal 2026,' a spring-inspired contemporary arts exhibition running through June 27, with a public opening on May 22. The exhibition features works by resident artists including Jessica Wildman Katz, Halima Afi Cassells, Cyrah Dardas, Sara Nickleson, and Tony Printz, alongside metro Detroit and international artists. Highlights include Katz's botanical rabbit sculpture 'Kindling,' Cristina Umaña's whimsical 'Mesa De Centro' (a stack of white tables with human-like limbs), and Amelia Burns's photographic diptych 'Evil Eye' and 'Evil Eye Transmuted onto Organza, 2026,' which explores contemporary American culture through collage.

Hidden Detroit: Art Galleries You May Have Overlooked

This Detroit City Guide article highlights ten overlooked art galleries and cultural spaces across the city, including Wasserman Projects in Eastern Market, the Elaine L. Jacob Gallery at Wayne State University, Center Galleries at the College for Creative Studies, Galerie Camille, the historic Scarab Club, Detroit Artists Market, Ellen Kayrod Gallery, Schinkel Fine Art, and the N'Namdi Center for Contemporary Art. Each venue is described with its unique focus, from diaspora-inspired ceramics and student showcases to artist residencies and senior artist platforms, with several exhibitions closing in April 2025.

New Exhibition Offers Portals Into the Past, Present, and Future of Blackness

Artist Todd Gray’s solo exhibition, "Portals," at Perrotin Los Angeles features a series of complex photographic assemblages that challenge the historical relationship between Blackness and European colonialism. By stacking framed images of West African landscapes, slave forts, and Renaissance interiors, Gray creates textured collages that collapse geographic and temporal boundaries. Notable works like "Paradox of Liberty" confront the hypocrisy of Enlightenment figures like Thomas Jefferson by physically obscuring his image with the architecture of the slave trade.

Exhibition | Lulama Wolf, 'The Architecture of Memory' at THK Gallery, Cape Town, South Africa

South African artist Lulama Wolf presents 'The Architecture of Memory,' an online-only exhibition hosted by THK Gallery. Wolf utilizes a distinct material language of pigmented sand and acrylic to create tactile surfaces that reference the weathered walls of domestic and sacred spaces. Her work moves beyond simple representation, using geometric abstraction and earth-based materials to explore the intersection of personal history and collective generational memory.