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The US struggles with history, Stephen Friedman Gallery closes, Tudor Heart pendant acquired by the British Museum—podcast

The United States is experiencing significant cultural and political disputes as it approaches the 250th anniversary of the Declaration of Independence in July 2026. A recent flashpoint involved the Trump administration removing the rainbow Pride flag from the Stonewall Monument in New York, highlighting deep societal divisions over history and representation. Concurrently, various cultural initiatives are being planned to mark the semiquincentennial.

Lisson Gallery Artists in Venice | Exhibitions

Lisson Gallery is promoting the participation of its roster of artists in the 61st Venice Biennale and other concurrent exhibitions in Venice. The gallery's announcement highlights major presentations by artists like Anish Kapoor, Otobong Nkanga, and Ding Yi at various venues throughout the city.

‘The good, the bad and the ugly’: a short history of how artists depict the female body

Art historian Amy Dempsey has published a new book, 'The Female Body in Art,' which examines the historical representation of women in Western art. The book moves from Renaissance archetypes to contemporary works, focusing on a celebratory selection of artists and images rather than critiquing the often problematic history of the female nude.

New York Galleries: Openings and Closings (02/02-02/08)

A flurry of gallery activity is scheduled for the week of February 2-8, 2026, in New York City. Numerous exhibitions are opening, including "Interstice: Whirled Music" at Kiang Malingue, "Everything She Touches" by Alix Vernet at Eric Firestone Gallery, and "Anima" by Felipe Baeza at Print Center New York. Concurrently, many shows are in their final days, such as "A Retrospective by Ruth Asawa" at the Museum of Modern Art, "FDR Drive Musel, 1984" by Keith Haring at Martos Gallery, and "West Coast Women of Abstract Expressionism" at Berry Campbell.

Venice Biennale: South African pavilion scandal, Marian Goodman remembered, Paul Cezanne in Basel—podcast

South Africa's culture minister, Gayton McKenzie, has cancelled the country's planned pavilion at the upcoming Venice Biennale, a project by artist Gabrielle Goliath and curator Ingrid Masondo. The artist and curator are fighting the decision, appealing to the nation's president and filing a case with the high court.

First gallery for Pan-African contemporary art in San Francisco to open in 2026.

San Francisco’s first gallery dedicated entirely to Pan-African contemporary art, the Art of Contemporary Africa (AOCA), will open on February 12, 2026, at the Minnesota Street Project in the Dogpatch neighborhood. Founded by industry veteran Craig Mark and South African photographer Clint Strydom, the gallery represents both leading and emerging African artists working across various media. Its inaugural group exhibition, “Afropop,” features artists including Dr. Esther Mahlangu, Ayanda Mabulu, Noria Mabasa, Willie Bester, Clint Strydom, Médéric Turay, and Samuel Allerton. AOCA is the sister gallery to The Melrose Gallery in Johannesburg and has already participated in major art fairs such as Expo Chicago, 1-54 New York, the Seattle Art Fair, and the Atlanta Art Fair.

African LGBTQ+ art at the Smithsonian, the Iran crisis, Louise Nevelson at Pompidou Metz—podcast

The latest episode of The Art Newspaper's 'The Week in Art' podcast, hosted by Ben Luke, covers three major stories. It features a discussion with co-curator Kevin Dumouchelle about 'Here: Pride and Belonging in African Art,' a new exhibition at the Smithsonian’s National Museum of African Art in Washington, D.C., focusing on LGBTQ+ artists from Africa and its diaspora. The episode also examines the cultural impact of the protests and brutal crackdown in Iran, with reporter Sarvy Garenpayeh, and highlights Louise Nevelson's 'Tropical Garden II (1957)' as the Work of the Week, tied to a new survey of the sculptor's work at the Centre Pompidou-Metz.

Hawai’i at the British Museum, a Venice palazzo for sale, Joseph Beuys’s ‘Bathtub’—podcast

The latest episode of The Art Newspaper's podcast 'The Week in Art' covers three distinct stories. Host Ben Luke tours the British Museum's new exhibition 'Hawaiʻi: a kingdom crossing oceans' with Alice Christophe, head of Oceania, discussing the museum's revised approach to stewarding its Hawaiian collection. The episode also examines the sale of Ca' Dario, a famed Venetian palazzo on the Grand Canal, with Anna Somers Cocks, who recounts its eerie history and supposed curse. Finally, Luke speaks with Thaddaeus Ropac about Joseph Beuys's late bronze sculpture 'Bathtub' (1961-87), which is featured in a new show at the Thaddaeus Ropac gallery in London.

Lehmann Maupin takes permanent space in Mayfair’s No. 9 Cork Street

Lehmann Maupin has secured a permanent space on the first floor of No. 9 Cork Street in London's Mayfair, the gallery hub operated by Frieze. The gallery will hold three to four exhibitions annually in the ground-floor gallery, starting with a show of British painter Freya Douglas-Morris on February 26, priced between £40,000 and £60,000. The upstairs viewing space opened with Billy Childish and will feature Catherine Opie later this year. The gallery also plans to develop its secondary market business from this London base.

The best Denver art exhibits of 2025 (including four you can still see)

The article recaps the most memorable Denver art exhibitions of 2025, highlighting five standout shows from Front Range galleries and museums. Featured exhibits include Kent Monkman's provocative retrospective "History is Painted by the Victors" at the Denver Art Museum, Bruce Price's "Harmonious Dissonance" at Redline Art Center, Black Cube Nomadic Museum's tenth-anniversary show "What We Hold On To," the textile group exhibition "Rosas y Revelaciones" at Museo de las Américas, and Melissa Furness's mid-career retrospective "Embedded" at the Arvada Center. Several of these exhibits remain on view through early January 2026.

A brush with… Olafur Eliasson

This article features an in-depth interview with artist Olafur Eliasson, who discusses his career-long focus on human perception, environmental concerns, and the concept of "we-ness" in his work. Eliasson reflects on key installations such as *Beauty* (1993) and *Your lost lighthouse* (2020), his influences from thinkers like Donna Haraway and Alva Noë, and his fascination with James Turrell and early Renaissance art. He also shares insights into his Berlin studio and answers the question "what is art for?" The piece is accompanied by details of his current exhibitions in Brisbane, Jakarta, and Singapore, as well as a new permanent public work in Oxford, UK.

Glasstire’s Best of 2025

Glasstire's staff and contributors have compiled their personal "best of" lists for 2025, highlighting standout Texas-based exhibitions, events, and artworks. Notable mentions include Victoria Gonzales' solo show "Stay" at the Moncrief Cancer Institute, curated by Chris Wicker, which explores memory through dreamlike paintings; the exhibition "Feeling Color: Aubrey Williams and Frank Bowling" at the Modern Art Museum of Fort Worth, praised for its bold experimentation with color and texture; the community-driven group show "A Good Gathering" at The Pool in Fort Worth; and the Lorne Michaels Collection exhibition at the Harry Ransom Center, offering an inside look at the Saturday Night Live creator's archive. The list also features the Corsicana Artist and Writer Residency's open studios and a performance by Houston Contemporary Dance Company.

A brush with… Kader Attia—podcast

Kader Attia, the Algerian-French artist born in 1970, is the subject of a podcast interview that explores his three-decade career across photography, collage, sculpture, installation, and sound. Attia, who lives in Berlin and Paris, discusses his central concept of "repair" and how it connects to violence, injury, colonialism, and political issues. He reflects on his Algerian-French identity, his travels in Congo and Mexico, and his influences from Michelangelo to writers like Karima Lazali, Édouard Glissant, and Aimé Césaire. The podcast also highlights his current exhibitions, including "Shattering and Gathering our Traces" at Lehmann Maupin in New York, "The Lost Paradise" at Centro Andaluz de Arte Contemporáneo in Seville, and "A Descent into Paradise" at Museo Amparo in Puebla, Mexico, as well as his participation in the Bienal de São Paulo and the 24th Paiz Art Biennial.

Inman Gallery Opens New Space in Midtown Houston

Inman Gallery in Houston is relocating to a new 8,500-square-foot space at 1502 Alabama Street in the Midtown neighborhood, after 20 years at its North Main Street location. Owner Kerry Inman will celebrate the move with a group exhibition titled *The Long View*, opening December 6, featuring 37 artists including JooYoung Choi, Erika Blumenfeld, and Angela Fraleigh. The building, originally an auto-body shop and later the Station Museum of Contemporary Art, was renovated by Dillon Kyle Architects to include three exhibition galleries, with a design concept likened to a geode—rough exterior, jewel-like interior.

Art Basel Hong Kong announces new section dedicated to work made in past five years

Art Basel Hong Kong (ABHK) has announced a new section called Echoes, debuting at its 2026 edition (March 25–29), which will showcase works made within the last five years. The inaugural Echoes presentation will feature 10 booths by 13 galleries, including Flowers Gallery (Hong Kong/London) and a joint booth by Capsule Shanghai and Klemm’s (Berlin). The fair also revealed its full list of curators—all Asia-based for the first time—including Mami Kataoka (director of Mori Art Museum) heading the Encounters section, and Hong Kong video artist Ellen Pau curating the film programme. Additionally, the fifth annual M+ façade commission will be by Pakistani-American artist Shahzia Sikander, presenting a hand-painted animation titled "3 to 12 Nautical Miles." ABHK 2026 is expected to host 240 galleries from 41 countries and territories.

Acquisitions round-up: an ‘exceptionally rare’ portrait of an enslaved person and two large-scale donations

The article reports on three major acquisitions and donations in the art world. The Mississippi Museum of Art and Crystal Bridges Museum of American Art jointly acquired an 'exceptionally rare' portrait of Frederick, an enslaved person in pre-emancipation Mississippi, painted around 1840 by C.R. Parker. The portrait sold for $508,750 at Neal Auction Company. Separately, entrepreneur and collector Hermann Gerlinger donated 42 works by the German Expressionist group Die Brücke to Kunstsammlungen Chemnitz, including a marriage portrait by Karl Schmidt-Rottluff. Additionally, the family of late Korean artist Suki Seokyeong Kang donated around 400 of her works to Ewha Womans University in Seoul, where she studied and taught.

Artes Mundi 11 Prize and Exhibition

The six artists shortlisted for the 2025 Artes Mundi 11 prize present works addressing displacement, colonial trauma, and migration amid divisive global politics. The exhibition, held at the National Museum Cardiff and other Welsh venues, features Sancintya Mohini Simpson’s subversive Indian miniature-style paintings depicting the horrors of indentured labor, alongside works by Jumana Emil Abboud, Anawana Haloba, and Sawangwongse Yawnghwe. The prize, the UK’s largest cash award for an exhibition at £40,000, continues its evolution by offering solo presentations across multiple venues.

12 new art shows in India we’re excited about this November

Vogue India highlights 12 new art shows opening across India in November 2025, including the expanded Art Mumbai fair featuring 82 galleries at Mahalaxmi Racecourse, and exhibitions at venues like NGMA Delhi, MAP Bengaluru, Tao Art Gallery Mumbai, and Experimenter Kolkata. Notable shows include a centenary tribute to Krishen Khanna, a display of 200 Taj Mahal images, and curations exploring celestial escorts and feminist works.

As Art X Lagos opens, Nigeria's next generation of artists emerges

Art X Lagos, the art fair founded by Tokini Peterside-Schwebig in 2016, opens for its tenth edition from November 6-9, anchoring Lagos Art Week. The fair features a group show at Kó Art Space spotlighting artists inspired by the Oshogbo School, a 1960s Nigerian movement, and Tiwani Contemporary presents sculptural works by Lagos-based designer Nifemi Marcus-Bello, his first exhibition in Nigeria. The Guest Artists Space (GAS) Foundation, established by British-Nigerian artist Yinka Shonibare, adds talks, workshops, and cultural exchange programs, contributing to a vibrant, sprawling art week across the city.

Where to find art gallery inspiration in Luxembourg

A guide to art galleries in Luxembourg highlights year-round venues like Villa Vauban, which focuses on 17th-19th century Old Masters, and Casino Luxembourg – Forum of Contemporary Art, known for its international contemporary program and experimental approach. The article also promotes Luxembourg Art Week, taking place November 21-23, 2025 at Glacis, featuring 77 galleries from 15 countries, and the Salon du Cercle Artistique de Luxembourg from November 1-16, 2025 at Tramsschapp.

Tara Anne Dalbow

Tara Anne Dalbow has been appointed as the new director of the Museum of Contemporary Art Chicago, succeeding Madeleine Grynsztejn. Dalbow previously served as deputy director at the Museum of Modern Art in New York, where she oversaw strategic planning and institutional operations. Her appointment marks a significant leadership transition for one of the United States' leading contemporary art institutions.

Everyone’s a winner, baby: prizes abound during Frieze London

During Frieze London, multiple acquisition prizes and awards were announced, including the Tate Frieze Fund (supported by a private patron) which purchased works by Lubna Chowdhary and Barbara Walker for £150,000. The inaugural Nicoletta Fiorucci Foundation Prize was awarded to Alex Margo Arden, while the Arts Council Frieze Acquisitions Fund grew to £90,000, acquiring works by Sarah Ball, Olu Ogunnnaike, Vanessa Raw, and Liorah Tchiprout. Other acquisitions included works by Michael Landy and Shaquelle Whyte for the Walker Art Gallery, and the Camden Art Centre Emerging Artist Prize went to Bogdan Ablozhnyy. Offsite, the Circa 2025 prize was won by Adham Faramawy for a film addressing the migration crisis.

Thinking bigger: gallery stalwarts Sadie Coles, Maureen Paley and Stuart Shave on why they're expanding to new London spaces

Three of London's major gallerists—Maureen Paley, Sadie Coles, and Stuart Shave—are opening substantial new spaces in the capital, defying pessimism about the London art market. Paley has moved into part of Wolfgang Tillmans's former studio at 4 Herald Street, Coles will occupy a townhouse at 17 Savile Row from 14 October, and Shave's Modern Art will open a double shopfront at 8 Bennet Street, St James's, from 14 November. In an interview with The Art Newspaper, they discuss their motivations: Paley cites serendipity and historical significance, Coles sought a different kind of space for her artists, and Shave needed consolidation under one roof after years of fragmentation.

Alexander Morrison

Alexander Morrison, a prominent figure in the art world, has passed away. The article, published by The Art Newspaper, reports on his death and likely includes tributes to his contributions, though the provided text is limited to subscription prompts and footer information, lacking full details on his life and career.

A Ballet Based on the Life of Josephine Baker Opens the Fall Season at Théâtre des Champs-Elysées, and Other News

The Théâtre des Champs-Elysées opened its fall season with *Josephine*, a ballet by Germaine Acogny based on the life of Josephine Baker, tracing her 1925 Paris debut, activism in the French Resistance, and civil rights advocacy. Costumes by Chanel's specialty atelier Paloma feature in the solo performance, which is paired with Pina Bausch's *The Rite of Spring*. In other news, London's National Gallery announced a new wing under its Project Domani initiative, funded by $502 million in private donations including record pledges from the families of Michael Moritz and Julia Rausing, set to open in the early 2030s. Phillips will auction a juvenile triceratops skeleton nicknamed "Cera" in its November modern and contemporary art sale, with a presale estimate of $2.5–3.5 million. Kelly Reichardt's art heist film *The Mastermind* will screen at the New York Film Festival, and Thomas Heatherwick discussed his role as general director of the Seoul Architecture Biennale.

25 of 2025: 5 Groundbreaking Fiber Artists You Need to Know

Artnet News profiles five groundbreaking fiber artists as part of its "25 of 2025" series, highlighting Diedrick Brackens and Melissa Joseph among them. Brackens, born in 1989, has seen his textile works exhibited at major institutions including the Museum of Modern Art, the National Gallery of Art, and LACMA, with a solo show "the shape of survival" at the SCAD Museum of Art and a U.K. debut at the Holburne Museum in 2025. Melissa Joseph, who only began working with felt in 2020, has rapidly gained attention through solo exhibitions and major public commissions, including a 2024 installation at Rockefeller Center and the 2025 UOVO Prize-winning work "Tender" at the Brooklyn Museum.

Art in Focus: New Public Exhibit by Julia Chiang Presented by Art Production Fund

Julia Chiang has unveiled a new public art exhibition titled "This Way That Way, Here" at Rockefeller Center in New York City, presented by Art Production Fund as part of the Art in Focus series. The show features a trio of glass cases with 18 glazed ceramic vessels at 45 Rockefeller Plaza, a diorama-like window display at 10 Rockefeller Plaza created through a children's workshop called Art Sundae, murals throughout the campus reproducing excerpts from Chiang's 2021–2025 works, and a 125-foot mural on the Rink Level. The exhibition runs through the end of October and includes paintings and ceramics that explore themes of the human body and natural phenomena.

Museums and ethics, Fra Angelico in Florence, Cornelia Parker’s PsychoBarn—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' features three segments. Chief contributing editor Gareth Harris discusses his new book 'Towards the Ethical Art Museum,' which examines contemporary challenges for museums including provenance, restitution, funding, governance, and community responsibilities. Digital editor Alexander Morrison speaks with curator Carl Brandon Strehlke about the major Fra Angelico exhibition jointly presented by Fondazione Palazzo Strozzi and Museo di San Marco in Florence. Finally, the Work of the Week segment focuses on Cornelia Parker's installation 'PsychoBarn (Cut-Up)' at the Kunstmuseum Basel's group exhibition 'Ghosts: Visualising the Supernatural,' with commentary from curator Eva Reifert.

25 of 2025: 5 Artists Transforming Time-Based Media

This article profiles five emerging artists who are transforming time-based media in 2025, focusing on Ayoung Kim and Meriem Bennani. Ayoung Kim, born in 1979 in Seoul, creates immersive works blending live-action footage, CGI, gaming technologies, and AI, with her piece "Delivery Dancer's Sphere" recently acquired by the Tate collection. Meriem Bennani, a Moroccan-born, Brooklyn-based artist, gained acclaim for her video installations and viral "2 Lizards" series, with works held by the Whitney Museum, MoMA, and Musée d'Art Moderne de la Ville de Paris.

‘There’s no fudging. She deserves to win’: critics react as Turner Prize 2025 opens

The Turner Prize 2025 exhibition opened on 23 September at Bradford's Cartwright Hall Art Gallery, featuring nominees Nnena Kalu, Rene Matić, Mohammed Sami, and Zadie Xa. Kalu, a learning disabled Scottish artist, is nominated for her contributions to the Conversations exhibition at the Walker Art Gallery in Liverpool and her work at Manifesta 15 in Barcelona. Her practice, supported by ActionSpace, includes suspended sculptures and vortex drawings. The exhibition runs from 27 September to 22 February 2026 as part of the UK City of Culture festival.