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Seoul According to Artist Etsu Egami

Japanese-born artist Etsu Egami, known for large-scale abstract paintings exploring language and communication barriers, has been chosen to inaugurate Korea's new OAR Contemporary Museum in Gyeongju with a solo exhibition titled "Egami Etsu: Echoes of the Earth." The show, running until September 21, features site-specific works inspired by the city's ancient tombs and the museum's architecture. Egami, who was raised across Washington, DC, Paris, and Japan and studied in Germany, Beijing, and New York, has previously exhibited at the Guggenheim in New York, Grand Palais in Paris, and Mori Art Museum. She first showed in South Korea in 2022 at Tang Contemporary in Seoul, and her work has gained recognition among Korean curators and collectors.

Shows to See in Japan, July 2025

This article highlights five art exhibitions opening across Japan in July 2025. Featured shows include Izumi Kato's largest solo exhibition in Japan, "Road to Somebody," at Iwami Art Museum; Christine Sun Kim's eponymous project at Mori Art Museum in Tokyo; Maya Erin Masuda's solo show "Ecologies of Closeness" at Yamaguchi Center for Arts and Media; and "Van Gogh's Home" at Osaka City Museum of Fine Arts, which centers on the Van Gogh family collection. Each exhibition spans diverse media and themes, from Kato's animistic sculptures to Kim's exploration of sound and deaf experience, Masuda's ecological trauma investigations, and Van Gogh's legacy through his family's archive.

Culture Type | The Month in Black Art, Here’s What Happened in June 2025

The June 2025 edition of Culture Type's 'The Month in Black Art' roundup reports multiple developments: the Detroit Institute of Arts acquired Tiff Massey's installation 'Baby Bling' (2023) for its reimagined Modern and Contemporary galleries opening in 2026; Aperture magazine released a summer issue guest-edited by Tanisha C. Ford focusing on Black style and fashion; Different Leaf, a cannabis culture journal, relaunched with guest editors Nick Cave and Bob Faust; and Sean Kelly Gallery announced representation of artist Lindsay Adams in collaboration with PATRON Gallery. The article also notes updates on the Studio Museum in Harlem, a shakeup at the Afro Brazil Museum, new Art Basel Awards, and Suzanne Jackson's exhibition at SFMOMA.

Commercial goes pastoral: the draw of showing art in the open air

The article explores the trend of commercial art galleries expanding into rural locations, using Hauser & Wirth Somerset in Bruton, the New Art Centre at Roche Court, Messums West in Tisbury, and Thirsk Hall in North Yorkshire as key examples. These galleries have transformed former farms, historic barns, and country estates into exhibition spaces that combine contemporary art with pastoral settings, attracting significant visitor numbers and fostering local engagement.

National Gallery of Canada receives gift of 61 works valued at $16.8m

Canadian collector and businessman Bob Rennie has donated 61 works valued at C$22.8 million ($16.8 million) to the National Gallery of Canada (NGC) in Ottawa. The gift, which took 18 months to plan, includes pieces by Yinka Shonibare, Mona Hatoum, Rodney Graham, Ai Weiwei, and others. It surpasses Rennie’s previous record donation of C$13 million in 2017 and brings his total contributions to the NGC to over C$35 million, comprising more than 260 works since 2012. Rennie, a longtime patron of the National Gallery of Canada Foundation, emphasized his approach of collecting artists in depth rather than for momentary sensation.

Dale Berning Sawa

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A brush with… Lubaina Himid — podcast

This podcast episode features a conversation with Lubaina Himid, the Turner Prize-winning artist born in Zanzibar in 1954 and based in Preston, UK. Himid discusses her paintings, sculptures, and installations that center marginalized figures, diasporic cultures, and overlooked histories. She reflects on the influence of artists Stanley Spencer, Bridget Riley, and William Hogarth, as well as writers Audre Lorde and Essex Hemphill. The episode also covers her curatorial work in the 1980s, her role in the Black British Arts movement, and her admiration for peer Claudette Johnson. Upcoming exhibitions include a show with Magda Stawarska at Kettle’s Yard in Cambridge, a group show at the Institute of Contemporary Arts in London, and her representation of the British Pavilion at the 2026 Venice Biennale.

‘I paint extreme emotions’: Rachel Jones on her riotously colourful paintings – and her obsession with mouths

Rachel Jones, a 34-year-old British artist, is preparing for a major retrospective at Dulwich Picture Gallery, her first institutional solo show in the UK and the museum's first solo exhibition of a contemporary artist in its main space. After graduating from the Royal Academy Schools in 2019, Jones was quickly represented by Galerie Thaddaeus Ropac, had work acquired by the Tate, and exhibited at Chisenhale Gallery, the Hayward Gallery, and the Hepworth Wakefield. She has since left gallery representation, expanded into sound and performance, and created a short opera titled 'Hey Maudie' (2023), now being developed into a full-length opera. Her upcoming show at Dulwich, 'Gated Canyons', will pair her large-scale abstract paintings with works from the museum's collection, and she also has a site-specific commission at the Courtauld Gallery opening in September.

The Wallace Collection appoints Selldorf Architects to lead masterplan to transform its historic London home

The Wallace Collection in London has appointed Selldorf Architects, led by Annabelle Selldorf, to lead a masterplan for Hertford House, its historic home. Selldorf, who recently oversaw renovations at the Frick Collection and the National Gallery's Sainsbury Wing, will collaborate with UK practices Purcell and Lawson Ward Studio. The project aims to improve access, sustainability, and visitor experience at the museum, which opened to the public in 1900 and houses over 5,500 works including masterpieces by Velázquez, Hals, and Rubens.

30 Artists Defining Queer Art Now

Artsy has published its annual Pride Month feature 'Queer Art Now,' spotlighting 30 LGBTQ+ artists who are shaping contemporary art. The artists were nominated by leading art-world figures including curator Legacy Russell, photographer Catherine Opie, and art advisor Racquel Chevremont. The cohort spans painters, photographers, performers, and sculptors, with profiles detailing their practices and recent exhibitions. The feature also includes a reflective essay by curator Gemma Rolls-Bentley on major themes in queer art today.

Summer shows include multiple exhibitions viewing nature through 2 artists’ work - Portland Press Herald

Multiple Maine museums are collaborating this summer to present simultaneous exhibitions of two mid-career gestural painters, Nicole Wittenberg and Ann Craven, whose work deeply engages with nature and landscape painting. Wittenberg's shows include "A Sailboat in the Moonlight" at the Ogunquit Museum of American Art (through July 20), "Nicole Wittenberg: Cheek to Cheek" at the Center for Maine Contemporary Art (through Sept. 14), and a Paris exhibition at the Fondation Le Corbusier. Craven's exhibitions span the Farnsworth Art Museum ("Ann Craven: Painted Time," through Jan. 4, 2026), the Portland Museum of Art ("Spotlight: Ann Craven," May 14 to Sept. 14), and Bowdoin College Museum of Art (starting May 22).

Photo London reveals details of tenth anniversary edition

Photo London will celebrate its tenth anniversary edition from May 15-18, 2025 at Somerset House, which is itself marking 25 years as an international arts destination. The fair will feature a strong roster of returning and new international galleries, the return of the Discovery section for emerging galleries, and a new Positions section for unrepresented photographers championed by collectors. Special programming includes a 'London Lives' exhibition showcasing around 30 leading photographers, a solo show by Colin Dodgson presented by Belmond, a new Book Market for independent publishers, a talks programme curated by Thames & Hudson, and awards such as the Photo London x Nikon Emerging Photographer of the Year and the Photo London x Hahnemühle Student Award.

For its 10th edition Photo London aims to look beyond the notorious ‘Kate Moss Index’

Photo London, the UK's leading photography fair, is preparing for its 10th edition from 15 to 18 May at Somerset House under new director Sophie Parker. Parker, the fair's first female director and a longtime staff member, aims to move beyond the so-called 'Kate Moss Index'—industry slang for the prevalence of safe, traditional photographic subjects like supermodel portraits—by rewarding galleries that take risks with more experimental work. The fair has cycled through several directors in recent years, including Roderick van der Lee and Kamiar Maleki, but Parker brings an insider's perspective and a working-class background to the role.

Preview: Upcoming Summer Shows at Houston Area Museums

Houston-area museums and art spaces have announced their upcoming summer exhibitions, including immersive installations, figurative group shows, and presentations addressing environmental issues. Highlights include A.A.Murakami's "Floating World" at the Museum of Fine Arts, Houston (MFAH), the first solo U.S. museum presentation for the artist duo; Francesca Fuchs's "The Space Between Looking and Loving" at the Menil Collection, which explores a personal connection between the artist's father and John de Menil; and "Figurative Histories" at the Moody Center for the Arts, featuring works by Black Texas artists examining sociopolitical histories.

In pictures: following the thread at Frieze New York

Frieze New York 2025 features a strong textile and fiber art presence across multiple gallery stands. Highlights include Proyectos Ultravioleta's all-textile installation with embroidery by Edgar Calel and knitted crochet by Claudia Alarcón; Sonia Gomes's wrapped-wire sculptures at Mendes Wood DM; Carolina Caycedo's netted tribute to Zilia Sánchez at Instituto de Visión; Citra Sasmita's Kamasan canvas works at Yeo Workshop; Kyungah Ham's embroideries made in collaboration with North Korean artists at Kukje Gallery; Lee ShinJa's wearable fiber cape at Tina Kim Gallery; Grayson Perry's tapestries responding to Baroque works at Victoria Miro; and Małgorzata Mirga-Tas's fabric portraits at Frith Street Gallery. Prices range from $20,000 to $100,000.

New York’s Hotel Chelsea honors the late artist Teruko Yokoi with new restaurant

New York's Hotel Chelsea is opening a Japanese restaurant named Teruko, inspired by and honoring the late artist Teruko Yokoi, who lived at the hotel from 1958 to 1961 with her then-husband, artist Sam Francis. The restaurant, helmed by chef Tadashi Ono, will feature eight recently acquired works by Yokoi and is set to open in mid-May. Coinciding with the restaurant's opening, a solo exhibition of Yokoi's work, titled "Noh Theater," is on view at Hollis Taggart gallery through June 14, showcasing over 20 works from the late 1950s to early 2000s that draw on Noh theatre traditions.

Asian galleries move westward: their growing presence and influence in New York

Hong Kong-based gallery Kiang Malingue is opening a new outpost on the Lower East Side of New York on May 9, joining a wave of Asian galleries expanding into the city. The 3,500 sq. ft space at 50 Eldridge Street, formerly an artist's studio, will debut with a solo show by Japanese artist Hiroka Yamashita titled 'The Lights from the Deep Mountains.' Other recent arrivals include Manila's Silverlens (Chelsea, 2022), Taipei's Nunu Fine Art (Lower East Side, 2023), Hong Kong's Alisan Fine Arts (Upper East Side, 2023), and Shanghai's Bank (Lower East Side, March 2025).

Rose Art Museum Expands Collection with Sam Hunter Committee Acquisitions of Works By Dhambit Munuŋgurr and Yu-Wen Wu

The Rose Art Museum at Brandeis University has acquired works by artists Dhambit Munuŋgurr and Yu-Wen Wu for its permanent collection, selected by the Sam Hunter Emerging Artist Fund Committee. Munuŋgurr's piece, Bäru (2024), is a larrakitj memorial pole reimagined with white clay and ultramarine, while Wu's Recitations (2024) is a wall installation made from Taiwanese tea, gold, and red thread. Both works will debut in the exhibition Fabricated Imaginaries: Crafting Art opening August 20, 2025.

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london national gallery staff cuts

London's National Gallery is implementing significant staff reductions and program changes to address a projected £8.2 million ($11.2 million) budget deficit. The museum has launched a voluntary exit scheme for employees and will cut public programs, aiming to reduce the deficit by £2.6–3 million through personnel costs. The remaining shortfall will be addressed through other operational cuts.

A True-to-Life Biennale

Hakim Bishara, editor-in-chief of Hyperallergic, reflects on the 61st Venice Biennale after returning to New York, describing it as historical, political, and thrilling. He counters critics who claimed the Biennale imploded due to boycotts and resignations, arguing it was more alive than ever. The late Koyo Kouoh's main exhibition "In Minor Keys" is praised for reflecting global woes and joys. The article also highlights a major strike by artists and cultural workers that disrupted the pre-opening, the first cultural strike in the Biennale's 131-year history, with 54 artists in the international exhibition and 22 national pavilion teams withdrawing from awards consideration in solidarity with the jury's resignation.

Maia Chao Performs the Museum

Artist Maia Chao will activate the seventh-floor galleries of the Whitney Museum of American Art with her performance "Being Moved" as part of the 2026 Whitney Biennial programming. The work explores the theatricality and choreography of a museum visit, examining the gap between the fantasy of profound encounter and the ambivalence of spectatorship. Chao, who studied cultural anthropology at Brown University and grew up with artist parents in Providence, Rhode Island, approaches the museum as a structure that quietly trains behavior and participation. Her earlier projects include "My Business (Cards)" (2017), which invokes Adrian Piper's work, and "Look at Art, Get Paid" (2015–20), which paid non-museum-goers to serve as guest critics.

Alla Tate Modern di Londra arriverà una super mostra di Claude Monet nel 2027

The Tate Modern in London has announced its 2027 program, headlined by the first solo exhibition ever dedicated by the institution to Claude Monet. Titled "Monet: Painting Time," the show opens on February 25, 2027, and explores the Impressionist founder's relationship with time against the backdrop of the industrial era. It will feature celebrated works and rarely seen canvases from international lenders, supported by Morgan Stanley and AI company Anthropic. The exhibition follows an initial presentation at the Musée de l'Orangerie in Paris starting September 30, 2026, which marks the centenary of Monet's death with 40 paintings from the Musée d'Orsay and Musée Marmottan, including a virtual reality component. The iconic Water Lilies series and the 1877 masterpiece "The Arrival of the Normandy Train, Gare Saint-Lazare" will travel to London.

Pussy Riot Storms Russia Pavilion at Venice Biennale

Pussy Riot staged a dramatic protest at the Russia Pavilion during the Venice Biennale, releasing pink smoke and waving Ukrainian flags while chanting slogans like 'Blood is Russia’s art.' Around 50 protesters, including members of Femen, occupied the area. Pussy Riot founder Nadya Tolokonnikova called for the pavilion to be closed and given to oppressed peoples, challenging Biennale president Pietrangelo Buttafuoco to meet her. The protest lasted about 20 minutes, with performers climbing the pavilion and exposing political slogans on their chests.

Pussy Riot and FEMEN Join Forces in Punk Protest in Venice: ‘Russia Kills! Biennale Exhibits!’

On Wednesday morning, Pussy Riot and FEMEN led a protest outside the Russian Pavilion at the 2026 Venice Biennale, chanting slogans like “Russia kills! Biennale exhibits!” and “Blood is Russia’s art!” Dozens of protesters, some in pink balaclavas and others bare-chested with floral crowns, gathered in the Giardini under light rain, carrying guitars and blasting punk rock and hip-hop. The action was organized by Nadya Tolokonnikova and other Pussy Riot members alongside FEMEN, a Ukrainian-founded women’s movement. They released pink, yellow, and blue smoke, and Tolokonnikova criticized the Biennale for allowing Russian participation while artists who oppose the war in Ukraine are imprisoned. She proposed an alternative exhibition, “Resistance Imprisoned,” currently on view in Strasbourg, featuring incarcerated artists.

The Revolutionary Tapestry of Nigerian Modernism

The exhibition "Nigerian Modernism" at Tate Modern in London is the first show of its kind in the UK, surveying how Nigerian artists forged a postcolonial identity across the 20th century. It features works by pioneers such as Aina Onabolu, Benedict Enwonwu, and members of the radical Zaria Art Society, including Uche Okeke, Jimo Akolo, and Clara Etso Ugbodaga-Ngu, highlighting their break from British artistic traditions and embrace of local visual heritage.

Early 2026 Art Books From Yale University Press

Yale University Press has announced its early 2026 art book lineup, featuring exhibition catalogues such as "Raphael: Sublime Poetry" from The Metropolitan Museum of Art, "Gwen John: Strange Beauties" from the Yale Center for British Art, "Edward Steichen and the Garden" from the George Eastman Museum, and "Frederic Church: Global Artist" from Olana NY State Historic Site. New releases also include a biography of Anni Albers by Nicholas Fox Weber, a catalogue titled "Anni Albers: Constructing Textiles" accompanying a European traveling exhibition, and Alyce Mahon's "Dorothea Tanning: A Surrealist Life," named a Best New Art Book of 2026 by Christie's. The press will hold a 50% off annual sale in May.

How Pussy Riot Is Challenging Russia’s Return to the Venice Biennale

The feminist art collective Pussy Riot is campaigning to replace the official Russian exhibition at the 2024 Venice Biennale with their own show, "Resistance Imprisoned." The alternative exhibition features art created by nearly 30 current and former political prisoners in Russia, using improvised materials like envelopes, bedding, and blood. The collective's founder, Nadya Tolokonnikova, aims to expose the country's repressive system, drawing from her own experience in a penal colony.

The Future of Museums Is a Dance Floor

Museums and art institutions are increasingly incorporating nightlife and rave culture into their programming, treating the dance floor as a site of cultural and political significance. Exhibitions like Steve McQueen's 2024 Dia Beacon show, the 2018 'Elements of Vogue' in Madrid, the Swiss National Museum's 2025 'Techno' exhibition, and the author's own 2025 curatorial project 'Rave into the Future: Art in Motion' at the Asian Art Museum demonstrate this institutional turn.

Michaelina Wautier Finally Known by Her Name

The Royal Academy of Arts in London has launched a monographic exhibition dedicated to Michaelina Wautier, a 17th-century Brussels-based painter whose work was misattributed to male contemporaries for centuries. Despite her mastery across diverse genres—including portraiture, floral still lifes, and large-scale history paintings typically reserved for men—her identity was obscured by patriarchal societal norms and a lack of biographical documentation. The show highlights her technical brilliance, notably in works like "The Triumph of Bacchus," which was long credited to male artists due to the era's restrictions on women studying nude models.