The Metropolitan Museum of Art has appointed Oluremi C. Onabanjo as a curator in its Department of Photographs, a role she will assume this summer. Onabanjo, who joins from the Museum of Modern Art (MoMA), will primarily oversee the Walther Collection—a massive gift of over 6,500 photographs spanning diverse global regions—and will lead a major exhibition of the collection in 2028.
British artist David Shrigley’s 2023 screenprint, 'I Destroyed the Tennis Ball,' is currently up for auction through Vanguarts Auctions on the Artsy platform. The work, a 26-color screenprint on Somerset Satin paper from an edition of 125, features the artist's signature deadpan humor and cartoon aesthetic. Estimated to sell between $2,500 and $3,500, the piece is part of the 'Contemporary Dialogue: Icons & Emerging Voices' sale.
The Art Gallery of New South Wales (AGNSW) has solidified its status as a premier global cultural destination following the completion of its Sydney Modern Project. The institution now comprises two distinct architectural landmarks: the historic Naala Nura (South Building) and the contemporary Naala Badu (North Building), designed by Pritzker Prize-winning architects SANAA. These new Aboriginal names, meaning "seeing Country" and "seeing waters," reflect a deep institutional commitment to Indigenous engagement and the gallery's unique geographic position overlooking Sydney Harbour.
Art Basel Paris is undergoing a major transformation for its third edition, officially rebranding from 'Paris+ par Art Basel' and moving into the newly renovated Grand Palais. The historic venue, fresh from a $500 million restoration, allows the fair to expand its footprint by 26 percent, hosting 194 galleries compared to last year's 154. The move includes the opening of the ornate balconies for emerging galleries and a new sector called Premise, signaling the fair's transition from a successful 'preamble' to a permanent fixture in the French capital.
Iranian-born artist Omid Asadi has been appointed as the new artist-in-residence at the University of Salford’s Energy House 2.0 research facility. Running from Spring 2026 through the end of the year, the residency will see Asadi collaborate with researchers at the world-leading climate laboratory, which features two massive chambers capable of simulating extreme global weather conditions. The artist plans to create new installations and sculptures in response to the facility's pioneering retrofit research, specifically focusing on a recreated 1930s-era house.
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A new study by curator Louise Thurin and 193 Gallery founder César Lévy reveals significant demographic imbalances in Paris's commercial art scene. While female representation has tripled over the last decade to nearly 35%, artists born outside of Europe and North America remain marginalized, accounting for less than 15% of gallery rosters combined. Additionally, Spain’s Culture Minister Ernest Urtasun has officially denied a request to loan Pablo Picasso’s 'Guernica' to the Guggenheim Museum Bilbao, citing the masterpiece's extreme fragility and the need to follow conservation expert advice.
Hong Kong’s art market showed signs of a significant rebound during the March art week with two rare "white glove" auctions, where every lot was sold. Christie’s led the momentum with a 100 percent sell-through rate totaling HK$655.8 million, followed by Sotheby’s, which achieved HK$548.4 million and set a record for the most valuable work by a female artist sold at auction in Asia with Joan Mitchell’s La Grande Vallée VII.
The United States Holocaust Memorial Museum (USHMM) is facing allegations of preemptive self-censorship to avoid conflict with the Trump administration. Former employees report that the institution removed online educational resources linking Jim Crow laws to Nazi ideology, unlisted videos discussing American racism, and renamed or cancelled workshops focused on the "fragility of democracy." While a museum spokesperson denied these claims, internal emails suggest leadership was concerned about how certain terms might be interpreted in the current political climate.
The British artist Tracey Emin’s 2015 monotype titled "Sunday Morning with You" has been listed for sale through Carolina Nitsch Contemporary Art. The unique work on Somerset paper, priced at $25,000, exemplifies Emin’s signature confessional style and intimate draftsmanship.
The estate of Jewish art dealer Oscar Stettiner has filed a new lawsuit in the New York State Supreme Court against the Nahmad family, seeking the restitution of Amedeo Modigliani’s 1918 painting "Seated Man With a Cane." The suit alleges that the $25 million portrait was looted by the Nazis in Paris and is currently held by the International Art Center, which the plaintiffs claim is a shell company controlled by the Nahmads. This legal action follows a 2012 dismissal of a similar claim by Stettiner’s grandson, Philippe Maestracci, due to a lack of standing.
The United States Holocaust Memorial Museum (USHMM) has reportedly removed educational content and canceled programming to avoid potential conflict with the Trump administration. Former employees allege that the museum preemptively scrubbed web pages linking Jim Crow laws to Nazi-era policies and rebranded or canceled workshops on the "fragility of democracy" to avoid being labeled as "woke." While the museum claims these decisions were based on funding challenges, internal records show a significant increase in net assets during the same period.
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Anishinaabe artist Henry Guimond has designed a mission patch for Canadian astronaut Jeremy Hansen to wear during the Artemis II lunar mission. The artwork features seven symbolic animals representing the Seven Sacred Laws of Anishinaabe custom, intended as a universal message for humanity that will literally travel beyond Earth's orbit.
Renowned sculptor Melvin Edwards, a pioneer of the Black Art Movement who transformed welded steel into powerful explorations of African American identity, has passed away at the age of 88. Edwards was best known for his "Lynch Fragments," a series of over 300 compact, wall-mounted assemblages that utilized industrial materials like chains, meathooks, and barbed wire to evoke the history of racial violence and the struggle for civil rights. His career spanned over six decades, beginning with a breakout solo show at the Santa Barbara Museum of Art in 1965 and a landmark exhibition at the Whitney Museum of American Art in 1970.
Lebanese-born artist Ali Cherri discusses his latest exhibition, "Last Watch Before Dawn," currently on view at Almine Rech in New York. The show centers on his new film, *The Sentinel* (2025), which explores the psychological and physical toll of military service through the figure of a French soldier. This exhibition marks a shift in Cherri’s practice, as he integrated the creation of sculptures and watercolors directly into the filmmaking process, allowing the gallery space to function as an extension of the cinematic set.
A U.S. District Court judge has issued a ruling to halt the construction of a massive 90,000-square-foot ballroom on the site of the White House's former East Wing. Judge Richard J. Leon rejected the Trump administration's claims that the President has the unilateral authority to demolish historic structures and build new ones using private funds. The ruling follows a lawsuit filed by the National Trust for Historic Preservation, which argued that the project violated federal statutes and disrupted the architectural integrity of the historic site.
Joseph Beuys remains one of the most polarizing figures in 20th-century art, a former Nazi soldier who reinvented himself as a shamanic healer and a founding member of the Green Party. A new monographic study by art historian Daniel Spaulding, 'Joseph Beuys and History', re-evaluates the artist's legacy by confronting his refusal to apologize for his wartime past and his use of ambiguous materials like fat and felt. Spaulding argues that Beuys’s work should be read through the lens of 'bad faith,' where his utopian slogans masked a deep, unresolved engagement with the horrors of the Holocaust.
Melvin Edwards, the pioneering sculptor known for his powerful steel assemblages and "Lynch Fragments" series, has died at the age of 88 in Baltimore. Edwards was a trailblazer who reframed Minimalism by infusing it with political and cultural weight, becoming the first Black sculptor to have a solo exhibition at the Whitney Museum in 1970. His work utilized industrial materials like chains and barbed wire to address histories of enslavement, anti-Black violence, and global conflict while maintaining a sophisticated abstract language.
Germany has established a new governmental body, the Coordination Council for Returns of Cultural Property and Human Remains from Colonial Contexts, to streamline the restitution of artifacts and remains acquired during the colonial era. The council, comprised of federal, state, and municipal leaders, aims to fulfill long-standing pledges to repatriate objects that were unfairly taken from former colonies, addressing a process that has frequently stalled in recent years.
The Henry Moore Foundation has completed a £5m redevelopment of the Sheep Field Barn at the sculptor’s former home in Perry Green, Hertfordshire. The project, led by architecture firm DSDHA, transforms a former farm building into a sophisticated complex featuring improved exhibition galleries and two purpose-built learning studios. The site will open to the public on April 1, 2026, serving as a permanent hub for exploring the artist's legacy through his extensive archives and sculpture collection.
Christie’s Paris has announced two major contemporary art auctions scheduled for late 2023, consisting of a live sale on December 6 and an online sale running from November 28 to December 8. The auctions feature over 200 lots with a combined global estimate of €8.5 million to €12.3 million, highlighted by two previously unseen paintings by Pierre Soulages and works by Jean Dubuffet and Georges Mathieu. A significant portion of the online sale is dedicated to "A Lifetime Collection," a prestigious private Parisian collection featuring works by David Hockney, Sol LeWitt, and Robert Combas.
Artist Camille Henrot has premiered her first new film in nearly a decade, titled "In the Veins" (2026), at the newly reopened New Museum in New York. The 35-minute work, which is featured in the exhibition "New Humans," explores the intersection of domestic caretaking and the global climate crisis. Through Henrot's signature associative editing style, the film juxtaposes scenes of children growing up with footage from wildlife rehabilitation centers, highlighting the cognitive dissonance of raising children surrounded by animal imagery while facing mass extinction.
The family of the late pioneering sculptor Ruth Asawa has announced the opening of a dedicated gallery space in San Francisco to coincide with the artist's centennial celebration in 2026. This new venue will serve as a permanent home for her legacy, featuring rotating exhibitions of her signature wire sculptures, drawings, and archival materials that have not been widely seen by the public.
David Hockney has launched a critique against the prevalence of abstract art while debuting his latest exhibition, "A Year in Normandie and Some Other Thoughts About Painting," at the Serpentine Galleries. The 88-year-old artist, recovering from an infection at his Kensington studio, presented a nearly 300-foot-long frieze of iPad drawings depicting the seasonal shifts of his Normandy gardens. The show emphasizes Hockney's commitment to figurative representation and observation, utilizing new stippling techniques and reverse-perspective compositions.
Art Basel Hong Kong's return to full scale has catalyzed a surge of satellite exhibitions and gallery openings across the city. High-profile shows include major presentations of cyborg-themed works, neon-infused abstractions, and a focus on both established international names and emerging Asian voices. The city's art hubs, from the H Queen’s building to the Wong Chuk Hang industrial district, are hosting ambitious projects that coincide with the fair's VIP preview week.
The historic Rototāwai homestead in South Wairarapa, New Zealand, has officially opened a new public art gallery and cultural space. Facilitated by the Anna Bidwill Foundation, the site features Bidwill’s extensive private art collection housed within her restored childhood home. The opening ceremony, which included a traditional pōwhiri and an address by Minister for Arts, Culture and Heritage Paul Goldsmith, marks the culmination of a four-year restoration project since Bidwill repurchased the estate in 2020.
Art Basel Hong Kong 2026 opened with a renewed sense of optimism, featuring 240 galleries and a significant emphasis on the Asia-Pacific region. The VIP preview saw a surge in attendance primarily from regional collectors across mainland China, Taiwan, Korea, and Southeast Asia, signaling a robust recovery for the local market. While international travel remains a factor, the fair's success is increasingly driven by a localized ecosystem of younger collectors and long-term public investments in cultural infrastructure like the M+ museum.
The Millicent Rogers Museum in Taos has opened a posthumous retrospective dedicated to DeAnna Autumn Leaf Suazo, a rising Indigenous artist who was tragically killed in 2021 at the age of 29. The exhibition, titled "Honoring DeAnna Autumn Leaf Suazo," features over 20 works including large-format paintings, ledger drawings, and the first public display of illustrations from her children’s book, "Taos Pueblo Fall." The show highlights her unique aesthetic, which blended her Taos Pueblo and Diné heritage with influences from Japanese anime and manga.
The New York Times explores the enduring legacy of Raphael, the High Renaissance master whose work defined the pinnacle of 'divine beauty' and classical harmony. The analysis delves into his technical mastery, his ability to synthesize the influences of Leonardo and Michelangelo, and his prolific output during his brief life in Rome.
Statues of contested historical figures are being reinstalled across the United States, signaling a reversal of the monument removals sparked by the 2020 Black Lives Matter protests. A replica of a Christopher Columbus statue, originally toppled in Baltimore, was recently mounted on the White House grounds near the Eisenhower Executive Office Building. Other planned returns include a monument to Caesar Rodney, a slave-owning Founding Father, which is set to be displayed in Washington’s Freedom Plaza this summer.
Christie’s and Sotheby’s recently concluded their 2026 mid-season contemporary art auctions, signaling a shift toward higher-value inventory in what were traditionally lower-stakes sales. The standout result was the $7.6 million sale of Jeff Koons’s sculpture 'Winter Bears' (1988) at Christie’s, setting a record for the highest-valued work ever sold in a mid-season auction. Meanwhile, Sotheby’s held its first 'Contemporary Curated' sale at its new Breuer building headquarters, achieving $19.4 million led by a $3.8 million Alma Thomas painting.