Musician Jack White has debuted a visual art exhibition at Newport Street Gallery in London. The show presents a collection of his own artworks, marking his first formal foray into the gallery world and expanding his creative practice beyond music.
Musician Jack White is set to debut his first major visual arts exhibition, titled 'These Thoughts May Disappear,' at Damien Hirst’s Newport Street Gallery in London. Running from May 29 to September 13, 2026, the show features a diverse array of sculptures, interactive installations, and furniture design that White characterizes as "hardware store art." The collection draws heavily from his background in upholstery and carpentry, incorporating found objects and industrial materials like resins and epoxies.
Musician Jack White is set to debut his first solo visual art exhibition, titled ‘These Thoughts May Disappear’, at Damien Hirst’s Newport Street Gallery in London. Running from May 29 to September 13, the show will feature a diverse array of mediums including sculpture, furniture design, and large-scale installations, many of which are constructed from reclaimed industrial materials and hardware remnants.
Multidisciplinary artist Richie Shazam has launched her debut solo exhibition, "I Was Never Meant to Survive This," at the McLennon Pen Co. gallery in Austin, Texas. The show features 39 new works that blend photography, sculpture, and set design, utilizing found objects, hair, and flowers alongside Shazam’s own body as a primary subject. The collection represents a deeply personal exploration of her Guyanese heritage, trans identity, and the community that has supported her journey from New York City to the international stage.
Turkish artist Bedri Baykam has launched a major solo exhibition titled “Baykam on Picasso: Les Demoiselles Revisited” at Piramid Sanat in Istanbul. Following its debut at Galerie S/Beaubourg in Paris, the show centers on a multi-layered reinterpretation of Pablo Picasso’s 1907 masterpiece, "Les Demoiselles d’Avignon." The exhibition features a mix of paintings and immersive installations, including a conceptual Turkish bath and historical recreations of brothels in Paris and Istanbul, all designed to bridge the gap between Western modernism and Eastern influences.
A wave of new and relaunched satellite art fairs is debuting in Los Angeles to coincide with Frieze Los Angeles, offering lower-cost alternatives for galleries and artists. Newcomers like the Indianapolis-based Butter Art Fair, the photography-focused Show LA, and the New York-centric Enzo Art Fair are positioning themselves as intimate, artist-centric, or zero-fee options. These ventures aim to capitalize on the influx of global collectors while bypassing the high overhead costs associated with major international fairs.
Corey Helford Gallery in Los Angeles presents two solo shows and a group exhibition, running through February 14. Japanese pop-surrealist Junna Maruyama debuts her first solo show at the gallery, "Who Am I?", featuring her Gyaru Series and signature doll-like figures, butterflies, and mixed-media elements. Chicago-based artist Travis Lampe presents "The Ham-Fisted Coping Mechanism," inspired by rubber-hose animation and vintage cartoons. The group exhibition accompanies these solo presentations.
The Balloon Museum's traveling exhibition 'Pop Air – Art is Inflatable' has opened at Marina Bay Sands Expo Hall F in Singapore, marking its first-ever show in Asia. The exhibition features 17 inflatable artworks by international contemporary artists, including pieces like 'Aria', 'Spiritus Sonata' by ENESS, 'Soft Hurricane' by Quiet Ensemble, 'Cloud Swing' by Lindsay Glatz & Curious Form, and 'Hypercosmo' by Hyperstudio. The museum, which debuted in Rome in 2021, has previously toured Berlin, Paris, London, and New York, and will remain in Singapore until August 31, 2025.
Collegium has presented the installation *Yo, vos y la luna* by Brazilian artist Tunga (1952–2016) for the first time in Europe. The work, part of the Sarina Tang collection, was previously shown at MALBA in Buenos Aires and MAM in São Paulo. It is now installed in the Iglesia de San Miguel de Arévalo in Ávila, Spain, where it will be on view until 18 October 2026. The piece incorporates stones, mirrors, glass, plaster, resin, suspended structures, and a fossilized tree trunk, with sensory elements including dripping amber essence and bronze finger fragments.
Osaka-born graphic artist VERDY will debut his first solo museum exhibition, 'I Believe in Me,' at the LOTTE Museum of Art in Seoul from April 24 to July 19, 2026. The show features over 250 works, including crayon drawings, large-scale sculptures, and neon installations, exploring his signature aesthetic rooted in punk, skateboarding, and Japan's '90s Urahara scene. Divided into four sections, the exhibition traces the evolution of his characters and typography from graphic design into immersive physical forms, with highlights including the recurring character Vick and pandemic-era figure Visty.
The Getty Center in Los Angeles will shutter for one year beginning March 15, 2027, to undergo its most significant renovation since opening in 1997. The $600 million to $800 million project focuses on infrastructure and visitor experience, including a total replacement of the campus's aging tram system, a redesign of the welcome hall, and the renovation of 27,000 square feet of gallery space. While the hilltop campus is closed, the Getty Villa will remain open, and a new permanent space will debut on Sepulveda Boulevard.
San Francisco's Legion of Honor museum will present "The Etruscans: From the Heart of Ancient Italy" in May 2026, the first major U.S. exhibition on Etruscan civilization since 2009. The show features 180 antiquities from 30 international museums, many never before seen in the United States, and culminates a decade of research led by curator Reneé Dreyfus. Highlights include objects from the Regolini-Galassi tomb, a recently unearthed bronze sculpture from San Casciano dei Bagni, and the longest known Etruscan inscription making its U.S. debut.
After a 43-day government shutdown, the National Gallery of Art in Washington, D.C., will reopen to the public on Friday, returning to normal business hours. The Smithsonian Institution will also begin reopening several of its museums and the zoo on a rolling basis, starting with the National Museum of American History, the National Air and Space Museum, and the Steven F. Udvar-Hazy Center on the same day. The shutdown, the longest in U.S. history, ended after President Donald Trump signed a spending package following a House vote.
Widline Cadet presents her first solo U.S. museum exhibition, "Currents 40: Widline Cadet," at the Milwaukee Art Museum, on view through August 9. The show features her hypnotic triptych of photographs, her debut photography book "Seremoni Disparisyon (Ritual [Dis]Appearance)," and works across photography, installation, video, and ceramic that explore Black femininity, Haitian folklore, and the immigrant experience. Cadet, born in Haiti and raised in New York, has gained prominence through residencies at the Studio Museum in Harlem and publications in The New Yorker and Aperture Magazine.
Project 88 and Vadehra Art Gallery, two leading Indian galleries, will present exhibitions at Frieze’s No.9 Cork Street space in London from 5th–28th June 2026, coinciding with London Gallery Weekend. Project 88 debuts with 'Treeish', a group show curated by Prajna Desai featuring artists Claire Baker, Mahesh Baliga, Neha Choksi, Goutam Ghosh, Trupti Patel, and Tejal Shah, exploring the agency of trees through diverse media. Vadehra Art Gallery returns with 'A Singular Modernist', a solo exhibition dedicated to the late modernist painter A. Ramachandran (1935–2023), showcasing works from his Puppet Theatre series and later lotus pond imagery.
The Metropolitan Museum of Art has unveiled the new Condé M. Nast Galleries, a nearly 12,000-square-foot suite of exhibition spaces designed by Brooklyn-based architecture firm Peterson Rich Office. Located adjacent to the museum's Great Hall, the galleries relocate fashion exhibitions from a previously tucked-away basement space to one of the museum's most visible and architecturally significant locations. The new spaces debuted with "Costume Art," an exhibition organized by The Costume Institute and curated by Andrew Bolton, which places roughly 200 garments and accessories in dialogue with 200 artworks from the museum's collection, exploring themes such as "The Classical Body," "The Aging Body," and "The Disabled Body." The design, by architects Miriam Peterson and Nathan Rich, uses a restrained material palette of grey marmorino plaster and oak doors framed by limestone arches to create permanent-feeling yet flexible spaces that harmonize with the museum's historic Beaux-Arts architecture.
MoMA PS1 opened the sixth edition of its quinquennial exhibition 'Greater New York,' featuring over 50 artists from the New York area. The show, which debuted in 2000 as the first joint project between the Museum of Modern Art and P.S.1 Contemporary Art Center, fills all floors of the Queens museum with works addressing local themes such as immigration, taxi drivers, massage parlors, rats, and bodega cats. Notable installations include 'Unfree Free Time' by fields harrington, which pays a delivery driver minimum wage for each hour his bike is displayed, and a mural by the Cevallos Brothers, known for their posters for local businesses.
Media artist Kang Lee-Yeon delivered an immersive lecture at the TED 2026 main stage in Vancouver, using a 30-meter screen to visualize climate change and AI data. She then opened her solo exhibition 'Illumination' at Fondation Fiminco in Paris for the 140th anniversary of Korea-France relations, while also debuting works at Milan Design Week and the Loop Plus media art fair in Busan. Her projects include 'Passage of Water', created with Google and NASA, which translates satellite data into an immersive experience about Earth's freshwater crisis.
The first large-scale exhibition in America dedicated to manga as an art form, 'Art of Manga,' will debut on the East Coast at the Brooklyn Museum on October 3. Featuring over 600 original drawings from legendary creators such as Junji Itō, Eiichiro Oda (One Piece), Hirohiko Araki (JoJo's Bizarre Adventure), Rumiko Takahashi (InuYasha), and Tite Kubo (Bleach), the show traces manga's evolution from foundational artists like Chiba Tetsuya and Akatsuka Fujio to contemporary voices. The exhibition also highlights themes including coming of age, LGBTQ+ rights, and environmentalism, and originally opened at the Fine Arts Museums of San Francisco.
A new exhibition titled "Anne Frank The Exhibition" opens Friday, May 1 at the Griffin Museum of Science and Industry in Chicago. It features 130 collection items from the Anne Frank House in Amsterdam, including artifacts from the Secret Annex where Anne Frank and her family hid during the Nazi occupation. Some of these items have never been displayed in the United States before. The exhibition offers a personal look at the Frank family's life in hiding, including a board game that helped pass the time.
The Robert McLaughlin Gallery in Oshawa, Ontario, will launch its summer exhibition season on June 13, 2026, featuring five new displays. The season includes solo shows by artists Stephen Andrews, Oliver Husain, and Austin Henderson. Andrews presents 'The sum of the parts,' a display of 125 drawings examining media coverage of the Iraq and Afghanistan wars. Husain offers an immersive video installation titled 'I ♥ Snail,' exploring the history of IMAX cinema. Henderson, the RBC emerging artist in residence, debuts works investigating queer history and the HIV/AIDS epidemic in Canada through his family history. A free public event with curator remarks, artist-led tours, and a complimentary shuttle from OCAD University in Toronto will mark the opening.
The David Geffen Galleries, the new $724-million building at the Los Angeles County Museum of Art (LACMA), opened to members, drawing thousands of visitors on its first day. The massive concrete structure, which has been a subject of public debate for its cost and design, finally allowed Angelenos and dedicated travelers to experience its spaces and inaugural installations firsthand.
The African American Museum, Dallas has announced it will reopen on May 1 following extensive facility improvements, including HVAC upgrades, floor repairs, and technological enhancements. The reopening will be marked by the debut of a major exhibition titled "People Who Make the World Go ‘Round: The Legacy of Sepia Magazine," which showcases over 40,000 images from the museum’s archives featuring Black icons like Aretha Franklin and Dr. Martin Luther King Jr.
Japanese sculptor Kohei Nawa has launched his first solo exhibition in Los Angeles at Pace Gallery, titled "Photon Camp." The show features 20 new works from his renowned "PixCell" and "Prism" series, which utilize glass beads and light refraction to transform everyday objects—ranging from taxidermied animals to consumer electronics—into pixelated, magnified sculptures. The artist operates out of Sandwich, a sprawling Kyoto-based creative hub housed in a former sandwich factory that employs a team of 50 across art, design, and architecture.
The Krannert Art Museum is currently hosting the annual Master of Fine Arts Exhibition, showcasing the thesis work of eight graduate students from the University of Illinois Urbana-Champaign School of Art & Design. The exhibition features a diverse range of media, including sculptural 3D collages by Samantha Jones that critique the hypersexualization of Black girlhood, and a mixed-media experimental classroom by Anthony Obayomi that explores social justice and educational metrics. Other works, such as Emily Tomlinson’s text-based drawings, highlight themes of cataloging and observational study.
Chicago-based artist Brian Sykes returned to the Beverly Arts Center for the opening of his multimedia exhibition, “I Heard the City Breathe.” The event drew a significant crowd and featured a unique blend of visual art, film, and live vocal performances, including a set by Sykes himself. The project explores the emotional and cultural realities of Chicago’s Black experience, utilizing an intergenerational approach to discuss identity and memory.
Dr. Brian Corr, an associate professor at Hastings College and internationally recognized glass artist, is presenting his first solo museum exhibition at the Museum of Nebraska Art (MONA). Titled "Of Light and Shadow," the show serves as a 20-year retrospective of Corr’s career, featuring large-scale glass installations and sculptures that explore the interplay of light, shadow, and contemplative space. A highlight of the exhibition is the U.S. debut of "One," a significant architectural installation originally created in 2007.
The Buffalo AKG Art Museum has announced a major upcoming exhibition titled "Let Us Gather in a Flourishing Way," featuring fifty-eight contemporary Latinx artists. Curated by Andrea Alvarez, the show examines how artists from the Latin American and Caribbean diaspora are redefining the traditions of painting while challenging political and disciplinary boundaries. After its debut in Buffalo in March 2026, the exhibition will embark on a national tour to Des Moines, Phoenix, and Seattle.
The Museum of Nebraska Art (MONA) is hosting "Of Light and Shadow," the first solo museum exhibition for internationally recognized glass artist and Hastings College professor Dr. Brian Corr. The survey spans two decades of Corr’s career, featuring large-scale sculptures and installations that utilize light and shadow as primary materials. A highlight of the show is the U.S. debut of "One," a significant architectural installation originally created for his master’s thesis in Australia.
The Regina A. Quick Center for the Arts at Fairfield University has debuted "The Future is Handmade," a large-scale exhibition featuring eight female artists with regional ties. Curated by Linda Colletta and organized by the Center for Arts & Minds, the showcase transforms the center's lobby into a vibrant gallery of mixed-media, textiles, and sculpture. The exhibition opened alongside a performance by the dance company BODYTRAFFIC, emphasizing a multidisciplinary approach to community engagement.