The LA Art World’s New Obsession Is a Theater Where Artists Run the Show

Calla Henkel and Max Pitegoff, former artistic directors of Berlin's Grüner Salon, launched New Theater Hollywood in 2024 as a nonprofit venue on Santa Monica Boulevard. The 49-seat theater specializes in genre-defying, multidisciplinary collaborations, staging works like Sophie Becker's ventriloquist act *Ronnie's Big Idea* and Diamond Stingily's *The Driver*. Every performance sells out, attracting a cult following of literary, art world, and pop culture figures who often linger to discuss shows.

Can a Venice Biennale Pavilion Be Rock ‘n’ Roll? At the Belgium Pavilion, Miet Warlop Makes the Case.

Miet Warlop, a Belgian artist known for her avant-garde theater work, is representing Belgium at the 2026 Venice Biennale with a performance-installation titled "IT NEVER SSST." The project transforms the Belgian Pavilion into a chaotic, sensory-filled space where performers climb wooden structures, bang drums, and break plaster boards inscribed with multilingual text, reflecting the noise and misunderstandings of contemporary life. Curated by Caroline Dumalin, the pavilion blurs the line between theater and visual art, with live performances occurring only part of the time while sculptors continuously remake plaster reliefs throughout the Biennale's run.

Criminal review – homelessness show delivers a rage-making punch in the gut

The article reviews "Criminal: An Untold Story of Homelessness, Resistance and Survival," an installation at London's Museum of Homelessness. The show features works by Romany Gypsy poet and artist Gemma Lees, including a caravan installation with china decorated with hostile Sun newspaper headlines about Gypsy and Traveller encampments, and festive bunting printed with historical state proscriptions against nomadic communities dating from the Egyptians Act of 1530 to the 2022 Police, Crime, Sentencing and Courts Act. The exhibition, set largely in the garden of the museum's new home at Finsbury Park's Manor House Lodge, explores how homeless people and nomadic communities have been criminalized over 400 years.

Performance Cuts Through the Noise at the Venice Biennale

Florentina Holzinger and Miet Warlop have transformed the Austrian and Belgian pavilions at the 2026 Venice Biennale into immersive, performance-driven spectacles. Holzinger's "SEA WORLD VENICE" floods the Austrian pavilion with water and urine, featuring jet-skiing, suspended performers, and participatory toilets, while Warlop's "IT NEVER SSST" turns the Belgian pavilion into a chaotic arena of tile-throwing, chanting, and dancing. Both works demand sustained attention amid a fraught Biennale marked by the death of artistic director Koyo Kouoh, canceled pavilions, boycotts, and a jury resignation.

Hamburg Culture Prize Renamed After Namesake’s Nazi Ties Emerge

Hamburg's Senator Biermann Ratjen Medal, a culture prize awarded for nearly five decades, is being renamed the Medal for Art and Culture in Hamburg after historian Helmut Stubbe da Luz uncovered evidence that the prize's namesake, Hans Harder Biermann-Ratjen, confirmed his Nazi Party membership in a 1943 application. Biermann-Ratjen, who later served as Hamburg's senator for culture, had been deemed not to have been a member during post-war de-Nazification, but the new research prompted the city to rebrand the award.

ArtPhilly Presents “What Now: 2026”

ArtPhilly has announced the inaugural edition of its city-wide festival, "What Now: 2026," scheduled to open on May 27, 2026, coinciding with the 250th anniversary of the United States. The five-week event will feature over 30 newly commissioned projects by Philadelphia-based artists, including performances, installations, and podcasts, staged across festival districts in public spaces and institutions. The festival is led by Creative and Executive Director Bill Adair and Curatorial and Deputy Director Tania Isaac, with a curatorial committee of 17 local curators selecting works that explore the nation's past, present, and future.

Manhattan D.A.’s Office Returns More Than 650 Looted Artifacts to India

On April 28, Manhattan District Attorney Alvin L. Bragg, Jr., announced the return of 657 trafficked antiquities valued at nearly $14 million to India. The items were recovered by the D.A.'s Antiquities Trafficking Unit and Homeland Security Investigations, and formally returned at a ceremony in New York. Among the repatriated pieces are a bronze figure of Avalokiteshvara (valued at $2 million), stolen from the Mahant Ghasidas Memorial Museum in Raipur in 1982; a red sandstone Buddha statue (valued at $7.5 million) smuggled by convicted dealer Subhash Kapoor; and a sandstone Ganesha sculpture looted by trafficker Vaman Ghiya and sold through Christie's by Nancy Wiener, who was later convicted of antiquities trafficking.

US Border Wall Construction Damages 1,000-Year-Old Indigenous Land Art in Arizona

Construction crews building a barrier between the United States and Mexico have damaged a 200-foot-long etching of a fish embedded in the land in Arizona, known as the Las Playas Intaglio, which is thought to be 1,000 years old. According to a report in the Washington Post, workers destroyed a 60-to-70-foot portion of the ancient Indigenous land art as part of President Donald Trump’s $46.5 billion border-wall project. Satellite imagery confirmed the destruction, showing bulldozer marks running through about a third of the fish formation. U.S. Customs and Border Protection acknowledged the incident, stating that a contractor inadvertently disturbed the cultural site on April 23, 2026, and that the remaining portion has been secured.

Preemptive Listening review – artist’s film about sirens is buzzing with sonic ideas

The Guardian reviews Aura Satz's art film "Preemptive Listening," which explores the cultural and political meanings of sirens as warning devices. The film features a drone shot of a siren in a residential area, a soundtrack by composer Laurie Spiegel, and commentary from British-Egyptian actor Khalid Abdalla on sirens during the 2011 Arab Spring protests. It also covers sirens on Nakba day in Palestine, a US activist linking emergency vehicle lights to danger for Black women, clocks frozen at the time of the Fukushima disaster, and a Maori activist discussing environmental catastrophe. The reviewer finds the film's ideas interesting but notes it lacks coherence as a feature-length experience, suggesting it would be better suited to a gallery setting.

U.S. Returns Hundreds of Looted Antiquities to Italy

U.S. officials formally returned 337 looted antiquities, archival materials, and artworks to Italy during a ceremony at Rome’s La Marmora barracks. The objects, spanning from the Villanovan era (900–700 B.C.E.) through the Hellenistic period (323–31 B.C.E.), include Etruscan, Greek, Italic, and Egyptian artifacts. The repatriation was coordinated by Italy’s Carabinieri Command for the Protection of Cultural Heritage, the U.S. Federal Bureau of Investigation, the Department of Homeland Security, and the office of Manhattan District Attorney Alvin Bragg Jr. Key items include a marble head of Alexander the Great, a bronze sculpture from Herculaneum, and Egyptian basalt sculptures. Some 221 objects were recovered via the Manhattan DA, while the remaining 116 were secured with help from Christie’s.

Russia's Venice Pavilion to Close to the Public in Compliance With Sanctions

Russia will return to the 61st Venice Biennale with its national pavilion, but the exhibition will only be physically open to the press and select guests during the vernissage dates of May 5–8. From May 9 onward, the pavilion will remain closed to the public, with multimedia documentation of performances displayed on screens at the windows. The arrangement follows leaked emails among Biennale Foundation President Pietrangelo Buttafuoco, General Director Andrea Del Mercato, and Russian Pavilion Commissioner Anastasia Karneeva, revealing efforts to comply with EU sanctions while still allowing Russia's participation after two consecutive absences since its invasion of Ukraine.

Ex-Votos of Disobedience: Débora Arango in Dialogue with Alfonso Quijano

EXVOTOS DE LA DESOBEDIENCIA: DÉBORA ARANGO EN DIÁLOGO CON ALFONSO QUIJANO

The exhibition "Exvotos de la desobediencia: Débora Arango en diálogo con Alfonso Quijano" at the Claustro de San Agustín of the Universidad Nacional de Colombia, curated by María Belén Sáez de Ibarra, brings together paintings and watercolors by Débora Arango (born 1907) alongside woodcuts by Alfonso Quijano (born 1927). The show proposes a dialogue that addresses persistent violence, inequality, and exclusion in contemporary life, with sacred symbols coexisting with bodies marked by desire, guilt, hunger, and resistance. Arango's work is presented as one of the earliest and most radical expressions of feminism in Latin American art, challenging patriarchal structures that have historically marginalized women and their images from public spaces.

Dolce Vita is Over

Dolce Vita war gestern

Andrea Modica's new photobook "Italian Story" collects four decades of photographs taken in Italy, beginning with her first trip there in the late 1980s. Born in 1960 to a family with roots in Sicily and Naples, Modica received a Fulbright scholarship to travel to Sicily and photograph the origins of the Catholic imagery, gender roles, and family structures she experienced growing up in New York. The book, however, is not a documentary of her heritage; instead, it presents dreamlike, surreal images—motionless bodies in water, dead fish, figures behind mosquito nets, Madonna statues—that resist clear narrative or identity politics. Modica works with an 8x10 large-format analog camera and prints using the historic platinum-palladium process, giving the images a timeless, collaborative quality.

The Many Sheddings of Valie Export

Die vielen Häutungen der Valie Export

Valie Export, the Austrian media and performance artist known for using her body as a site of social critique, has died at age 85 in Vienna. Her final works include a black-and-white photo series of her forearm resting on a stone snake sculpture at the University of Vienna, exploring themes of skin, transformation, and mimesis. From the 1970s onward, she created iconic "Body Configurations" in which she placed her body on streets and against buildings along Vienna's Ringstrasse, tracing architectural forms to expose institutional power and patriarchal authority.

Monuments in Motion

Denkmäler in Bewegung

Berlin-based artist Sarah Ama Duah, who transitioned from fashion to sculpture, creates works that explore Afro-German memory culture. Her practice includes beeswax portraits, found objects like Delft porcelain and baroque vases, and performances at venues such as the Humboldt Forum. In 2025, she received the Wolfram Beck Prize for Sculpture. Duah's early fashion work, including silicone garments shown at the Fashionclash Festival in Maastricht, evolved into sculptural investigations of clothing, body, and space, leading her to study performance and sculpture at the Berlin University of the Arts under Jimmy Robert.

The Great Shitshow

Die große Shitshow

Florentina Holzinger has transformed the Austrian Pavilion at the Venice Biennale into a radical performance installation titled "Seaworld Venice." The piece features naked performers suspended from meat hooks, a performer ringing a bell while dangling upside down from a crane, a woman on a jetski circling inside a flooded pavilion, and a system where visitors are invited to urinate into portable toilets, with the waste processed and recirculated into the water. The work combines extreme physical stunts, nudity, and bodily fluids to create a visceral, immersive experience that has drawn long queues and stunned reactions from the art world.

Shit has the power to destabilize systems of order

"Scheiße hat die Kraft, Ordnungssysteme zu destabilisieren"

Aline Bouvy, the artist representing Luxembourg at the Venice Biennale, has created a film essay titled "La Merde" that centers on excrement as its main character. Originally conceived as a performance, the work explores themes of bodily circulation, transformation, and the grotesque, using feces to challenge societal taboos and systems of order. Bouvy discusses the film's development with curator Stilbé Schroeder, noting that the Biennale provided the resources and time to realize the project, which will later travel to the Kunstverein in Salzburg.

I Try to Allow Chaos

"Ich versuche, Chaos zuzulassen"

Florentina Holzinger presents her exhibition "Seaworld Venice" at the Austrian Pavilion of the Venice Biennale, a spectacular underwater-themed installation that combines a theme park, sacred building, and sewage treatment plant. The work explores transformation from dirt to cleanliness, featuring water, dolphins in the lagoon, and boundary-pushing performance elements.

The Musée d’Ixelles at the Crossroads of Different Perspectives

Le Musée d’Ixelles à la croisée de différents regards

The Musée d’Ixelles in Brussels, closed for eight years for expansion and renovation, is nearing completion of its architectural transformation with a reopening scheduled for spring 2027 (March 19). Founded in 1892 in a former slaughterhouse, the museum has grown through successive donations and a continuous acquisition policy, now holding over 15,000 works spanning Belgian art from the 19th century to the contemporary period. Director and curator Claire Leblanc, who has led the institution since 2006, emphasizes a participatory approach that integrates diverse public perspectives, including a project called "Musée comme chez soi" during the closure where locals hosted artworks in their homes.

JR transforms the Pont-Neuf into an immense immersive cave

JR métamorphose le Pont-Neuf en immense caverne immersive

French artist JR has transformed the Pont-Neuf in Paris into a massive immersive cave installation titled "La Caverne du Pont-Neuf," unveiled in May 2026. The work pays homage to Christo and Jeanne-Claude's 1985 wrapping of the same bridge, using an inflatable double-wall structure covered with printed fabric to simulate rock formations and a prehistoric cave. The 120-meter-long installation is free and open to the public day and night, featuring augmented reality experiences via mobile devices and VR glasses, with a soundscape by a former Daft Punk member. The project, budgeted at €10.9 million funded by private sources, marks the first time JR has invited the public inside one of his works.

From simple blue to haute couture suit: workwear studied at the Musée Postal

Du simple bleu au tailleur haute couture, le vêtement de travail étudié au musée Postal

The Musée Postal in Paris has reopened with a new name and identity, launching its first exhibition titled "Sous toutes les coutures" ("Under All Seams"). Curated by Elodie Goëssant and Didier Filoche, the show brings together 420 pieces, artworks, and archival objects to explore the history of workwear in France, from uniforms and protective clothing to high-fashion collaborations. It traces the evolution of work attire from the 18th century to the present, highlighting how women lacked dedicated work clothing until the 1970s and how airlines like Air France pioneered partnerships with luxury houses such as Christian Dior to dress flight attendants as national ambassadors.

À Sars-Poteries, le MusVerre célèbre pour ses dix ans toutes les infinies possibilités de l’art verrier

The MusVerre in Sars-Poteries, France, celebrates its tenth anniversary with a new exhibition titled "Enchanté – La fabrique des histoires," curated by Laura Bouvard. The museum, which opened in 2016 in a distinctive blue beveled building, houses over 800 glass artworks and 3,000 ancient pottery pieces, originating from the passion of amateur collector Louis Mériaux. Under new director Laetitia Messager, the museum is forging collaborations with the Musée de Charleroi, Cirva Marseille, and Frac Normandie, and plans to host a symposium in autumn to mark the anniversary.

À Marseille, l’installation textile monumentale d’Adrien Vescovi déploie ses couleurs

Artist Adrien Vescovi has installed a monumental textile work titled "Dormir comme le soleil" at the Vieille Charité in Marseille. The installation features over 600 dyed sheets suspended across 108 arches of the former hospice, using natural pigments from plants, spices, and ochres. The fabrics, dyed in a labor-intensive process involving large wooden spoons and cauldrons, are designed to fade and evolve over the eight-month exhibition, responding to wind, humidity, and Mediterranean light.

Brittany Invites Itself to the Venice Biennale: An Unusual Pavilion Dedicated to Breton Creation Moors in the Lagoon

La Bretagne s’invite à la Biennale de Venise : un insolite pavillon dédié à la création bretonne s’est amarré dans la lagune

For the 61st Venice Biennale, a group of artists and art figures from Brittany have created an unofficial "Breton pavilion" in the form of a spectacular sailboat moored on the island of San Giorgio Maggiore. The boat, designed by artist Joachim Monvoisin, features contributions from Morgane Tschiember (who sewed a sail with a black cross, the 11th-century Breton flag) and master glassmaker Andrew Erdos (who made the navigation lights). Performances during the opening week included readings by Breton authors and traditional music concerts with binious and bombardes on the Via Garibaldi.

Aux châteaux de Malmaison et de Bois-Préau, le festival des Premiers Romantiques fait dialoguer musique et nature

The Festival des Premiers Romantiques takes place from May 22 to 25 at the châteaux of Malmaison and Bois-Préau in Rueil-Malmaison, France. The event features concerts on period pianos (including an 1806 Erard pianoforte and an 1847 Streicher), performed by musicians from La Nouvelle Athènes collective, alongside an exhibition titled "Roses & Pivoines" showcasing works by Pierre-Joseph Redouté and contemporary German artist Thilo Westermann. The festival celebrates Romantic-era music and nature, set in the recently restored château and its emblematic gardens, once the botanical passion of Empress Joséphine.

Hilma af Klint en 2 minutes

Hilma af Klint (1862–1944) is profiled as a pioneering Swedish abstract artist who created a vast body of visionary, large-scale abstract paintings decades before Kandinsky, yet kept them secret during her lifetime. The article traces her life from a childhood steeped in science and nature, through her studies at the Royal Academy of Fine Arts in Stockholm, to her dual artistic practice: conventional landscapes and portraits for income, and radically abstract works guided by spiritualist séances and theosophical beliefs. She founded the group "The Five" with fellow female artists, and from 1906 onward produced the monumental series "Paintings for the Temple" (193 works), convinced she was channeling a higher force. She stipulated in her will that her abstract works not be revealed until 20 years after her death, and they were only rediscovered in the late 1960s.

Study Shows Engaging with Art as Effective as Exercise in Slowing Aging

A new study by University College London, published in the journal Innovation in Aging, reveals that engaging with arts and culture can slow biological aging at a rate comparable to exercise. Researchers found that attending performances or visiting galleries once a month led to a 3 percent reduction in aging speed, while weekly engagement produced a 4 percent slowdown. Those who participated in the arts at least weekly were biologically at least a year younger than non-participants, outperforming weekly exercisers, who were only six months younger biologically. The study tracked 3,356 adults from 2010 to 2012 using survey data and blood tests, measuring aging via epigenetic clocks that analyze DNA changes.

Hedwig Fijen to Depart as Founding Director of Manifesta

Hedwig Fijen, the founding director of Manifesta, the nomadic European biennial launched in 1996, has announced she will depart on October 5. Fijen began working on the platform in 1991 under a commission from the Netherlands Office for Fine Arts, and oversaw editions in cities including Rotterdam, Palermo, Pristina, and Barcelona. The supervisory board has appointed Emilia van Lynden as general director and Catherine Nichols as artistic director to lead future editions, starting with Manifesta 16 in Germany’s Ruhr Valley this year and Manifesta 17 in Coimbra, Portugal, in 2028.

US Returns 337 Looted Objects to Italy in Repatriation Effort

The United States officially returned 337 looted antiquities to Italy at a ceremony held at La Marmora barracks in Rome. Of these, 221 objects were repatriated through the Manhattan District Attorney’s Office, while the remaining 116 were recovered on April 10, 2026, via joint efforts by the FBI, Homeland Security Investigations, the District Attorney’s Office, and Christie’s New York auction house. The objects span from the Villanovan era (900–700 BCE) to the Hellenistic period (323–31 BCE) and include a 1st-century CE marble head of Alexander the Great, a bronze sculpture from Herculaneum, and two Egyptian basalt sculptures.

“Paroles, Paroles” at Centre d’Art Contemporain—la synagogue de Delme

The article announces the group exhibition “Paroles, Paroles” at the Centre d’Art Contemporain—la synagogue de Delme, featuring six artists, performers, and poets (including one duo). The show examines how language—its words, accents, and expressions—reflects political, social, and technological shifts, and how linguistic hybridization, transformation, and adaptation reveal both freedoms and constraints.