High school students from Palo Alto and Saratoga are currently showcasing their creative talents at the Saratoga Library. The exhibition features works by Abby Peterson, Chloe Tang, Aarov Kashyap, and Aashna Parsa, all students of the Art Students’ Atelier, and remains open to the public through mid-April.
Vinegar Syndrome has released a new 4K UHD and Blu-ray restoration of 'Office Killer', the only feature film directed by renowned photographer Cindy Sherman. Originally released in 1997 to critical derision and box-office failure, the film follows a meek magazine editor who begins murdering her colleagues during a period of corporate downsizing. The restoration highlights Sherman's transition from her iconic 'Untitled Film Stills' to the more visceral, abject imagery of her 'Disasters' and 'Sex Pictures' series.
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Researchers from France’s National Centre for Scientific Research (CNRS) have identified a missing page from the Archimedes Palimpsest at the Musée des Beaux-Arts in Blois. The leaf, identified as page 123, contains geometric diagrams and passages from the mathematician’s treatise on the sphere and the cylinder, which were scrubbed and overwritten by monks with religious texts in the 13th century. The discovery was confirmed by comparing the leaf to 1906 photographs taken by scholar Johan Ludvig Heiberg before the manuscript was broken up and partially forged by an art dealer in the 1930s.
British artist Dylan Doe explores the physical manifestations of digital saturation in his solo exhibition, "Muscle Memory," at Mandy Zhang Art in London. The body of work focuses on "bodily glitches"—involuntary physical actions, such as attempting to zoom in on a physical drawing, that stem from repetitive interactions with technology. Through a surrealist lens, Doe’s paintings depict disembodied limbs and futuristic armatures that reflect a synthesis of sentient and non-sentient elements.
Clarendon Fine Art is set to open a new gallery in a former Santander bank building on High Street in Market Harborough. The national art retailer plans to launch the space in mid-April 2026, creating three new jobs in the process. The move follows the closure of the bank branch last summer, which was the town's last remaining physical bank.
The Middletown Art Center (MAC) is launching its 63rd exhibition, titled "Water," with an opening reception on March 14. The show features a diverse range of media from both new and returning artists, including Monte Brill, Richard Vargas, Alana Clearlake, and Darren Jekel, and will remain on view through June 7.
Slippery Rock University recently concluded its Annual Juried Student Art Exhibition at the Martha Gault Art Gallery, showcasing the diverse creative output of its student body. Out of 90 submissions, guest juror Clayton Merrell selected 49 pieces for the three-week installation, spanning mediums such as sculpture, painting, printmaking, fiber art, and ceramics. The exhibition culminated in an awards ceremony where senior Kayla Stallings took first place for her sculpture titled "Fur."
A high-profile fundraising campaign led by the Art Fund is underway to save Prospect Cottage, the former home of artist and filmmaker Derek Jarman. Supported by figures like Tilda Swinton and Jeremy Deller, the initiative seeks to raise £3.5 million to preserve the site and its archive for public tours and artist residencies. Meanwhile, the Philadelphia Museum of Art's CEO, Timothy Rub, has issued an apology regarding the institution's handling of sexual harassment allegations against former manager Joshua Helmer.
Vancouver-based collector Bob Rennie and his family have donated 24 significant contemporary artworks to the National Gallery of Canada in Ottawa. The gift features a major installation by Kerry James Marshall titled 'Wake' (2003–25), alongside works by Brian Jungen, Jin-me Yoon, and 17 pieces by Christopher Williams, marking the latter's debut in the museum's permanent collection.
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The Catedral de Santa María in Burgos is hosting "Picasso: Biblical Roots," an exhibition exploring the enduring influence of Christian iconography on Pablo Picasso. Featuring 44 works loaned from major institutions like the Reina Sofía and the Thyssen-Bornemisza, the show traces the artist's journey from his early academic religious paintings in Spain to the subtle theological motifs found in his later Cubist and post-war works.
Former Museum of Modern Art director Glenn Lowry has publicly defended billionaire collector Leon Black regarding his continued presence on the museum's board despite his past ties to Jeffrey Epstein. Lowry emphasized Black's financial commitment to the institution, specifically citing his role in preventing staff layoffs during the COVID-19 pandemic and his decision to step down as board chair in 2021 to protect the museum from further controversy.
The Smithsonian’s National Museum of African American History and Culture (NMAAHC) will remove a significant timber fragment from the São José-Paquete de Africa slave ship on March 22. The artifact, which has been a centerpiece of the "Slavery and Freedom" exhibition since the museum's 2016 opening, is being returned to the Iziko Museums of South Africa following the expiration of a long-term loan agreement. It will be replaced by a cargo manifest documenting the enslaved individuals forced onto the vessel.
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Tate Modern has announced a major exhibition for 2026 titled "Frida Kahlo: The Making of an Icon," featuring over 130 artworks and archival materials. The exhibition aims to explore the cult-like following surrounding the Mexican artist and how her personal biography became inseparable from her creative legacy. This announcement follows a series of global institutional efforts to deconstruct the Kahlo myth, including recent shows at the Art Institute of Chicago and the Dallas Museum of Art.
The European Union has threatened to withdraw a €2 million grant from the Venice Biennale following Russia's decision to return to the international exhibition for its 61st edition. The EU Commission warned that providing a platform for a Russian national pavilion risks legitimizing figures connected to the Kremlin and violating sanctions, while Biennale organizers have defended the move as a commitment to artistic freedom and a rejection of censorship.
A major investigation has revealed that UK museums and universities hold more than 263,000 human remains, including at least 37,000 sourced from overseas and former British colonies. The findings indicate that many institutions lack proper documentation, with thousands of items stored anonymously in cardboard boxes or mixed together, often in violation of government guidelines regarding respectful handling and transparency.
The Harvard Art Museums have launched "Celtic Art Across the Ages," the first major exhibition of its kind in the United States. Spanning over 2,500 years, the show features nearly 300 objects including ceremonial pony caps, banqueting vessels, and jewelry crafted from amber and jet. The exhibition is organized into four thematic sections—Archaeology, Art, Encounters, and Reception—highlighting the functional nature of these highly decorative objects and their roles in trade and daily life from the first millennium BCE to the present.
British contemporary painter Jonathan Yeo is bringing his augmented reality exhibition, "Spectacular," to the United States for its debut at SXSW in March 2026. Utilizing Snap’s fifth-generation Spectacles, the installation transforms Yeo’s traditional portraiture into interactive, living digital experiences that respond to the viewer's movements in real time. The project, which premiered at the Centre Pompidou, represents a collaboration between the artist and Snap AR Studio’s Artist Residency Program.
The Australian art scene is hosting a diverse array of exhibitions throughout March 2026, headlined by the landmark 25th Biennale of Sydney titled 'Rememory.' Major institutional highlights include the newly reopened Newcastle Art Gallery showcasing its national collection, a significant Ron Mueck survey at the Art Gallery of New South Wales, and a major Rosalie Gascoigne exhibition at Bundanon. Commercial galleries are also debuting new works, ranging from Patricia Piccinini’s stem-cell-inspired installation at Passage Gallery to Christopher Zanko’s architectural studies at N.Smith Gallery.
The second edition of the Malta Biennale is facing accusations of censorship from the abortion rights nonprofit Women on Waves. The organization claims that organizers first demanded the removal of the word "pills" from a banner reading "Need Abortion Pills?" before ultimately attempting to dismantle the installation entirely, citing a failure to meet "aesthetic quality standards." While the Biennale's communications director maintains the work remains in place and frames the dispute as a matter of "curatorial direction," activists provided video evidence of an attempted removal and argue the intervention is a suppression of critical health information.
The 2026 Whitney Biennial has opened at the Whitney Museum of American Art in New York, featuring a video and sound installation by artists Basel Abbas and Ruanne Abou-Rahme. Their work, titled 'Until we became fire and fire us,' explores collective feelings of love, longing, and haunting in the context of Palestinian erasure, weaving together traditional songs, contemporary footage of indigenous plants, and personal ephemera like drawings by Abou-Rahme's father.
Geoffrey Kelly, the FBI’s lead investigator on the Isabella Stewart Gardner Museum heist for over two decades, has released a new book titled 'Thirteen Perfect Fugitives'. Published ahead of the 36th anniversary of the 1990 theft, the book provides an insider’s perspective on the investigation into the world’s largest art heist, where 13 works valued at over $1 billion were stolen. Kelly, who retired in 2024, details the FBI's findings regarding the individuals involved and the ongoing, unsuccessful efforts to recover the missing masterpieces.
Luxembourg’s Culture Minister, Éric Thill, is defending the country’s €540,000 budget for the upcoming 61st Venice Biennale following criticism from the right-wing Alternative Democratic Reform Party (ADR). Lawmakers questioned the high cost and the provocative nature of artist Aline Bouvy’s project, "La Merde," a feminist commentary centered on a personification of excrement. Critics argued the expenditure is unjustifiable given current social challenges and compared it unfavorably to the smaller budget of the national cultural observatory.
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The Italian Ministry of Culture has acquired a rare Caravaggio portrait of Maffeo Barberini, the future Pope Urban VIII, for €30 million ($35 million). The late 16th-century masterpiece, which had been hidden in a private collection for decades, will now reside permanently at Rome’s Palazzo Barberini. The acquisition follows a successful short-term loan and extensive technical analysis that confirmed the work's authenticity.
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The Philadelphia Museum of Art has appointed Daniel H. Weiss, former head of the Metropolitan Museum of Art, as its new director and CEO to provide stability following the controversial dismissal of Sasha Suda. The transition occurs amid a legal battle, with the museum filing court documents alleging Suda misappropriated funds and falsified records. Meanwhile, the auction market saw a historic moment at Sotheby’s, where Gustav Klimt’s 'Portrait of Elisabeth Lederer' sold for $236.4 million, setting a new record for the artist and becoming the most expensive Modern work ever sold at auction.
Sudarshan Shetty’s seminal 2005 kinetic installation, "Party Is Elsewhere," has been restaged within the decaying remains of an abandoned nightclub in Delhi. The exhibition eschews the traditional "white cube" gallery space, instead utilizing a raw environment of peeling plaster and sagging ceilings to mirror the work's original debut in a fire-damaged Mumbai gallery. The installation features a mechanical system that rhythmically hammers a table of wine glasses beneath a neon sign, creating a sensory experience centered on fragility and deferred presence.
Five 18th-century gold snuffboxes recovered after a violent daylight robbery in Paris are set to go on public display at the Victoria and Albert Museum. The objects were stolen in November 2024 from the Musée Cognacq-Jay during a high-profile heist that targeted pieces from the Rosalinde & Arthur Gilbert Collection, the Louvre, and the UK Royal Collection. Following an extensive police investigation and delicate restoration work by Parisian goldsmiths to repair damage sustained during the theft, the items will headline the opening of the V&A’s newly revamped Gilbert Galleries.
The European Union has threatened to withdraw a €2m grant from the Venice Biennale following the foundation's decision to allow Russia to reopen its national pavilion for the first time since the 2022 invasion of Ukraine. EU commissioners Henna Virkkunen and Glenn Micallef, supported by 22 European culture ministers, argue that the Biennale must not provide a platform for Kremlin propaganda or individuals who justify military aggression. The Russian pavilion's return is reportedly being organized by the Gnesin Russian Academy of Music under the direction of the Russian Ministry of Culture.
Studio Ghibli has donated over 120 rare production artifacts to the Academy Museum of Motion Pictures, marking the first time the legendary animation studio has gifted such materials to an external institution. The donation includes original Japanese release posters, artboards, and key animation drawings from the 2008 film 'Ponyo,' which were revealed to be hand-drawn by Hayao Miyazaki himself. These items are currently featured in the museum's new interactive exhibition, 'Studio Ghibli’s Ponyo.'
The Milwaukee Art Museum has announced "Currents 40: Widline Cadet," the first U.S. museum solo exhibition for the Haitian-born artist. Running from May 8 through August 9, 2026, the show features the debut of her decade-long project, "Seremoni Disparisyon (Ritual [Dis]Appearance)." The exhibition utilizes photography, video, and installation to explore themes of Black diasporic life, migration, and the creation of a "living archive" through staged imagery and autobiographical details.
A major investigation has revealed that UK museums, universities, and local authorities hold more than 263,000 human remains, including mummies, skeletons, and skulls. Of these, approximately 37,000 originate from overseas, largely from former British colonies, often acquired without consent. The findings have sparked intense criticism from scholars and curators who argue that the sheer scale of these collections reflects a distressing colonial legacy and necessitates a systemic shift toward repatriation and more ethical storage practices.