Local artist James Green, professionally known as 'The Artful Green,' has launched a new solo exhibition at Drax Studio in Canford Cliffs, Poole. Running until May 4, the showcase features a body of work created through a singular, unrevised process where each painting is completed in a single pass without later corrections or modifications.
Photographer Nat Ward has published a new book titled "Ditch: Montauk, NY 11954," featuring panoramic images taken over four summers at Ditch Plains Beach in Montauk, New York. The project began during a residency at the Edward F. Albee Foundation in 2018, using a medium format panoramic camera to capture the diverse human interactions on the crowded beach. Ward's photographs document strangers becoming neighbors, political tensions dissolving under umbrellas, and the raw honesty of beachgoers, including a woman in a red MAGA hat and a young man confident in his desirability.
Chilean artist Catalina Bauer presents her exhibition "El volcán, la ballena y otros mundos" at the Sala Capilla of Centro Cultural Montecarmelo in Santiago de Chile, 2026. The show features an immersive installation centered on a whale-like sculptural form that has beached inside the chapel, surrounded by cosmic and natural elements such as stars, ferns, and maranta plants, creating a dreamlike ecosystem that invites tactile and contemplative engagement.
Morrison Gallery has opened in Kent, Northwest Connecticut, positioning itself as a new cultural hub for the region. The gallery debuts with an inaugural exhibition featuring a range of contemporary works, aiming to attract both local residents and visitors to the area.
Tatiana Malinovscaia's painting "Blue Distance in Quiet Light" (2026) is being offered for sale by Artseeker Gallery. The 100x130 cm acrylic on canvas work features a restrained abstract composition with muted blues, ivories, beiges, and charcoals, built through layered textures and tonal contrasts. Malinovscaia, a self-taught Moldovan artist, explores the interplay between architectural clarity and atmospheric abstraction, with light acting as a central structural element that reveals nuanced variations across the textured surface throughout the day.
From May 3 to June 28, 2026, Art Studio La Marina gallery in Pietrasanta hosts "Anteprima," a solo exhibition by Italian artist Beppe Madaudo (born Palermo, 1950), curated by Diego Ferrante. The show presents works where animals, human figures, and hybrid forms emerge from layered matter, exploring themes of memory, tension, and transformation. Key pieces include a depiction of the fish St. Peter, whose profile is outlined in red while its interior is built from threads, combustions, and fragments, and two horse paintings on contrasting ash gray and burnt red backgrounds that alter the visual weight of the same silhouette.
Maintenance Work: Practices of Care, an exhibition opening at The Good Rice Gallery, brings together artists working across installation, performance, video, and sculpture. Curated by Berenice Berlan and Sowon Kim, the show features works from 18 artists including Abeer Al-Tamimi, Flavia Carolina D’Alessandro, and Jieyi Chen, exploring maintenance not as a finished act but as an ongoing process shaped by care, repetition, and attention. The exhibition runs from 21st to 24th May 2026, with a private view on 21st May.
Three exhibitions will open at Tweed Regional Gallery on Friday 29 May as part of the Gallery's 2026 winter program. The program includes the group exhibition 'Indelible: The Poetry of Decay' alongside solo exhibitions by regional artists Antoinette O'Brien and Luke Close (Githabal), spanning ceramics, painting, and multidisciplinary practice. A curator preview talk, live performance, and opening celebrations will accompany the openings.
Jolkonya, a women's art organization, has opened a six-day group exhibition titled "Every Woman is a Mother" at Safiuddin Shilpalay in Dhaka to celebrate Mother's Day. The show features 35 artworks by 12 artists using watercolor, acrylic, and coffee-based mediums, and was inaugurated by painter-sculptor Ivy Zaman and singer Mehreen. The City Bank PLC is the title sponsor, and artist Ashok Karmaker curated the exhibition.
Morocco inaugurated its national pavilion at the 61st Venice Biennale International Art Exhibition on Friday, with Head of Government Aziz Akhannouch presiding over the ceremony. The pavilion features the project “Asǝṭṭa,” led by artist Amina Agueznay and curator Meryem Berrada, and will be on view at the Doges through November. The presentation aligns with the Biennale’s overarching theme, “In Minor Keys,” and showcases Moroccan heritage through contemporary artistic expression.
Pennswood Art Gallery in Newtown announces the May 10 opening of its new exhibit, “Contemplative Observation,” featuring the work of artist Albina P. Herron. Herron paints plants and animals native to the Pocono Mountains, using gouache on cotton paper to emphasize texture and presence. The exhibit includes works such as “Bleeding Heart” (Dicentra eximia) and runs until July 1, with an artist talk and reception on opening day.
Ukrainian artist and poet Oksana Zayets has opened a solo exhibition titled "Tender Light" in the historic Church of St. Nicholas and St. Elizabeth in Cheb, Czech Republic. The show features 40 oil landscapes created between 2022 and the present, with the most recent painting completed about a month ago. The exhibition runs until June 21 and marks the eighth exhibition by a Ukrainian artist in the Czech Republic.
Equatorial Guinea makes its debut at the Venice Biennale with a national pavilion at Palazzo Donà dalle Rose, featuring Paraguayan artist Ingrid Seall and her work "Manar." The pavilion, titled "The Forest: The Undergrowth," runs from May 9 to November 22, 2026, and presents an immersive journey inspired by Equatorial Guinea's forests. Seall's piece uses materials like paper, cellulose, iron, and cassava paste to create a vertical, living organism that transforms waste into vital matter. The exhibition includes works by multiple international artists and is curated by Joan Abelló, with Brazilian commissioner Paulo Speller.
The Fayetteville Observer explores the historical racial bias embedded in photographic technology through the lens of "Shirley Cards." These reference tools, used by film developers for decades to calibrate color balance, were based exclusively on the skin tones of white female models, resulting in poor image quality and distorted representations for Black and dark-skinned subjects.
The Dittmar Gallery at Northwestern University is hosting a community art exhibition titled “I was here,” featuring works by 24 local artists. Curated by Jasmine Ametovski and Clare Kirwan, the show highlights diverse mediums ranging from photography of the Berlin Wall to beeswax sculptures and multimedia installations. The exhibition focuses on how personal perspectives can redefine traditional art spaces and reclaim cultural identities through creative practice.
Renowned Belarusian musician and writer Liavon Volski has debuted his first solo painting exhibition, titled "The Forest Hears, the Field Sees," at the Museum of Free Belarus in Warsaw. The exhibition features 11 conceptual works characterized by misty landscapes and surrealist elements, each inspired by traditional Belarusian proverbs. The opening event was a multi-sensory experience, incorporating fog machines and a musical performance by Volski to complement the atmospheric nature of the canvases.
The Ludington Area Center for the Arts (LACA) has announced an open call for its upcoming juried exhibition titled “Chew on This.” Scheduled to run throughout October in Ludington, Michigan, the show invites artists to submit food-themed works ranging from literal depictions of meals to conceptual explorations of consumption and community. The call is open to national and international artists across various media, including painting, sculpture, and fiber arts, with a submission deadline of August 30.
The Representational Art League has launched its latest group exhibition at the Hagopian Gallery, located within the Humboldt County Library in Eureka, California. This showcase features a diverse array of studio and plein-aire works created by local artists using mediums such as watercolor, acrylics, pastels, and oils. Featured participants include Paul and Nancy Rickard, Michelle Murphy-Ferguson, and several other regional creators.
The McKenzie River Artists Guild is set to celebrate its 32nd anniversary with an annual Art Show and Sale on May 1 and 2, 2026. Hosted at the Leaburg Fire Training and Education Center in Oregon, the event will feature works from 16 local artists across a diverse array of mediums, including traditional painting, ceramics, woodwork, and mixed media.
The Lynnwood Event Center is hosting a free 'Meet the Artists' reception on April 14 to celebrate its current exhibition, "Flight Patterns: The Art & Motion of Winged Life." The event features a diverse range of works including painting, sculpture, and glass that explore themes of migration and transformation. Highlights include a live participatory installation by artist Alexandra Nason, where guests can decorate aluminum butterflies for a modular sculpture, and an educational presence by the conservation nonprofit Birds Connect Seattle.
Little Artists Art Studio, a Singapore-based institution, marked its second consecutive year of participation at Art Capital 2026 held at the Grand Palais in Paris. Following their historic 2025 debut as the first children ever included in the event's 200-year history, the studio presented a curated body of work from students across various age groups, including neurodiverse and special-needs artists. The young artists exhibited alongside established professionals within the main salon framework, engaging with international media, critics, and collectors.
The Woodhaven Art Circle artist collective launched its inaugural gallery exhibition, titled 'Love, Left Open,' at the Neighborly Events space in Kew Gardens, Queens. The show features introspective works from over 16 local artisans, ranging from ink illustrations and digital photography to mixed-media pieces, all exploring themes of personal and communal love. The opening night was complemented by poetry readings and a celebration of International Mother Language Day, emphasizing the intersection of cultural heritage and creative expression.
The Allegheny Art Galleries opened a faculty art exhibition featuring works from three art department professors. Associate Professor Heather Brand presented three photographic series, including "Under Glass, Over Time," "Recursive Light," and "After Utopia," exploring themes of scale and contained worlds. Associate Professor Clare Kambhu displayed a series of oil paintings inspired by her time teaching in New York City public schools, focusing on imparting a human presence to impersonal educational spaces through her technique.
Atelier Gallery in Wailea, Maui, will open a new exhibition titled “Weavers of Enchantment” on December 27, 2025, featuring oil paintings by Maui-based artists Carolina Manchester, Christina DeHoff, and Stephanie Sachs. The show, which runs through January 31, 2026, presents luminous, intuitive works inspired by Hawaiʻi’s light, landscapes, and natural rhythms, exploring themes of connection, transformation, and the harmony between Earth and cosmos. An opening reception will be held on December 27 from 5 to 8 p.m. at the gallery, located in Kīhei.
Mvskoke Waters Gallery, the first tribally owned art gallery in the Tulsa metropolitan area, announces its grand opening on December 13, 2025, in Jenks, Oklahoma. The inaugural exhibition, titled "Mvskokvlke: Road of Strength," features works by over 20 Muscogee artists and is co-curated by Muscogee artist Bobby C. Martin, who describes the project as an honor and a labor of love.
Alcea Gallery opened in October at 7512 Madison St. in Forest Park, Illinois, owned by Summer Lambert, a former corporate marketer who turned to freelance marketing and decided to launch her own gallery after years of being rejected from museum and gallery jobs for lacking an art background. The gallery features contemporary paintings, collages, ceramics, and prints by local and national artists, with Lambert displaying work for free and offering a 70% commission on sales. She launched with her personal collection and has since received interest from artists in Forest Park, Oak Park, and as far as Florida, though she notes a deficit of buyers rather than artists.
A faculty exhibition titled 'All That Remains' opens Oct. 21 at Tyler Art Gallery on the SUNY Oswego campus, featuring works by art faculty members Peter Cardone and Christopher McEvoy. Cardone presents a photographic series of the Oswego West Pierhead Lighthouse, capturing empty interior spaces and lake views that evoke presence and absence. McEvoy contributes large abstract paintings with layered organic and geometric forms that explore perception, memory, and the construction of meaning. The exhibition includes related events on Oct. 28, such as a presentation by H. Lee White Maritime Museum curator Michael Pittavino, artist talks, and a poetry reading with faculty poets.
Frieze has established a permanent venue in Seoul called Frieze House, giving the art fair a year-round presence in the South Korean capital. The space will host exhibitions, events, and programming beyond the annual Frieze Seoul fair, signaling the fair's long-term commitment to the Asian art market.
The New York Times reports that a museum has updated its galleries to feature contemporary Native American artists, emphasizing their ongoing presence and creative contributions rather than treating Indigenous art as a historical artifact. The renovation includes new acquisitions and installations that highlight living artists, challenging the common perception that Native art belongs only in the past.
Fort Worth Contemporary Arts (FWCA), the contemporary art gallery of Texas Christian University (TCU), will open a new 2,000-square-foot location at 3050 Waits Avenue in September 2025, one block from its former site. The inaugural exhibition on September 5 will be "Indian Removal Act III: We are a Wounding" by San Antonio artist Joe Harjo, a member of the Muscogee (Creek) Nation of Oklahoma, continuing his series on Native American historical and contemporary issues. The previous location at 2900 W. Berry Street closed in November 2024 after a final memorial exhibition honoring influential faculty member Dr. Frances Colpitt, as the university repurposes the site for student housing under an $83 million development plan.