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Yoko Ono launches playable online chess bot.

Chess.com has launched a digital chess bot inspired by Yoko Ono’s seminal 1966 conceptual artwork, Play It By Trust. The game features an all-white board and pieces, mirroring the original installation where players eventually lose track of their own pieces, forcing them to collaborate or abandon the competitive nature of the game. The release coincides with Ono’s 93rd birthday and the digital debut of the Oscar-winning short film War Is Over!, which draws from her and John Lennon’s peace activism.

Was Jeffrey Epstein’s Copy of a Modernist Painting Available for Sale on eBay?

An eBay seller listed a giclée print of Kees van Dongen's painting "Femme Fatale" (ca. 1905), claiming it once hung above Jeffrey Epstein's desk in his Upper East Side townhouse. The listing, titled "Documented by Federal Prosecutors," sought $50,000 and reached $25,000 in bidding before eBay removed it for violating its policies. The print had previously sold at Millea Bros. Auctioneers for $275. The New York Post first reported the listing, which referenced federal documentation of Epstein's art collection.

Raghu Rai’s masterful images of Indian life – in pictures

Raghu Rai, the celebrated Indian photographer who was recruited to Magnum Photos by Henri Cartier-Bresson in 1977, has died at the age of 83. Over five decades, he produced defining images of Indian life, ranging from intimate portraits of Mother Teresa to stark documentation of the Bhopal disaster. His work captured both the grand and the everyday, from crowds at Mumbai's Churchgate railway station to slums in Dharavi, and he published more than 18 books, receiving multiple awards for his unflinching human gaze.

artist solange pessoa aspen art museum

Cultured magazine interviews Brazilian artist Solange Pessoa about her new exhibition "Catch the sun with your hand" at the Aspen Art Museum, on view through October 26. The conversation explores parallels between Aspen's mining history and her home region of Minas Gerais, Brazil, her use of organic materials like blood and hair, her stone collection, and the sense of incompleteness in her process-based work. The exhibition features carved soapstone sculptures on the museum's roof and works inside that engage with crystals and silver.

frida kahlo art missing at casa azul allegations

Hilda Trujillo Soto, the former longtime director of the Museo Frida Kahlo (Casa Azul), has alleged that numerous artworks by Frida Kahlo are missing from the museum's collection and may have been sold at auction in the U.S. to private collectors. In a blog post, she accused the Casa Azul board of ignoring evidence of missing art uncovered during her 18-year tenure, and claimed that the sale or transfer of works from the Diego Rivera inventory would violate both the artist's bequest to the people of Mexico and Mexican law. Several missing works, including the painting *Peoples' Congress for Peace* (1952), which sold for $2.66 million at Sotheby's in 2020, appear to have passed through Mary-Anne Martin Fine Art in New York.

Poppy Jones “Frozen Sun” at Towner Eastbourne

Poppy Jones presents "Frozen Sun," a solo exhibition at Towner Eastbourne featuring her signature still lifes on repurposed textiles. The show includes a concise selection of her aluminum-framed works that blur the line between painting and object, alongside several new, larger pieces she has been developing in her studio.

Indian Art In London: Sakshi Gallery Marks 40 Years With Landmark Show By Contemporary Indian Artists This June

Sakshi Gallery, a Mumbai-based gallery founded in 1986 by Geetha Mehra, is presenting a contemporary art show titled 'Unfolding Narratives: Perspectives in Contemporary Indian Art' at London's Mall Galleries from June 30 to July 8, 2026, marking its 40th anniversary. The exhibition features works by six artists—Amit Ambalal, Manjunath Kamath, Ravinder Reddy, Rekha Rodwittiya, Shine Shivan, and Surendran Nair—with several pieces created specifically for the show. It serves as a prelude to a larger institutional exhibition planned for 2027 in London.

Three artists, three questions: Immersed in colors

Three Israeli artists—Vera Kunis, Avraham Kan, and Tal Tenne Czaczkes—are featured in a column exploring their use of color amid the ongoing war with Iran. Kunis, a data engineer and artist, opened her first solo exhibition, "Imagination Algorithm," at the Global Art Gallery in Tel Aviv on March 10, 2026, during the conflict. The interview was conducted remotely due to war conditions, with a siren interrupting the conversation. The artists discuss their inspirations, definitions of art, and what makes their work unique, emphasizing resilience and optimism through color.

Richmond exhibitions to check out as art comes into bloom

A guide highlights several art exhibitions and events opening across Richmond, Virginia, this spring. It lists shows at the Virginia Museum of Fine Arts (VMFA), Southside Contemporary Art Gallery, Gallery5, the Visual Arts Center of Richmond (VisArts), Anne's Vital Art Studio Gallery, and Quirk Gallery, covering a range from historical prints and portraiture to contemporary emerging artists, activist art, and an annual auction.

May 2026 Exhibitions

Several galleries and a museum in Columbus's Short North arts district are opening new exhibitions for May 2026. Highlights include a women's group show at Sean Christopher Gallery Ohio, environmental abstract paintings by Annette Poitau at Marcia Evans Gallery, a spring-themed solo exhibition by Amy Adams at Sharon Weiss Gallery, and a salon exhibition at 24 Lincoln St. Gallery & Art Studios. The Columbus Museum of Art at the Pizzuti is presenting the first U.S. museum survey of Bahamian conceptual artist Tavares Strachan, featuring his 'Encyclopedia of Invisibility'.

Arty Parties: Your Guide to September's First Friday in Denver

Denver’s art scene is preparing for a busy spring and summer season with a series of exhibition openings, market events, and institutional announcements. Key highlights include the selection of six fellows for the 2026 Clyfford Still Museum Institute Residential Fellowship, a nationwide open call for the Dairy Arts Center’s 2027 season, and several new gallery shows featuring artists such as Stacey Steers, Kim Dickey, and Deanne Gertner. Local advocacy is also in focus as the RiNo Art District supports Colorado Senate Bill 26-133, which aims to establish a formal legal structure for artist-led companies.

Important private collections feature in Strauss & Co March sales of modern and contemporary

Strauss & Co has announced its upcoming Evening Sale of Modern and Contemporary Art scheduled for March 24, 2026. The auction features 96 lots, headlined by significant private consignments including the Stan and Li Boiskin Art Collection and the Patricia Fine Art Collection. High-value works from South African masters such as Irma Stern, J. H. Pierneef, and Gerard Sekoto will lead the sale alongside a robust selection of contemporary pieces by artists like William Kentridge and Mary Sibande.

Late British artist Lynn Chadwick to be focus of major retrospective at UK’s Houghton Hall

The late British sculptor Lynn Chadwick will be the subject of a major retrospective at Houghton Hall in Norfolk, running from May to October. Organized by Pangolin London, the exhibition features 30 works spanning four decades, including his signature kinetic sculptures and iconic "couples" figures, with several pieces coming directly from the artist's estate.

Toyota Tsusho Celebrates Five Award Recipients of THE TOYOTA TSUSHO CFAO African Art Award

Toyota Tsusho Corporation and its subsidiary CFAO SAS have announced the five inaugural winners of the Toyota Tsusho CFAO African Art Award. Zimbabwean mixed-media artist Moffat Takadiwa received the Grand Prize, while Gosette Lubondo and Unathi Mkonto were honored with Distinguished Awards. The selection process involved 35 international art professionals who nominated 100 artists, eventually narrowing the field to 12 finalists before selecting the five winners across various categories including painting and photography.

Australia’s coal city flexes culture muscle with major gallery expansion

Newcastle Art Gallery has officially reopened following a A$47 million ($33 million) expansion that more than doubles its exhibition space. The redevelopment, designed by Clare Design and Smith and Tzannes Architects, transforms the venue into the largest public art institution in New South Wales outside of Sydney. The opening is celebrated with the exhibition "Iconic Loved Unexpected," featuring 500 works from a permanent collection of 7,000 pieces, including significant Japanese ceramics and works by artists such as Auguste Rodin and Emily Kam Kngwarray.

Plan Your Travel Year: 8 Art Shows Worth Traveling for This Year

Major museums across the United States are launching significant exhibitions in 2026, including retrospectives of Frida Kahlo in Houston and Nick Cave in Washington, D.C., and a landmark show on sculptor Edmonia Lewis in Salem. These shows are part of a broader cultural moment, with many institutions mounting exhibitions to coincide with the nation's 250th anniversary, aiming to reframe art historical narratives and highlight previously overlooked artists.

Date announced to celebrate landmark reopening of Newcastle Art Gallery

Newcastle Art Gallery will celebrate its landmark reopening on February 27, 2026, with a street party and temporary sculpture park on Laman Street, followed by a three-day opening weekend. The event launches the major exhibition "Iconic Loved Unexpected" on February 28. The expansion, the largest capital works project in City of Newcastle's history, adds 1,600 square meters of exhibition space and 13 galleries, making it the largest public art institution in New South Wales outside Sydney. The project was funded through 16 years of fundraising and perseverance.

Young at art: inside Frieze London's Focus section

Frieze London's Focus section, dedicated to galleries aged 12 years or younger, features six standout booths showcasing diverse materials and themes. Artists include Alex Margo Arden (with mannequins from the National Motor Museum), Luís Lázaro Matos (a queer myth of a stranded beluga whale), Rim Park (plant anatomy reliefs and etchings), Lara Fluxà (precarious glass and tar sculptures), and Delaine Le Bas (calico fabric works with protest messages). The section is noted for its variety beyond painting, with climate breakdown emerging as a recurring theme among younger artists.

What to see in Seoul during Frieze: from Adrián Villar Rojas's confrontational sculptures to an examination of melancholy

The article highlights several must-see exhibitions in Seoul during Frieze week. Adrián Villar Rojas transforms Art Sonje Center with his immersive exhibition "The Language of the Enemy," featuring large-scale installations from his ongoing series "The End of Imagination" that strip the museum to a primordial state. At Gallery Hyundai, Kang Seung Lee and Candice Lin present a two-person show "Not I, not I, but the wind that blows through me," exploring queer histories and colonial legacies through drawing, embroidery, and experimental materials. Meanwhile, sculptor Hyun Nahm debuts a new body of work at Whistle in "Nest in the Field," moving away from his signature tower forms to angular iron-powder sculptures shaped by magnetic fields.

Art in Wisconsin: A Guide for Collectors, Curators and the Curious

This article, written by Brian Hieggelke, serves as an editorial introduction to a special issue focused on the visual art scene in Wisconsin. It contrasts the state's art world with that of neighboring Illinois, highlighting Wisconsin's unique, friendly quirkiness and its abundance of self-taught artists. The piece recounts a visit to the inaugural Door County Contemporary art fair in Fish Creek, noting the small scale but immense charm, and the multi-hyphenate nature of Wisconsin's art players who are simultaneously artists, gallerists, and writers. The article then provides a table of contents for the issue, covering topics from the Kohler Arts Residency to the Wisconsin Museum of Quilts and Fiber Arts, and introduces several contributors including artists, writers, and educators.

The Myth of the “Emerging” Black Artist: Ageism and Access in the Art World

The article, written by Chenoa Baker, critiques the art world's labeling system that categorizes artists as emerging, mid-career, or established. It argues that these labels are particularly harmful to Black artists, who are often kept in the "emerging" category for years despite significant achievements, collections, and decades of practice. The piece highlights the cases of Cheryl Miller, a self-taught analog photographer whose work is held by major institutions yet who had to "re-emerge" after relocating, and Ifé Franklin, a queer Black artist whose career was sidelined by systemic erasure and who is now being honored as an "elder" artist. The article connects these labels to ageism, lack of access to elite schools and galleries, and the undervaluing of self-taught artists and those working outside traditional art centers.

Various Small Fires OC pulls back the Orange Curtain in Tustin

Various Small Fires (VSF) founder Esther Kim Varet opened a new gallery space, VSF OC, in Tustin, Orange County, in April 2025. The inaugural exhibition, “The Orange Curtain,” features Southern California contemporary artists Edwin Arzeta, Jackie Castillo, and Marcel Alcalá, all born and raised in Orange County. Curated by Varet, the show explores the cultural and political divide between Orange County and Los Angeles, and runs through May 31. The opening drew local art leaders, collectors, and families, including Heidi Zuckerman, CEO of the Orange County Museum of Art.

‘Ugly’ but ‘beautiful’: LACMA finally unveils controversial new Geffen Galleries — was it worth the wait?

The Los Angeles County Museum of Art (LACMA) has finally unveiled its new David Geffen Galleries, a $724 million concrete and glass structure designed by Swiss architect Peter Zumthor. Spanning Wilshire Boulevard, the 110,000-square-foot elevated gallery space will house 1,700 works from the museum’s permanent collection, including masterpieces by Francis Bacon, Henri Matisse, and Katsushika Hokusai. The building is scheduled to open to the public on April 19, marking the completion of a massive campus expansion that has been nearly two decades in the making.

Angela de la Cruz review – wonky chairs and busted pianos are monuments to resilience

Angela de la Cruz's solo exhibition "Upright" at Birmingham's Ikon gallery presents a collection of broken and mended artworks. Her canvases are crumpled, folded, and snapped, while sculptures are assembled from precarious junk like a three-legged chair on a stool and a piano stacked atop another. The works, though appearing on the verge of collapse, are all repaired and propped back up, reflecting a state of post-collapse resilience.

munich lohaus sominsky expands to tribeca

Munich-based gallery Lohaus Sominsky, founded by Ingrid Lohaus and Sofia Sominsky, will open its first New York space at 62 White Street in Tribeca next month. The inaugural exhibition, featuring new paintings and a site-specific installation by Berlin-based artist Charlie Stein, opens December 11, shortly after the gallery participates in Art Basel Miami Beach for the first time. The expansion follows three years of operations in Munich, where the gallery has mounted over 18 exhibitions with an international roster including Vera Molnár and Phoebe Derlee.

art market reporting doom coverage

Artnet News released its mid-year intelligence report on the art market, led by Katya Kazakina's analysis titled “The Storm Hits the Art Market: Who’s Getting Swept Away?” The article cites major gallery closures including Blum, Venus Over Manhattan, and Kasmin, and quotes a collector warning that “blood will flow in the streets” before the market recalibrates. Kenny Schachter, an artist, dealer, and Artnet columnist, publicly criticized the coverage on Instagram, calling it alarmist and arguing that the market is “fucking fine.” The exchange has sparked a debate about the fairness and responsibility of art-market reporting.

frieze launches new seoul space

Frieze has announced the launch of Frieze House Seoul, a year-round exhibition and project space in the Yaksu-dong neighborhood, set to open alongside the fourth edition of Frieze Seoul from September 3 to 6, 2025. Housed in a four-story building dating from 1988, the venue will host short-term gallery residencies, special projects, and curated exhibitions beyond the fair dates, and features a permanent site-specific installation by SANAA founders Kazuyo Sejima and Ryue Nishizawa. The news comes as Frieze works to extend its five-year partnership with Kiaf, the fair run by the Galleries Association of Korea, which began in 2022 and is set to expire in 2026.

“New Contemporaries” at South London Gallery

New Contemporaries has announced its 2026 annual exhibition, which will be a touring show presented at the South London Gallery and MIMA in Middlesbrough. The exhibition will feature 26 emerging and early-career artists from across the UK, selected by a panel of established artists.

Faig Ahmed on Representing Azerbaijan at the 61st Venice Biennale

Artist Faig Ahmed will represent Azerbaijan at the 61st Venice Biennale in 2026 with a project exploring the intersections of mystical poetry and quantum physics. Located in the Campo de la Tana, the pavilion aims to create a contemplative space where technology and ancient oral traditions facilitate a personal dialogue for the viewer. Ahmed’s presentation responds to the Biennale’s overarching theme, 'In Minor Keys,' by focusing on subtle, often overlooked phenomena.

San Juan’s Artists Are Shaping Puerto Rico’s Cultural Future One Space at a Time

Larissa De Jesús Negrón and other Puerto Rican artists are driving a cultural renaissance in San Juan, with grassroots galleries, collectives, and adaptive institutions redefining how art is produced and shared. This surge follows Hurricane Maria and the pandemic, bolstered by global attention from figures like Bad Bunny and exhibitions such as the 2023 Whitney show "no existe un mundo poshuracán." Art dealer Walter Otero notes that the scene has strengthened through local residencies, fellowships, and Puerto Rican curators in U.S. institutions, while spaces like EMBAJADA, founded by Christopher Rivera and Manuela Paz, reject the white-cube model to engage broader local audiences.