Michelle Blade Transforms Everyday California Scenes Into Luminous Reveries

Los Angeles-based painter Michelle Blade is presenting her first solo show with Night Gallery in Los Angeles, titled "It's About Time." The exhibition features a new body of work focused on still lifes and landscapes from around her home, captured at different hours of the day. Using acrylic and ink on cotton poplin with a wet-on-wet technique, Blade creates luminous, shimmering compositions that blend memory, perception, and projections of the future. The show follows her recent solo exhibition at the Powerlong Museum in Shanghai and her inclusion in the group show "Superbloom" at Night Gallery.

Chloë Sevigny, Hari Nef, and Mickalene Thomas Just Partied at the Brooklyn Artists Ball

The Brooklyn Museum hosted its annual Brooklyn Artists Ball on Tuesday evening, serving as the opening celebration for the "Iris van Herpen: Sculpting the Senses" exhibition. The event drew a crowd of artists, patrons, designers, and downtown figures, including event hosts Fabiola Beracasa Beckman, Sylvana Durrett, Jordan Roth, Lizzie Tisch, and Amanda Waldron; co-chairs Regina Aldisert, Megan Brodsky, Victoria Rogers, and Carla Shen; CULTURED Editor-in-Chief Sarah Harrelson; designers Iris van Herpen and Wes Gordon; musicians Peggy Gou and Swizz Beatz; artists Mickalene Thomas, Keisha Scarville, Paul Arnhold, and Miles Greenberg; writer Derek Blasberg; and gallerist Saam Niami. Highlights included a special performance by dancers from the New York City Ballet in winged costumes, an afterparty with DJs Swizz Beatz and Runna, and a site-specific photo booth by artist Keisha Scarville.

Amy Sherald comes home

Amy Sherald, the celebrated painter known for her official portrait of former first lady Michelle Obama, brings her traveling exhibition 'American Sublime' to Atlanta's High Museum of Art, where it will be on view from May 15 to September 27. The show, the largest presentation of her work to date, marks a homecoming for Sherald, who was born in Columbus, Georgia, and graduated from Clark Atlanta University. The exhibition includes paintings that explore themes of identity, the American South, and the Black experience, and features works such as 'A God Blessed Land (Empire of Dirt)' (2022) and 'They Call Me Redbone, but I'd Rather Be Strawberry Shortcake' (2009).

WTF Is an “A-Corp”?

Hyperallergic's daily newsletter announces that Noah Fischer's comic "Prospect Heights Ghost Story" won a 2026 New York Press Club Award, thanks to collaboration with the Economic Hardship Project (EHRP). The edition also covers anti-Trump guerrilla protest art in Washington, D.C., including an arcade game titled "Operation Epic Furious: Strait to Hell" that satirizes the White House's foreign policy. Other stories include Ridgewood, Queens emerging as a new art hotspot, a feature on Francisco de Zurbarán's religious paintings, and Paddy Johnson's guide to what an "Artist Corporation" (A-Corp) is and whether artists should start one. The newsletter also reports that the Belgian Pavilion at the Venice Biennale closed on May 8 as part of cultural workers' strike for Palestine, and that nearly half of the artists in the international exhibition plus 22 national pavilions withdrew from awards consideration in solidarity with the jury's resignation.

Controversial Costumes at the Met’s Newest Galleries

The Metropolitan Museum of Art in New York has opened the new Conde M. Nast Galleries, designed by the Brooklyn-based firm Peterson Rich Office (PRO). The inaugural exhibition, titled "Costume Art," features 200 pieces from various museum departments and will run until January 10, 2027. The 12,000-square-foot space, located off the Great Hall, incorporates historic structural elements and uses subtle lighting and materials to create a quiet backdrop for the display of fragile costumes and art objects.

Venice in Crisis Mode

Venedig im Krisenmodus

The 61st Venice Biennale has opened under extraordinary circumstances, marked by political protests, a jury resignation, and canceled awards. The Biennale's jury resigned en masse after announcing they would exclude Israeli and Russian contributions from their decisions, leading to the cancellation of the Golden Lion awards and a crisis over the international competition's legitimacy. A newly introduced audience prize also faced boycotts from artists in solidarity. Protests, closed pavilions, and pro-Palestinian actions dominated the preview days, with artists pasting protest posters directly onto their works, reflecting heightened tensions.

Exhibition explores revolutionary artists the Scottish Colourists in a new light

A major exhibition opening at The Arc Gallery in Winchester places the Scottish Colourists—SJ Peploe, JD Fergusson, GL Hunter, and FCB Cadell—in dialogue with their European and UK contemporaries for the first time. Running until September, the show features 70 artworks including André Derain's *The Pool of London* (1906) on loan from the Tate, alongside works by Vanessa Bell, Duncan Grant, Walter Sickert, Augustus John, and Roderic O'Connor. The exhibition is presented by Hampshire Cultural Trust in partnership with the Fleming Collection and explores the international "colour revolution" from 1905 to 1914, examining influences of Cubism and Vorticism.

Art Biennale: artists reject the popular jury

Fifty-two artists and curators, along with sixteen National Participants of the 61st Venice Art Biennale, have withdrawn from the newly introduced 'Lions of the Visitors' (People's Prizes) competition. The boycott follows the resignation of the jury appointed by artistic director Koyo Kouoh, who died in 2025, and is a protest against the inclusion of Russia and Israel in the prize—countries initially excluded by the international jury. The controversy escalated after Italian Minister of Culture Alessandro Giuli publicly opposed the Biennale president Pietrangelo Buttafuoco's decision to allow Russia's participation, drawing in the European Commission and even Ursula von der Leyen, who warned of potential sanctions violations. The signatories include artists and curators from France, Belgium, Luxembourg, Turkey, Switzerland, Spain, the Netherlands, and several other nations.

Somali artists and culture workers express concern over Somalia Pavilion in Venice

Somali artists, cultural workers, and organizations have published multiple open letters and statements expressing concern over the Somalia Pavilion at the Venice Biennale. The pavilion, announced in March for the 2026 edition, is titled 'SADDEXLEEY' and features Somali-Swedish artist Ayan Farah, Somali-Danish poet and filmmaker Asmaa Jama, and Somali-British writer Warsan Shire, curated by Stockholm-based Mohamed Mire and Italian project manager Fabio Scrivanti. Critics, including the Somali Arts Foundation and the queer collective Warbixinta Cidda, allege that the pavilion was organized without meaningful consultation of artists and organizations based in Somalia, and object to the appointment of an Italian co-curator given Italy's colonial history in Somalia. An anonymous open letter further alleges intimidation and coercive pressure against critics, and demands Scrivanti's removal, calling for a boycott if demands are not met.

Somali Cultural Organizations Unhappy With Somalia Pavilion at the Venice Biennale

Somali artists and cultural organizations are protesting the Somalia pavilion at the 2024 Venice Biennale, arguing it excludes artists based in Somalia and relies on diaspora figures and an Italian co-curator, which they view as colonial. The Somali Arts Foundation issued a statement condemning the lack of consultation, while the queer arts collective Warbixinta Cidda criticized the appointment of Italian curator Fabio Scrivanti. Somali American poet Ladan Osman boycotted the pavilion, calling it "anti-indigenous."

Sehwa Museum of Art Launches Artist-Led Hands-On Programs Open to Families and Professionals

The Sehwa Museum of Art in Seoul, operated by the Taekwang Group Sehwa Arts and Culture Foundation, has launched a series of artist-led participatory programs tied to its current exhibitions. On May 17, artist Yesol Kim will lead "Perhaps Scribbling on the World Crookedly," where participants draw and view their work through a kaleidoscope. On May 23, artist Jeong Manyoung will host "Sound Exploration: Finding My Own Sound Space," involving outdoor sound recording. Every Tuesday and Sunday at 3 p.m., visitors can enjoy a performance while holding cotton candy, linked to Lee Wonwoo's work "Gentle Prince." Additional ongoing activities include a handmade zine-making station and a social media review giveaway offering an "Artist Puzzle" from the museum shop.

The Etruscans Take Center Stage With the Legion of Honor’s Latest Exhibit

The Legion of Honor Museum in San Francisco has opened a new exhibition titled “The Etruscans: From the Heart of Ancient Italy,” running from May 2 to September 20. Curated by Renée Dreyfus, the show features over 20 objects from international institutions including the Vatican, the Louvre, and the National Etruscan Museum of Villa Giulia, highlighting the art, culture, and progressive social roles of women in Etruscan society through bronze and terracotta vessels, sculptures, and gold jewelry.