Three exhibitions in New York this spring are showcasing the works of artistic duos, pairing artists to highlight how their creations either complement or contrast with each other. The shows aim to explore the dynamics of collaboration and dialogue between artists, offering viewers a unique perspective on creative relationships.
The Korean artist Park Daesung, now nearly 81 years old, is experiencing a surge of international attention. His works have recently been featured in exhibitions across major cities including Chicago, London, Washington, and Los Angeles, and are now set to be shown at TEFAF New York.
The article follows a search for a lamp that visually mimics the distinctive style of the Memphis Group, the influential 1980s Italian design collective known for its bold, postmodern aesthetic. The hunt focuses on finding an affordable, Memphis-style light fixture rather than an authentic vintage piece from the group itself.
The article highlights eight standout national pavilions at the Venice Biennale, the world's premier contemporary art event. These include a doll-focused exhibition, a contemplative garden, and a sizzling hothouse, each generating significant buzz among attendees and critics.
Art dealers are weighing the strategic decision of whether to present solo artist booths or group shows at art fairs. Solo booths allow visitors to focus deeply on a single artist's work, avoiding the sensory overload of multiple artists, while group booths offer variety and broader market appeal. The choice often varies depending on the fair and the dealer's goals.
Dozens of French luxury houses and institutions will converge on Manhattan for the cross-cultural exhibition “Hidden Treasures: 250 Years of Franco-American Luxury Stories.” The show explores the historical and ongoing ties between French luxury craftsmanship and American culture, spanning 250 years of exchange.
New York Art Week in May will feature high-value auction items and several major private collections going to market, serving as a key indicator of the art market's health amid current economic and political uncertainty. The event brings together galleries, auction houses, and collectors for a concentrated period of sales and exhibitions.
Air de Paris, a highly influential Parisian gallery known for representing many of the most significant contemporary artists, has become one of the earliest supporters of Contemporary Art Daily's parent organization, Contemporary Art Library. The announcement, made by Contemporary Art Daily, highlights Air de Paris's pioneering role in elevating the gallerist's activities into a form of artistic expression, and positions the gallery as a model for the entire field.
Iran’s participation in the 61st Venice Biennale remains uncertain after a public contradiction emerged between the Biennale Foundation and Iran’s Ministry of Culture and Islamic Guidance (MCIG). The Biennale Foundation had announced that Iran would not participate in the 2026 edition, curated by Koyo Kouoh, but Aydin Mahdizadeh Tehrani, director general of visual arts at the MCIG and commissioner of the Iranian Pavilion, stated in an interview with the Iranian Students’ News Agency (ISNA) that Iran never submitted a withdrawal letter. Instead, Iran requested more time and sent a letter on May 10 asking for the pavilion to open even if ineligible for prizes. Mahdizadeh Tehrani cited the US-Israel war with Iran as causing currency fluctuations that nearly tripled projected costs, complicating prior agreements, and noted that Iran had proposed a shorter exhibition period, which the Biennale rejected.
The exhibition "The Construction of Painting," organized by the National Museum of Fine Arts, opened at the MAR Provincial Museum of Contemporary Art in Mar del Plata, Argentina. It traces the career of Argentine visual artist Fernando Maza (1936–2017) through more than 50 paintings and watercolors, curated by Pablo De Monte. Maza, who studied under Raúl Podestá and was part of the Informalist Movement alongside Alberto Greco and Kenneth Kemble, lived in New York, London, and Paris. The show features works that blend metaphysical painting with surreal atmospheres, using objects like staircases, arches, and linguistic signs to create enigmatic landscapes.
Intervista alle curatrici che hanno portato l’Italia alla Craft Week di Londra
Amalia di Lanno and Valeria Zerbo, founders of the London-based curatorial platform Avant Craft, are bringing Italian ceramics to the London Craft Week for the first time. Their exhibition, "Contemporary Perspectives on Italian Ceramics," showcases a selection of independent Italian artists and designers who explore ceramics as a material investigation, sculptural experimentation, and cultural continuity. The show opens on May 14 with a "Meet a Master" event featuring artist Riccardo Monachesi, marking the official kickoff of Avant Craft.
From May 13 to 15, 2026, the MACRO – Museo d’Arte Contemporanea di Roma will host "Science Fashion," an event curated by Dobrila Denegri that explores the intersections of fashion, science, and new technologies. The program brings together international researchers and practitioners in experimental fashion to discuss urgent issues such as climate emergency, energy, and interspecies coexistence. It is part of the broader multi-year initiative "Experiments in Fashion and Art," launched in 2024 with "Critical Fashion," and involves collaborations with NABA, Sapienza University of Rome, and UnitelmaSapienza.
Come cambiano le aste d’arte se online tutto sembra un video game?
The article examines how digital infrastructure has transformed art auctions from exclusive in-person rituals into real-time competitive interfaces. Online sales, which peaked during the pandemic, now account for about 16% of the global art market in 2025 (down from 18% in 2024), according to the Art Market Report by Art Basel and UBS. Digital tools enable instant bidding, global streaming, and discreet participation, allowing collectors to compete without physical presence. The piece highlights the gamification of auctions, noting that ArtTactic has launched Art Forecaster, a platform where users predict auction prices in tournament-style competitions, blending market engagement with ludic elements.
Il fotografo Valerio Minato colpisce ancora. Lo straordinario scatto della luna rossa allineata con lo skyline di Milano: “ho atteso per 5 anni”
Italian photographer Valerio Minato captured a striking image on May 2, 2026, showing a giant red moon aligned with Milan's skyline, including the Porta Garibaldi skyscrapers and the Duomo with its Madonnina. The photograph, which went viral, was the result of a five-year pursuit involving astronomical calculations, multiple location scouting across northwestern Italy, and precise timing to align the moon with the city's landmarks. A Ryanair Boeing 737-800 crossing the lunar disk added an unexpected cinematic element.
A Roma è nato un nuovo spazio culturale che lavora sulla memoria della città (anche attraverso le cartoline)
A new cultural space called URBS has opened in Rome's Testaccio district, founded by architect Andrea D'Antrassi in collaboration with Giovanni Colombara. The space debuted in 2024 as "The Smallest Museum by URBS," a 20-square-meter venue housing over 1,600 historical postcards of the city, creating a visual archive spanning different eras. The museum also hosts temporary exhibitions, such as the current show "Not Mine, Not Yours" by Iranian artist Mehrdad Shadrooh, curated by Barbara Blasi, which draws from a family video-photo archive covering over eighty years of history. A commercial space has also been opened in Trastevere.
Artribune's newsletter "Render" is set to release its 57th issue on May 11, featuring stories on urban regeneration projects across Italy. Highlights include a new library under construction in Latisana near the train station, a square-shaped island in the Venice lagoon transformed into an exhibition space after decades of abandonment, participatory tactical urbanism initiatives in Torre Annunziata funded by a Ministry of Social Policies and Labor grant, and a post-war complex in Rome poised to become a cultural hub. The issue will also profile the Peruvian architecture duo Barclay & Crousse ahead of their exhibition at the Politecnico di Milano and include a reflection on contemporary green spaces inspired by a visit to a private English park.
Alla Biennale di Venezia c’è un padiglione di merda! Il Lussemburgo partecipa con un progetto che fa parlare la cacca
The Luxembourg Pavilion at the 2026 Venice Biennale features an installation titled "La Merde" by artist Aline Bouvy, centered on a cinematic manifesto that uses excrement as a metaphor to explore shame, social classification, and bodily discipline. The immersive environment includes a film, spatialized sound composition, and a steel-and-mirror architecture, with an anthropomorphic talking, walking, and farting excrement puppet interacting with visitors. The work also includes a sculptural alter ego titled "E.T. The Excremential," blending Bouvy's body with Spielberg's extraterrestrial figure.
Newmarket artist Jing Fu presents her solo exhibition 'Unearthed – My Equilibrium' at the Aurora Cultural Centre, opening May 14. The show traces her 30-year artistic journey from Shanghai to Canada, blending traditional Chinese shanshui painting with Canadian natural landscapes. Fu's work includes atmospheric landscapes inspired by Ontario wilderness and an abstract 'Roots' series exploring emotional connection and inner balance.
The Woodlands Arts Council (TWAC) presents 'ENTWINED,' its first exhibition featuring a married couple, artist-educators Bob Mosier and Karen Fearon. The show, on view from May 12 to August 6, 2026, highlights their individual practices—Mosier's intricate thread paintings that evolve into three-dimensional fabric sculptures, and Fearon's expressive drawings, paintings, and assemblages rooted in intuitive mark-making. Both artists incorporate found and reclaimed materials, and their work explores light, form, and the yin-yang of creative process. An opening reception is scheduled for June 18, 2026.
The Gimpo Cultural Foundation announced it will host a series of visual arts exhibitions through June as part of the '2026 Gimpo Arts Activity Support Project.' The program features solo and group shows across multiple genres—including crafts, painting, ceramics, installation, photography, and sculpture—at local venues such as the Gimpo Peace Culture Center, Boreumsan Museum of Art, Janggi Library Exhibition Hall, Willow Tree Gallery, and Bukbyeon Gallery. Artists include Kim Jiyong, Kim Wakon, Lee Kyooho, Yoon Jeonghye, Park Younggyun, and Choi Nakjun, along with groups like Gongbang Dowon-yo and Susaranghoe.
Artist and curator Mary Walker presents "10 + 4 + 1: A Collaborative Art Project" at the Cannon Street Arts Center during Piccolo Spoleto from May 22 to May 29. The exhibition pairs ten visual artists—including Linda Fantuzzo, Joe Walters, Lese Corrigan, Hirona Matsuda, Kristi Ryba, Jeff Kopish, Herb Parker, Yvette Dede, and David Higginbotham—into five duos, each combining a 2D and a 3D artist to work outside their usual practice. The project also features four dance companies (Annex Dance Company, Unbound Ballet Project, Collective SC, and Georgia Schrubbe) performing over the weekend, with a family-friendly kickoff and artist reception on May 22.
Graduating students at Southeast Missouri State University (SEMO) showcased their artwork in a final exhibition held on May 1, 2026, at Crisp Museum. The show featured a wide range of media including 3D works, prints, paper mache, paintings, cloth, video, quilts, and sculptures. Among the participants were painting BFA major Zachary Ross Mayfield, who presented symbolist works centered on nature and a large self-portrait that took over 200 hours to complete, and senior studio art BFA major Kaylee Shelby, whose sculptures question the ethics and aesthetics of taxidermy and human manipulation of animals.
The Edo-Tokyo Museum in Tokyo's Ryōgoku district has reopened on March 31, 2026, after four years of renovation. Its first exhibition, "In Praise of Great Edo" (April 25–May 24), showcases 160 items from the museum's collection of 350,000, including swords, armor, kimonos, ukiyo-e masterpieces by Sharaku, Utamaro, and Hokusai, and artifacts from Edo-period culture such as kabuki, sumō, and firefighting uniforms. The renovated museum features new animation, projection mapping, full-scale reconstructions like Ginza's Hattori watch store, and a multilingual smartphone guide system.
Les Rothschild et la porcelaine de Sèvres : une passion de collectionneurs au cœur d’une exposition à Paris
An exhibition at the Galerie des Gobelins du Mobilier national in Paris explores the Rothschild family's centuries-long passion for Sèvres porcelain. Titled "Sèvres, une passion Rothschild. De la Villa Ephrussi à Paris," it traces how the banking dynasty collected, traded, and bequeathed these delicate objects from the Ancien Régime, with a centerpiece table setting featuring pieces lent by family members from Vienna, England, and beyond. The show also highlights Béatrice Ephrussi de Rothschild, who amassed thousands of pieces and left them to the Villa Ephrussi de Rothschild, and includes a section on the Nazi looting of Rothschild collections in 1940, during which 22 Sèvres pieces were acquired by the Musée de Sèvres.
Double vandalisme place de la Concorde
During the PSG Champions League semi-final victory celebrations last Wednesday, vandals destroyed an exhibition by Yann Arthus-Bertrand on the theme of 'Living Together' on the Place de la Concorde in Paris. The article describes this as a double vandalism: the physical destruction by rioters compounded what the author considers the original vandalism—the exhibition itself, which was supported by the French government, the Paris city hall, and several other entities.
CUATRO VOCES LATINOAMERICANAS EN TORNO AL INTENSIVO CURATORIAL DE MONTEVIDEO
Independent Curators International (ICI) held the Montevideo Curatorial Intensive in March 2026, in partnership with the ESTE ARTE fair and the Faculty of Arts at the University of the Republic (Udelar). This was the first time the program took place in Uruguay, bringing together twelve emerging curators from Uruguay, Brazil, Argentina, Chile, Venezuela, Ecuador, Colombia, and the United States for eight days of seminars, debates, and mentorship. Led by independent curator Marina Reyes Franco, the intensive included visits to local cultural spaces such as CasaMario, SUBTE, and the Espacio de Arte Contemporáneo, as well as a trip to Punta del Este to tour galleries and artist studios. The program featured presentations by international faculty including Ionit Behar, Victoria Noorthoorn, Maya Juracán, and Keyna Eleison, and concluded with a public symposium at the Museo Nacional de Artes Visuales (MNAV).
Chilean artist Catalina Bauer presents her exhibition "El volcán, la ballena y otros mundos" at the Sala Capilla of Centro Cultural Montecarmelo in Santiago de Chile, 2026. The show features an immersive installation centered on a whale-like sculptural form that has beached inside the chapel, surrounded by cosmic and natural elements such as stars, ferns, and maranta plants, creating a dreamlike ecosystem that invites tactile and contemplative engagement.
The Arlington Museum of Art is hosting a World Cup-themed exhibition, as reported by FOX's Shannon Murray on May 12, 2026. The exhibition is part of a series of cultural events tied to the World Cup host cities, offering visitors an experience beyond the matches themselves.
The Legion of Honor Museum in San Francisco has opened a new exhibition titled “The Etruscans: From the Heart of Ancient Italy,” running from May 2 to September 20. Curated by Renée Dreyfus, the show features over 20 objects from international institutions including the Vatican, the Louvre, and the National Etruscan Museum of Villa Giulia, highlighting the art, culture, and progressive social roles of women in Etruscan society through bronze and terracotta vessels, sculptures, and gold jewelry.
Bonu Deji's painting "Bloom Beyond Sight" (2026) is being offered for sale through Art R us gallery in Naples, Florida. The acrylic and oil on canvas work, sized 25 × 31 inches, is priced at US$1,400 and comes with a certificate of authenticity. Deji, a Nigerian artist born in 2003 and based in Lagos, creates figurative works exploring poverty, labor, resilience, and human dignity. The piece was exhibited in 2026 at Art R us's breakout exhibition of the artist and previously in the 2025 group show "Faces of Us" at The Zebra Gallery.