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Persistent low attendance and funding cuts are forcing US museums to think local

A federal judge ruled on December 3 that all grants from the Institute of Museum and Library Services (IMLS) must be reinstated, offering relief to museum directors like Scott Stulen of the Seattle Art Museum, which lost $300,000–$400,000 in annual federal funding in 2025. The American Alliance of Museums (AAM) survey of 511 directors found that over half reported fewer visitors than in 2019, with 29% citing declines tied to weakened travel and economic uncertainty. However, some museums like the Toledo Museum of Art and the Art Institute of Chicago have seen local attendance rise, offsetting losses in international tourism.

Art Museum Announces Spring 2026 Exhibitions

The Syracuse University Art Museum has announced three new exhibitions for spring 2026: “Possible Worlds: 20 Years of the Wynn Newhouse Awards,” “Afterimages: Legacies of the Thirteenth Amendment,” and “Undressed: The Nude in Dutch Art, circa 1550-1800.” These shows will join the permanent collection exhibition “Human/Environment: 4,000 Years of Art” and an Art Wall Project by artist Bhen Alan. The exhibitions explore themes of disability, race, and the human body, with curator talks and programming scheduled throughout the semester.

Exhibit Explores the Stories Behind the Quilts in the UWS American Folk Art Museum's Collection

The American Folk Art Museum in New York is presenting "An Ecology of Quilts: The Natural History of American Textiles," an exhibition of 30 quilts from its collection of over 600 pieces. Co-curators Austin Losada and Emelie Gevalt highlight the materials and labor behind the quilts, including indigo dye and cotton, while featuring works by Malissia Pettway of Gee's Bend and Japanese artist Tomie Nagano, the only living artist in the show.

Early career artists are invited to apply to Collective programme

Collective Gallery on Calton Hill in Edinburgh has announced its 2026 exhibition programme, featuring solo shows by Paloma Proudfoot and Katie Paterson in the City Dome Gallery. Proudfoot's exhibition, running from March to May 2026, will include new sculptures and a performance exploring the female voice and body, while Paterson's 'Afterlife' presents nearly 200 amulets made from endangered materials, previously shown at Folkestone Triennial 2025. The gallery also launched a new career-development programme called Time + Space, inviting early-career artists to apply by 14 December 2025, with the first edition featuring Alberta Whittle and Aqsa Arif.

New Cope House exhibit highlights the art of collecting

William Skeet Jiggetts, a longtime art collector and trustee of several museums, founded the Museum of African American Art Collections (MAAAC) to celebrate Black collectors and display their private holdings. The organization's inaugural exhibition, “Collectors’ Life,” runs from Nov. 1 to Dec. 30 at Awbury Arboretum’s Cope House Gallery in Germantown, featuring works curated by local collectors including Diana Tyson, Stephanie A. Daniel, Vashti Dubois, Dr. Robyn Jones, and Adrian Moody. Two accompanying talks will explore portraiture and the evolving relationship between collectors and artists.

Straight-line storytelling: how will the British Museum display the Bayeux Tapestry?

The British Museum (BM) is planning to display the Bayeux Tapestry from September 2026 to July 2027, following a loan agreement with the French government. The tapestry, owned by the French state, will return to England for the first time in nearly a thousand years after its dedicated museum in Bayeux closed for renovations. The BM's Sainsbury Exhibitions Gallery is long enough to accommodate the 70-meter embroidered strip in a single straight line, a key factor in securing the loan over other contenders like the Victoria and Albert Museum. Conservators will display the tapestry at a 60-degree angle with low lighting to minimize fading, and visitors will likely follow an audio-guided tour with 25 minutes to view the 58 scenes.

Participants withdraw from Chicago Architecture Biennial over sponsor’s investment in weapons manufacturer

Nine participants in the Chicago Architecture Biennial (CAB), which opened on September 19, have withdrawn in protest over exhibition sponsor Crown Family Philanthropies' investment in General Dynamics, a military contractor supplying weapons to the Israeli military. A letter signed by 22 individuals, collectives, and firms—nearly half of whom also withdrew—argues that the sponsorship contradicts the biennial's mission of addressing architecture's role in shaping a collective future. The biennial's sixth edition, titled SHIFT: Architecture in Times of Radical Change, is led by artistic director Florencia Rodriguez. Participants had raised concerns last month, and organizers clarified that Crown Family funds support education programming, not the exhibition itself, which the letter calls "even more painful" given the destruction of schools in Gaza.

Ceramics exhibition opens Dowd Gallery 2025-26 year

Two ceramic artists, Errol Willett and Edward Feldman, opened the 2025-26 exhibition year at SUNY Cortland’s Dowd Fine Arts Gallery with the show “Creating Movement and Flow: A Conversation of Form and Utility.” The exhibition, on view through November 14, 2025, features ceramic works that emphasize motion and process over static objects. A series of free public workshops accompanies the show, including two-part sessions led by Feldman in September and Willett in October, focusing on wheel-throwing and hand-building techniques.

Guest Artist Exhibition Opens at Center for the Visual Arts

The University of Toledo Department of Art will host a free public exhibition of photographs and installation works by guest artist Margaret LeJeune, opening August 25 at the Center for the Visual Arts. Titled "Drawn from Memory: Mapping Salt and Time," the exhibition examines ecological shifts in Dare County, North Carolina, including the transformation of coastal forests into ghost forests due to saltwater intrusion and rising sea levels, while also addressing histories of colonialism, enslaved Africans and their descendants, and Indigenous displacement. LeJeune will give an artist talk on September 24, and the show runs through October 10.

Fall 2025 art exhibitions: Calls for submissions across Georgia

A roundup of fall 2025 open calls for artists across Georgia, including metro Atlanta, Decatur, Augusta, Marietta, and Valdosta, lists nine juried exhibitions, public art commissions, and holiday markets with deadlines from August to October 2025. Opportunities range from pet-inspired 2D art and contemporary Southeastern fiber arts to Latinx heritage shows, native flower-inspired sculptures, portraiture, Halloween-themed works, and eccentric art, sponsored by local arts councils, libraries, and cultural centers.

Artist Paul Rucker’s Klan Robes Expose America’s Racist Underbelly

Artist Paul Rucker's exhibition "Rewind Resurrection" returns to New York a decade after its debut, featuring his iconic Klan robes reimagined in bold fabrics like pink, Kente cloth, and camouflage. The show, which was censored at York College of Pennsylvania in 2017 following the Charlottesville white supremacist rally, includes KKK memorabilia, data visualizations of prison proliferation, and wooden relief sculptures honoring victims of racial violence. It is Rucker's first New York show, self-funded in a rented Chelsea gallery, and he hopes an institution will acquire the entire installation.

Art x Climate Gallery triumphs at the Smithsonian

The article reports that the Art x Climate Gallery has achieved a notable success at the Smithsonian Institution, though the specific details of the triumph are obscured by a security verification page that blocks access to the full content. The gallery, which likely focuses on the intersection of art and climate change, appears to have been recognized or celebrated within the Smithsonian's prestigious museum network.

This is BC: Renowned artists open Enderby gallery

Renowned artists have opened a new gallery in Enderby, British Columbia, as reported in a segment titled 'This is BC' by Global News. The video feature, published on June 10, 2025, highlights the establishment of this gallery by well-known visual artists in the small community of Enderby, located in the North Okanagan region. The artists are bringing their expertise and creative works to a local venue, aiming to enrich the area's cultural landscape.

Chirp Chat: Exploring what birds can teach us about ourselves through art

Hattie Grimm, artist-in-residence at the Charles Allis Art Museum in Milwaukee, has created a new exhibition titled "BIRD BODY" featuring 20 original wooden paintings and sculptures. Inspired by her personal relationship with birds formed during a difficult time, the works explore birds as symbols of freedom, intuition, and bodily wisdom. The exhibit includes interactive elements such as drawing activities and storytelling stations, encouraging visitors to reflect on their own connections to birds and their bodies.

Cayman Art Week returns with new events

Cayman Art Week returns for its fifth edition from 20-25 May 2025, featuring over 40 events including pop-up exhibitions, studio visits, and extended gallery hours across all three Cayman Islands. New additions this year include the CAW Little Cayman Bike Around and CAW East curated bus tours. The National Gallery is hosting three distinct exhibitions: 'TimeBack' with archival photographs, 'Evolutions: Continuity & Change in Caymanian Art', and 'From the Mind's Eye' exploring dreams and the subconscious. The event was founded in 2021 to stimulate the commercial art market and support artists post-COVID-19.

RTRU* (*Raudive Technoculture Research Unit) at KAJE

The exhibition "RTRU* (*Raudive Technoculture Research Unit)" is on view at KAJE in Brooklyn from April 4 to May 17, 2026. Curated by the Riga Technoculture Research Unit (Zane Onckule and Elizaveta Shneyderman), the show features works by Ka Baird, Scott Benzel, Valdis Celms, Cal Fish, Jason Isolini, Voldemārs Matvejs, Karlīna Mežecka, Adriana Ramić, Konstantīns Raudive, and Ieva Rubeze. The press release and checklist are available, and images of the exhibition are provided courtesy of the artists and the gallery.

Modern Art + Design Draw Active Bidders At Eldred’s

Eldred’s auction house held its Modern Art + Design sale on May 7, featuring 245 lots of art, furniture, decorative arts, rugs and collectibles. The sale achieved a total of $221,740 with an 81% sell-through rate, driven by active phone, online, and absentee bidding. Top lots included a Tiffany Studios Nautilus table lamp that sold for $23,040 (more than three times its estimate), a Handel reverse-painted glass table lamp that reached $10,880 against a $800–$1,200 estimate, and Frank Stella’s “Aiolio” from his “Imaginary Places III” series, which fetched $17,920. An abstract oil on canvas by Manabu Mabe also performed strongly, selling for $14,080.

Five Scottish museum collections awarded national significance status

Five museum collections in Scotland have been awarded national significance status on International Museum Day, bringing the total number of recognized collections in Scotland to 56. The newly designated collections are the Linoleum Collection (managed by OnFife), the Photographic Collection (University of St Andrews), the Duncan of Jordanstone College of Art & Design Collection (University of Dundee Museums), the Oakbank Collection (Scottish Crannog Centre), and the Art Collection (University of Stirling). The Recognition Scheme, managed by Museums Galleries Scotland, highlights collections beyond those held in national museums and galleries, spanning from Shetland to Dumfries and Galloway.

SMoCA Will Present DESERT PERSPECTIVES Exhibition on Southwest Landscape

The Scottsdale Museum of Contemporary Art (SMoCA) will present an exhibition titled "Desert Perspectives" focusing on the Southwest landscape. The show will explore artistic interpretations of the desert environment through works by various contemporary artists.

Brussels, Russia and the Venice Biennale

The jury of the 61st Venice Biennale Art Exhibition has resigned en masse to protest the decision to allow Russian participation for the first time since the 2022 invasion of Ukraine. The jury stated it would refuse to consider artists from countries whose leaders face International Criminal Court warrants, specifically Israel and Russia, citing a commitment to human rights. The Biennale organizers defended the re-admission as consistent with openness and dialogue, while Ukrainian Foreign Minister Andriy Sybiha and EU foreign policy chief Kaja Kallas condemned the move, with the EU threatening to cut funding. The Italian government distanced itself, calling the Biennale autonomous.

TLU’s annual Student Art Show opens this week

Texas Lutheran University's Annual Student Art Show opens with a reception on April 23 in the Annetta Kraushaar Gallery. The exhibition features student works in various media, judged by Austin-based artist and musician Larry Seaman, who will present Juror Awards at the opening, with TLU President Dr. Debbie Cottrell assisting in the presentation.

A flaming locomotive and the future stars: RSA200 celebrates a bicentenary for Scottish Art

The Royal Scottish Academy (RSA) has launched RSA200, a nationwide initiative involving over 100 partners to celebrate its 200th anniversary. The program highlights Scotland's art history and contemporary practice, kicking off with the New Scottish Contemporaries exhibition featuring recent graduates like Daye Allan, Malachy McCrimmon, and Poppy Gannon.

Scotland’s oldest art exhibition marks 200 years with landmark show

The Royal Scottish Academy (RSA) in Edinburgh is celebrating its bicentenary with its largest annual exhibition to date, running from May 9 to June 14, 2026. Curated by artist Annie Cattrell under the theme "In-Time," the landmark 200th edition features hundreds of works by artists and architects, including invited contributions from Martin Creed and Cathie Pilkington. The event also introduces several new major prizes, such as the Jack Vettriano Award, bringing the total prize fund to over £25,000.

[Interview] Framing Space Through the Human Experience: Michael Najjar x Samsung Art Store

German artist and future astronaut Michael Najjar has partnered with the Samsung Art Store to feature his work "europa" (2016) as part of the Art Basel Hong Kong 2026 Collection. Najjar, who is scheduled to become the first contemporary artist in space via a 2027 Virgin Galactic flight, uses his practice to explore the intersection of technology, space exploration, and human ambition. The collaboration allows his large-scale digital constructions to be displayed on Samsung Art TVs, bridging the gap between the physical art fair and domestic environments.

Exhibition of Black artists reinterpreting the US flag opens without key Dread Scott work

An exhibition titled 'America Will Be!' opened at the University of Maryland's David C. Driskell Center, exploring how Black artists have reinterpreted the US flag. However, the show opened without a key work by artist Dread Scott, 'What is the Proper Way to Display a US Flag? (1988)', after the loan request was rescinded by the curators citing logistical and safety concerns.

Model masterpieces by Eduardo Paolozzi to be auctioned this week

Several works by Scottish-Italian artist Eduardo Paolozzi, gifted to his longtime collaborator and model maker Ray Hardinge Campbell Watson, are being auctioned at Lyon & Turnbull in Edinburgh. The collection includes a bronze statue titled *Hermes/Mondrian Head – 1996* (estimate £10,000–£15,000), along with plaster sculptures, prints, and folio sets, many bearing personal inscriptions. The sale reflects a creative partnership that spanned over thirty years, during which Paolozzi and Watson collaborated on major projects such as the Tottenham Court Road murals for London Underground and a Pizza Express mural in the late 1960s.

Bill Koch’s collection could fetch $50m at Christie’s as interest in American Western art grows

Christie’s has announced the consignment of billionaire Bill Koch’s American Western art collection, estimated to fetch at least $50 million across two sales on January 20 and 21. The collection, described as the most valuable tranche of the genre ever to appear at auction, features works by Frederic Remington—including his painting *Coming to the Call* (estimated $6–8 million)—and Charles Marion Russell, among others. The sale aims to spotlight a niche but growing sector of the art market.

Southampton Arts Center Celebrates Opening of "Second Skin" Exhibition

Southampton Arts Center has opened its "Second Skin" exhibition, curated by Latin American art scholar Estrellita B. Brodsky. The show explores clothing as a medium for identity, gender, cultural expression, and political activism, featuring approximately 30 works by international artists and designers, including prints from Martine Gutierrez's "Indigenous Woman" series and Andy Warhol works on paper from the Jordan D. Schnitzer Foundation. The exhibition runs through December 28.

The ‘Art of the Sixties’ exhibition opens with reception at Inkfish Gallery on Friday, Sept. 5

Inkfish Gallery in Des Moines, Washington, will open an exhibition titled 'Art of the Sixties' on Friday, September 5, 2025, from 4:30 to 7:30 p.m. The show, curated by George C. Scott of Inkfish Foundation and Fred Andrews of Des Moines Legacy Foundation with funding from 4Culture of King County, features works from the 1960s encompassing Pop Art, Op Art, Minimalism, Conceptual Art, Hot Rod Art, and Psychedelic Art. Artists highlighted include Andy Warhol, Peter Max, Margaret Keane, Ed 'Big Daddy' Roth, Robert Crumb, and Roy Lichtenstein.

Collector’s eye: the art Kyongho Kim has bought and why

Kyongho Kim, a Seoul-based dentist and art collector, discusses his journey into collecting contemporary art, which began in 2019 when he bought his first painting to fill bare walls in his new home. He now owns around 250 works, including pieces by Hernan Bas, Genieve Figgis, Scott Kahn, and Jack Kabangu, and describes his philosophy as stewardship rather than ownership. The interview, published by The Art Newspaper, covers his first purchase (Byung-Rock Yoon's *Scent of Autumn*), his regret over missing a George Condo piece, and his love for art fairs like Frieze Seoul, where he acquired a work by Marina Perez Simão.